“Close”: Can Two BFFs Hug a Lot and Still Be Just Friends?

A boy smiles and holds up his sketch of his BFF, who didn't realize it would be intentionally crappy.

“Please don’t laugh. We spent our entire effects budget on just the one drawing.”

Dunno about you, but for me 13 was the worst. Everything was confusing and awkward and lonely and humiliating and uninhibited and oppressive all at once, and the noisy sweatbox that was junior high school cranked every negative emotion up to 13. Our mandatory classroom viewings of the “changing bodies” video were two years earlier — laughable and boring, outdated and technically informative compared to The Talk that some of us never heard at home. With all the peer pressure and social panic, the misery and self-loathing, the cliques ruling the open spaces and the nerds staking claim on the deserted corners…honestly, it’s a wonder we as a species ever make it to 14.

Not much has changed. Teens gonna teen. Society hasn’t found the cure for puberty. Big Pharma might have tools to procrastinate it, and various addictions might drown out its screams, but sooner or later it comes for us. Anyone with their defenses down when it hits is doomed, which was pretty much all of us. From Belgium’s version of the life phase I miss least, director/co-writer Lukas Dhont brings us together with Close, one of this year’s Academy Award nominees for Best International Feature, which just reached Indianapolis theaters last weekend and broke every heart that ventured out for the occasion.

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“The Banshees of Inisherin”: Why Can’t We Be Friends?

Colin Farrell bothers Brendan Gleeson in "The Banshees of Inisherin".

“So who do you think would win in a fight, Grindelwald or Mad-Eye Moody?”

Years ago I heard a pastor (not at our home church) sermonize to an auditorium full of men about what he called “radical amputations” — times in his life when he made conscious, arguably over-the-top decisions to remove potential chances for sin to enter his life by any means necessary. He knew his limits and his temptations, and took hard measures to avoid jeopardizing his family, his job, his church, and/or his relationship with Christ. Historically speaking, some pastors have fared far worse at their sin management than others. God bless those who find ways to turn away from impulsive stupidity.

The most drastic example he cited from his own past concerned a onetime assistant of his, apparently a lovely woman who was good at her job. They were frequently alone in the office. She didn’t jokingly flirt with him or do anything remotely resembling a romantic gesture in his direction, but he felt himself growing attracted to her and, shall we say, entertaining impure thoughts on a recurring basis. He never acted on those thoughts or tried to perpetrate anything Weinsteinian on her, but his imagination and hormones wouldn’t shut up. After this had gone on for a bit, he realized something needed to change. So he fired her.

This “radical amputation” on his part amounted to punishment for her despite absolutely no wrongdoing on her part — no performance issues, no rules broken, no red marks on her permanent record or whatever. But he could feel himself in danger of moral/spiritual slippage and decided he needed her permanently and immediately out of his orbit for the sake of everyone and everything that depended on him. Years later that story still doesn’t sit well with me (not once in his sermon did he suggest perhaps he should’ve hit the road), but the concept stuck in my head.

I was graphically reminded of that confession (which he positioned to us as family-man advice) as I sat raptly through The Banshees of Inisherin, the latest film from writer/director Martin McDonagh (In Bruges; Three Billboards Outside Ebbing, Missouri), in which blunt decisions, sin, and stupidity become man’s worst friends.

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Reaching Out Through the Zoom Lens

Zoom Jazz Hands!

As you’d expect, our most requested pose. Special thanks to my sister-in-law for the screen shot.

Previously on Midlife Crisis Crossover: for the duration of the interim normal, all other human bodies are to be treated as walking land mines, held at a remove, and if one approaches you, go hide and let them detonate in someone else’s face instead.

In these extreme circumstances we’ve sometimes found ourselves doing things far outside the old, complacent, pre-fatality routines. Letting our hair grow into shaggy 1970s grotesquerie. Taking early morning walks around our neighborhood. Calling elderly relatives before they call us first. Posting on Facebook.

