A Dream Journal, As It Were: Too Many Thoughts on “The Sandman” Season 1

Tom Sturridge IS the Sandman!

Remember, kids: don’t dream angry!

I was in high school when The Sandman #1 hit comic shop shelves in the fall of 1988. Springing forth from the mind of Neil Gaiman, whom I chiefly knew from Miracleman and Black Orchid, it was unlike anything I’d read before in comics or other media, and was a must-buy over the next seven years — through its transition to DC Comics’ subsequently inaugurated Vertigo line, in its rise to alt-culture superstardom, and even during some of the least favorite parts of my life. The Sandman lasted longer in my life than I lasted in college. I still have all 75 issues, the special with Orpheus’ story, the two Death miniseries, the lovely hardcover edition of my favorite arc (Season of Mists), and some (not all) of the other ensuing spinoffs. (Of most recent vintage, I loved the Gaiman-approved two-issue crossover with Locke and Key, which may have meant more to fans of the latter but contained key prequel scenes to the world of Dream, including front row seats to the fall of Lucifer.)

I rarely allow myself high expectations for anything anymore, but The Sandman left a deep enough mark on my psyche that I insisted the all-new Netflix adaptation — closely supervised by Gaiman — simply had to be The Greatest Netflix Show of All Time. Nothing less would do. The jury’s out on that for now, but after having watched all ten episodes within a 21-hour span (with wasteful intermissions for sleep and life, not necessarily in that order), I can enthusiastically say for now it’ll do. It’ll very much do.

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10 “Picard” Season 2 Follow-Up Thoughts From a Grieving Q Fan

Picard Q Finale!

“See you out there.”

by Anne Golden, MCC Staff.

EDITOR’S NOTE: My wife Anne has contributed to our past ten years’ entries in a variety of ways — photography, ideas, punchlines, caper-partnering, next-day proofreading, encouraging, fact-checking, nitpicking, and so on. She otherwise generally prefers to enjoy the site as a reader rather than as a separately credited blogger. This entry is a special case: she’s MCC’s very first Guest Blogger, though “guest” feels a tad off the mark. Except for light editing and two jokes, these paragraphs are all hers.

Her essay is aimed at fellow Star Trek viewers, whether they love or loathe Patrick Stewart’s further adventures so far, and presumes familiarity with common fan abbreviations for the various shows. And, relevant fun trivia noted previously on Midlife Crisis Crossover, Q is one of her Top 3 Favorite Fictional Characters of All Time. Suffice it to say the season finale struck a nerve. This entry is a rumination attempting to make sense of a tale that frequently didn’t make sense and in some ways still doesn’t. It’s a contemplation. It’s a eulogy. It’s a catharsis.

(Courtesy spoiler warning if you haven’t seen season 2 in general or the finale in particular.)

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Five “Picard” Season 2 Halfway-Point Spoiler Theories

Picard vs Q!

If they were a couple we could call them “Q-Card”.

My wife Anne has been a Star Trek fan since at least high school, which is how long I’ve known her. I’ve tagged alongside her for the past few decades and watched a few hundred episodes myself. I’ve never 100% caught up to her but have seen Deep Space Nine in its entirety and can confirm it reigns above all. We attended multiple local Trek conventions and bought the occasional toys, comics, and other merchandise, but up until six months ago we had no investment in the new Trek works on Paramount+ (formerly CBS All Access) because we weren’t in the mood to collect ALL the streaming services. And to us, CBS All Access at launch sounded like a non-starter. We regretted the Trek universe leaving us behind, but our longtime favorite geek universes have broken our hearts before. We planned to cope and move on.

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The Oscar Quest ’22 Grand Finale: All the Other Nominees I Could Catch

tick tick BOOM!

Vanessa Hudgens and Andrew Garfield in Lin-Manuel Miranda’s tick, tick…BOOM! on Netflix. To those who swear Garfield’s best performance of 2021 was in No Way Home, I am BEGGING you to watch a second movie.

It’s that time again! Longtime MCC readers know this time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve watched every Best Picture winner ever (some more closely than others) and as of this writing I’ve seen every Best Picture nominee released since 1987 (some in better-quality formats than others). Nobody I know cares, but it’s been my thing for years.

Thanks to pandemic restlessness and our current streaming media bonanza, starting last year I expanded the boundaries of Oscar Quest to see how many nominees I could watch in any category whatsoever, period. This is equally unimpressive to everyone I know, but now it’s like a game for me, and a far livelier one than solitaire.

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Oscars Quest 2021: All the Other Viewing I Could Fit In Before the Big Event

Promising Young Woman, Carey Mulligan

Do you…like to watch?

Previously on Midlife Crisis Crossover:

It’s that time again! Longtime MCC readers know this time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1988 to the present, many of which were worth the hunt. The eight nominees for Best Picture of the Pandemic Year may pose more of a viewing challenge…

Whenever I’ve been away from here over the past six weeks, I was either hiding out in Skyrim again, getting a good night’s sleep because I’m needing those more than ever, or seeing how many of this year’s Oscar nominees I could watch. Many were on streaming services to which I already subscribe. Two were released on Redbox for us old folks who like physical media. Some were available for rental on Vudu or YouTube, though those were lowest priority. Five nominees were sadly, annoyingly beyond my grasp on services not in our household (three were exclusive to Amazon Prime, two to Apple TV). Otherwise, I was willing to let myself get carried away. I arguably did.

