The Academy Awards 2024 Season Finale

Kate McKinnon's Weird Barbie invites Jimmy Kimmel into her Barbieland house and unrolls a large presentation map of "Oscarsland", which looks like a Candyland game board with photos of each of the ten Best Picture nominees scattered along its dotted-line path.

Kate McKinnon’s Weird Barbie gives a lost Jimmy Kimmel directions to the Oscars, in ABC’s extended trailer.

Oscar season is over at last! Tonight ABC aired the 96th Academy Awards, once again held at ye olde Dolby Theatre and hosted for a fourth time by ABC’s favorite trooper Jimmy Kimmel. This year’s soiree clocked in at 144 minutes, a surprising 14 minutes shorter than last year’s telecast. That’s after starting six minutes late and keeping the stopwatch running till the very end of the end credits, up to the final boilerplate disclaimer read by announcer David Alan Grier. Kimmel and his writing staff made only a single overtime joke in the monologue, then dropped that annual running gag for the rest of the night. It’s refreshing whenever a tired joke is crossed off the setlist.

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My Oscar Quest 2024 Quick-Start Scorecard

Cillian Murphy as J. Robert Oppenheimer in one of the black-and-white flashbacks. He's seated at a table, incredulous during testimony and reaching for his coffee mug.

“Now I am become Oscar, the booster of careers.”

Previously on Midlife Crisis Crossover: every winter is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture winner from Wings to Everything Everywhere All at Once, and every Best Picture nominee from 1987 to the present, many of which were worth the hunt. You take the good, you take the bad, and so on.

Starting in 2020 I upgraded to the Oscars Quest Expanded Challenge, in which I see how many nominees I can watch in all categories before the big ceremony. Thanks to the expansion of streaming services I’ve seen every Oscar-nominated feature and short for the years 2021 and 2022, even in minor categories like Best Original Song. I enjoyed surprises and suffered regrets. Sometimes I have to wait for smaller nominees to arrive at the art-house theaters here in Indianapolis. Sometimes I luck out and they’re on our subscribed streaming services of choice. Sometimes I go for a streaming rental. In extreme cases a Redbox disc rental might be warranted. I go wherever the Quest takes me.

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2023 at the Movies at My House

Jessie Buckley and Riz Ahmed sit expectantly on the floor in front of a wall-mounted microwave. Two of her fingers are bandaged.

Time once more to gather the family ’round the appliance of your choice!

Previously on Midlife Crisis Crossover: : in 2023 I made 24 trips to the theater to see films made that same year. Meanwhile at home, I kept up with select new releases depending on what was conveniently available through our family’s streaming subscriptions, what sounded most watchable, and/or what felt like potential future Oscar nominees that should be gotten over with in advance to ease my annual Oscar Quest time crunch. For value-added fun, as an anniversary gift from my lovely wife Anne we now have Amazon Prime, which expanded our options without expanding my available TV free time. I did what I could within the time slots allotted.

Hence the fourth annual installment of the MCC tradition borne of the pandemic: a ranking of all the brand new films I saw on comfy, convenient home video in their year of release. Sure, they could’ve been 24 separate entries written in real time as I consumed them, but that’s not how I roll. The Academy Award nominations announcement is coming up January 23rd, which I’ve been keeping in the back of my mind as the deadline for this listicle, so that incentive to get these done clearly worked. On with the countdown!

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My 2023 at the Movies, Part 2 of 2: The Top 10

Four main cast members from the Dungeons & Dragons movie step into a medieval arena, booed by the crowd.

Over 300 films stepped into the 2023 arena. Ten step out.

Previously on Midlife Crisis Crossover:

It’s listing time again! In today’s entertainment consumption sphere, all experiences must be pitted against each other and assigned numeric values that are ultimately arbitrary to anyone except the writer themselves. It’s just this fun thing some of us love doing even though the rules are made up and the points don’t matter.

Of those 24 releases, 15 were sequels or chapters in an ongoing universe or venerated popcorn-flick IP. Eight were superhero films. Two were animated. Two were entirely subtitled. Ten had scenes during or after the end credits. Four were screenings at the 32nd annual Heartland Film Festival, not all of which have received wide U.S. runs as of this writing.

