C2E2 2018 Photos, Part 3: More Cosplay!

Luke Skywalker and green milk!

Jedi Retiree Luke Skywalker swigging green milk, a nutritious part of every space breakfast.

Previously on Midlife Crisis Crossover:

It’s that time again! The ninth annual Chicago Comic and Entertainment Exposition (“C2E2″) just wrapped another three-day extravaganza of comic books, actors, creators, toys, props, publishers, freebies, Funko Pops, anime we don’t recognize, and walking and walking and walking and walking. Each year C2E2 keeps inching ever closer to its goal of becoming the Midwest’s answer to the legendary San Diego Comic Con and other famous cons in larger, more popular states. My wife Anne and I missed the first year, but have attended every year since 2011 as a team.

In this special miniseries I’ll be sharing memories and photos from our own C2E2 experience and its plethora of pizzazz. If it’s a convention, that means it’s time for more cosplay photos! Anne and I are fans of costumes and try to keep an eye out for heroes, villains, antiheroes, supporting casts, and various oddities that look impressive and/or we haven’t seen at other cons…

Part Two featured the majority of Marvel characters we met. This time around, the arbitrary chapter divisions bring us to the amazing world of DC Comics, including a handful of Marvel/DC team-ups. As a value-added bonus, also on deck are heroes and villains from the Star Wars universe plus a selection of video game personalities, just because. Same disclaimers apply as in Part Two. Enjoy! Again!

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C2E2 2018 Photos, Part 2: Marvel Cosplay!

Kate Bishop and Samurai Iron Man!

Kate Bishop a.k.a. Hawkeye, and Samurai Iron Man!

Previously on Midlife Crisis Crossover:

It’s that time again! The ninth annual Chicago Comic and Entertainment Exposition (“C2E2″) just wrapped another three-day extravaganza of comic books, actors, creators, toys, props, publishers, freebies, Funko Pops, anime we don’t recognize, and walking and walking and walking and walking. Each year C2E2 keeps inching ever closer to its goal of becoming the Midwest’s answer to the legendary San Diego Comic Con and other famous cons in larger, more popular states. My wife Anne and I missed the first year, but have attended every year since 2011 as a team.

In this special miniseries I’ll be sharing memories and photos from our own C2E2 experience and its plethora of pizzazz…

If it’s a convention, that means it’s time for more cosplay photos! Anne and I are fans of costumes and try to keep an eye out for heroes, villains, antiheroes, supporting casts, and various oddities that look impressive and/or we haven’t seen at other cons. First up: a great big batch of characters from assorted iterations of the Marvel Universe, movies as well as comics. These aren’t even all the Marvel characters we saw, but I had to draw my arbitrary dividing lines through our nearly five dozen costume photos where I could. Caveats for first-time visitors to Midlife Crisis Crossover:

1. My wife and I are not professional photographers, nor do we believe ourselves worthy of press passes. These were taken as best as possible with the intent to share with fellow fans out of a sincere appreciation for the works inspired by the heroes, hobbies, artistic expressions, and/or intellectual properties that brought us geeks together under one vaulted roof for the weekend. We did what we could with the tools and circumstances at hand. We don’t use selfie sticks, tripods, or cameras that cost more than a month’s worth of groceries.

2. It’s impossible for any human or organization to capture every costume on hand. What’s presented in this series will be a fraction of a fraction of a fraction of a fraction of the sum total costume experience. Other corners of the internet will represent those other fractions that we missed, which is the cool part of having so many people doing this sort of thing.

3. We didn’t attend Sunday. As previously explained at excessive length, we also nearly never do costume contests anymore. Sincere apologies to anyone we missed as a result.

4. Corrections and comments are always welcome, especially when we get to Part 4, which will include at least two characters we young geezers didn’t recognize. I do like learning new names and universes even if you’re more immersed in them than I am.

5. Enjoy!

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C2E2 2018 Photos, Part 1: Another Jazz Hands Gallery!

Justin Hartley!

You may know Justin Hartley from NBC’s top-rated drama This Is Us, but Anne and I were fans of his work on Smallville as The CW’s original Green Arrow.

It’s that time again! The ninth annual Chicago Comic and Entertainment Exposition (“C2E2″) just wrapped another three-day extravaganza of comic books, actors, creators, toys, props, publishers, freebies, Funko Pops, anime we don’t recognize, and walking and walking and walking and walking. Each year C2E2 keeps inching ever closer to its goal of becoming the Midwest’s answer to the legendary San Diego Comic Con and other famous cons in larger, more popular states. My wife Anne and I missed the first year, but have attended every year since 2011 as a team.

In this special miniseries I’ll be sharing memories and photos from our own C2E2 experience and its plethora of pizzazz. Normally we lead off every convention miniseries with cosplay photos, but we’re rushing this batch of photos to the front of the line because several of my coworkers have vested interests in a few of the personalities we met this year. Hopefully this all-star talent lineup brightens their Monday morning.

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Our HorrorHound Cincinnati 2018 Photo Mini-Parade

C. Thomas Howell!

For our Gen-X pals out there: C. Thomas Howell kicks off our 2018 convention season in style.

This weekend my wife Anne and I attended our first HorrorHound Cincinnati, an annual convention in honor of the spooky, bloody, gross, unsettling, slashing, nightmare-inducing, id-tastical aspects of pop culture. The folks at HorrorHound Magazine orchestrate the festivities so loyal fans of the murderous and the macabre can enjoy a themed geek space of their own apart from Star Wars and Star Trek and whatnot. (Well, mostly.) We’ve attended four of the same company’s last five HorrorHound Indy shows in our own hometown because, even though we’ve detached from much the genre as we’ve gotten older and finickier, their showrunners have a flair for assembling a top-notch guest list filled with actors we’ve seen in a lot of great works throughout our lives…and who also happened to have one or more scary movies or TV shows on their resumé. Win-win.

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99 Ways to Get Chopped from “Chopped”: A Handy Tips-‘n’-Tricks Checklist

Chopped!

Who among us has never looked at a bag of Cheetos and thought, “I bet I could turn this into haute cuisine”?

For years my wife Anne and I have been addicted to the Food Network’s cooking-competition series Chopped, in which four chefs must outcook each other under strictly timed conditions using four specific ingredients. Inside every Chopped basket of goods lurks a surprising combination of the rare, the delicate, the expensive, the complicated, the whimsical, the outlandish, and/or the thoroughly disgusting. Every substance can be used, though not every substance is very good.

Food Network continues gifting us with new episodes every week hosted by the amazing colossal Ted Allen, who presides over this fast-paced showcase for chefs of every conceivable demographic from various American restaurants, caterers, bakeries, or other private businesses, each of whom keeps their eyes on the $10,000 prize to be had if they’re the last entrant remaining after three grueling courses of speed-heating, kitchen-racing, and power-serving.

After watching several dozen episodes, Anne and I began to notice recurring patterns and tried to capture those observations and our fandom back in 2014 with a previous MCC entry called “How Not to Get Chopped from ‘Chopped’: A Starter Guide“. I’ve been meaning to overhaul that entry for a while now that we’re four years and literally 200+ episodes later, which includes every episode of the kids-only spinoff Chopped Junior and a handful of episodes of Chopped Canada, which was an interesting effort with its own angle and demeanor but wasn’t quite the same thing. I’m ashamed to confess it was tough to watch for more than a few minutes before I started poking fun in a goofy faux-Fargo accent.

The following compilation is our revised armchair-chef advice for future would-be competitors on how not to do Chopped from where we sit. This list is doubtlessly far from complete, and we welcome any additions in the comments below, especially from those among you who can truly cook. Though neither of us is a trained gourmet by any stretch, we hope this helps someone out there anyway. If you raise a skeptical eyebrow at any of these, well…it’s positively flabbergasting how many of these downfalls we’ve seen happen in actual episodes at the hands of trained professionals who run fantastic eateries back home but who lose their poise in front of the cameras. Even the best can make mistakes or watch their plans spin out of control.

Enjoy! Learn! Win!

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“Annihilation”: It Tampered in God’s Domain

Annihilation!

“I don’t care what the kids like these days. Trying to watch this movie on a 2-inch screen is the worst.”

It’s been years since we’ve seen a major studio act so sheepishly about a film of their own doing as Paramount Pictures has with Annihilation, the strikingly “intellectual” new brainchild from writer/director Alex Garland, whose past successes include science fiction head-trips like Sunshine and the Oscar-winning Ex Machina. Paramount’s last-minute no-confidence vote has denied it an international theatrical release in favor of dumping it on overseas Netflix. Paramount’s official page for the film provides only the trailer embedded via YouTube and a link to the film’s “official site“…which just redirects to a Facebook page. I’m accustomed to short films and indie projects setting up shop on Facebook, but it’s disappointing for a corporation of Paramount’s size to limit their own product to such a minuscule online footprint. Apparently they were holding out hope that Garland might rewrite and reshoot to add some super awesome monster fights.

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Former Kickstarter Junkie VIII: The Final Reward

Fight for Space!

Me explaining to people why crowdfunding is no longer my thing.

Hi, My name is Randy. It’s been five years and two months since the last time I pledged money to a Kickstarter campaign. This week I achieved closure on that chapter in my hobbyist life at last.

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MCC Live-Tweeting: Oscars 2018

Jimmy Kimmel!

Tonight one random winner took home a statuette personally contaminated by the host himself!

The 90th Academy Awards kicked off Sunday night on ABC with a mildly amusing spoof of olde-tyme theatrical newsreels before returning host Jimmy Kimmel threw down an unprecedented gauntlet: winners were encouraged to speak on any topic they wanted to, no matter how political or incendiary, for as long as they wanted. This promise was eventually broken, much to the consternation of The Shape of Water producer J. Miles Dale, who got orchestra’d out of his spotlight moment because everyone had assumed director Guillermo Del Toro should have the last word.

Also intermittently livening up the night was Kimmel’s chief running gag, a promise of a free jet ski to whoever had the shortest speech. Thus began a night of push and pull, of comparison and contrast, of #MeToo and #TimesUp and diversity abounding and white guys still winning lots of things but not all the things.

Kimmel’s contributions and interruptions were kept to a barer minimum than last year, setting aside one segment that once again indulged his addiction to practical jokes on ordinary people. Assorted parties dropped a few wisecracks at the expense of high-ranking politicians as well as accused sex offenders, but a surprising amount of the commentary was kept on the positive side — a celebration of artists and advancement instead of roasting the haters and attackers. In that sense, some speeches were more refreshing than others.

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MCC Home Video Scorecard #13: Our Oscar Quest 2018 Finale

Get Out!

In some crowds, you got to always keep one eye open.

Previously on Midlife Crisis Crossover: the recurring feature that’s more like a newsletter in which I’ve jotted down capsule-sized notes about Stuff I Recently Watched at home. In this batch: we prepare for Sunday night’s Academy Awards ceremony starring ABC’s Best Pal Jimmy Kimmel, the perfect representative for the Year of #MeToo on Bizarro World, with brief notes on our final Best Picture nominee (and one of the best), along with all the nominees I could catch in other categories before I ran out of time.

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Oscar Quest 2018: “Three Billboards Outside Ebbing, Missouri”

Three Billboards!

Frances McDormand: as intimidating as a Terminator, even without a gun.

Previously on Midlife Crisis Crossover:

This time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1997 to the present. As of February 21st I’ve officially seen all nine of this year’s Best Picture nominees. I’m not sure I’ll be able to cover the others in full before the Oscars telecast on March 4th, but let’s see how far I can get before I burn out.

Onward to nominee #8: Three Billboards Outside Ebbing, Missouri, in which UK filmmaker Martin McDonagh (In Bruges, Seven Psychopaths) creates his own stylized take on small-town life in the American Midwest and how it might look if one horrifying incident turned half the townspeople into Alec Baldwin from Glengarry Glen Ross.

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Oscar Quest 2018: “Phantom Thread”

Phantom Thread!

“Why, hello, viewer. Join me for breakfast and ambiguity, won’t you.”

Previously on Midlife Crisis Crossover:

This time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1997 to the present. As of February 21st I’ve officially seen all nine of this year’s Best Picture nominees. I’m not sure I’ll be able to cover the others in full before the Oscars telecast on March 4th, but let’s see how far I can get before I burn out.

Onward to nominee #7: writer/director Paul Thomas Anderson’s Phantom Thread, reportedly the acting farewell of Daniel Day-Lewis, the closest that men have to an answer to Meryl Streep. I’ve only seen one other PTA film, the stunning There Will Be Blood, in which he guided Day-Lewis through brutally yet artfully steamrolling any and all other actors in his path. In their latest team-up he plays another smug period-piece professional with deplorable ideas about how to be the best there is at what he does, but this time winning the movie through sheer force of will wasn’t quite so simple.

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The MCC 2017 Oscar-Nominated Animated Short Film Revue

Lou!

In this Pixar playground, the Lost have come to seek and save you.

