Yes, There Are Scenes During and After the “Black Panther” End Credits

Black Panther!

Local theater, doing it right.

Previously on Midlife Crisis Crossover: Ryan Coogler’s emotionally charged directorial debut Fruitvale Station was my favorite film of 2013. His follow-up, Creed, struck a bone-deep nerve inside me and was one of my two favorite films of 2015. It didn’t hurt in the least bit that the star of both films was Michael B. Jordan, who’s been raising his game with every project from his early start in The Wire to Chronicle (my favorite film of 2012) and beyond.

As a longtime comics fan who counts Christopher Priest’s ’90s runs on Marvel’s Black Panther as one of the all-time greats, and who wouldn’t have dreamed of this past weekend ever happening as a kid, I was beyond excited when the reins for the big Panther motion picture were handed over to Coogler, and that Jordan would be a part of it.

In a rare move for me, I kept my expectations unreasonably high. In a rare move for Hollywood, my expectations were blown away.

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Comics Update: My Current Lineup and 2017 Pros & Cons

Comics A-X!

All my 2017 singles divided and alphabetized from A to X but skipping V.

[WARNING: This entry turned out several leagues beyond epic-length and may be the wordiest entry in MCC history, but I wanted it out of my system, and all at once in a single-take infodump. And now it is. Mission accomplished.]

Comics collecting has been my primary geek interest since age 6, but I have a tough time writing about it with any regularity. My criteria can seem weird and unfair to other fans who don’t share them. I like discussing them if asked, which is rare, but I loathe debating them. It doesn’t help that I skip most crossovers and tend to gravitate toward titles with smaller audiences, which means whenever companies need to save a buck, my favorites are usually first on the chopping block. I doubt many comics readers follow MCC anyway, so it’s the perfect place to talk about comics all to myself. Whee.

2017 certainly hasn’t been a boring year for discussions. In addition to undergoing a light-handed version of the anti-sexual harassment revolution that’s sweeping Hollywood, the comics field has seen DC’s Rebirth initiative still going strong on the learning curve from the “New 52” misfire. Meanwhile, the “Marvel Legacy” campaign — their fifth line-wide restart in eight years or so — was founded on the assumption that old folks like me and the Kids These Days are dying to watch comics regress to the ’70s and ’80s. So far they’ve been wrong and sales have nosedived on a number of titles. The cancellations that made room for this ploy have been followed in short order by still more cancellations of their usurpers. I’m still finding Marvel-labeled reading to my tastes, but I’m glad they’re not the only choices at my local comic shop.

For reference and maybe unconscious oblique insight, here’s what I’m currently buying every Wednesday at my local comic shop, series and miniseries alike, budget permitting, broken down by publisher as of the very end of December 2017:

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My 2017 at the Movies, Part 2 of 2: The Year’s Least Worst

Last Jedi!

The indefatigable Rey, future head of the New Jedi Order alongside her new best pal Mara Jade. Look, we can dream, okay?

Previously on Midlife Crisis Crossover: In 2017 I made 21 trips to the theater to see films made that same year. In Part 1 we ranked the bottom eleven. And now, the countdown concludes:

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My 2017 at the Movies, Part 1 of 2: The Year’s Least Best

Transformers 5!

Academy Award Winner Sir Anthony Hopkins, exchanging Merchant Ivory dignity for the opportunity to earn zillions spouting toy robot origin gibberish and Witwicky family lineage mythology balderdash.

It’s listing time again! In today’s entertainment consumption sphere, all experiences must be pitted against each other and assigned numeric values that are ultimately arbitrary to anyone except the writer themselves. It’s just this fun thing some of us love doing even though the rules are made up and the points don’t matter.

I saw twenty-five films in theaters in 2017, but four were Best Picture nominees officially released in 2016 and therefore disqualified from this list, because I’m an unreasonable stickler about dates. (Ranking those four from Best to Least Best: Fences, Lion, Hidden Figures, and Manchester by the Sea. Of those four, nothing has haunted me throughout 2017 more than the Attack of the 50-Foot Viola Davis.)

