Okay, Fine, NOW I Get Baby Yoda

life-size Baby Yoda statue.

Not mine, a coworker’s. But if he retires before I do and forgets to take it with him…

Previously on Midlife Crisis Crossover: my wife Anne and I subscribed to Disney+ a year behind the rest of the world and are doing our best to catch up on the content that matters most. So far that means Pixar’s Soul and the Star Wars universe. On a more inessential note I also watched Cars 3, which was better than the second one, which wasn’t too high a bar to jump.

But our primary objective has been Star Wars because for the past year everyone around us has been “Mandalorian” this and “Baby Yoda” that and of course they had to take turns asking us every ten minutes, “Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet? Do you have Disney+ yet?”

YES, WE HAVE DISNEY+ NOW. Um, finally. Sorry for shouting.

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Yes, There’s a Moment after the “Soul” End Credits

22 and Joe's soul in an astral pizza shop in "Soul"

If you loved Jamie Foxx as a blue guy in Amazing Spider-Man 2 or Tina Fey playing against a blue guy in Megamind

Previously on Midlife Crisis Crossover back in May, when ruminating on our family’s adoption process for new streaming services:

Our family prides itself on not being early adopters of new technology or services. We prefer to let upstart projects and products get up and running, figure out their processes, work out their bugs, set a price point that’s worth the venture, and build up a reputation, preferably a favorable one. Then we might give them the time of day. Maybe. Sometimes. Streaming services are subject to the same vetting procedure. The internet’s Baby Yoda obsession notwithstanding, we have yet to pull the trigger on Disney+…

All that changed Christmas evening. Everyone does the post-Christmas thing where they wait until all gift-giving is finished, then buy themselves a little something to compensate for any oversights or disappointments, right? Mine was springing for an upgrade to our existing Hulu With Five Tedious Commercials Repeated Ad Nauseum subscription. Now we can access the wonder and whimsy of Disney+. One day in the future I can at long last stop worrying about pervasive spoilers for The Mandalorian.

And what better way to test-drive our new channel than with the latest Pixar production? Soul was among the hundreds of major releases relegated to the once-ignominious fate of a direct-to-video release thanks to pandemic pandemonium. Technically it’s cheaper for viewers this way who have the wherewithal to let the fees sink into the morass of their monthly credit card charges, but on the downside, the wildly inventive score by the Oscar-winning duo of Trent Reznor and Atticus Ross made me wish I could’ve seen this in a theater and immersed myself in the splendor of its music, apropos of the film’s own themes. Among other benefits, it might’ve better distracted me from a few things that bugged me as the film played on.

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