Advertisements

MCC Live-Tweeting: Oscars 2018

Jimmy Kimmel!

Tonight one random winner took home a statuette personally contaminated by the host himself!

The 90th Academy Awards kicked off Sunday night on ABC with a mildly amusing spoof of olde-tyme theatrical newsreels before returning host Jimmy Kimmel threw down an unprecedented gauntlet: winners were encouraged to speak on any topic they wanted to, no matter how political or incendiary, for as long as they wanted. This promise was eventually broken, much to the consternation of The Shape of Water producer J. Miles Dale, who got orchestra’d out of his spotlight moment because everyone had assumed director Guillermo Del Toro should have the last word.

Also intermittently livening up the night was Kimmel’s chief running gag, a promise of a free jet ski to whoever had the shortest speech. Thus began a night of push and pull, of comparison and contrast, of #MeToo and #TimesUp and diversity abounding and white guys still winning lots of things but not all the things.

Kimmel’s contributions and interruptions were kept to a barer minimum than last year, setting aside one segment that once again indulged his addiction to practical jokes on ordinary people. Assorted parties dropped a few wisecracks at the expense of high-ranking politicians as well as accused sex offenders, but a surprising amount of the commentary was kept on the positive side — a celebration of artists and advancement instead of roasting the haters and attackers. In that sense, some speeches were more refreshing than others.

Continue reading

Advertisements

MCC Home Video Scorecard #13: Our Oscar Quest 2018 Finale

Get Out!

In some crowds, you got to always keep one eye open.

Previously on Midlife Crisis Crossover: the recurring feature that’s more like a newsletter in which I’ve jotted down capsule-sized notes about Stuff I Recently Watched at home. In this batch: we prepare for Sunday night’s Academy Awards ceremony starring ABC’s Best Pal Jimmy Kimmel, the perfect representative for the Year of #MeToo on Bizarro World, with brief notes on our final Best Picture nominee (and one of the best), along with all the nominees I could catch in other categories before I ran out of time.

Continue reading

Oscar Quest 2018: “Three Billboards Outside Ebbing, Missouri”

Three Billboards!

Frances McDormand: as intimidating as a Terminator, even without a gun.

Previously on Midlife Crisis Crossover:

This time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1997 to the present. As of February 21st I’ve officially seen all nine of this year’s Best Picture nominees. I’m not sure I’ll be able to cover the others in full before the Oscars telecast on March 4th, but let’s see how far I can get before I burn out.

Onward to nominee #8: Three Billboards Outside Ebbing, Missouri, in which UK filmmaker Martin McDonagh (In Bruges, Seven Psychopaths) creates his own stylized take on small-town life in the American Midwest and how it might look if one horrifying incident turned half the townspeople into Alec Baldwin from Glengarry Glen Ross.

Continue reading

Oscar Quest 2018: “Phantom Thread”

Phantom Thread!

“Why, hello, viewer. Join me for breakfast and ambiguity, won’t you.”

Previously on Midlife Crisis Crossover:

This time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1997 to the present. As of February 21st I’ve officially seen all nine of this year’s Best Picture nominees. I’m not sure I’ll be able to cover the others in full before the Oscars telecast on March 4th, but let’s see how far I can get before I burn out.

Onward to nominee #7: writer/director Paul Thomas Anderson’s Phantom Thread, reportedly the acting farewell of Daniel Day-Lewis, the closest that men have to an answer to Meryl Streep. I’ve only seen one other PTA film, the stunning There Will Be Blood, in which he guided Day-Lewis through brutally yet artfully steamrolling any and all other actors in his path. In their latest team-up he plays another smug period-piece professional with deplorable ideas about how to be the best there is at what he does, but this time winning the movie through sheer force of will wasn’t quite so simple.

Continue reading

The MCC 2017 Oscar-Nominated Animated Short Film Revue

Lou!

In this Pixar playground, the Lost have come to seek and save you.

Previously on Midlife Crisis Crossover:

Each year since 2009 my wife Anne and I have paid a visit to Keystone Art Cinema, the only fully dedicated art-film theater in Indianapolis, to view the big-screen release of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but we appreciate this opportunity to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether we agree with their collective opinions or not. We like to do both sets as a one-day double-feature date, which gives us time between showings to look around the fashion mall connected to the theater, gawk at clothing, grab snacks, and buy a new piece of cookware from Crate & Barrel.

Next up: my rankings of this year’s five Animated Short Film nominees, from keenest to next-level deluxe keenest-of-the-keenest. As with this year’s Live-Action Short Film nominees, I was so impressed with the uniform brilliance on display that the quote-unquote “rankings” are very nearly arbitrary. These may or may not be uploaded to your usual streaming services at the moment, but their availability should widen in the near future. Links are provided to official sites where available if you’re interested in more info. Enjoy where possible!

Continue reading

The MCC 2017 Oscar-Nominated Live-Action Short Film Revue

The Eleven O'Clock!

Remember: I’m here to treat you!

Each year since 2009 my wife Anne and I have paid a visit to Keystone Art Cinema, the only fully dedicated art-film theater in Indianapolis, to view the big-screen release of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but we appreciate this opportunity to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether we agree with their collective opinions or not. We like to do both sets as a one-day double-feature date, which gives us time between showings to look around the fashion mall connected to the theater, gawk at clothing, grab snacks, and buy a new piece of cookware from Crate & Barrel.

First up: my rankings of this year’s five Live-Action Short Film nominees, from pretty-great to extra-greatest. Unlike some years, we didn’t grumble or nitpick a single nominee among the quintet. These may or may not be uploaded to your usual streaming services at the moment, but their availability should widen in the near future. Links are provided to official sites where available if you’re interested in more info. Enjoy where possible!

Continue reading

%d bloggers like this: