The 10 Best Episodes of “The Crown” So Far According to a Guy Who Barely Knows Royal Family Stuff

Olivia Colman and The Crown!

From Hot Fuzz to Broadchurch to The Night Manager to The Favourite and more, Olivia Colman has already been ruling for years.

Previously on Midlife Crisis Crossover: a while back I spent an entire weekend watching the first episodes of twenty different series across multiple platforms. That experience provided us a blueprint for our binge-watching over the subsequent months. I haven’t written about everything we’ve watched, but since that entry my wife Anne and I have gone through Netflix’s Unbelievable (harrowing and unforgettable), Wild Wild Country (surprising and at times Too Much, by which I mean too much padding, but altogether illuminating), the first two seasons of House of Cards (despite potentially tossing fifty cents into Kevin Spacey’s tin cup), a wholly unrelated and regrettable detour for Tiger King (now we get all the references, but at a steep cost to our souls), and, far less dishonorably, all three seasons of The Crown.

My brief thoughts on the latter’s pilot:

Some early reviews had led us to believe writer Peter Morgan’s longform follow-up to his Best Picture nominee “The Queen” amounted to “Royal Sexytime”. Perhaps later down the road, the sight of Queen Elizabeth II snogging Prince Philip may be lying in wait to drive us to the brink of horror, like that one Marvel miniseries that dared readers to visit Aunt May’s heyday as a horny teen. Mercifully the first chapter didn’t go there and seemed much like any other British costume drama, save a few expletives and the Eleventh Doctor’s bare butt. Bonus points for casting consummate professional Jared Harris to take over for Colin Firth as King George VI. A pity Elizabeth herself hardly figured into her own story at first. Presumably Claire Foy has more lines later?

Thankfully she did, except in scenes where she consigned herself to historically accurate silence for the sake of burying feelings like true British royalty. Thirty episodes later, we’re caught up with other viewers and ready for more. Until season four presumably hits the broadband waves later this year, all we can do for now is ruminate on what we have on hand.

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Leaping Off the “Tiger King” Circus Wagon

I Saw a Tiger!

Out-of-context snippet from Netflix’s sing-a-long lyrics-video version of Joe Exotic’s “I Saw a Tiger”. Follow the bouncing tiger cub head. Yes, really.

I’m sorry, I just…I can’t with this anymore.

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20 Pilots Down: A Special Graze-Watching Weekend

Queen Sono!

Bond? Bond who? Pearl Thusi and Loyiso Madinga in the action-spy series Queen Sono, which premiered on Netflix last Friday.

Previously on Midlife Crisis Crossover: months ago my wife Anne and I had blocked out this past weekend on our calendars for attending C2E2, but ultimately bowed out due to a confluence of funding issues and insufficient guest-list temptations. We kept the weekend free anyway, determined to do something with it, even if it amounted to little more than watching lots and lots and lots and lots and lots of TV for the sake of saving on travel and leisure costs. Sometimes when your brain’s being crunched more than usual at work during a time of year that’s historically, inevitably rough, taking days off from the rat race and other responsibilities for mental health is a helpful, virtually medicinal move to recharge these flawed, fleshly vehicles of ours.

As someone who’s a bit too project-oriented when it comes to parceling out my free-time usage, naturally I spent days beforehand pondering what exactly to watch, which shows to binge or which movies to pull from various unwatched stacks, be they DVDs or streaming-media queues. Then I remembered an idea I’d had years ago: given the hundreds, potentially thousands of TV shows I’ve missed throughout my lifetime, why not have a marathon of first episodes only? Line up the pilots and premieres of various series and miniseries across the entertainment spectrum, watch them one by one, resist the urge to move on immediately to any episode 2 for the duration of the marathon, and see what happens? Create my own A/V sampler platter. A bandwidth buffet. A television Tour of Italy, for the shameless O.G. fans out there.

