2022 at the Movies at My House

Halle Berry and Patrick Wilson as astronauts just standing there looking pained.

Live footage of Halle Berry and Patrick Wilson exiled off-planet as punishment for costarring in Moonfall.

Previously on Midlife Crisis Crossover: in 2022 I made 18 trips to the theater to see films made that same year. Though I’ve tried to get back out there with my vaccines and my restlessness and whatnot, more often than not the motivation level still wasn’t quite where it used to be. As a sort of compromise, in the year’s back half I tried to overcompensate and catch up with 2022 through our various streaming subscriptions and a smattering of Redbox rentals. We don’t have HBO Max or Amazon Prime, but I nevertheless watched plenty by estimation, enough to present the third annual installment of the MCC tradition borne of the pandemic: a ranking of all the brand new films I saw on comfy, convenient home video in their year of release.

Whittling away any and every film with a pre-2022 release date, our living room hosted 28 films in 2022 that fit the specific parameters for this list. We’re not far away from the Oscars’ nominations announcement on January 24th, which for weeks I’ve been keeping in the back of my mind as the deadline for this listicle, so…on with the countdown!

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Yes, There Are Scenes During and After the “Lightyear” End Credits

Lightyear!

To finity and no farther!

“In 1995 Andy got a new toy for his birthday. It was from his favorite movie. This is that movie.”

That’s paraphrasing (i.e., possibly misquoting from fading memory) the first lines from Lightyear — its high-concept, low-bar mission statement and its disclaimer to deflect any viewers who might’ve refused to relax without some form of canonical context, no matter how tenuous or superfluous. Critics’ memories of the exact verbiage differed from one site to the next. The erstwhile animation trailblazers at Pixar were hoping those same fuzzy memories might forgive/forget the shamelessly unnecessary Toy Story 4 and embrace this, their latest merchandise revival to be contrived from the greatest animated film trilogy ever.

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The MCC 2022 Oscar-Nominated Short Film Revue

Robin Robin!

“One of these things is not like the other” describes both the robin in this group hug and its status as the only family-friendly Animated Short Film nominee.

Each year since 2009 (except for 2021’s pandemic lockdown marathon) I’ve paid visits to Keystone Art Cinema, the oldest surviving art-film theater in Indianapolis, to view the big-screen releases of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but I appreciate the opportunities to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether I agree with their collective opinions or not. Since 2019 I’ve also assigned myself the extra-credit activity of catching as many nominees for Best Documentary Short Film as possible, depending on their availability online. The good folks at Shorts.TV, who package the theatrical releases each year, are supposed to be releasing them for home rental sometime soon, which will be a nice way to save yourself some gas money.

First up: my rankings of this year’s five Best Animated Short Film nominees, which were the most mixed of mixed bags that I’ve seen in years, not to mention the edgiest and incontrovertibly NSFW-iest. Four are available online; one was exclusive to the Shorts.tv program.

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The Secret Life of “Flee”

Flee!

WE HAVE TITLE! Also, this is exactly what we fear would happen if we ever tried using a travel agent.

Have you ever looked at a list of Academy Awards nominations and thought to yourself that the competition might mean more if you’d seen at least one film in every category? You’re in luck: if you catch Flee, you’ll have an inroad to three categories at once, as multiple AMPAS branches served up three Oscar nominations for this Danish animated documentary, one for each word in that description.

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2021 at the Movies at My House

Jamie Curtis in Halloween Kills!

Who among us hasn’t felt as stressed out as Laurie Strode lately?

Previously on Midlife Crisis Crossover: in 2021 I made 22 trips to the theater to see films made that same year. The year before, the pandemic thoroughly quashed the moviegoing experience and shrank my annual year-in-review entry to a mere four entrants, which barely counted as a “list” and convinced me to start a new, separate annual MCC tradition: a ranking of all the brand new films I saw on comfy, convenient home video in their year of release.

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Yes, There’s a Capybara After the “Encanto” End Credits

Disney's Encanto!

Not many family photos could double as a cover for their own superhero comic.

Once upon a time, new Disney and Pixar animated films were an automatic “see in theaters” category for our family. (Well, generally speaking. Maybe someday I’ll get around to The Good Dinosaur.) Works from other animation studios were not so guaranteed and were judged on a case-by-case basis. Our last animated theatrical experience was Pixar’s Onward, which was back in March 2020 and just-okay. For non-Disney fare (not counting shorts) I’d have to go clear back to the third How to Train Your Dragon in 2019, which was likewise just-okay.

Then along came a pandemic that interrupted our traditions and our rhythms. Some studios kept releasing new cartoons anyway, albeit on a protracted schedule. We ignored all of them, even after getting our shots, because of inertia. I recently caught up with a few 2021 releases on streaming services, but they haven’t been a top priority. (Maybe someday I’ll get around to Raya and the Last Dragon.) Amidst this current holiday season my son and I noticed the oversight and revived our tradition at last with an outing for Disney’s Encanto — apropos of the occasion, a film about family, tradition, and ruination that we think comes from without when in fact the disruption is coming from inside the house.

