
Alice Bailey Johnson and Kate O’Flynn chat about their love lives with elderly parents, as one does.
Previously on Midlife Crisis Crossover:
Since 1992 my hometown of Indianapolis has presented the Heartland International Film Festival, a multi-day, multi-theater celebration of cinema held every October. Local moviegoers have the opportunity to see over a hundred new works in the realms of documentaries, narrative features, shorts, and animation made across multiple continents from myriad points of the human experience. Heartland’s 35th edition runs October 7-18 and will be my fourth time diving in. I’ve made plans to catch at least six films in all, maybe more if time permits…
Next up: the British indie Tender Loving Care, which premiered last month at the Telluride Film Festival. Writer/director Mike Leigh, age 83, has announced his seventeenth film will likely be his last after a 55-year run. I’d only seen two of his prior: the Thatcher-era slice-of-life Meantime costarring the impossibly young Gary Oldman and Tim Roth (call them Rosencrantz & Guildenstern Babies); and the 1996 Best Picture Oscar-nominated Secrets & Lies, concerning unexpected genealogy results and buried traumas. Leigh’s improvisational filmmaking style set them apart from most of my usual fare, but I regret I haven’t prioritized more of his works. TLC offers a strong incentive to attend his farewell party: Emmy Award Winner Kate O’Flynn, who’s had a banner year as one of the stars of Apple’s horror-comedy series Widow’s Bay. As a fan of that bizarre show, obviously I had to see what she’s done next, this time in an accent from her own homeland.


















