49 Birthday Candles Traded for One Onion Volcano

Hibachi-style onion volcano.

Burn, onions, BURN! Entertain me with your flames before you’re all hacked apart, divided among our plates, then mostly dumped back onto mine because my wife and son hate onions!

For the past several years my wife Anne and I have made a tradition of going somewhere — anywhere but home — for each of our birthdays. One-day road trips and events, such as 2019’s tour of the Art Institute of Chicago, give me the gift of new experiences and distract me from the physical decay at hand.

Previously on Midlife Crisis Crossover: last year my birthday trip was among the billions of traditions ruined by the pandemic, all of which paled in significance to the millions of lives lost (and still counting). We spent the entire weekend amusing ourselves at home so, Lord willing, I might survive to see the next birthday. In that sense TakeOutCon 2020 achieved its stated goals but will not become one of our household traditions. If the pandemic somehow spawns a sequel and a TakeOutCon encore becomes necessary in some future year, I will blame you, humanity.

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The Post-Vax Celebration Breakfast and Field Test

truffled egg tartine!

You can either read all the paragraphs I went to the trouble of writing or simply brake here for a photo of truffled egg tartine — sous vide poached egg with roasted asparagus, truffle oil, tiny bottarga dollops, Fontina cheese, preserved lemon and microgreens.

Are you as tired of reading about the pandemic as I am of mentioning it in nearly every single post here? Wouldn’t it be great if I could move on? And if we as a planet could move on? It hasn’t happened yet, but we can dream of that future while we wallow in the mortal dystopia of Pandemica, because emotional multitasking is among our coronavirus-era coping mechanisms.

As with many an arduous journey, the path to the After Times will be a series of baby steps. And someone has to go forth and be those stepping babies.

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Tiptoeing Back into the House of the Lord

Purple lights at worship service.

Our view of a perfectly wasted opportunity for someone to improv a Christian pop song called “Purple Reign”.

Previously on Midlife Crisis Crossover: pandemic pandemic bo-bandemic, banana-rama-fo-fandemic, fee fi mo mandemic: pandemic! It’s sucked beyond all calculable orders of magnitude, has put people we know in the hospital or the grave, and currently rated a negative-ten-million percent on the Tomatometer.

Then amid Worst Year Ever, a ray of hope: the vaccines arrived. Then amid our ray of hope, penetrating lasers of inky darkness: a media and populace that simultaneously embrace vaccines and distrust them at the same time. And I’m not talking about the deniers shrieking at us from their log-cabin schoolhouses with tinfoil roofs, boasting how they’re more interested in preserving their reckless impunity than achieving herd immunity. No, I’m talking about the ostensible “good guys”:

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Happy 9th Anniversary to My Tiny Wordy Hideaway

Chocolate cupcake with a #9 candle.

“TREAT YO’SELF!” one of the voices in my head yelled as I threw myself a cupcake party.

Previously on Midlife Crisis Crossover: I launched this li’l site on April 28, 2012, three weeks before my 40th birthday as a means of charting the effects of the aging process on my opinions of, enthusiasm for, offense at, and/or detailed nitpicking of various works of art, expression, humanity, inhumanity, glory, love, idolatry, inspiration, hollowness, geek lifestyles, food, and Deep Thoughts. MCC has also served as a digital scrapbook for our annual road trips, entertainment conventions, and other modest travels. It’s a general repository for any other content that strikes my fancy and inspires thoughts more than one tweet long.

Basically it’s me me me me me, plus special appearances and other invaluable contributions from Anne, my wife of 16 years and #1 fan. When the most tedious entries yield the poorest traffic figures, she still thinks I’m cool.

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MCC Live-Tweeting: The Oscars 2021 Pandemic Dinner Theater

Oscars 2021 telecast title card.

At least not all the awards went to white folks this year, so there’s that.