Here’s the annual rundown of what I didn’t miss in theaters in 2023, for better or worse. Links to past excessively wordy reviews and sometimes bizarrely construed thoughts are provided for historical reference…

And now, on with the Year’s Best Movies countdown:

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My 2023 at the Movies, Part 1 of 2: The Year’s Least Best

Scene from the second Shazam movie with all six powered-up Shazam Family members standing on a bridge, looking at you.

2023 was the 20th anniversary of the classic “LIGHTNING BOLT! LIGHTNING BOLT!” LARPing video. The future that faux-wizard foresaw has arrived.

It’s listing time again! In today’s entertainment consumption sphere, all experiences must be pitted against each other and assigned numeric values that are ultimately arbitrary to anyone except the writer themselves. It’s just this fun thing some of us love doing even though the rules are made up and the points don’t matter.

I saw 24 films in theaters in 2023 that were actually released in 2023, a 33.3% increase over 2022 as COVID-19 retreated slightly into the bushes and folks began making more movies, many of them watchable. That number doesn’t include seven Academy Award nominees that were officially 2022 releases, but which I saw later outside the house as part of my annual Oscar Quest. It also doesn’t include the 2023 films I watched on streaming services, which will receive their own listicle.

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“The Crown” Season 6: All Ten Episodes Ranked According to a Guy Who Learned UK History Along the Way

Imelda Staunton as Queen Elizabeth II dressed in white, standing in Westminster Abbey and contemplating the future. Hanging back on either side of her are Olivia Colman and Claire Foy, each in black as their respective Elizabeths from previous seasons.

Lilibet 1, Lilibet 2, and Lilibet 3 ponder the final fate of the Queen-Verse.

Previously on Midlife Crisis Crossover: at the start of the pandemic my wife Anne and I binged the first three seasons of Netflix’s The Crown, soon caught up with the rest of fandom, and kept up ever after. One slight hitch: while Anne is a major history aficionado, that was never my forte, especially not the story of Queen Elizabeth II and her subjects, some of whom were her own trod-upon relatives:

Compared to my blissfully ignorant self, Anne is far more knowledgeable of history in general and British royalty in particular. My interest in their reigning family went dormant for decades beginning on the morning of July 29, 1981, when my family woke up at 5 a.m. — over summer vacation, mind you — to watch Prince Charles marry Princess Diana, two strangers I knew only as frequent costars of my mom’s favorite tabloids. Their wedding lasted approximately six days and was performed in slow motion with British golf commentators prattling through the lengthy silences in between the happenstances of nothingness. For the next 15-20 years I retained nothing of British history apart from their role as the Big Bad in the American Revolution. Frankly, I’ve learned more about their country’s storied past from my wife and from Oscar-nominated movies than I ever did from school. Sad, unadorned truth.

So far I’ve enjoyed “The Crown” anyway, and understood most of what’s gone on…

We watched along as new episodes were released. I tracked our viewing with listicle rankings of season 4 and season 5. Not only were we enjoying the show enough for me to want to write about it, but all three entries also generated unexpectedly massive traffic, sometimes even dwarfing our comic-con cosplay galleries. (As I’m writing this, the Season 5 entry is still one of last week’s Top 3 posts.) I grumbled when Netflix made the very AMC-esque decision to split the sixth and final season into two parts, leading off with a four-episode miniseries-within-a-series covering The Death of Di. I understood the reasons (i.e., they were a self-contained story and Everyone Loves Princess Diana), but I felt the quartet didn’t justify a minuscule listicle. So I broke from the format and stretched my thoughts into a different sort of list. No one cared.

Looks like it’s listicle time again!

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Yes, There’s a Scene During the “Aquaman and the Lost Kingdom” End Credits

Jason Momoa and Patrick Wilson on a beach. Aquaman is trying to catch his breath and holds up his hand waiting for a high-five. His evil half-brother Orm, shirtless and bedraggled after a long prison stay, holds Aquaman's Trident of Naptune in one hand and just stares back at him, leaving him hanging.

Poor King of Atlantis, waiting in vain for all his DC fans to come high-five him again in theaters.

R.I.P., DC Extended Universe. I wouldn’t call theirs “a good run” through-and-through, but it had worthy moments. It’s a shame only a handful of us attended the farewell party in theaters, a.k.a. Aquaman and the Lost Kingdom. It’s also a shame this rather expensive, mostly underwater half-CG-cartoon sequel was only the year’s second-best DC film.

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“Die Hard” in a Dolby Cinema

That scene in "Die Hard' where John McClane jumps off an exploding skyscraper roof with a fire hose tied around his chest.

