Wizard World Chicago 2018 Photos, Part 5 of 6: Who Else We Met, What Else We Did

David Krumholtz!

It’s David Krumholtz! You might remember him from such films as The Santa Clause, Serenity, and Addams Family Values, plus the CBS series Numbers!

Previously on Midlife Crisis Crossover:

It’s that time again! This weekend my wife and I made another journey up to Wizard World Chicago in scenic Rosemont, IL, where we found ample enjoyment and new purchases alongside peers and aficionados of comics and genre entertainment. A few guest cancellations dampened our spirits somewhat, but we persevered and enjoyed our couple’s outing anyway, especially since Anne’s entire weekend admission was free as a consolation prize given to her and a couple thousand other fans after David Tennant’s last-minute cancellation last year.

Despite the Saturday morning photo op debacle, we ended up having a lot more fun than expected, in terms of meeting both fine actors met and comics creators I zealously paid in exchange for new reading material. The weeks leading up to the shindig weren’t without their stressful moments. Anne had most been looking forward to meeting TV’s Henry Winkler, a.k.a. Dr. Saperstein from Parks and Recreation, among other acclaimed characters. Despite Anne’s free pass, we weren’t officially committed to WWC till I paid for my own ticket two weeks before showtime. Naturally the Fonz canceled literally two days later.

I, in turn, had been hopping up and down in anticipation of meeting comics maker Ryan North, best known for writing the last four years’ worth of Marvel’s amazing colossal Unbeatable Squirrel Girl, plus a short but amusing Jughead arc last year.. A few days before WWC, after months of silence from North on the subject, a curious fan approached him on Twitter, only to be told that he wouldn’t be coming and had submitted cancellation of his appearance to Wizard World before they’d added him to their website in the first place. I took a few hours to compose myself and remember the pros of self-restraint. I realized I had to move on and also try not to think about the part where we would be missing a hometown show, HorrorHound Indy, which changed venue and rescheduled for the same weekend. Simply put, we had to make the most of WWC.

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Wizard World Chicago 2018 Photos, Part 4 of 6: Ghostbusters!

No Ghosts!

Who knew that all these decades later, Casper’s Uncle Fatso would be better remembered than he is.

Previously on Midlife Crisis Crossover:

It’s that time again! This weekend my wife and I made another journey up to Wizard World Chicago in scenic Rosemont, IL, where we found ample enjoyment and new purchases alongside peers and aficionados of comics and genre entertainment. A few guest cancellations dampened our spirits somewhat, but we persevered and enjoyed our couple’s outing anyway…

…especially after a last-minute major addition to the guest list spawned an entire additional programming track. For the Ghostbusters fans out there, Ernie Hudson — a.k.a. Winston Zedmore, “the black one” — had been scheduled to attend for a while. One week before showtime, another name popped up on the guest schedule: Ghostbusters director Ivan Reitman himself. Hollywood directors are a rarity on the WWC roster (e.g. John Carpenter, Robert Rodriguez, actor/directors like Jonathan Frakes) and I wish we had opportunities to meet more of them.

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Wizard World Chicago 2018 Photos, Part 3 of 6: Last Call for Cosplay!

Is This a Pigeon?

Yutaro Katori from The Brave Fighter of Sun Fighbird. Or if you’re on Twitter a lot, the “IS THIS A PIGEON?” meme, live and in 3-D!

Previously on Midlife Crisis Crossover:

It’s that time again! This weekend my wife and I made another journey up to Wizard World Chicago in scenic Rosemont, IL, where we found ample enjoyment and new purchases alongside peers and aficionados of comics and genre entertainment. Once again we lead off a new convention miniseries with the mandatory cosplay galleries. We captured whoever we could while wandering the show floor Friday and Saturday…

…and here are all the rest, all the other cosplayers whose works we appreciated and whose souls we captured. We apologize sincerely for the hundreds of other great cosplayers we didn’t photograph, but: (a) we were trapped in lines a lot; (b) we’re getting older and recognizing fewer costumes; (c) Deadpool variants notwithstanding, we tend to sidestep characters that show up in packs of fifty; (d) I’m getting less excited every year about competing with roving herds of Instagrammers who don’t even bother to learn the names of the characters they photograph; (e) we don’t do costume contests anymore; (f) no ever runs up to us and demands we take and post their pic, which would be most welcome and super convenient for us if they did; and (g) by 5 p.m. Saturday we’d accomplished all our goals and lost our wills to walk.

If you don’t see yourself here, I’m really sorry, but I do hope you get to see a few other fellow cosplayers that you missed this weekend. We saw a lot of fine efforts all around the Stephens Center, breathing new life into favorite characters and generally enriching the WWC experience. Enjoy!

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Wizard World Chicago 2018 Photos, Part 2 of 6: Movie Cosplay!