At a cozy and snappy 217 minutes (two minutes longer than last year’s), the 93rd Academy Awards went hostless for its third straight year in its very special pandemic edition co-produced by director Steven Soderbergh. A maximum of 170 guests were allowed into an auditorium furnished like a company Christmas party inside L.A.’s Union Station, while all the European nominees who cared to participate holed up in a rented UK theater, and someone let Bryan Cranston have the Kodak Theater all to himself. In pre-show interviews Soderbergh insisted strict COVID-19 protocols were in place, same as they’re using for current Hollywood productions, and AMPAS president David Rubin swore from the red carpet that everyone was “100% safe”. Here’s hoping all the scaled-down glitz and glamour wasn’t for the sake of an awkward super-spreader event.

(Occasionally a mask could be seen in the crowd. At one point the camera lingered on a seated, masked Frances McDormand glowering in repose. She was among the few celebs I spotted taking measures for the public to see. In that one moment, at least.)

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Oscars Quest 2021: All the Other Viewing I Could Fit In Before the Big Event

Promising Young Woman, Carey Mulligan

Do you…like to watch?

Previously on Midlife Crisis Crossover:

It’s that time again! Longtime MCC readers know this time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1988 to the present, many of which were worth the hunt. The eight nominees for Best Picture of the Pandemic Year may pose more of a viewing challenge…

Whenever I’ve been away from here over the past six weeks, I was either hiding out in Skyrim again, getting a good night’s sleep because I’m needing those more than ever, or seeing how many of this year’s Oscar nominees I could watch. Many were on streaming services to which I already subscribe. Two were released on Redbox for us old folks who like physical media. Some were available for rental on Vudu or YouTube, though those were lowest priority. Five nominees were sadly, annoyingly beyond my grasp on services not in our household (three were exclusive to Amazon Prime, two to Apple TV). Otherwise, I was willing to let myself get carried away. I arguably did.

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The MCC 2021 Oscar-Nominated Documentary Revue

Ann Cupolo Freeman from "Crip Camp".

Retired social worker and physical rehab specialist Ann Cupolo Freeman, among the many campers who grew up to become activists in Netflix’s Crip Camp.

Previously on Midlife Crisis Crossover:

It’s that time again! Longtime MCC readers know this time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1988 to the present, many of which were worth the hunt. The eight nominees for Best Picture of the Pandemic Year may pose more of a viewing challenge…

In my youth and young-adulthood, seeing any of the Oscar-nominated documentaries before the ceremonies was usually impossible. Or after the ceremonies, for that matter. Streaming media changed the game and broadened access and opportunities for ordinary viewers even before the pandemic turned the convenience into a lifesaver. I’ve yet to enjoy a year in which all the nominees for Best Documentary Short Film or Best Documentary Feature were universally clickable, but the percentages have been generously high. It’s been fun seeing how many I could chase down legally without overpaying for the privilege.

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The MCC 2021 Oscar-Nominated Live-Action Short Film Revue

"Two Distant Strangers" short film

Two strangers from “Two Distant Strangers”, but not the actual distant ones in the title. Points for dramatic irony.

Previously on Midlife Crisis Crossover

Each year since 2009 my wife Anne and I have paid a visit to our city’s singular, fully dedicated art-film theater to view the big-screen release of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but we appreciate this opportunity to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether we agree with their collective opinions or not.

This year’s environment threw a wrench into the works. On the bright side, by the end of the pandemic Indianapolis may have as many as three such theaters to its credit if our old standby and the two hopeful newcomers can stay solvent till then. On the downside…well, there’s that notorious pandemic. Unlike certain Best Picture producers we could denigrate here, the folks at Shorts.tv, which packages the nominees for theatrical release each year, realizes not everyone is ready for theaters yet, and won’t be for a good while to come, not even for Oscars season. In their benevolent cognizance they made special arrangements to let email followers of participating theaters rent streaming access to this year’s shorts for a limited time and a fair price, with the respective theaters receiving a cut of our proceeds. Those theaters get a little help living a little longer, and in exchange so do we…

Our annual shorts rundowns continue with the Live-Action Short Film nominees, ranked from Most Adrenalizing to Most Side-Eyed. Relevant links are included where applicable. As a value-added bonus, the following week after the Oscar Shorts were released in theaters, our first two nominees hit Netflix and increased their potential audience hundredfold.

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The MCC 2021 Oscar-Nominated Animated Short Film Revue

Mole and bunny from "Burrow".

