appleseed : apple tree :: The Interview : cyberwar
I had no plans to see The Interview
because I lost my tolerance for most R-rated comedies years ago, and the last time I tried a Seth Rogen film, The Green Hornet
turned me against it within its first fifteen minutes, and it wasn’t even R-rated. That was before the brouhaha of the past few weeks.
Today Sony Pictures announced it’s canceling the Rogen/Franco flick’s planned theatrical release after all the major chains refused to carry it in the wake of strongly worded orders from our new internet overlords overseas. Even before our normally unflappable cinemas exercised their right to back down, Sony had been suffering through the controversial widespread release of every byte of information ever stored on every computer they’ve ever bought. Movie plans, budgets, salaries, sensitive personal data, candid undiplomatic emails, and zillions of other choice insider tidbits were extracted from behind whatever Sony cutely referred to as a “security system” by the forces of [GLORIOUSLY REDACTED] and dumped on the virtual front lawns of every muckraking internet quote-unquote “journalist” with Wi-Fi access and a dumbstruck conscience. After a long couple of weeks, some anxious Sony elder probably felt the theater-owner dogpile was the last straw, that the lives and livelihoods of thousands of employees were ultimately unfair stakes to put up against a possible gigantic bluff without thousands of notarized authorization forms from said employees, and that The Interview wasn’t worth any more headaches.
Sony is a for-profit corporation, not a ragtag team of do-gooder movie underdogs sworn to uphold their idealistic Lawful Good alignment at all costs. Just the same, it would’ve been awesome and patriotic of them to act like it and release the movie anyway. If we accept George R. R. Martin’s outraged argument that behemoths like Sony could buy and sell tiny Asian countries at will if it suited their interests, and if we accept the old adage that there’s no such thing as bad publicity, there’s a school of thought that believes the movie, if released now after all of this, could probably rake in five or ten times its original box office projections and afford to hire elite counter-hackers and armed mercenaries to protect their interests and civilians, albeit probably in that order.
All I know is, all of a sudden I really want to see this crappy comedy on principle.
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