Previously on Midlife Crisis Crossover: the recurring feature that’s more like a newsletter in which I’ve jotted down capsule-sized notes about Stuff I Recently Watched at home. I could string together several entries out of the backlog I built up through 2018, but for now let’s settle for tackling a few recent catches from the past six weeks, when the Academy Awards were fresh in mind, whether relevant or tangential:
Previously on Midlife Crisis Crossover: the recurring feature that’s more like a newsletter in which I’ve jotted down capsule-sized notes about Stuff I Recently Watched at home. In this batch as well as the previous one: the past few months’ worth of comfy-chair viewing as prep for this Sunday’s Academy Awards ceremony, except this year I went overboard and decided to see how many the nominees I could catch from other categories, either free via legal means or via existing streaming-service subscriptions. As it turns out, quite a few, mostly documentaries but that’s not a bad thing.
But first, an Original Screenplay nominee I’d been curious to see for a while:
Belated news for the record: the long-awaited code for my digital download of Charlie Kaufman’s stop-motion animated drama Anomalisa hit my email on March 15, 2016, forty-four months after its Kickstarter campaign was launched and thirty-four months after the original promised delivery date to backers who pledged at my level. Part of the delay was due to its expansion from the original proposed short to a full-length feature film. Part of it was because stop-motion is just really hard, probably. Part of it was because the subsequent, unexpected distribution deal with Paramount Pictures threw in a contractual complication that meant many of us had to wait till closer to the home video release date before our technically preordered goods would be distributed.
But it happened at last, and the thing really exists. They followed the wording of the pledge to the letter and delivered on their promises on their schedule. Unfortunately for me, the reward came with a catch. That’s why this follow-up was delayed.
The big television event is here! Except not on television. At last, the fabled meta-sitcom Community returned tonight with the first two all-new episodes of its sixth season, but not on NBC anymore. Instead, in what I hope was a self-aware feat of ironic self-handicapping, the show has relocated to Yahoo! Screen, which spent the past ninety minutes of my life acting like RealPlayer used to in the ’90s, except larger and hopefully with a little less spyware. Yahoo!’s entry into the internet streaming competition didn’t fare well in the test sessions I’d performed prior to tonight, but I wanted to persevere anyway for the sake of the show that’s produced four of the funniest seasons of TV ever.
I took performance notes during the experience for posterity and as an outlet for my disappointment. With the streaming results, I mean, not with the actual show.