In my mind the mole is lecturing the bunny about his code violations in the voice of John Ratzenberger from House II: The Second Story.

Previously on Midlife Crisis Crossover:

It’s that time again! Longtime MCC readers know this time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1988 to the present, many of which were worth the hunt. The eight nominees for Best Picture of the Pandemic Year may pose more of a viewing challenge…

Each year since 2009 my wife Anne and I have paid a visit to our city’s singular, fully dedicated art-film theater to view the big-screen release of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but we appreciate this opportunity to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether we agree with their collective opinions or not.

This year’s environment threw a wrench into the works. On the bright side, by the end of the pandemic Indianapolis may have as many as three such theaters to its credit if our old standby and the two hopeful newcomers can stay solvent till then. On the downside…well, there’s that notorious pandemic. Unlike certain Best Picture producers we could denigrate here, the folks at Shorts.tv, which packages the nominees for theatrical release each year, realizes not everyone is ready for theaters yet, and won’t be for a good while to come, not even for Oscars season. In their benevolent cognizance they made special arrangements to let email followers of participating theaters rent streaming access to this year’s shorts for a limited time and a fair price, with the respective theaters receiving a cut of our proceeds. Those theaters get a little help living a little longer, and in exchange so do we.

Our annual shorts rundowns begin with the Animated Short Film nominees. I’d offer links to watch them if I could, but nominees in this category are traditionally removed from their previous posts until sometime after the awards are over. I also usually rank them, but this year’s lineup were so apples-and-oranges that I’m sticking with unhelpful alphabetical order because no one’s forcing me to rank things and in this case I don’t feel like it. Onward!

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“Sound of Metal” and the Beat of a Different Drum

Riz Ahmed in "Sound of Metal".

I honestly thought all the band T-shirts in this film were fake till they brought out one with Einstürzende Neubauten. Them I recognize.

Previously on Midlife Crisis Crossover:

It’s that time again! Longtime MCC readers know this time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1988 to the present, many of which were worth the hunt. The eight nominees for Best Picture of the Pandemic Year may pose more of a viewing challenge…

Of all the Best Picture nominees I hadn’t seen prior to nominations, Sound of Metal was among the 2020 films I’d been most eagerly anticipating even if AMPAS had snubbed it. I was denied the chance to see it in its exclusive Amazon Prime cage, as one of maybe six Americans who refuse to subscribe out of a sense of monopoly subsidy fatigue. (There’s also my personal rule that I never, ever pay monthly or annual fees for shopping perks, which is equally confounding to Amazon and Barnes & Noble.) As is the annual Oscars season tradition, post-nom Metal was re-released to exactly one (1) local theater, in case any non-subscribers wanted to catch up mid-pandemic. My son and I lucked into a Monday night showing entirely to ourselves without paying AMC a $100-$200 private screening fee. Chalk up another win to my non-patented four-step H.I.D.E. method for pandemic theater survival.

The ironies compounded as we went. I was anxious to immerse myself in a theatrical speaker setting to experience the unparalleled sound design of a simulated world of encroaching deafness. And just as we were alone in the theater, so did Our Hero grow increasingly alone in his own world — sometimes though not always through no fault of his own.

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Emerging From Tombs

My wife after getting her second Pfizer vaccine.

Anne proudly remembering to grab herself a validation sticker after failing to on the first go-around.

Previously on Midlife Crisis Crossover: pandemic. Pandemic! PANDEMIC! How much longer, we all wonder? When will we as a planet — or at least as a country, or really just statewide would be nice — reach that quixotic goal of “herd immunity”? When can we go back to wandering within 2-3 feet of each other and resume absentmindedly taking everyday life for granted again? For us, Easter weekend represented another stepping stone toward that goal.

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My 2021 Reading Stacks #2

Alex Trebek's memoir

Courtesy of our local library, another renowned repository of knowledge, learning, and accumulated experiences.

Previously on Midlife Crisis Crossover:

Welcome once again to our recurring MCC feature in which I scribble capsule reviews of everything I’ve read lately that was published in a physical format over a certain page count with a squarebound spine on it — novels, original graphic novels, trade paperbacks, infrequent nonfiction dalliances, and so on. Due to the way I structure my media-consumption time blocks, the list will always feature more graphic novels than works of prose and pure text, though I do try to diversify my literary diet as time and acquisitions permit.

