Previously on Midlife Crisis Crossover: the recurring feature that’s more like a newsletter in which I’ve jotted down capsule-sized notes about Stuff I Recently Watched at home. I could string together several entries out of the backlog I built up through 2018, but for now let’s settle for tackling a few recent catches from the past six weeks, when the Academy Awards were fresh in mind, whether relevant or tangential:
Previously on Midlife Crisis Crossover: the recurring feature that’s more like a newsletter in which I’ve jotted down capsule-sized notes about Stuff I Recently Watched at home. In this batch as well as the previous one: the past few months’ worth of comfy-chair viewing as prep for this Sunday’s Academy Awards ceremony, except this year I went overboard and decided to see how many the nominees I could catch from other categories, either free via legal means or via existing streaming-service subscriptions. As it turns out, quite a few, mostly documentaries but that’s not a bad thing.
But first, an Original Screenplay nominee I’d been curious to see for a while:
Among the many deficiencies in my childhood, I regret Mister Rogers’ Neighborhood was not required viewing in our house. In the days before VCRs, DVR, and the Internet, our family’s TV schedule was strictly divided between myself, my mom, and my grandma. I was allowed to pick stations each weekday morning before 9 a.m., after school, and on Saturday mornings. Sadly, the kindly Fred Rogers had the misfortune of airing opposite Grandma’s soap operas and/or game shows. By the time I discovered him while channel-flipping, I was somewhere in my preteen phase — too old to respond to his low-key gentility, not quite old enough to watch him ironically, and nowhere near the kind of adult who could appreciate what he did or how he connected to millions of other, better-off kids.
My wife Anne, on the other hand, used to watch him all the time. As a youngling she watched him, Sesame Street, and other PBS all-stars all the time. He spoke directly to kids, the Viewers at Home. He wasn’t there to bedazzle them with whimsy or lull them with escapist conflicts or sell them toys. He taught, he explained, he knew, he felt, he sympathized, he loved. For some kids he seemed like the only adult who every really got them, who even tried to get them. He fell just short of absolute godhood, but to many, calling him “father figure” doesn’t begin to describe his impact on their lives.
Won’t You Be My Neighbor?, then, is a rare instance of Anne taking me with her to the movies for once.
Hi, My name is Randy. It’s been five years and two months since the last time I pledged money to a Kickstarter campaign. This week I achieved closure on that chapter in my hobbyist life at last.
Previously on Midlife Crisis Crossover: the recurring feature that’s more like a newsletter in which I’ve jotted down capsule-sized notes about Stuff I Recently Watched at home. In this batch: we prepare for Sunday night’s Academy Awards ceremony starring ABC’s Best Pal Jimmy Kimmel, the perfect representative for the Year of #MeToo on Bizarro World, with brief notes on our final Best Picture nominee (and one of the best), along with all the nominees I could catch in other categories before I ran out of time.
Paul Hildebrandt needs your help. For over two years the director and his crew have been conducting dozens of interviews, sifting through countless hours of archival footage, knocking at closed D.C. backrooms, stumping for truth, analyzing the facts, looking for root causes, and working hard to bring you Fight for Space, an ambitious documentary about the sorry state of America’s position in the international space race, where things went wrong, why they’re still off track today, and what barriers still stand between humanity and our return to the stars.
I previously wrote about Hildebrandt’s project in July 2012 when I signed on as a backer to his official Kickstarter campaign. His quest succeeded and exceeded his formidable funding goal of $65,000.00, with pledges totaling over $105,000.00. For the next year-plus, Hildebrandt pursued more interviews, hit roadblocks in several areas (including any and all inquiries into Elon Musk’s SpaceX program, which availed him naught), wrapped filming, began post-production, and updated us once every few months when properly badgered.
Then the money ran out. Hildebrandt was taken aback and humbled by the process, but he means to finish what he started. To that end, he’s just launched a second Kickstarter campaign to raise more funds so he can afford to complete his work as he envisions it.
Hildebrandt needs your help, and so do I. You can make a difference and help this important project finish happening, in hopes that it could shed new light on a touchy subject and change minds nationwide. Also, if there aren’t enough backers in this second round of donations, I’m guessing the whole thing collapses and I’ll never see the rewards I’m still owed from his first Kickstarter campaign. I was kind of hoping to have those in hand before I die.