David Addison takes time off from breaking the fourth wall to have fun breaking the other three.

I dug through my archives and checked: somehow this blog has existed for eleven years and I’ve never mentioned the original Die Hard is my all-time favorite movie. Previously on Midlife Crisis Crossover, against my better judgment I subjected myself to the fifth, final, worst entry in the series. Later that same year I tried a new angle on an exhausted joke by presenting my argument that Die Hard 2 is a Christmas movie — in some respects more Christmassy than the first one. But I’ve never simply devoted an entry to the one that started it all and begat an entire subgenre: “Action Films That Are Die Hard on/in a Something”.

At long last I have an excuse to bring it up: two weeks ago the powers-that-be at Fox put it back in theaters just in time for the Christmas season, presumably to celebrate its 35½th birthday in January. I almost never attend repertory showings of films that I could rent or buy. Not counting Disney re-releases during my childhood, my complete Every Repertory Showing Ever adulthood list is short: Aliens, My Fair Lady, Hitchcock’s Mr. and Mrs. Smith, North by Northwest, and Mystery Science Theater 3000: The Movie. Also, I attended all of those in the 20th century. Now I can add an old film this century: DIE HARD.

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Top 10 Alternate Realities the Angel Clarence Didn’t Show George Bailey

George Bailey and the Angel Clarence sitting in a bar. Stewart has a confused expression. Clarence looks away, smiling.

Portrait of a man and a wingless angel peering into the Twilight Zone 13 years before it was created.

Previously on Midlife Crisis Crossover: Frank Capra’s beloved classic It’s a Wonderful Life is my wife Anne’s favorite Christmas film. One of the stops on our 2022 road trip was the It’s a Wonderful Life Museum in Seneca Falls, NY. A full decade ago we were horrified at the news that someone was sincerely planning a sequel, then relieved when it was canned a year later, though I had thoughts on where the franchise might’ve gone next. Thankfully no one was listening to me, but there was so much more to explore in Bedford Falls.

The film is one of the most famous non-geek precursors to pop culture’s recent glut of tales set in the wild, weird multiverse where one character can meet infinite variants of themselves, learn a little something about What Might Have Been, and appreciate their own screwy timeline a little more…or come away twisted with jealous rage and vowing revenge on their past writers. Way back in 1946 a rookie angel named Clarence let despondent everyman George Bailey suffer ninety minutes of tragic setup followed by a half-hour What If…? episode with an ultimately happy ending (even happier if we accept this 1986 SNL sketch as a canonical coda). Whereas today’s heroes sometimes meet dozens or even thousands of distortions of themselves — all the better to generate new action figures and IP spinoffs — just as Star Trek only has the one Mirror Universe, Clarence only takes George on a single measly tour through the looking-glass. That’s probably because Clarence’s trainee power-levels were several billion gigawatts below the all-seeing gaze of Uatu the Watcher, but still…he could’ve tried to access a few more if he liked George that much. Y’know, just for fun.

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“The Crown” Season 6, Part 1: Who Killed Princess Diana the Most?

Princess Diana seated at a black piano with a hesitant expression. The open lid is shiny enough to contain her reflection, tilted 90 degrees widdershins. At upper right is the Netflix logo.

“It seems to Elton I lived my life like a candle in the wind…”

Previously on Midlife Crisis Crossover:

At the start of the pandemic my wife Anne and I binged the first three seasons of Netflix’s The Crown and soon caught up with the rest of fandom. One slight hitch: while Anne is a major history aficionado, that was never my forte. Compared to my blissfully ignorant self, Anne is far more knowledgeable of history in general and British royalty in particular. Frankly, I’ve learned more about their country’s storied past from my wife and from Oscar-nominated movies than I ever did from school. So far I’ve enjoyed anyway, and understood most of what’s gone on…

After catching up on the first three seasons in one mid-quarantine lump sum, followed by focused listicles for Season Four and Season Five respectively as they debuted…here we go again! Creator Peter Morgan and returning directors Christian Schwochow and Alex Gabassi bring us the first three-fifths of season 6, a four-part arc devoted to the biggest elephant among Buckingham Palace’s numerous elephant-filled rooms: the Death of Di. (Spoilers ahead. You probably know the ins and outs of her tragedy better than I do, but a few show-specific artifices will come into play.)

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