Occasionally I’ll sneak in a contemporary review if I’ve gone out of my way to buy and read something brand new. Every so often I’ll borrow from my wife or from our local library. But the majority of our spotlighted works are presented years after the rest of the world already finished and moved on from them because I’m drawing from my vast unread pile that presently occupies four oversize shelves comprising thirty-three years of uncontrolled book shopping. I’ve occasionally pruned the pile, but as you can imagine, cut out one unread book and three more take its place.

I’ve previously written why I don’t do eBooks. Perhaps someday I’ll also explain why these capsules are exclusive to MCC and not shared on Amazon, Goodreads, or other sites where their authors might prefer I’d share them. In the meantime, here’s me and my recent reading results…

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“Judas and the Black Messiah” and the Madding Crowd

Daniel Kaluuya in "Judas and the Black Messiah".

Knock knock, America.

Previously on Midlife Crisis Crossover:

It’s that time again! Longtime MCC readers know this time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1988 to the present, many of which were worth the hunt. The eight nominees for Best Picture of the Pandemic Year may pose more of a viewing challenge…

I don’t subscribe to either HBO or HBO Max and try not to get attached to their programming announcements. That’s included everything from Jumbo Largo Justice League to Judas and the Black Messiah, despite the latter’s two awesome lead actors.  When it was announced as one of this year’s eight Best Picture nominees, I had a quandary on my hands: do I (a) wait for the eventual release on other home video platforms (as will be granted next week to Wonder Woman 1984), even if that means waiting till after the Oscars ceremony on April 25th; (b) sign up for a free HBO Max trial and pull the plug seconds before the first charge hits my credit card; or (c) see it in theaters and take every possible measure to avoid the COVID?

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Our Retroactive “Nomadland” Vacation Memories

Frances McDormand and friend in "Nomadland"/

“We’ll keep pushin’ till it’s understood / And these Badlands start treating us good…”

It’s that time again! Longtime MCC readers know this time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. One of my few accomplishments in 2020 was at long last filling a gap in my list by catching the elusive 1996 nominee Secrets and Lies, which had been out of print for ages but of course is just now scheduled for a Criterion physical release at the end of this very month. Regardless, having crossed that off, I can now say I’ve seen every Best Picture nominee from 1988 to the present, many of which were worth the hunt, Secrets and Lies enthusiastically included.

The eight nominees for Best Picture of the Pandemic Year may pose more of a viewing challenge. In a standard Oscar season, the Best Picture nominees would be re-released to theaters for a limited time, I’d run out and see each one, and that would be that, a bit costly but easy-peasy. Since March 2020 I’ve walked into theaters exactly twice (which each left me frustrated and disappointed) and haven’t been eager to test those revolutionary new air filtration systems or the other patrons’ pandemic manners. Using my four-step listicled viewing method helped calm my fears and, I think, helped not to get myself or my family killed, so it wasn’t all for naught. I’m not sure how many more times I feel like tempting fate. Getting fully vaccinated would allay all remaining concerns, but as my schedule happens to be working out, I won’t reach peak immunization (i.e., 14 days after my second Pfizer shot) until literally the day before the Oscars.

By the end of 2020 I’d seen Mank and The Trial of the Chicago 7 of my own accord. Two weeks prior to the nomination announcement on March 15th I caught a third nominee in advance, certain that it was a lock for a nomination based on its universal critical acclaim — Nomadland, the one with Two-Time Academy Award Winner Frances McDormand, from the director of Marvel’s eventually forthcoming Eternals. The Powers That Be were kind enough to release it on Hulu as well as in theaters. I appreciated the humane gesture, and was surprised to see several scenes were filmed in locations familiar to me and to longtime MCC readers who’ve followed along on our road trip experiences.

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A Sunday Brunch Between Hope and Impatience

Pandemic Dining.

The lovely lady and stalwart companion peruses the menu in a dining room section we nearly have all to ourselves.

