Wouldn’t it be awesome to have board game pieces that you could never, ever possibly lose? Philly has just the place for you.
Previously on Midlife Crisis Crossover: Creed, the seventh film in Sylvester Stallone’s Rocky series, was one of my two favorite films of 2015. It was the first major-studio film for director Ryan Coogler, whose debut Fruitvale Station was my favorite film of 2013. This year’s Coogler model, the amazing colossal Black Panther, will be ranking very, very high for this year’s standings. Tangential note: remember how Black Panther was a 2018 release, even though it feels five years old by now, because 2018 has been that kind of year?
I was a little nervous knowing Coogler would be handing over the reins of Creed II to a relative newcomer, one Steven Caple, Jr. Granted, we knew the main cast would be back — Stallone himself, Thor: Ragnarok‘s Tessa Thompson’s Bianca (levels above the standard Concerned Girlfriend), and of course Michael B. Jordan, star of Fruitvale Station and costar of Black Panther and season 1 of The Wire, which I will never, ever stop name-checking. With the larger-than-life core of Creed still intact, could failure possibly be an option?
Yep, we’re still in Philadelphia. While Anne had her own objectives to pursue on our second foray into the City of Brotherly Love — largely centered around American history — my own to-do list was simple: I just wanted to see Philly up close — roam the streets, feel the vibe, see downtown up close, and just plain experience it instead of merely driving through it with the doors locked…or as we’d done on our first go-around in 2010, when we rode a trolley past several highlights without the power to stop and appreciate at will.
So on Day Five we wandered a bit, we shopped a little, we took a plethora of photos. This set is the daytime half.
Our second time in Philadelphia wasn’t meant to be a total retread of our 2010 visit. Just the same, we couldn’t resist walking past a few of the major highlights. We also couldn’t help walking past them — the parking garage underneath Independence Mall was the most convenient place to leave the car for our first few hours in town, adjacent to several new sights we wanted to see. This year we had slightly more time, somewhat better cameras, and far better maps at our fingertips, given that neither of us owned a mobile phone till 2012.
On Friday my wife Anne and I had the sincere pleasure of attending the inaugural Louisville Supercon, run by the company responsible for Florida Supercon since 2014 and Raleigh Supercon since 2017. Like many convention companies they’ve now turned their attention to the Midwest, which has been enticing and enthralling show promoters for a good five years now, ever since they noticed some of our states have money and geeks in them, in that order. Mind you, I’m not complaining.
In our long, long drives through 32 states and counting, we’ve seen a version of Jamestown, Civil War battlefields, the National World War II Museum, and memorials honoring the individual casualties from America’s last 105 years’ worth of wars or so. We still have a few official war museums to cross off, which we expect will follow the pattern — lots of artifacts from the era, probably some writing samples, and of course plenty of photos where applicable.
Philadelphia’s Museum of the American Revolution features 18,000 square feet of exhibits covering the trials and tumults of our nation’s infancy, but begins with a severe disadvantage: 240 years ago, no one thought to take photos, or bothered to invent the camera in a timely manner. If a nation rises but no one Instagrammed it, is it still free?