This afternoon of November 7th, the Lord has blessed Indianapolis with 72 degrees of bright warmth in defiance of humanity’s calendar. Anne and I enjoy a sunny walk through a day that could have been darker like others around it.
I’ve spent this evening tinkering with the reference pages linked at the top of every MCC entry. The mandatory “About” page, a common stop for fleeting passersby, has been half-rewritten with new material that clarifies the basics of MCC a little better, in a way that hopefully makes more sense to non-geeks while alienating anyone who works in online marketing. I’ve replaced the photo with a much better one from 2018 that longtime readers may recognize. Please don’t roll your eyes at me for sharing it again. It’s a treasured keepsake and we’re determined to get our money’s worth out of it.
I’ve created a new “Mentions” page that lists other, larger sites that have shared past entries to much larger audiences, with my utmost appreciation and incredulity. Comics news sites, creators, and historic SF fanzines are among those who nodded in our direction like Farmer Hoggett in Babe.
The old “100 Bullet Points” page has been deleted because no one had clicked on it in years. A link to the original entry has been preserved for historical safekeeping, but its value as a feature attraction has plunged to near-zilch.
Enjoy! Comments and questions welcome as always, even though I don’t always come out and say it because I thought it was implied by virtue of having a comments section.
Previously on Midlife Crisis Crossover: 2014 saw the release of the Veronica Mars movie, an unexpected follow-up to the acid-tongued detective show that undiscerning Nielsen families treated as persona non grata during its three-season run on UPN and The CW. The movie was made possible through a Kickstarter campaign made wildly successful by a fan base eager to see more, more, more. Honestly, every second of VM beyond the first season has been a sort of gift. Back in the day, shows with its kind of shaky ratings were often stood before a firing squad in five episodes or less. Fans appreciated the film as a Happily Ever After that we needed after season 3’s funereal cliffhanger, but we also assumed it was The End. We moved on, so sure that life in the complicated oceanside town of Neptune, CA, would remain copacetic forever as long as we all agreed never to look back again.
Apparently like Orpheus, someone must have peeked. Thanks to the magic of Hulu and a reunion of principals — creator Rob Thomas and some of the original writing staff, as well as stars Kristen Bell, Enrico Colantoni, and quite a few more — the titular teen detective and her equally-detective dad Keith Mars are back with an eight-episode fourth season that, of course, once again has Neptune in chaos, death at hand, and Happily Ever After wrested away from more than one beloved cast member. Though Hulu had announced a release date of July 26th, they uploaded it a week early amid the fun and busyness of San Diego Comic Con. It was either a pleasant surprise or a shocking downer, depending on whether or not you actually watched it this weekend.
With several weeks to go till vacation and no pressing obligations, my wife and I sped through all eight episodes on Saturday, because free time abounded for some of us who’ll never get to attend SDCC. Over the past few weeks we’d been bingeing a few other shows, each of which had their own depressing and/or tragic aspects. We set all those aside for one day and, by the end of said day, realized Veronica fit right in with all that bleakness.
Courtesy warning: spoilers ahead for thoughts after some 400+ minutes of viewing. Not everything is revealed here, but several tidbits yearn to be explored. The spoiler-free capsule-review version is: season 4 is far better than season 3, possibly better than season 2 (I need more time to evaluate this), and definitely not here to deliver more of the movie’s too-eager-to-please fan service.