Previously on Midlife Crisis Crossover: over the past several months my wife Anne and I have made infrequent outings to local restaurants using the guidelines I set forth in my previous listicle about how we do pandemic dining without getting killed or killing others. The TL;DR version:

  • Masks, masks, masks, masks for for all the reasons
  • Multinational chains will survive without us, so aim for locals
  • Just the two of us, no guests from other households
  • Places that take reservations generally plan better, so make them
  • Eat pricey for maximum desertion
  • Eat during slow hours when no one else is eating
  • Don’t overstay the welcome

Last Sunday morning we stepped out of the house again. In a way, we had cause for celebration. That phrase hasn’t come up for us often during the COVID-19 pandemic.

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Should We Have Taken a “One Year Later” Time Jump to Today?

covers from DC Comics "One Year Later", 2006!

I had four of these six issues. In hindsight I wish I’d gone out of my way for the covers by Adam Hughes and Jock. Alas, that time has passed.

Once upon a time in 2006, The Powers That Be at DC Comics continued their tradition of biannual publishing stunts with “One Year Later”, in which all ongoing series leapt forward in time twelve full months, dropped their heroes into weird new scenarios with no initial explanations, then kept the stories moving forward from there while occasionally braking for flashbacks to all the important events that messed up the status quo during the year they skipped. As superheroic special events go, it was kindasorta fun for about ten minutes till the next publishing stunt came along.

Meanwhile this past weekend, my social media feeds have been filled with friends, family, strangers and other users reminiscing of the Before Times way back when — whether wistfully or ruefully — all recalling “one year ago today” and “this time last year” and other non-milestones before the world was upended by horrid little microorganisms that exploited our weaknesses, and not just the physiological ones.

If you had the option to skip the past twelve months in real life so you wouldn’t have to have lived it one minute at a time, one failure at a time, one agony at a time, one calamity at a time…how confused would you be if your timeline ended “this time last year” and then you returned to your story today, and your supporting cast had to catch you up on everything you missed?

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24 Super Awesome “WandaVision” Clickbait Articles You Can’t Live Without

WandaVision!

America’s sweethearts! Live before a transfixed audience with or without lockdown orders.

If you’ve opened an internet device within the past two months, chances are you’ve been inundated with discussions, arguments, and most importantly nonstop headlines about the latest Disney+ series to mesmerize the nation, Marvel’s WandaVision. Thanks to the pandemic this nine-episode miniseries is the first new Marvel Cinematic Universe story we’ve been allowed to watch since Spider-Man: Far From Home was released in theaters, if you can remember those from your childhood. Picking up the pieces of Avengers: Endgame and everything that led up to it…well, I could assume you’re not watching it and need me to summarize its premise, but will it help? Will this make it more tempting to you? Now that the MCU is bogged down in a dozen years of its own increasingly insular continuity, take it on faith my rinky-dink one-man site is not the set of buggy steps you’d need to hop on board this bandwagon.

Nevertheless, WandaVision fever is sweeping the nation faster than that other, deadlier joykilling fever that’s been all the rage over the past year. Everyone loves WandaVision so much that WandaVision news, reviews, rumors, and contrived WandaVision bloviations are now a cottage industry unto themselves, particularly on geek news sites that thrive on new content including but not limited to speculative prattle about geek products that people are actually consuming and enjoying en masse, as opposed to the poorly selling comic books that made them possible. Try Googling any topic today and the first five search results will tell you how that topic relates to WandaVision. Day or night, geeks or norms, social media or niche sites, everything’s coming up WandaVision, WandaVision, WandaVision.

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Our 2003 Road Trip: The Lost Photos

Yosemite Sam statue at Six Flags America.

Hanging out at Six Flags America with Yosemite Sam and avoiding the fashion police in my backwards cap, fanny pack, and souvenir T-shirt from our 2000 road trip to a sci-fi convention in St. Louis.

Previously on Midlife Crisis Crossover:

Every year since 1999 Anne and I have taken a road trip to a different part of the United States and seen attractions, wonders, and events we didn’t have back home in Indianapolis. From 1999 to 2003 we did so as best friends; from 2004 to the present, as husband and wife. My son tagged along from 2003 until 2013 when he ventured off to college.

