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Yes, There Are Scenes During AND After the “Venom” End Credits

Venom!

For attending on opening weekend, our local theater gave us a free comic! It’s an adaptation of several random scenes, at least two of which differ from the finished film. Spoilers for anyone who peeks inside before the movie starts.

The character of Venom may not mean quite so much to you if you haven’t been a Marvel Comics collector within the past thirty years, or if you saw Spider-Man 3 and hold a grudge against Topher Grace and Sam Raimi to this day. When first introduced on the printed page, Venom was a team-up of two of Spider-Man’s enemies: Eddie Brock, a bitter workplace rival of Peter Parker’s who got fired and blamed him for it; and Spidey’s former black costume, which was actually an immoral liquid alien parasite that Mr. Fantastic had to help him escape. Venom was the perfect anti-Spider-Man — he all the same powers, the spiffy black design, all of Peter’s memories which the alien had absorbed, and the ability to sneak-attack Spidey without setting off his Spider-Sense. I was 16 at the time and thought Venom was a great idea for a nemesis…one among many nemeses, mind you.

Unfortunately in the ’90s, whenever fans liked any one character a lot, Marvel editors and/or executives would then decree that character must appear in as many comics as possible. Characters such as Wolverine, the Punisher, and Ghost Rider were each given two or three series to their name and/or dropped into other heroes’ titles as special guest stars, constantly and gratuitously. Sometimes it worked and sales spiked with every appearance, until the mid-’90s when their sins finally caught up with them and they knocked off the guest-star oversaturation for a while.

Among those Fan Favorites du Jour in the ’90s was Venom. One problem: he was a most heinous villain with a body count. Homicidal maniacs can be protagonists, but that’s a tough premise to weave into four to six comics per month. Marvel therefore tried reinventing him as an antihero and hoping the other Marvel heroes would forgive and forget, and not try to arrest or kill him four to six time per month. I never loved Venom that much, especially after he began spawning imitative spin-offs like Carnage, Riot, Toxin, Hybrid, Scream, and several more my son could name but I can’t because I never cared. Unless that was all of them. I wouldn’t know. I quit reading the various Spider-titles shortly before all those Venomettes hit the stage and spread the Venom plague.

I’ve run across Venom at random times since then (loved Rick Remender’s version starring Flash Thompson; had no strong feelings about Ultimate Venom) but don’t go out of my way for him. So why did I bother giving a Venom movie any attention? Because I was curious to see if Tom Hardy could sift gold from dross, because I really liked director Ruben Fleischer’s horror-comedy Zombieland, and because my son has been a Venom fan since he was a kid. The occasional father/son outing is a good thing, and we had fun trying to sort out this mess together afterward.

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On “Mission Impossible – Fallout” and the M:I Cinematic Universe

Mission Impossible Fallout!

“Hi, kids. I’m Tom Cruise, and I’d like to talk to you about rooftop playtime safety…”

I saw Mission Impossible – Fallout in its second weekend of release and have spent numerous days since then doubting I could contrive more than 300 words out of “such nonstop wow”, which was more or less my initial impression of one of the year’s most exhilarating films.

But longtime MCC readers know every movie I see in theaters gets its own entry, even if it’s not always timely or relevant or useful to anyone but me, not unlike the rest of this site’s contents. Off we leap into that wild wordy yonder, then.

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“Searching”: You Can’t Find Someone You Don’t Know

Searching!

Anyone who thinks it’s silly to watch a movie on a phone or PC should be delighted to see the tables get turned.

One of the odd dichotomies of living a robust online life is that we’re often better known to strangers in distant lands than we are to the offline, physically adjacent family and friends who have actual visual contact with us on a regular basis. There are parts of our lives with our loved ones that we would never discuss online, and yet there are things we share only with social media Friends and Followers. It’s rare for anyone we know to fall on both sides of the divide — sometimes because we’d rather not have to reconcile both worlds, but more often because members of one side have no interest in belonging to the other.

They like or love us on the one side, but either we don’t invite them to the other side, or they don’t feel a need to pursue us to the other. But if people only know one side of us and not the other, can they really say they know us?

The fascinating new film Searching takes a hard look at what happens when one side of a life implodes and the only way to save them is to take a leap across that deep divide.

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“The Predator”: Battle of the Bass Fishermen from Beyond

The Predator!

“Rest assured I was on the Internet within minutes registering my disgust throughout the world.”

No one in their right mind walks into a Predator flick expecting cinema genius. They’ve never known the respect that the Alien series originally garnered among sci-fi-horror fans, which may explain why viewers are swiftly enraged whenever an Alien sequel is terrible, but merely shrug and move on when another Predator drops and flops. The series to date, ranked for newcomers:

  1. The original, From The Director Of Die Hard, still my favorite Schwarzenegger movie
  2. Predators, in which renowned character actors are stalked and slaughtered for morbid fun
  3. Alien Vs. Predator, because director Paul W. S. Anderson guarantees at least one great action scene per film, which is all we got
  4. Predator 2, which defies any attempts at remembrance
  5. Alien Vs. Predator: Requiem, the closest I’ve ever come in the past ten years to stopping a movie halfway through because it was That Bad

In a similar vein, fans of Shane Black films know what they’re getting — sarcastic tough dudes spouting quotable quips while firing very loud weapons at henchmen and everything around them explodes, and sometimes there’s as many as one (1) actress holding her own in their midst while rolling her eyes a lot. They’re effortless steel coaster rides, but always easy to nitpick later for hours if you dwell on them for more than three minutes. The original Lethal Weapon remains Black’s most cogent potboiler to date, but if you’ve seen such films as The Long Kiss Goodnight, The Last Boy Scout, Kiss Kiss Bang Bang, or the thoroughly idiotic yet sometimes compelling Iron Man 3, you know what I mean.

Like Reese’s with chocolate and peanut butter, someone at Twentieth Century Fox wondered what would happen if they did the same with Shane Black and The Predator. Why not throw them in the same vat and watch what happens?

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“Operation Finale”: The True Story of the Holocaust Head Honcho Heist

Operation Finale!

That moment between the thought of “What harm could one conversation do?” and the point when your blood begins boiling like a teakettle.

In an era when the word “Nazi” is being overused as an insult to the point of meaninglessness and being cherished as a badge of honor by warped minds with zero sense of morality or history, perhaps it’s a wise time to return to one of the classic Hollywood subgenres of yore: the Nazi-huntin’ adventure flick.

Operation Finale could have taken the crowd-pleasing shoot-’em-up route and very few who matter would’ve complained or been surprised with a mainstream director at the helm like Chris Weitz, whose credits include The Golden Compass, the second Twilight, and the original American Pie. The results are surprisingly low-key, mostly faithful to the original event, and curiously devoid of either bullets or accurately sickening Holocaust violence…which makes sense given that Eichmann wasn’t caught till 1960.

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Yes, There Are Scenes During AND After the “Ant-Man and the Wasp” End Credits

Ant-Man!

“PARDON ME. DO YOU HAVE ANY GREY POUPON?”

Millions of viewers who depend on Marvel movies for all their fantasy escapism needs went home shell-shocked after Avengers: Infinity War slaughtered far, far too many of their favorite heroes and threatened to turn the Marvel Cinematic Universe into just another super-hero realm of perpetual misery like Dawn of Justice or the upcoming, dreadful-looking Titans. Now, in Ant-Man and the Wasp, two heroes who weren’t invited to Thanos’ big coming-out party are here to remind everyone that there’s still hope to be found in this world, along with heroism, teamwork, and happy endings…as long as you don’t stay for the end credits.

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