Beetlejuice ghosts!

Costume Contest winners, Group/Duo division: various ghosts from the cast of Beetlejuice, including Michael Keaton and Alec Baldwin!

Previously on Midlife Crisis Crossover:

It’s that time again! This weekend my wife and I made another journey up to Wizard World Chicago in scenic Rosemont, IL, where we found ample enjoyment and new purchases alongside peers and aficionados of comics and genre entertainment. Once again we lead off a new convention miniseries with the mandatory cosplay galleries. We captured whoever we could while wandering the show floor Friday and Saturday…

Rather than piling 50-60 photos into a single entry that takes weeks to scroll through, our process of arbitrary gallery groupings continues, this time with a batch of characters from assorted movies, both live-action and animated. Some are admittedly movie-adjacent, but the point is costumes. Enjoy!

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Wizard World Chicago 2018 Photos, Part 1 of 6: Marvel and DC Cosplay!

Doctor Octopus!

Doctor Octopus is ready for battle, as is the brand new carpeting in the Stephens Center lobby!

It’s that time again! This weekend my wife and I made another journey up to Wizard World Chicago in scenic Rosemont, IL, where we found ample enjoyment and new purchases alongside peers and aficionados of comics and genre entertainment. A few guest cancellations dampened our spirits somewhat, but we persevered and enjoyed our couple’s outing anyway, especially since Anne’s entire weekend admission was free as a consolation prize given to her and a couple thousand other fans after David Tennant’s last-minute cancellation last year.

Once again we lead off a new convention miniseries with the mandatory cosplay galleries. We captured whoever we could while wandering the show floor Friday and Saturday in between the autograph lines, the random bits of shopping, and the nightmarish photo-op area, whose Saturday morning state I previously described on Facebook as “a dumpster fire run over by Pamplona bulls being chased by multiple Sharknados.” Anyway: the first three chapters will represent a fraction of a fraction of a fraction of the costumes that were in the house. Because I always feel the need to divide cosplayers into arbitrary categories, our first set spotlights the stars of screen and page from the multimedia worlds of Marvel and DC Comics. As always, keep in mind we’re not paid professionals with $3000 cameras. We’re a pair of geeks all too happy to share photos and give away amateur journalism for free. Enjoy!

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Mighty Mighty Bosstones and Dissonance & Dissent: Ska Night at the Vogue

Mighty Mighty Bosstones!

Never, ever let them forget your band’s name.

Dateline: August 21, 2018 — Tuesday night I found myself once again ignoring my social awkwardness issues and venturing out solo to the Vogue, Indianapolis’ number one nightclub for hosting bands that were in heavy rotation on my CD player throughout the ’90s. My wife Anne and I share a lot of important commonalities, but one of our smaller Venn diagrams is “musical preferences”. Nearly everyone I know with similar tastes lives in other states. Therefore I can either attend concerts alone, attend only when Anne wants to (not impossible but rare), make new friends to attend concerts with, or never experience live music again. Once every 1-2 years, I let option A win.

This year’s reason for me to leave the house and touch a dance floor: the Mighty Mighty Bosstones! If you don’t know the name offhand, your best chance of hearing them was the 1997 single “The Impression That I Get“, which achieved modest airplay beyond the usual alt-rock channels. They were among the first and few ska bands I listened to back in the day, still have four of their first five albums, but had lost track of them and countless other bands over the past 10-15 years. It was great to get reacquainted and find out they’re still recording and touring.

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Jon Schnepp 1967-2018

Schnepps + Payne!

Once again, photo courtesy of the Department of Not Sure Why We Didn’t Just Take Their Photo When We Met Them.

Previously on Midlife Crisis Crossover: Anne and I attended the 2016 Superman Celebration in Metropolis, IL, whereupon…

…We also had the pleasure of meeting director Jon Schnepps and producer Holly Payne, the minds behind the recent documentary “The Death of ‘Superman Lives’: What Happened?”, the astonishing true story of that time Nicolas Cage, director Tim Burton, and writer Kevin Smith tried and failed to make a, uh, truly unique Superman film together. I’ve been wanting to see this for months even though I’m afraid to see it for myself.

We chatted for a minute at their table. I can’t remember a single thing about the conversation except that they were good people not that different from us. The last time I saw him in person was later that same weekend as we were wandering around the town’s “Super-Con” — the Superman Celebration’s equivalent of an exhibit hall for toy shops and comics dealers. During our lap around the building, we passed by Schnepp — no guards, no entourage, no disguise — standing at one table, rifling through their back-issue box like any ordinary average Joe who hadn’t made an actual film, accumulated Cartoon Network credits to their name, or once filmed themselves being wrestled to the ground by an unchecked, filthy rich studio exec.