If “binge-watching” is sitting through several episodes of one show in a row, then sitting through one episode each of several shows might be “graze-watching”.

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Video Scorecard #22: Oscar Quest 2020 Animated Extra Credit

Klaus!

Neither snow nor rain nor heat nor gloom of night nor facing off against Disney and DreamWorks films for an Academy Award…

Previously on Midlife Crisis Crossover: the recurring feature that’s more like a newsletter in which I’ve jotted down capsule-sized notes about Stuff I Recently Watched at home. As usual I’ve been preoccupied with my annual bout of Oscar-mania to the consternation of MCC readers who show up here for any other reasons.(I promise we have a road trip miniseries coming soon, with some light travel, history, and a tribute to one astronaut. Honest!

Before tonight’s big Academy Awards ceremony on ABC, there’s one last category in which I managed to catch all the entrants thanks to the wonder of today’s sometimes generous streaming services. Thus we present in brief the three nominees for Best Animated Feature that I didn’t see in theaters:

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Video Scorecard #21: Oscar-Hopeful Mini-Documentaries 2020

Skateboard in a Warzone!

Now I kinda want skateboarding lessons too.

Previously on Midlife Crisis Crossover: the recurring feature that’s more like a newsletter in which I’ve jotted down capsule-sized notes about Stuff I Recently Watched at home. Picking up where the preceding installment left off, in which we covered this year’s Academy Award nominees for Best Documentary Feature but took an intermission before proceeding with these, the currently accessible Best Documentary Short Film nominees:

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MCC Home Video Scorecard #20: Oscar-Hopeful Documentaries 2020

Honeyland!

In a fairer world the stars of Honeyland would be dividing up this year’s Oscars like this, not honeycombs.

Previously on Midlife Crisis Crossover: the recurring feature that’s more like a newsletter in which I’ve jotted down capsule-sized notes about Stuff I Recently Watched at home. In this batch: the past month’s worth of comfy-chair viewing as prep for next Sunday’s Academy Awards ceremony. Every year I chase down all the Best Picture nominees whether I want to see them or not, and nearly always catch them all before the big day. (Sole exception in the past twenty years: when Ray was nominated, it was 100% rented out for weeks from every Blockbuster near our old apartment. Yes, it’s been a while.) But in recent times, I’ve also been exploring the fun to be had in chasing down other Oscar nominees for extra credit.

For the second year in a row I decided to see how many nominees I could watch from the Best Documentary Feature and Best Documentary Short Film categories, either free via legal means or via my existing streaming-service subscriptions. Last year I managed to catch nine of the ten nominees on time. The standoffish exception, National Geographic’s vertiginous climb-along Free Solo, aired the following Sunday night once they’d secured their statuette. This year I’ve managed to see eight available out of ten. Of the two holdouts, MTV has their very first nominee St. Louis Superman on lockdown for the time being, with some alleged special presentation in the works TBD; the other, The Cave, is another National Geographic entrant obligated to follow their stingy playbook.

My sincerest gratitude goes out to the rights-holders of the other eight, who actually want their works seen in this critical moment when people are most curious about them. First up are the four viewable nominees for Best Documentary Feature:

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MCC Home Video Scorecard #19: The Oscars 2020 Best Picture Home Game

Marriage Story!

I was tempted to caption it myself, but…nah. Another time.

Previously on Midlife Crisis Crossover: the recurring feature that’s more like a newsletter in which I’ve jotted down capsule-sized notes about Stuff I Recently Watched at home.

It’s Oscars season once again, which I began preparing for weeks ago after seeing film critics online buzzing back and forth about Netflix stepping up their game in the awards field. I watched three Netflix Originals back in December mostly because I was genuinely interested in them and partly because I knew they each stood a good chance of garnering some nominations, particularly in the Best Picture category. As it happens, two of the three made the list with ease, while the third one picked up three nods in other categories. A fourth Netflix Original is included in this entry for the opposite reason.

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