Of the remaining 21 contenders that I saw in theaters, we had eight super-hero sequels or continuations, though one of them didn’t reveal that till the final scene; five non-superhero sequels; one reboot; two adaptations of printed works (one already famously done); one non-superhero animated film (possibly an all-time low for me); and four live-action original works. Obviously you’ll note the following list is far from comprehensive in covering 2017’s release slate. This was such a busy year for us that spare time for theater-going was in much shorter supply than usual, to say nothing of the impact that Netflix’s strong TV-series slate has had on my viewing habits. On the bright side, 21 films is a 10% increase over my total for 2016, which wasn’t much of a year.

(For what it’s worth, I decided to set aside most Oscar-potential films until after the official nominations announcement is made on January 23rd. I definitely plan to get around to Get Out soon, and for light kicks maybe Cars 3 if it ever reaches Netflix, where I noticed the other day they now have Pirates of the Caribbean 5 for any die-hard cheapskate Captain Jack Sparrow fans willing to kill 2½ hours to catch up on his antics. Last year I was not one of those.)

In the meantime, here’s what I didn’t miss in theaters in 2017, for better or worst-of-the-worst. Links to past reviews and thoughts are provided for historical reference. And now, on with the bottom half of the countdown:

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Yes, There Are Scenes During AND After the “Justice League” End Credits

Wonder Woman!

An optimistic Wonder Woman is already scouting locations for the Hall of Justice.

Midlife Crisis Crossover calls Justice League “Not Remotely the Worst Film of the Year!” I mean, y’all do remember 2017 spawned another Transformers sequel, right?

As a comics fan for nearly forty years, I’m not among those with unconditional love for every project with the DC Comics imprimatur on it, but their creators have made cool things over the decades. I found Batman v. Superman: Dawn of Justice the Worst Film of 2016, but The CW’s The Flash is my favorite current TV show, and I thought more highly of the first half of Suicide Squad than many people did. In comics I found the New 52 reboots largely dreadful, but love that “Rebirth” brought Christopher Priest’s Deathstroke and Gene Luen Yang’s New Super-Man into the world. The Flash was among the first super-heroes I ever followed monthly beginning at age 6. When I started making up my own super-heroes circa age 9, Cyborg was among the first ones I ripped off. But I pledge unquestioning allegiance to no fictional characters.

I fully expected Justice League to be an enormous waste of time that would have me nitpicking and raging for hours, given: (a) the departure of director Zack Snyder under tragic circumstances; (b) that former Marvel movie overseer Joss Whedon, the opposite of Snyder on every conceivable level, had been tasked with stitching together the pieces; (c) that Warner Brothers executives had demanded nearly a third of the movie be chopped out to enforce a shorter running time for reasons of greed; (d) they were trying to foist a redundant Flash on us despite the ongoing awesomeness of Grant Gustin; and (e) it’s mostly from the makers of Batman v. Superman. That’s a lot of strikes even before getting to the plate.

Honestly? It wasn’t that bad. In fact, I’ll go on record here and confess I wouldn’t call it “bad”.

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Yes, There Are Scenes During AND After the “Thor: Ragnarok” End Credits

Thor Ragnarok!

“Do you know what happens to a toad when it’s struck by lightning? In this scenario you’re the toad.”

Midlife Crisis Crossover calls Thor: Ragnarok The Greatest Thor Movie in World History!

Granted, it’s for lack of competition, but still. Director Kenneth Branagh’s opening kickoff set the tone for the shiny city and cast of Asgard and gave the Marvel Cinematic Universe one of its core creations in the form of Tom Hiddleston’s Loki, saddled with a big stupid brother that his dad made him bring along. The neglected middle child Thor: The Dark World was a forgettable playground romp that remains my least favorite MCU entry to date and left me with virtually no impression except tremendous pity for former Doctor Christopher Eccleston. I had to go reread my own take on it to recall that I liked all the Loki parts, and my wife had to remind me whatever happened to Rene Russo because I totally forgot. Sorry, I mean “forget”. I still can’t remember her final scenes. At all.

The trilogy now concludes with Ragnarok under the direction of Taika Waititi, one of the few survivors of Ryan Reynolds’ Green Lantern, who went on to a second life as an indie director (my son tells me What We Do in the Shadows is “amazing”). Someone apparently handed the keys to the series to Waititi, told him “go nuts”, walked out of the Marvel Studios mansion leaving him unchaperoned, and asked themselves, “What’s the worst that could happen?” And for the first time in world history, the answer was the complete opposite of an immediate disaster.

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