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The MCC 2021 Oscar-Nominated Documentary Revue

Ann Cupolo Freeman from "Crip Camp".

Retired social worker and physical rehab specialist Ann Cupolo Freeman, among the many campers who grew up to become activists in Netflix’s Crip Camp.

Previously on Midlife Crisis Crossover:

It’s that time again! Longtime MCC readers know this time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1988 to the present, many of which were worth the hunt. The eight nominees for Best Picture of the Pandemic Year may pose more of a viewing challenge…

In my youth and young-adulthood, seeing any of the Oscar-nominated documentaries before the ceremonies was usually impossible. Or after the ceremonies, for that matter. Streaming media changed the game and broadened access and opportunities for ordinary viewers even before the pandemic turned the convenience into a lifesaver. I’ve yet to enjoy a year in which all the nominees for Best Documentary Short Film or Best Documentary Feature were universally clickable, but the percentages have been generously high. It’s been fun seeing how many I could chase down legally without overpaying for the privilege.

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24 Super Awesome “WandaVision” Clickbait Articles You Can’t Live Without

WandaVision!

America’s sweethearts! Live before a transfixed audience with or without lockdown orders.

If you’ve opened an internet device within the past two months, chances are you’ve been inundated with discussions, arguments, and most importantly nonstop headlines about the latest Disney+ series to mesmerize the nation, Marvel’s WandaVision. Thanks to the pandemic this nine-episode miniseries is the first new Marvel Cinematic Universe story we’ve been allowed to watch since Spider-Man: Far From Home was released in theaters, if you can remember those from your childhood. Picking up the pieces of Avengers: Endgame and everything that led up to it…well, I could assume you’re not watching it and need me to summarize its premise, but will it help? Will this make it more tempting to you? Now that the MCU is bogged down in a dozen years of its own increasingly insular continuity, take it on faith my rinky-dink one-man site is not the set of buggy steps you’d need to hop on board this bandwagon.

Nevertheless, WandaVision fever is sweeping the nation faster than that other, deadlier joykilling fever that’s been all the rage over the past year. Everyone loves WandaVision so much that WandaVision news, reviews, rumors, and contrived WandaVision bloviations are now a cottage industry unto themselves, particularly on geek news sites that thrive on new content including but not limited to speculative prattle about geek products that people are actually consuming and enjoying en masse, as opposed to the poorly selling comic books that made them possible. Try Googling any topic today and the first five search results will tell you how that topic relates to WandaVision. Day or night, geeks or norms, social media or niche sites, everything’s coming up WandaVision, WandaVision, WandaVision.

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Okay, Fine, NOW I Get Baby Yoda

life-size Baby Yoda statue.

Not mine, a coworker’s. But if he retires before I do and forgets to take it with him…

Previously on Midlife Crisis Crossover: my wife Anne and I subscribed to Disney+ a year behind the rest of the world and are doing our best to catch up on the content that matters most. So far that means Pixar’s Soul and the Star Wars universe. On a more inessential note I also watched Cars 3, which was better than the second one, which wasn’t too high a bar to jump.

But our primary objective has been Star Wars because for the past year everyone around us has been “Mandalorian” this and “Baby Yoda” that and of course they had to take turns asking us every ten minutes, “Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet?”

YES, WE HAVE DISNEY+ NOW. Um, finally. Sorry for shouting.

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A Peek Inside Peacock

Peacock!

We named it after the old NBC mascot, but instead of a bird we thought a cooler image would be…this glow stick?

Our family prides itself on not being early adopters of new technology or services. We prefer to let upstart projects and products get up and running, figure out their processes, work out their bugs, set a price point that’s worth the venture, and build up a reputation, preferably a favorable one. Then we might give them the time of day. Maybe. Sometimes.

Streaming services are subject to the same vetting procedure. We ignored Netflix until the advent of the Google Chromecast (later renamed “Googlecast”) dramatically improved our streaming capabilities. Also motivating us: we reached the point in our newfound Doctor Who fandom at which the only episodes we hadn’t yet watched up to that point were in their clutches. For years we likewise lived well without Hulu despite a few temptations, until an outrageous Black Friday sale in December 2018 (99¢/month for 12 months!) lured me into their den.

The internet’s Baby Yoda obsession notwithstanding, we have yet to pull the trigger on Disney+. Star Trek in and of itself is not enough to justify CBS All Access. I refuse to pay a monthly price for shopping privileges and am therefore one of six people nationwide who doesn’t have Amazon Prime. Every single detail I’ve heard about Quibi implies it’s my exact anti-matter opposite. And as for YouTube Red…is that still a thing? Not for us, it isn’t.

The next contestant up in these highly competitive lockdown-era streaming wars is Peacock, a product of the NBC-Universal-Viacom multinational conglomerate. In a world where “cord-cutting” has been the trend because everyone thought that would be cheaper, Peacock is my favorite kind of service: bundled.

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Leaping Off the “Tiger King” Circus Wagon

I Saw a Tiger!

Out-of-context snippet from Netflix’s sing-a-long lyrics-video version of Joe Exotic’s “I Saw a Tiger”. Follow the bouncing tiger cub head. Yes, really.

I’m sorry, I just…I can’t with this anymore.

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