Our latest deviation from the norm: hopping on a communication technology bandwagon.

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Kid Dungeon Master’s Neighborhood Reign: Nostalgic Confession Inspired by “Die”

Die 1!

Teen RPG fan Solomon brings foreboding gameplay setup to Die #1. Art by Stephanie Hans, words by Kieron Gillen, letters by Clayton Cowles.

1. A Long-expected Party.

Previously on Midlife Crisis Crossover: my annual comic book reviews included a promise of a future entry inspired by Die, the new Image Comics series by Kieron Gillen and Stephanie Hans that I encapsulated like so:

What if you took the structure of Stephen King’s It, but instead of fighting a murderous super-clown, the kids and adults in their respective eras were reliving the ’80s Dungeons and Dragons cartoon as a horror story, and the Big Bad was Tom Hanks from Mazes and Monsters turned into a truly mystical, manipulative interdimensional overlord?

Painted art by Stephanie Hans is like a high-end gallery showing on every page, while writer Kieron Gillen is engaging in ambitious, phenomenally detailed world-building, worrisome in its six-digit word count and rising. He’s exploring fantasy tropes and toying with them from within, but he’s also designed an entire RPG from the ground up to facilitate his vision, one that’s dredging up so many childhood memories for me — some I would dare label “definitive” in regard to my personal backstory — that I’ll need to devote a separate entry to this series in the near future. I have a lot of baggage to unpack here, and I blame Gillen for wheeling the baggage cart right up next to me.

I had the pleasure of meeting painter Stephanie Hans at this year’s C2E2, where I gave her the elevator-pitch version of this entry and she encouraged me to share it. I got a kick out of meeting Kieron Gillen at C2E2 2013, where we briefly chatted about his Britpop-magic fantasy Phonogram and he asked me which character I identified with most. I honestly hadn’t given much thought to it and was ashamed to have no answer, either prepared or improvised. I’m not used to pros at a con asking me a question beyond “Where are you from?”

(Having had time to think later, my answer came to me, obvious if twofold. As a young adult from 1989 to 2000 I imagined myself Seth Bingo, self-anointed tastemaker and DJ, bringing my boom-box and tapes/CDs to entertain at work after-hours — no requests allowed, sharing my collection with peers who just didn’t get me or my nightly playlist. For my life 2000-present I’ve been closer to Lloyd, engaging with music intellectually via long thinkpieces written only for the audiences in my head, but rarely physically and never socially, thus arguably denying its greatest powers. If only I could’ve written all that on an index card before approaching Gillen’s table. Or narrowed my answer down to just one of those two alienating dudes.)

The farther I’ve read into Die, the more I’ve found myself reflecting on my own experiences with Dungeons and Dragons, an integral part of my preteen years. It was a compelling confluence of entertainment and imagination. It was a big hit with the other kids who joined in. It also ushered in the end of my circle of childhood friends.

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Road Trip Origins, Part 1 of 2: From Wallflowers to Wanderers

Anne + Randy 1999!

Flashback to 1999: two twentysomething youngsters enjoy a church fish-fry with no clue what their future held in store.

Every year since 1999 Anne and I have taken a road trip to a different part of the United States and seen attractions, wonders, and events we didn’t have back home in Indianapolis. From 1999 to 2003 we did so as best friends; from 2004 to the present, as husband and wife. My son tagged along from 2003 until 2013 when he ventured off to college. From 2004 to 2011 we recounted our experiences online at length for a close circle of friends. From 2012 to the present we’ve presented our annual travelogues here on Midlife Crisis Crossover for You, the Viewers at Home, which I’m grateful includes some of those same friends. (For newcomers to the site, our complete road trip checklist will direct you to hundreds of previous entries covering our explorations, including remastered retellings of our pre-MCC outings in 2001, 2006, and 2011.

Every tradition begins somewhere. As longtime friends and readers might expect, ours began with a convention.

Right this way for a very special presentation starring our 1999 counterparts!

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