MCC Live-Tweeting: Oscars 2017

Jimmy Kimmel!

“You want one of these so bad? Go make a movie that doesn’t suck, you lazy bum.”

The 89th Academy Awards began in style with Justin Timberlake singing or possibly lip-syncing his big Trolls single “Can’t Stop the Feeling”, but ended with all the feelings at cross-purposes when final presenters Faye Dunaway and Warren Beatty — reunited fifty years after Bonnie & Clyde lost to In the Heat of the Night — made Oscar telecast history by inadvertently announcing La La Land as the winner when in fact the name printed on their card was Moonlight. La La producer Justin Horowitz broke the news when, after their speech time had already begun, he approached the mic and tried to re-announce the award. At first the audience thought he was just being humble and demurring. Then everyone realized he was serious and extremely classy as he held the card up for the cameras to see. Much confusion and Twitter quips about “fake news” ensued till things were confirmed and the Moonlight team tentatively took the stage and took their turn at thank-yous.

Between those memorable moments, ABC’s Jimmy Kimmel hosted in an effort to drum up business for his own show by bringing in his own bits such as “Celebrities Read Mean Tweets”, practical jokes, his Matt Damon feud, and I couldn’t tell you what else because I’ve never watched his show unless tonight’s Oscars telecast counted as an episode of it.

Right this way for the list of winners and a running commentary!

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Crunching Numbers, “Hidden Figures”

Hidden Figures!

In the 1960s, the Academy Awards were a very different experience down in the “Colored Audience” section of the Kodak Theatre.

Remember yesteryear when the media and movie fans complained that the Academy Awards nominees were distressingly monochromatic? What a difference a year makes, when studios choose to give leeway to filmmakers willing to bring something different to the table. Of course it helps when the “different” films are also really good films. Hidden Figures isn’t the only Best Picture nominee to figure that last part out, and I’m betting it won’t be the last.

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Our 2003 Road Trip, Part 4 of 7: Mandatory Amusement Park

swings!

Yup, that’s me, back in the days when a guy could wear a backwards cap in public without onlookers casting aspersions on his character or anti-fashion sense.

Previously on Midlife Crisis Crossover: our fifth annual road trip became our first family road trip as we jettisoned our convention plans and took my son to scenic Washington DC to learn history and significance and architecture and so forth. We took a handful of photos using ye olde 35mm film when we weren’t busy corralling and entertaining the boy.

Day Four: Wednesday, July 9, 2003. Tuesday and Thursday were set aside for our official Washington DC tourism. We knew my son would need a break from history and learning to do something more overtly kid-like, more indulgent, and arguably more thrilling. The solution was a one-day intermission at Six Flags America, 20 miles east of town and not too far from Baltimore, home of Homicide and The Wire. It wasn’t the best amusement park ever. The security check-in at their front gate was sterner and more invasive than what we’d encountered at the Washington Monument or any other institution post-9/11. More rides were out-of-order than we would’ve preferred. And then there was the anxious moment when one guy got kicked off a ride and expressed his displeasure by tossing a basketball over a crowd’s heads and getting extremely lucky that it didn’t hit any of us.

But hey! Thrill rides on a sunny day!

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MCC Home Video Scorecard #10: Oscar Catch-Up Time

Hacksaw Ridge!

“Lord, let me please have just one more Oscar nom. Just one more…”

Previously on Midlife Crisis Crossover: the recurring feature that’s me jotting down capsule-sized notes about Stuff I Recently Watched at home. In this batch: we prepare for Sunday night’s Academy Awards ceremony starring ABC’s Best Pal Jimmy Kimmel, with brief notes on two Best Picture nominees and one nominee in another category for value-added variety.

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Our 2003 Road Trip, Part 3 of 7: Flying with Dinosaurs

Kitty Hawk!

The original Wright Brothers flyer dangles overhead with Wright brother simulacrum feigning giddiness.

Previously on Midlife Crisis Crossover: our fifth annual road trip became our first family road trip as we jettisoned our convention plans and took my son to scenic Washington DC to learn history and significance and architecture and so forth. We took a handful of photos using ye olde 35mm film when we weren’t busy corralling and entertaining the boy.

After quote-unquote “lunch” on Day Three we headed a few blocks east to visit our first Smithsonian museum. Handy trivia: any show or movie that tells you an artifact or MacGuffin is “in the Smithsonian” is fudging their verisimilitude. The Smithsonian Institute comprises nineteen museums, many but not all of which are in DC. If someone tries faking their Smithsonian familiarity like that, ask them “WHICH ONE?” and tap your foot impatiently till they either answer with credibility or embarrass themselves by answering, “Uhhhhh, the really big one.”

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“Manchester by the Sea” by the Wayside

Manchester by the Sea!

“C’maaahn, kid. This movie’s a bummer. Let’s get outta here and get you signed up for a Mighty Ducks reboot instead.”

Have you ever walked out of a movie feeling lost and grumpy like Grandpa Simpson? It’s just me, isn’t it?

After all the critical fuss over the Oscar-nominated Manchester by the Sea, I expected to walk out of the theater with my heart ripped to pieces and/or some tears shed, as befitting a film about the grieving process. Maybe it’ll hit me years later, like when I saw Ghost for my second time and had a weirdly intense reaction. I put off this entry for a few weeks to allow time for a surprise epiphany to hit me and upend my interpretation. So far, nada.

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