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The MCC 2021 Oscar-Nominated Animated Short Film Revue

Mole and bunny from "Burrow".

In my mind the mole is lecturing the bunny about his code violations in the voice of John Ratzenberger from House II: The Second Story.

Previously on Midlife Crisis Crossover:

It’s that time again! Longtime MCC readers know this time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1988 to the present, many of which were worth the hunt. The eight nominees for Best Picture of the Pandemic Year may pose more of a viewing challenge…

Each year since 2009 my wife Anne and I have paid a visit to our city’s singular, fully dedicated art-film theater to view the big-screen release of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but we appreciate this opportunity to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether we agree with their collective opinions or not.

This year’s environment threw a wrench into the works. On the bright side, by the end of the pandemic Indianapolis may have as many as three such theaters to its credit if our old standby and the two hopeful newcomers can stay solvent till then. On the downside…well, there’s that notorious pandemic. Unlike certain Best Picture producers we could denigrate here, the folks at Shorts.tv, which packages the nominees for theatrical release each year, realizes not everyone is ready for theaters yet, and won’t be for a good while to come, not even for Oscars season. In their benevolent cognizance they made special arrangements to let email followers of participating theaters rent streaming access to this year’s shorts for a limited time and a fair price, with the respective theaters receiving a cut of our proceeds. Those theaters get a little help living a little longer, and in exchange so do we.

Our annual shorts rundowns begin with the Animated Short Film nominees. I’d offer links to watch them if I could, but nominees in this category are traditionally removed from their previous posts until sometime after the awards are over. I also usually rank them, but this year’s lineup were so apples-and-oranges that I’m sticking with unhelpful alphabetical order because no one’s forcing me to rank things and in this case I don’t feel like it. Onward!

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Yes, There’s a Moment after the “Soul” End Credits

22 and Joe's soul in an astral pizza shop in "Soul"

If you loved Jamie Foxx as a blue guy in Amazing Spider-Man 2 or Tina Fey playing against a blue guy in Megamind

Previously on Midlife Crisis Crossover back in May, when ruminating on our family’s adoption process for new streaming services:

Our family prides itself on not being early adopters of new technology or services. We prefer to let upstart projects and products get up and running, figure out their processes, work out their bugs, set a price point that’s worth the venture, and build up a reputation, preferably a favorable one. Then we might give them the time of day. Maybe. Sometimes. Streaming services are subject to the same vetting procedure. The internet’s Baby Yoda obsession notwithstanding, we have yet to pull the trigger on Disney+…

All that changed Christmas evening. Everyone does the post-Christmas thing where they wait until all gift-giving is finished, then buy themselves a little something to compensate for any oversights or disappointments, right? Mine was springing for an upgrade to our existing Hulu With Five Tedious Commercials Repeated Ad Nauseum subscription. Now we can access the wonder and whimsy of Disney+. One day in the future I can at long last stop worrying about pervasive spoilers for The Mandalorian.

And what better way to test-drive our new channel than with the latest Pixar production? Soul was among the hundreds of major releases relegated to the once-ignominious fate of a direct-to-video release thanks to pandemic pandemonium. Technically it’s cheaper for viewers this way who have the wherewithal to let the fees sink into the morass of their monthly credit card charges, but on the downside, the wildly inventive score by the Oscar-winning duo of Trent Reznor and Atticus Ross made me wish I could’ve seen this in a theater and immersed myself in the splendor of its music, apropos of the film’s own themes. Among other benefits, it might’ve better distracted me from a few things that bugged me as the film played on.

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“Onward”: The Brotherhood of the Traveling Pants

Onward!

Are they elves? Goblins? Bugbears? Kobolds? Smurfs? I have no idea.

From the studio that brought you Up and Inside Out, it’s Onward, another in-depth exploration of a directional adverb. Expect more in this series in future adventures such as Diagonal, Hard to Starboard, Thereabouts, and Counterclockwise!

(The word actually appears in-story and makes perfect sense after you’ve seen the movie. As an enticement for luring reticent viewers into the theater, it falls…shortward.)

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Video Scorecard #22: Oscar Quest 2020 Animated Extra Credit

Klaus!

Neither snow nor rain nor heat nor gloom of night nor facing off against Disney and DreamWorks films for an Academy Award…

Previously on Midlife Crisis Crossover: the recurring feature that’s more like a newsletter in which I’ve jotted down capsule-sized notes about Stuff I Recently Watched at home. As usual I’ve been preoccupied with my annual bout of Oscar-mania to the consternation of MCC readers who show up here for any other reasons.(I promise we have a road trip miniseries coming soon, with some light travel, history, and a tribute to one astronaut. Honest!

Before tonight’s big Academy Awards ceremony on ABC, there’s one last category in which I managed to catch all the entrants thanks to the wonder of today’s sometimes generous streaming services. Thus we present in brief the three nominees for Best Animated Feature that I didn’t see in theaters:

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