Previously on Midlife Crisis Crossover: I wrote at length about a six-part miniseries that my wife and I watched on Crackle called The Final Tsars, in which I couldn’t be bothered to open an extra browser tab and verify the full name of the ruler at the heart of the story. The next morning, our first conversation after “Good morning” was a firm reminder that his official stage name was, in fact, “Czar Nicholas II”. MCC regrets the oversight and is sorry if any Russian historians were offended, but we don’t feel like editing the affected entry because it would undermine one of its underlying points and two of its jokes.
Disney’s crass rehashes of its extensive back catalog haven’t really been aimed at me, by and large. The Jungle Book had beautiful jungles, but some of those musical numbers…yikes. Our family unanimously hated Tim Burton’s Alice in Wonderland. I have yet to see Dumbo, Cinderella, Aladdin, Beauty and the Beast, or live-action brand extensions such as Maleficent, Alice Through the Looking-Glass, or Mirror, Mirror. (Snow White and the Huntsman found ways to surprise me, but that wasn’t Disney.)
I therefore have no plans to see Jon Favreau’s nearly Warholesque repurposing of Rob Minkoff and Roger Allers’ animated classic The Lion King…and yet I’ve spent half my Thursday reading the first wave of opinions out of skeptical curiosity. After the first five reviews I read from critics and websites I follow on Twitter, I saw patterns emerging. And thus the above artifact was born. Now I can make a game out of reading still more reviews.
The tabby cared not that the once-furnished domain was now barren. We could take away the bedding and the collections and the clothing piles, but we couldn’t take away the sunshine through the window. Unless we hung the curtains back up. Which was tempting, just to be spiteful.
I’m typing at you live from downtown Albany, New York, one of the stopovers on our 2018 road trip, where our hoteliers have gone overboard in assigning accommodations that appear far beyond our means, either because it’s an extremely slow night for them, or because either Anne or I resemble one of their local politicians. Probably Anne.
Pictured above is half our room. Well, almost half.
Previously on Midlife Crisis Crossover: a flashback to our second annual road trip, attending St. Louis’ second and final Gateway Sci-Fi Con in the year 2000. Actors from Mystery Science Theater 3000 were met, autographs were treasured, panels were enjoyed, and dozens of internet peers showed up to put faces with names. But we didn’t limit ourselves to the convention hotel’s property. None of us were from St. Louis; some of us were eager to explore and see what else the city had to offer.
Saturday night, seven of us piled into two cars and drove out to LaClede’s Landing, a district on the banks of the Mississippi River and down the street from the world-famous Gateway Arch. LaClede’s Landing is listed on the National Register of Historic Places, with warehouses and facades dating back to the mid-19th century that were renovated circa 1975-1976. Not so renovated: the solid cobblestone streets we navigated at 2 MPH, feeling bump after bump after bump after bump after bump after bump as we crawled the blocks looking for sustenance and wishing someone would make the bumping stop.
Fate brought us to a saloon called Trainwreck on the Landing. Other Trainwrecks have existed in the 314 since the 1890s, but we knew nothing about any of them. We figured why not and gave it a whirl.
Hated it. We hated it so much, I wrote a skit about it four days later.
Previously on Midlife Crisis Crossover: in November my wife Anne and I made our annual excursion to the Indiana Christmas Gift & Hobby Show, a beloved special event for her grandmother as it’s one of the few times she gets to venture more than two miles from home. Last month we shared a selection of our photos with MCC readers from here in Indianapolis, along with a light summary of who we saw, what we did, and other truthful statements about the occasion. It’s just this thing we like to do.
As we pushed Mamaw’s wheelchair around the East Pavilion, perused the wares, and sped past every pesky DirecTV huckster, meanwhile on Facebook I had fun sharing real-time photos with our family and friends who enjoy seeing our little outings, some of whom know Mamaw well and love to see her enjoying herself. This time for a couple of reasons I threw in a value-added twist to our live-at-the-scene reports: