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C2E2 2018 Photos, Part 4: Last Call for Cosplay!

Princess Lolly!

Princess Lolly from Candy Land, the classic board game that taught us kids all about colors and sugar.

Previously on Midlife Crisis Crossover:

It’s that time again! The ninth annual Chicago Comic and Entertainment Exposition (“C2E2″) just wrapped another three-day extravaganza of comic books, actors, creators, toys, props, publishers, freebies, Funko Pops, anime we don’t recognize, and walking and walking and walking and walking. Each year C2E2 keeps inching ever closer to its goal of becoming the Midwest’s answer to the legendary San Diego Comic Con and other famous cons in larger, more popular states. My wife Anne and I missed the first year, but have attended every year since 2011 as a team.

In this special miniseries I’ll be sharing memories and photos from our own C2E2 experience and its plethora of pizzazz. If it’s a convention, that means it’s time for more cosplay photos! Anne and I are fans of costumes and try to keep an eye out for heroes, villains, antiheroes, supporting casts, and various oddities that look impressive and/or we haven’t seen at other cons…

Part Two featured the majority of Marvel characters we met; Part Three covered more Marvel, DC Comics, Star Wars, and a bit of video games. This time around: all the cosplay that’s fit to print and left to post. Same disclaimers apply as in Part Two. Enjoy! Some more! Still!

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Our HorrorHound Cincinnati 2018 Photo Mini-Parade

C. Thomas Howell!

For our Gen-X pals out there: C. Thomas Howell kicks off our 2018 convention season in style.

This weekend my wife Anne and I attended our first HorrorHound Cincinnati, an annual convention in honor of the spooky, bloody, gross, unsettling, slashing, nightmare-inducing, id-tastical aspects of pop culture. The folks at HorrorHound Magazine orchestrate the festivities so loyal fans of the murderous and the macabre can enjoy a themed geek space of their own apart from Star Wars and Star Trek and whatnot. (Well, mostly.) We’ve attended four of the same company’s last five HorrorHound Indy shows in our own hometoown because, even though we’ve detached from much the genre as we’ve gotten older and finickier, their showrunners have a flair for assembling a top-notch guest list filled with actors we’ve seen in a lot of great works throughout our lives…and who also happened to have one or more scary movies or TV shows on their resumé. Win-win.

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“Annihilation”: It Tampered in God’s Domain

Annihilation!

“I don’t care what the kids like these days. Trying to watch this movie on a 2-inch screen is the worst.”

It’s been years since we’ve seen a major studio act so sheepishly about a film of their own doing as Paramount Pictures has with Annihilation, the strikingly “intellectual” new brainchild from writer/director Alex Garland, whose past successes include science fiction head-trips like Sunshine and the Oscar-winning Ex Machina. Paramount’s last-minute no-confidence vote has denied it an international theatrical release in favor of dumping it on overseas Netflix. Paramount’s official page for the film provides only the trailer embedded via YouTube and a link to the film’s “official site“…which just redirects to a Facebook page. I’m accustomed to short films and indie projects setting up shop on Facebook, but it’s disappointing for a corporation of Paramount’s size to limit their own product to such a minuscule online footprint. Apparently they were holding out hope that Garland might rewrite and reshoot to add some super awesome monster fights.

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MCC Live-Tweeting: Oscars 2018

Jimmy Kimmel!

Tonight one random winner took home a statuette personally contaminated by the host himself!

The 90th Academy Awards kicked off Sunday night on ABC with a mildly amusing spoof of olde-tyme theatrical newsreels before returning host Jimmy Kimmel threw down an unprecedented gauntlet: winners were encouraged to speak on any topic they wanted to, no matter how political or incendiary, for as long as they wanted. This promise was eventually broken, much to the consternation of The Shape of Water producer J. Miles Dale, who got orchestra’d out of his spotlight moment because everyone had assumed director Guillermo Del Toro should have the last word.

Also intermittently livening up the night was Kimmel’s chief running gag, a promise of a free jet ski to whoever had the shortest speech. Thus began a night of push and pull, of comparison and contrast, of #MeToo and #TimesUp and diversity abounding and white guys still winning lots of things but not all the things.

Kimmel’s contributions and interruptions were kept to a barer minimum than last year, setting aside one segment that once again indulged his addiction to practical jokes on ordinary people. Assorted parties dropped a few wisecracks at the expense of high-ranking politicians as well as accused sex offenders, but a surprising amount of the commentary was kept on the positive side — a celebration of artists and advancement instead of roasting the haters and attackers. In that sense, some speeches were more refreshing than others.

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MCC Home Video Scorecard #13: Our Oscar Quest 2018 Finale

Get Out!

In some crowds, you got to always keep one eye open.

Previously on Midlife Crisis Crossover: the recurring feature that’s more like a newsletter in which I’ve jotted down capsule-sized notes about Stuff I Recently Watched at home. In this batch: we prepare for Sunday night’s Academy Awards ceremony starring ABC’s Best Pal Jimmy Kimmel, the perfect representative for the Year of #MeToo on Bizarro World, with brief notes on our final Best Picture nominee (and one of the best), along with all the nominees I could catch in other categories before I ran out of time.

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Oscar Quest 2018: “Three Billboards Outside Ebbing, Missouri”

Three Billboards!

Frances McDormand: as intimidating as a Terminator, even without a gun.

Previously on Midlife Crisis Crossover:

This time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1997 to the present. As of February 21st I’ve officially seen all nine of this year’s Best Picture nominees. I’m not sure I’ll be able to cover the others in full before the Oscars telecast on March 4th, but let’s see how far I can get before I burn out.

Onward to nominee #8: Three Billboards Outside Ebbing, Missouri, in which UK filmmaker Martin McDonagh (In Bruges, Seven Psychopaths) creates his own stylized take on small-town life in the American Midwest and how it might look if one horrifying incident turned half the townspeople into Alec Baldwin from Glengarry Glen Ross.

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