After I watched writer/director/producer Schnepp’s candid, illuminating documentary about a massive failure of a Hollywood production, I eventually remarked

We rarely get complete stories as to why a given high-profile film turns out awful, let alone a tell-all about one that collapsed under its own bloated before it could harm the innocent public. Copious interviews with would-be director Tim Burton, several attempted screenwriters including but not limited to a candid and incredulous Kevin Smith, producer Jon Peters checking in from some bizarre mental plane far removed from our own, fans, pundits, and other crew members who put in hundreds of hours of labor before someone realized they were collaborating on a fiasco and had to be stopped. It’s a shame Nicolas Cage himself couldn’t chime in with his thoughts because I suspect they would’ve made Peters seem rational by comparison.

Cage’s absence notwithstanding, I had to respect the force of will it must have taken to coax such revealing cautionary tales out of the participants themselves. I never took the time to watch Schnepp’s signature work on the Adult Swim series Metalocalypse (my loss, I’m guessing), but from the strong showing in that documentary alone I’d assumed we would see more great things from him in the future.

Then came the events of the past week.

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Yes, There Are Scenes During AND After the “Ant-Man and the Wasp” End Credits

Ant-Man!

“PARDON ME. DO YOU HAVE ANY GREY POUPON?”

Millions of viewers who depend on Marvel movies for all their fantasy escapism needs went home shell-shocked after Avengers: Infinity War slaughtered far, far too many of their favorite heroes and threatened to turn the Marvel Cinematic Universe into just another super-hero realm of perpetual misery like Dawn of Justice or the upcoming, dreadful-looking Titans. Now, in Ant-Man and the Wasp, two heroes who weren’t invited to Thanos’ big coming-out party are here to remind everyone that there’s still hope to be found in this world, along with heroism, teamwork, and happy endings…as long as you don’t stay for the end credits.

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My Favorite Steve Ditko Comic, According to Me at Age 7

Killjoy!

If you only know Steve Ditko from Spider-Man movie credits, there’s a lot you don’t know.

Comic book fans are in mourning tonight over the news that legendary artist Steve Ditko was discovered dead in his apartment on June 29th. To the majority he’s known for a variety of creations and co-creations to his name — not just Spider-Man, but Dr. Strange, Squirrel Girl, DC’s the Question, the Creeper, and a long list of lesser-known quirky, oddly dressed champions of justice.

If anyone asks what the quintessential Ditko comic is, the correct answer is Amazing Spider-Man #33, an unconventional story then and now. Our Hero spends nearly the entire issue trapped under several tons of wreckage, unable to free himself easily, despondent that this may be his last hurrah, but slowly, surely, convincing himself he can find some way to save the day.

When I heard of Ditko’s passing, Spidey #33 wasn’t the first comic that popped into my head. As my brain is wont to do, it went obscure and reached farther back in time to a comic I hadn’t thought about in years.

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“Incredibles 2”: Further Feats of the Fantastic Five

Incredibles 2!

The expressions every time Emily Blunt gets top billing over some quote-unquote “A-list” dude.

Writer/director Brad Bird’s 2004 The Incredibles remains one of my all-time favorite Pixar films, and not just because it was about superheroes. I could relate to a film about an aging guy who considers himself talented but thinks he should be doing something better with his life, but whose family had much more important concerns than his, and everyone has to dive deep into their conflicts but come out all the stronger for it as a unit. And a film where there are spectacular chase scenes. And just so happens to draw on seventy years of mainstream super-hero culture.

Fourteen years later Incredibles 2 brings back Bird and the family to pick up where they left off. But are the viewers in the same place fourteen years later?

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Yes, There’s a Scene After the “Jurassic World: Fallen Kingdom” End Credits

Jurassic World: Fallen Kingdom!

Can scaly and sweaty live together in perfect harmony?

Previously on Midlife Crisis Crossover: in 2015 we saw Colin Trevorrow’s Jurassic World, groused a little, but ultimately thought:

While the human interactions grow increasingly awkward and superfluous in the final hour, I’d have to be a humorless, eightysomething stick-in-the-mud to rebuke the film’s grandest spectacle, the great big Godzillatastic dino-bashing showdown that so blatantly aims for the kid’s heart in all of us. I have to wonder if it was the first scene they wrote, and then the rest of the screenplay was reverse-engineered purely to make it happen by any plot device necessary. I wish life had found a way for the rest of Jurassic World to match that same giddy zeal, or the heartwarming cleverness of too-brief scenes like the baby triceratops petting zoo or the one touching moment where The Land Before Time meets Where the Red Fern Grows. And it’s a shame the wink-wink self-parody gags are short-lived. On average, though, this stockholder-pleasing sequel is thankfully a bit more fun than flipping through a museum gift shop catalog.

