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Midlife Crisis Crossover vs. the 7-Year Itch

Funko Pop me!

When you weren’t reading, we held a lottery to give away this Midlife Crisis Crossover exclusive anniversary edition Funko Pop, and my wife won that lottery, so hey, big thanks to everyone who forgot to enter!

I launched Midlife Crisis Crossover on April 28, 2012, three weeks before my 40th birthday as a means of charting the effects of the aging process on my opinions of, applause for, revulsion at, and/or confusion arising from various works of art, expression, humanity, inhumanity, glory, love, idolatry, inspiration, hollow marketing, geek life, and sometimes food. It was also my way of finding a way to give myself excuses to write during a time when joining other people’s conversations was becoming increasingly dissatisfying and rare. Nobody talked about what I wanted to talk about; when they did, my opinions usually got me sent to go stand in the corner or flat-out ignored. And just not typing my thoughts was killing me.

Here we are celebrating MCC’s seventh anniversary, still chugging away like the Little Engine That Could. No book ideas suggested or dreamed of, no writing gigs applied for or parlayed, and no danger of me ever describing myself unironically as an “influencer”, which sounds like an upper-class euphemism for “drug dealer”. But I keep writing anyway.

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Comics Update 2018, Part 5 of 5: And the Rest

Comics Finale!

Hey, kids! There’s more to comics life than Marvel or DC! Art by (clockwise from top left) Joe Quinones; David Aja,; Andy Clarke and Dan Brown; Jock; Geoff Shaw and Gabe Eltaeb; and Scott Wegener and Anthony Clark.

Previously on Midlife Crisis Crossover:

Comics collecting has been my primary geek interest since age 6, but I have a tough time writing about it with any regularity. Over the course of the next four entries…I’ll be sharing what I’m currently buying every Wednesday at my local comic shop — series and miniseries alike, budget permitting, broken down by publisher as of the very end of February 2019, including lists of 2018 works that are either done or dead to me.

The miniseries concludes at last! I’m happier when my weekly reading pile covers a gamut of publishers, genres, and voices, not just Big Two superheroes. In some respects I wish this section were a little longer, but for now this’ll do.

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Comics Update 2018, Part 4 of 5: My Year in Image

Image Comics 2018!

Cool covers from the past 15 months. Art by (clockwise from top left) Bill Sienkiewicz; Jason Howard; Nick Pitarra and Michael Garland; Alex Ross; Darick Robertson and Diego Rodriguez; and Jeff Lemire.

Previously on Midlife Crisis Crossover:

Comics collecting has been my primary geek interest since age 6, but I have a tough time writing about it with any regularity. Over the course of the next four entries…I’ll be sharing what I’m currently buying every Wednesday at my local comic shop — series and miniseries alike, budget permitting, broken down by publisher as of the very end of February 2019, including lists of 2018 works that are either done or dead to me.

Image Comics has come a long way since the days of the original seven founders. Though most of them don’t keep their hand in the medium on anything approaching a monthly basis anymore, other creators continue to flourish under their aegis, happy to have a publishing home that lets them prove there’s more to comics than superheroes and movies.

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Comics Update 2018, Part 3 of 5: My Year in DC

Darkseid Eats!

DARKSEID EATS. From Mister Miracle #11; art by Mitch Gerads.

Previously on Midlife Crisis Crossover:

Comics collecting has been my primary geek interest since age 6, but I have a tough time writing about it with any regularity. Over the course of the next four entries…I’ll be sharing what I’m currently buying every Wednesday at my local comic shop — series and miniseries alike, budget permitting, broken down by publisher as of the very end of February 2019, including lists of 2018 works that are either done or dead to me.

Years after the New 52 soured my status as a full-time DC Comics fan, I’m still creeping my way back into their universe, inch by inch. I’m in no hurry, particularly with my aforementioned rules against team books and crossovers in effect. With the help of “Rebirth” and a few bright spots from the Vertigo and Young Animal imprints, DC got my attention a bit more this year than the past few years. We’re getting there.

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Comics Update 2018, Part 2 of 5: My Year in Marvel

Spider-Ham & Lockjaw!

Don’t mind me, just pandering to fellow Spider-Verse fans out there.

Previously on Midlife Crisis Crossover:

Comics collecting has been my primary geek interest since age 6, but I have a tough time writing about it with any regularity. Over the course of the next four entries…I’ll be sharing what I’m currently buying every Wednesday at my local comic shop — series and miniseries alike, budget permitting, broken down by publisher as of the very end of February 2019, including lists of 2018 works that are either done or dead to me.

In tallying the figures, I was a little surprised to discover I’d tried more projects from merry Marvel than from any other company. That doesn’t mean I loved them all unconditionally, merely that so far they’ve held my attention even though I loathe crossovers and avoid team books, which tend to be their bestsellers and constitute some 80% of their lineup nowadays. With the size advantage and with Captain Marvel hitting theaters this Friday, why not let them go first.

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Comics Update 2018, Part 1 of 5: A Prologue Pondering Prodigious Piles of Printed Pulp

Comics 2018!

Nearly all the single issues I bought in 2018, sorted into alphabetical piles for better boxing, from Action Comics #1000 to X-Men: Grand Design – Second Genesis #2.

Comics collecting has been my primary geek interest since age 6, but I have a tough time writing about it with any regularity. My comics-judging criteria can seem weird and unfair to other fans who don’t share them. I like discussing them if asked, which is rare, but I loathe debating them. It doesn’t help that I skip most crossovers and tend to gravitate toward titles with smaller audiences. Whenever the larger companies need to save a buck, my favorites are usually first on the chopping block. I doubt many comics readers follow MCC anyway, so it’s really the best possible place for me to talk about comics unharmed, albeit all to myself. Whee.

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