Sure, a lot of couples prefer to spend their downtime at the nearest beach, book passage on a cruise, or max out their credit cards on a Paris dream trip. We have our own agenda. Finding creative ways to spend quality time together. Searching for tourism options that wouldn’t occur to our peers. Digging for gems in unusual places — sometimes geek-related, sometimes peculiar, sometimes normal yet above average. We’re the Goldens. This is who we are and what we do.

We’ve shared stories and photos from all our annual excursions here on MCC. The experiences that predated this site were recaptured in hindsight from the photos, memories, and previous online write-ups at our disposal. In a few cases our archival searches were disappointing, as we could’ve sworn we took more photos than what we found. Once I’d finished reposting every single vacation, I assumed that was that and moved on. Then a few months ago, Anne happened to be combing our library for something and stumbled across a pair of forgotten, small, old-fashioned photo albums that had been buried behind or beneath other albums and scrapbooks in some overshadowed nook. Within those mini-albums we rediscovered a secret stash of unused pics from our 2003 road trip to Washington, DC. Suddenly my completed online project had a gaping hole in it.

Mind you, they’re not the best photos ever. They were taken by amateurs on cheap cameras using 35mm film before we switched exclusively to digital photos in 2009. No one was filling our inboxes with requests to revisit our road trips. But in my mind, now that I can see these did exist after all, the omission of these unintentional outtakes leaves the original MCC miniseries incomplete. And the older we get, the more excited we get at the thought of restoring missing memories, grit and blurs and all.

Presented here, then, are bonus images from that time my best friend and I drove my son out to DC, learned a bit of American history, found a lot of places shut down for post-9/11 renovations, walked too many miles, and came to hate Subway sandwiches because it was the only cheap restaurant we could find near our hotel.

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My 2021 Reading Stacks #1

Owen Books 2020!

Two different 2020 releases, each about a youngster named Owen who acquires great power that makes others jealous, but only one of them can handle it.

Welcome once again to our recurring MCC feature in which I scribble capsule reviews of everything I’ve read lately that was published in a physical format over a certain page count with a squarebound spine on it — novels, original graphic novels, trade paperbacks, infrequent nonfiction dalliances, and so on. Due to the way I structure my media-consumption time blocks, the list will always feature more graphic novels than works of prose and pure text, though I do try to diversify my literary diet as time and acquisitions permit.

Occasionally I’ll sneak in a contemporary review if I’ve gone out of my way to buy and read something brand new. Every so often I’ll borrow from my wife or from our local library. But the majority of our spotlighted works are presented years after the rest of the world already finished and moved on from them because I’m drawing from my vast unread pile that presently occupies four oversize shelves comprising thirty-three years of uncontrolled book shopping. I’ve occasionally pruned the pile, but as you can imagine, give away one unread book and three more take its place.

I’ve previously written why I don’t do eBooks. Perhaps someday I’ll also explain why these capsules are exclusive to MCC and not shared on Amazon, Goodreads, or other sites where their authors might prefer I’d share them. In the meantime, here’s me and my recent reading results.

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Stranded 40 Feet from Home

My car, stuck at the foot of our stupid driveway.

Cold day. Cold irony.

This week the teeming cloud hordes of Old Man Winter barreled across the American skies and bludgeoned entire states and regions into total pandemonium. Blizzards dumped heavy swaths all around as if half the United States were now honorary Minnesotas. Schools and other community activities that had opened their doors to welcome COVID-19 and its carriers reneged and locked their doors. Power grids failed. Water pipes seized up. Numerous utility companies faced wrathful accountability for their shortsightedness, for skimping on precautionary upgrades, and for being smug greed-heads. Homes became inhospitable and even dangerous, forcing families to seek shelter, charity, and survival elsewhere. The turmoil dragged on for hours and days even after the snowfall ceasefire. Millions of internet users distracted themselves by logging onto their devices by candlelight, their batteries down to 15% or less, and channeling their unchecked rage into scathing verbal attacks on the Zodiac Killer. This week was like 2020 all over again, much like all the 2021 weeks that preceded it, but, like, somehow in its own way even 2020-ier.

Me? I got my car stuck at the end of our driveway.

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