Once again it’s time for a trip to the deadliest theme park known to man, but at least this time they’re not selling tickets to future civilian casualties. With the next chapter Jurassic World: Fallen Kingdom, Spanish director J.A. Bayona (The Impossible, Penny Dreadful) revisits the blockbuster-thriller foundation that Steven Spielberg laid down in the original with gusto, succumbs to bouts of sequelitis, but finds ways to make at least a few dinosaurs exciting all over again.

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Yes, There’s a Scene During the “Won’t You Be My Neighbor?” End Credits

Mr Rogers!

Our lovely spokesmodel Anne introducing today’s feature presentation.

Among the many deficiencies in my childhood, I regret Mister Rogers’ Neighborhood was not required viewing in our house. In the days before VCRs, DVR, and the Internet, our family’s TV schedule was strictly divided between myself, my mom, and my grandma. I was allowed to pick stations each weekday morning before 9 a.m., after school, and on Saturday mornings. Sadly, the kindly Fred Rogers had the misfortune of airing opposite Grandma’s soap operas and/or game shows. By the time I discovered him while channel-flipping, I was somewhere in my preteen phase — too old to respond to his low-key gentility, not quite old enough to watch him ironically, and nowhere near the kind of adult who could appreciate what he did or how he connected to millions of other, better-off kids.

My wife Anne, on the other hand, used to watch him all the time. As a youngling she watched him, Sesame Street, and other PBS all-stars all the time. He spoke directly to kids, the Viewers at Home. He wasn’t there to bedazzle them with whimsy or lull them with escapist conflicts or sell them toys. He taught, he explained, he knew, he felt, he sympathized, he loved. For some kids he seemed like the only adult who every really got them, who even tried to get them. He fell just short of absolute godhood, but to many, calling him “father figure” doesn’t begin to describe his impact on their lives.

Won’t You Be My Neighbor?, then, is a rare instance of Anne taking me with her to the movies for once.

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“Pacific Rim: Uprising”: Mecha-Lecha-High? Mecha-High-Nee-NOPE

Pacific Rim Uprising!

Blue Man Group: The Metal Years.

Much as I’d love for John Boyega to be successful in everything he touches, I felt sheepish about my issues with Detroit and hoped I wouldn’t have to harp on him again too soon. Then I rushed out to see Pacific Rim: Uprising in its second week of release, and realized…well, uh, here we go again. It’s still better than at least three of Michael Bay’s Transformers films, but that’s…well, I wouldn’t call that a “low bar” so much as it’s me whispering to Boyega and director Steven DeKnight that I won’t tattletale if they want to walk around the climbing wall and skip the bar as a courtesy.

I try not to hold MCC to too many inflexible rules, but one of the few remaining is that every film I see in theaters gets its own entry. Now that Uprising‘s home video release is coming up this month, maybe it’s past time to hold myself accountable for that promise and face down this long-delayed entry, no matter how fruitless it may end up.

(Look, I’m not a great self-promoter. Anyone who’s been here long enough know this. We persevere together anyway.)

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“Solo: A Star Wars Story”: From Scaramouch to Scoundrel?

Solo!

THIS IS CORELLIA. WE CAUGHT YOU SLIPPIN’ NOW.

It’s never fun to hear stories about difficulties behind the scenes on a film set. When Lucasfilm decided Rogue One: A Star Wars Story needed retooling, they recruited top screenwriter Tony Gilroy (the Bourne series, Michael Clayton) and delivered. When Lucasfilm fired original jokey directors Phil Lord and Chris Miller from Solo: A Star Wars Story after repeated clashes with the producers and the Kasdan dynasty, they recruited director Ron Howard — a known name, a respected professional, but a safe choice to save the film. I’ve liked quite a few of his works (Cocoon, A Beautiful Mind, Frost/Nixon) and still remember that time on Saturday Night Live‘s “Weekend Update” when Eddie Murphy led the audience in a chant of “OPIE CUNNINGHAM! OPIE CUNNINGHAM!” But I don’t know any Star Wars fans who fist-pumped in triumph when he signed on. I mean, maybe there were some, and we just haven’t been introduced?

On a related note, quick show of hands, out of curiosity: how many folks out there still buy anything and everything with the words “Star Wars” stamped on it regardless of content or merit?

…huh. I count a lot fewer than there used to be.

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Yes, There’re Scenes During the “Deadpool 2” End Credits

Deadpool 2!

I see a handful of critics listed on Rotten Tomatoes who might use this as their letter grade…

The Merc with a Mouth is back! And so is Deadpool!

For any regular readers who roll their eyes whenever I have one of my “Old Man Yells at Cloud” moments when it comes to excessive profanity…well, you might wonder what in the world possessed me to go see Deadpool 2 in the first place. