The Fantabulous 50s Weekend, Part 3: How to Draw Comics the Marvel Way

Amazing Spider-Man #252 cover!

I was 11 when Amazing Spider-Man #252 debuted his black costume and blew my mind. Art by Ron Frenz and Klaus Janson.

Previously on Midlife Crisis Crossover:

In addition to our annual road trips, my wife Anne and I have a twice-yearly tradition of spending our respective birthdays together traveling to some new place or attraction as a short-term road trip — partly as an excuse to spend time together on those most wondrous days, partly to explore areas we’ve never experienced before. We’re the Goldens. It’s who we are and what we do.

I’ve just now lived to see 50, and after weeks of research and indecision, we planned an overnight journey to the next state over, to the capital city of Columbus, Ohio, which had cool stuff that this now-fiftysomething geek wanted to see. Columbus, then, would be the setting for our first outing together as quintagenarians…

Now we’re to my favorite part of the Marvel exhibit at Columbus’ Center of Science and Industry. The statues were fun and the MCU film props and costumes were quite a sight to behold up close, but original comics art is a rarity for me to see in person. Growing up, buying original art was something rich comics investors did for fun and showiness, nothing a poor kid like me could ever afford. In adulthood I’ve climbed up the ladder high enough that I now own a few modest pages, nothing fancy.

The Marvel exhibit features over six dozen pages drawn by the original artists across 80+ years of the medium’s history — not just reproductions, the real thing, largely loaned by private collectors identified below each frame for provenance and gratitude. Some were autographed by the artists; in a few of the older pieces, you can see where artists (and Stan “The Man” Lee) autographed them years after the fact. The following gallery, less than half the total works on display, is a selection of those that stuck out to me for various reasons and didn’t succumb to blurry photography. One of them even has color. (Painted, at that!) A few have behind-the-scenes Easter eggs, such as our lead photo — if you click on the cover to ASM #252 you can read Klaus Janson’s notes in the margins addressed to George Roussos, the colorist who handled all Marvel covers at the time. For me, the little details add to the thrill of comics art appreciation.

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The Fantabulous 50s Weekend, Part 1: The Merry Marvel Museum Menagerie

Spidey and jazz hands!

I began collecting Amazing Spider-Man at age 6, around the first time Aunt May died. 44 years later, one of us has aged better.

In addition to our annual road trips, my wife Anne and I have a twice-yearly tradition of spending our respective birthdays together traveling to some new place or attraction as a short-term road trip — partly as an excuse to spend time together on those most wondrous days, partly to explore areas we’ve never experienced before. We’re the Goldens. It’s who we are and what we do.

Whether through a lot of lucky cosmic dice rolls or by divine interference, I’ve just now lived to see 50. We’d had to keep Anne’s own 50th-birthday outing modest because the pandemic curtailed our options. It was her wish that we wouldn’t have to compromise the same way for mine. After weeks of research and indecision, we planned an overnight journey to the next state over, to the capital city of Columbus, Ohio. We’ve driven through them several times on our way to other states, we’ve checked out their As-Seen-on-TV giant burgers, we’ve twice attended the most awesome indie comics show in the Midwest, and we’ve even been inside their capitol dome. We dug a little more deeply and learned they have still more to offer, especially in my fields of interest.

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A Night with Neil Gaiman in Indianapolis

Neil Gaiman at Clowes Hall Indianapolis!

Artist’s rendition of the evening. (DISCLAIMER: Artist never learned how to Photoshop.)

Dateline: Monday, May 16, 2022 – Tonight I stepped foot on the campus of Butler University for the first time in 19 years because the Neil Gaiman thoughtfully included Indianapolis on his current cross-country speaking tour, and Clowes Hall was the venue of choice for the occasion. In exchange for this rare opportunity, strict rules were implemented. Rule #1: Masks were required. Freebies were handed out to those who needed them. No problem: I brought my own.

Rule #2: No photos or video during the performance. This isn’t an unusual or oppressive rule to me (especially not video — no pivoting to same on this website), but whenever this rule is laid down and I’m itching to share the story online, most venues have something I can photograph as a memento of the event in lieu of the performers themselves — a marquee, a billboard, a cardboard standee, any kind of one-night-only visual prop as evidence that a festive occasion was in store. Clowes Hall had absolutely nothing. We might as well have been walking into calculus class.

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My Free Comic Book Day 2022 Results, Ranked

Free Comic Book Day 2022!

The reading pile, in random order.

It’s that time of year again, but slightly delayed on my part! Saturday, May 7th was the 21st Free Comic Book Day, that annual celebration when comic shops nationwide offer no-strings-attached goodies as a form of community outreach in honor of that time-honored medium where words and pictures dance in unison on the printed page, whether in the form of super-heroes, monsters, cartoon all-stars, licensed merchandise, or in rare instances real-world protagonists. It’s one of the best holidays ever for hobbyists like me who’ve been comics readers since the days when drugstores sold them for thirty-five cents each and comic book movies were sad, cheapskate abominations.

Each year comic shops lure fans and curious onlookers inside their brick-and-mortar hideaways with a great big batch of free new comics from all the major publishers and a bevy of smaller competitors deserving shelf space and consideration. After the online-only FCBD of 2020 A.P. (Annus Pandemus) and the delayed-gratification post-vaccine FCBD of August 2021, this year’s model returned to the traditional observance on the first weekend in May. Also per tradition, a major comic-book movie was released the same weekend and sucked up an awful lot of my free time that otherwise might’ve been spent reading and then writing-about-reading.

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Indiana Comic Con 2022 Photos, Part 2 of 2: Stars and Stuff!

John de Lancie!

Ladies and gentlemen, Mr. John de Lancie! (Imagine .gif of Kermit the Frog cheering and flailing.)

Previously on Midlife Crisis Crossover:

It’s that time again! This weekend my wife Anne and I attended the eighth edition of the Indiana Comic Convention [read: ““Indiana Comic Con”] at the Indiana Convention Center in ICC 2022 was another opportunity to flip through old comics, meet people who create reading matter, boggle at toy displays, continue watching anime fandom multiply ever more dauntingly, and find space to breathe among or away from those cheerfully ever-growing crowds. It felt good to be back inside our own hometown shindig space.

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Yes, There Are Scenes During the “Morbius” End Credits

Morbius!

The Matrix Resurrections skewered the whole “bullet-time” fad, yet here we go again.

I thought Morbius the Living Vampire was scary when I was 6 or 7 and he showed up in a 1977 comic I picked up at the toy store. In a time when the Comics Code Authority was still touchy about allowing comics to show the undead because they might turn young readers into rampaging juvenile delinquents, Morbius exploited a loophole with an origin that revealed him as not an actual vampire, but as a scientist who conducted questionable experiments to cure his own rare blood disease, which went awry and turned him into a science vampire, with many vampiric powers and few-if-any vampiric weaknesses. He was a forerunner of the irritating horror sub-subgenre Vampires Who Ignore Vampire Rules and Who Therefore Aren’t Vampires by Definition So Maybe the Writer Should’ve Made Up Their Own Monster Instead of Misusing the Word “Vampire”.

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My 2021 Reading Stacks #6-Up: The Super-Sized Finale

Reading Stack 2021, Books and Graphic Novels!

All 41 books and graphic novels featured in this series, not including the two I borrowed from Anne.

Previously on Midlife Crisis Crossover:

Welcome once again to our recurring MCC feature in which I scribble capsule reviews of everything I’ve read lately that was published in a physical format over a certain page count with a squarebound spine on it — novels, original graphic novels, trade paperbacks, infrequent nonfiction dalliances, and so on. Due to the way I structure my media-consumption time blocks, the list will always feature more graphic novels than works of prose and pure text, though I do try to diversify my literary diet as time and acquisitions permit.

Occasionally I’ll sneak in a contemporary review if I’ve gone out of my way to buy and read something brand new. Every so often I’ll borrow from my wife or from our local library. But the majority of our spotlighted works are presented years after the rest of the world already finished and moved on from them because I’m drawing from my vast unread pile that presently occupies four oversize shelves comprising thirty-three years of uncontrolled book shopping. I’ve occasionally pruned the pile, but as you can imagine, cut out one unread book and three more take its place.