Previously on Midlife Crisis Crossover:

Each year since 2009 my wife Anne and I have paid a visit to Keystone Art Cinema, the only fully dedicated art-film theater in Indianapolis, to view the big-screen release of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but we appreciate this opportunity to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether we agree with their collective opinions or not. We like to do both sets as a one-day double-feature date, which gives us time between showings to look around the fashion mall connected to the theater, gawk at clothing, grab snacks, and buy a new piece of cookware from Crate & Barrel.

Next up: my rankings of this year’s five Animated Short Film nominees, from keenest to next-level deluxe keenest-of-the-keenest. As with this year’s Live-Action Short Film nominees, I was so impressed with the uniform brilliance on display that the quote-unquote “rankings” are very nearly arbitrary. These may or may not be uploaded to your usual streaming services at the moment, but their availability should widen in the near future. Links are provided to official sites where available if you’re interested in more info. Enjoy where possible!

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The MCC 2017 Oscar-Nominated Live-Action Short Film Revue

The Eleven O'Clock!

Remember: I’m here to treat you!

Each year since 2009 my wife Anne and I have paid a visit to Keystone Art Cinema, the only fully dedicated art-film theater in Indianapolis, to view the big-screen release of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but we appreciate this opportunity to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether we agree with their collective opinions or not. We like to do both sets as a one-day double-feature date, which gives us time between showings to look around the fashion mall connected to the theater, gawk at clothing, grab snacks, and buy a new piece of cookware from Crate & Barrel.

First up: my rankings of this year’s five Live-Action Short Film nominees, from pretty-great to extra-greatest. Unlike some years, we didn’t grumble or nitpick a single nominee among the quintet. These may or may not be uploaded to your usual streaming services at the moment, but their availability should widen in the near future. Links are provided to official sites where available if you’re interested in more info. Enjoy where possible!

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Oscar Quest 2018: “The Shape of Water”

Shape of Water!

Real talk: there are so many fish in the sea that fish puns are way too easy, so I’m resisting the urge to see if I can string together ten of them in a roe.

Previously on Midlife Crisis Crossover:

This time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1997 to the present. As of February 21st I’ve officially seen all nine of this year’s Best Picture nominees. I’m not sure I’ll be able to cover the other seven in full before the Oscars telecast on March 4th, but let’s see how far I can get before I burn out.

Onward to nominee #6: Guillermo Del Toro’s The Shape of Water, the monster movie that’s been winning hearts and votes in many other competitions throughout this awards season. If you loved his previous creature features like Pan’s Labyrinth, Hellboy, Mimic, or the best Blade film, chances are you won’t be disappointed here. Not guaranteed, but quite probable.

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Oscar Quest 2018: “Darkest Hour”

Darkest Hour!

An incensed Winston Churchill contemplating which pasty coward to break in half over his knee first.

Previously on Midlife Crisis Crossover:

This time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1997 to the present. As of February 21st I’ve officially seen all nine of this year’s Best Picture nominees. I’m not sure I’ll be able to cover all of them in full before the Oscars telecast on March 4th, but let’s see how far I can get before I burn out.

Onward to nominee #5, Darkest Hour, the second and more old-fashioned of the two World War II entrants into the race as brought to us by director Joe Wright (Atonement, Hanna). The short version of this entry: my wife Anne, lifelong WWII buff, found this much more engrossing than Christopher Nolan’s Dunkirk. Your Mileage May Vary.

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Oscar Quest 2018: “The Post”

The Post!

“By all means,. do go on with your precious newsplaining.”

Previously on Midlife Crisis Crossover:

This time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1997 to the present. As of February 21st I’ve officially seen all nine of this year’s Best Picture nominees. I’m not sure I’ll be able to cover the other seven in full before the Oscars telecast on March 4th, but let’s see how far I can get before I burn out.

Onward to nominee #4, Steven Spielberg’s The Post. With multiple Oscar honorees Tom Hanks and Meryl Streep in the marquee, this based-on-a-true-story salute to American journalism in the face of government malfeasance is one of the more old-fashioned films in the race, wielding a confluence of history and star power in the name of attempted topical relevance.

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Oscar Quest 2018: “Call Me by Your Name”

CMBYN!

The one indie-film theater in Indianapolis has numerous nice touches, including nifty digital poster displays by each screen’s entrance.

