“Star Wars: The Mandalorian and Grogu” Presents Baby Yoda: The Motion Picture

Baby Yoda stands on sand and salutes you. Standing next to him are Din Djarin's shiny boots.

IT’S GROGIN’ TIME!

Previously on Midlife Crisis Crossover: We watch Star Wars movies and shows! My wife Anne and I have kept up with most of the Disney+ series, for better or worse. We aren’t unconditional superfans preaching, “If it says Star Wars on it, it’s A+++!” in a glassy-eyed haze, nor do we hate-watch it and share high-strung “cave-geek shakes impotent angry fist at toy line” harangues for hollow YouTube bucks while our souls decompose into gnarled, oily nubs.

The far-faraway galaxy is large; it contains multitudes. Granted, that’s more of a four-quadrant marketing design than a magnanimous diversity credo. Billion-dollar corporations don’t stay megalithic by catering exclusively to any singular faction. The universe that began with the classic Jedi lightsaber battles of your sacrosanct childhood memories — or your children’s, if you’ve passed down your pop-culture heritage to them! — also includes the protracted Clone Wars continuity, the politically charged Andor, the kiddie-cartoon-to-steely-drama evolution of Star Wars Rebels, the cosmopolitan artistic experiments of Star Wars Visions, the books and comics that can matter but usually don’t, in-story toyetic adverts, nostalgia-pandering, Morals of the Story, super awesome EXPLOSIONS, the aesthetic sins and redemptive apologia of Jar-Jar Binks, spaceships, Halloween masks, clothing lines, infrequent moments of This Is Cinema, and, yes, the character we knew for years as Baby Yoda till The Powers That Be eventually bothered to name him.

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Okay, Fine, NOW I Get Baby Yoda

life-size Baby Yoda statue.

Not mine, a coworker’s. But if he retires before I do and forgets to take it with him…

Previously on Midlife Crisis Crossover: my wife Anne and I subscribed to Disney+ a year behind the rest of the world and are doing our best to catch up on the content that matters most. So far that means Pixar’s Soul and the Star Wars universe. On a more inessential note I also watched Cars 3, which was better than the second one, which wasn’t too high a bar to jump.

But our primary objective has been Star Wars because for the past year everyone around us has been “Mandalorian” this and “Baby Yoda” that and of course they had to take turns asking us every ten minutes, “Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet?”

YES, WE HAVE DISNEY+ NOW. Um, finally. Sorry for shouting.

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MCC Home Video Scorecard #17: My Thanksgiving Letdown with Baby Yoda

Baby Yoda!

“Only begun, the meme wars have…”

Previously on Midlife Crisis Crossover: the recurring feature that’s more like a newsletter in which I’ve jotted down capsule-sized notes about Stuff I Recently Watched at home. The last installment was eight months ago because I’ve found myself pretty easy to distract this year. Time flies when I’m going to bed earlier every night due to encroaching oldness, depriving myself of precious writing time, barely making a dent in my topical backlog, and therefore not yet forcing myself into a corner where I have to mine everything I do for creative writing fodder. Plan A for Thanksgiving weekend had been a combination of reading, writing, and watching. One of those three won out thanks to a confluence of unrelated factors, all involving TVs and streaming media.

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