I’ve previously written why I don’t do eBooks. Perhaps someday I’ll also explain why these capsules are exclusive to MCC and not shared on Amazon, Goodreads, or other sites where their authors might prefer I’d share them…

Among the may disadvantages of scaling back my internet writing hobby is I now a massive backlog of entries that I tell myself I must do someday, which are now trapped in a bottleneck in my mind. Rather than drag these out to October, here’s all the other books and graphic novels I finished reading in 2021. Some capsules have been truncated to save time and to cut corners in instances where the work left an unmemorable impression on me. As usual, these aren’t ranked or even listed in reading order. They’re simply the order in which I’m grabbing them off the towers that have been sitting next to our computer for months and waiting for me to do this. So LET’S DO THIS.

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My 2021 Reading Stacks #5

George Takei and Gene Luen Yang!

Once again, patterns emerge from this year’s pile: in this case, Asian-American graphic memoirs.

Previously on Midlife Crisis Crossover:

Welcome once again to our recurring MCC feature in which I scribble capsule reviews of everything I’ve read lately that was published in a physical format over a certain page count with a squarebound spine on it — novels, original graphic novels, trade paperbacks, infrequent nonfiction dalliances, and so on. Due to the way I structure my media-consumption time blocks, the list will always feature more graphic novels than works of prose and pure text, though I do try to diversify my literary diet as time and acquisitions permit.

Occasionally I’ll sneak in a contemporary review if I’ve gone out of my way to buy and read something brand new. Every so often I’ll borrow from my wife or from our local library. But the majority of our spotlighted works are presented years after the rest of the world already finished and moved on from them because I’m drawing from my vast unread pile that presently occupies four oversize shelves comprising thirty-three years of uncontrolled book shopping. I’ve occasionally pruned the pile, but as you can imagine, cut out one unread book and three more take its place.

I’ve previously written why I don’t do eBooks. Perhaps someday I’ll also explain why these capsules are exclusive to MCC and not shared on Amazon, Goodreads, or other sites where their authors might prefer I’d share them. In the meantime, here’s me and my recent reading results…

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Our 2021 Road Trip #26: Grand Prismatic Spring Fever

Grand Prismatic Springs cloud reflections!

This looks like some of my Trapper Keeper folders from junior high.

Sure, Old Faithful had the fame and Biscuit Basin had the scintillating colors, but our next literal hot spot had the hottest temperatures, the largest dimensions, and the longest line of the day. Such was the fierce competition among Yellowstone points of interest.

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My 2021 Reading Stacks #4

Neil Gaiman books!

One fun side effect of neglecting this recurring feature for months: now I have a much larger accumulation from which I can draw “two of a kind”, such as this easy pairing.

Previously on Midlife Crisis Crossover:

Welcome once again to our recurring MCC feature in which I scribble capsule reviews of everything I’ve read lately that was published in a physical format over a certain page count with a squarebound spine on it — novels, original graphic novels, trade paperbacks, infrequent nonfiction dalliances, and so on. Due to the way I structure my media-consumption time blocks, the list will always feature more graphic novels than works of prose and pure text, though I do try to diversify my literary diet as time and acquisitions permit.

Occasionally I’ll sneak in a contemporary review if I’ve gone out of my way to buy and read something brand new. Every so often I’ll borrow from my wife or from our local library. But the majority of our spotlighted works are presented years after the rest of the world already finished and moved on from them because I’m drawing from my vast unread pile that presently occupies four oversize shelves comprising thirty-three years of uncontrolled book shopping. I’ve occasionally pruned the pile, but as you can imagine, cut out one unread book and three more take its place.

I’ve previously written why I don’t do eBooks. Perhaps someday I’ll also explain why these capsules are exclusive to MCC and not shared on Amazon, Goodreads, or other sites where their authors might prefer I’d share them. In the meantime, here’s me and my recent reading results…

(…after the hiatus…)

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