Longtime MCC readers know this time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1997 to the present, and look forward to pushing that statistic even farther back into cinematic history if only some kindly programmer would — pretty please with sugar on top –bring Mike Leigh’s Secrets and Lies back into print, or at least show it on basic cable. I mean, just once would be lovely. I refuse to settle for watching someone’s grainy YouTube upload or pay collectors’ prices for a vintage VHS copy.

Some nominees stuck with me for weeks and months after; some were pleasantly surprising; some I could take or leave; and some like Chocolat and The Reader, I’d rather forget forever. It’s entirely possible that one day the Academy of Motion Picture Arts & Sciences will nominate something that I absolutely, positively refuse to watch (they came close one year), but it hasn’t happened yet. For now, I remain on a roll.

As of February 21st I’ve officially seen all nine of this year’s Best Picture nominees, but have only written about two of them, Dunkirk and Lady Bird, which I caught in theaters in 2017. I’m not sure I’ll be able to cover the other seven in full before the Oscars telecast on March 4th, but let’s see how far I can get before I burn out.

Every year I can always rest assured there’ll be at least one Best Picture nominee that I won’t be able to bring up at church. This year the most obvious candidate is Call Me by Your Name. Why not start the attempted writing marathon there?

(Fair warning: mild spoilers ahead. It’s not a plot-twist kind of film, but I dug in on a couple of points.)

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Yes, There Are Scenes During and After the “Black Panther” End Credits

2018 Black Panther movie theater standee.

Local theater pays proper tribute.

Previously on Midlife Crisis Crossover: Ryan Coogler’s emotionally charged directorial debut Fruitvale Station was my favorite film of 2013. His follow-up, Creed, struck a bone-deep nerve inside me and was one of my two favorite films of 2015. It didn’t hurt in the least bit that the star of both films was Michael B. Jordan, who’s been raising his game with every project from his early start in The Wire to Chronicle (my favorite film of 2012) and beyond.

As a longtime comics fan who counts Christopher Priest’s ’90s runs on Marvel’s Black Panther as one of the all-time greats, and who wouldn’t have dreamed of this past weekend ever happening as a kid, I was beyond excited when the reins for the big Panther motion picture were handed over to Coogler, and that Jordan would be a part of it.

In a rare move for me, I kept my expectations unreasonably high. In a rare move for Hollywood, my expectations were blown away.

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MCC Home Video Scorecard #12: Year-End Title Dump, 2017 Edition

Bob Newby!

Bob Newby, worthiest descendant of the House of Gamgee.

Previously on Midlife Crisis Crossover: the recurring feature that’s me jotting down capsule-sized notes about Stuff I Recently Watched at home. In this batch: once again this ostensibly regular feature wound up saved for a rainy day, only to be held in reserve through any number of downpours and snowstorms. I’m already several viewings into a 2018 edition, which means it’s now or never for my 2017 catch-up. I’m a little annoyed at how much time I devoted to Netflix shows throughout the third and fourth quarters of the year, but if I’d watched a lot of movies instead, then this entry would be three times longer and take at least twice as long to write, thus making all the easier to procrastinate into 2019 and beyond. Or all the easier never to write. But I grow weary of finding reasons not to write. One of my many reasons for creating a blog nearly six years was to find reasons not never to write.

Hence: on with the writing! And the viewings! And the writing about the viewings! Double bonus points if I’m not the only one who reads what I write about what view!

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Our Fantastic Food Fest 2018 Photos

Gallery Pastry Shop!

Fruit tarts from the Gallery Pastry Shop in Broad Ripple. At right, their almond cookies were among Anne’s favorite bites of the day.

This weekend my wife Anne and I had the pleasure of attending the third annual Fantastic Food Fest at the Indiana State Fairgrounds in Indianapolis. This annual event bringing together the best and brightest providers from numerous restaurants, markets, farms, caterers, bakeries, and other tremendous sources of locally sourced ingredients and cuisine under one roof for foodies to gather and escape winter doldrums. Year One’s big show kicked off our new yearly tradition with the perfect headliner, Chopped host and hometown hero Ted Allen. Year Two brought us the immense pleasure of meeting Chopped judge and Iron Chef Alex Guarnaschelli.

This year, we weren’t there for TV personalities or jazz-hands photo ops. If you know who TV chef and NPR contributor Sara Moulton is, or if you’re a fan of celebrated Hoosier chefs or food bloggers, this was the show for you. For us, this time was all about the food.

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