20 Pilots Down: A Special Graze-Watching Weekend

Queen Sono!

Bond? Bond who? Pearl Thusi and Loyiso Madinga in the action-spy series Queen Sono, which premiered on Netflix last Friday.

Previously on Midlife Crisis Crossover: months ago my wife Anne and I had blocked out this past weekend on our calendars for attending C2E2, but ultimately bowed out due to a confluence of funding issues and insufficient guest-list temptations. We kept the weekend free anyway, determined to do something with it, even if it amounted to little more than watching lots and lots and lots and lots and lots of TV for the sake of saving on travel and leisure costs. Sometimes when your brain’s being crunched more than usual at work during a time of year that’s historically, inevitably rough, taking days off from the rat race and other responsibilities for mental health is a helpful, virtually medicinal move to recharge these flawed, fleshly vehicles of ours.

As someone who’s a bit too project-oriented when it comes to parceling out my free-time usage, naturally I spent days beforehand pondering what exactly to watch, which shows to binge or which movies to pull from various unwatched stacks, be they DVDs or streaming-media queues. Then I remembered an idea I’d had years ago: given the hundreds, potentially thousands of TV shows I’ve missed throughout my lifetime, why not have a marathon of first episodes only? Line up the pilots and premieres of various series and miniseries across the entertainment spectrum, watch them one by one, resist the urge to move on immediately to any episode 2 for the duration of the marathon, and see what happens? Create my own A/V sampler platter. A bandwidth buffet. A television Tour of Italy, for the shameless O.G. fans out there.

If “binge-watching” is sitting through several episodes of one show in a row, then sitting through one episode each of several shows might be “graze-watching”.

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Our Dark Summertime Binge: Hulu’s “Light as a Feather”

Light as a Feather!

Once again McKenna (Liana Liberato) faces DEATH FROM ABOVE! OR AT LEAST SCARINESS!

Previously on Midlife Crisis Crossover: with weeks to go till vacation and no pressing obligations, my wife Anne and I have been bingeing a few different shows together, while I’ve done some additional grim watching on the side. Certainly not through careful planning on our part, each of the shows has had their own depressing and/or tragic aspects. As I wrote at the time, Veronica Mars season 4 fit right in once we finished the finale. The Netflix documelodrama The Last Czars couldn’t help but depress with its take on Russia’s traumatic early-20th-century history, though it would prove the most unintentionally funny show we’ve seen in ages about war, revolution, murder, and gloomy orgies.

Meanwhile on Hulu, I caught a supernatural thriller in its second season that was easily the youngest-skewing show I watched this summer, possibly this year. But I had a pretty good reason.

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“Veronica Mars” Season 4: Part of Our Dark Summertime Binge

Veronica Mars!

Are you there, God? It’s me, the annoying tiny blonde one.

Previously on Midlife Crisis Crossover: 2014 saw the release of the Veronica Mars movie, an unexpected follow-up to the acid-tongued detective show that undiscerning Nielsen families treated as persona non grata during its three-season run on UPN and The CW. The movie was made possible through a Kickstarter campaign made wildly successful by a fan base eager to see more, more, more. Honestly, every second of VM beyond the first season has been a sort of gift. Back in the day, shows with its kind of shaky ratings were often stood before a firing squad in five episodes or less. Fans appreciated the film as a Happily Ever After that we needed after season 3’s funereal cliffhanger, but we also assumed it was The End. We moved on, so sure that life in the complicated oceanside town of Neptune, CA, would remain copacetic forever as long as we all agreed never to look back again.

Apparently like Orpheus, someone must have peeked. Thanks to the magic of Hulu and a reunion of principals — creator Rob Thomas and some of the original writing staff, as well as stars Kristen Bell, Enrico Colantoni, and quite a few more — the titular teen detective and her equally-detective dad Keith Mars are back with an eight-episode fourth season that, of course, once again has Neptune in chaos, death at hand, and Happily Ever After wrested away from more than one beloved cast member. Though Hulu had announced a release date of July 26th, they uploaded it a week early amid the fun and busyness of San Diego Comic Con. It was either a pleasant surprise or a shocking downer, depending on whether or not you actually watched it this weekend.

With several weeks to go till vacation and no pressing obligations, my wife and I sped through all eight episodes on Saturday, because free time abounded for some of us who’ll never get to attend SDCC. Over the past few weeks we’d been bingeing a few other shows, each of which had their own depressing and/or tragic aspects. We set all those aside for one day and, by the end of said day, realized Veronica fit right in with all that bleakness.

Courtesy warning: spoilers ahead for thoughts after some 400+ minutes of viewing. Not everything is revealed here, but several tidbits yearn to be explored. The spoiler-free capsule-review version is: season 4 is far better than season 3, possibly better than season 2 (I need more time to evaluate this), and definitely not here to deliver more of the movie’s too-eager-to-please fan service.

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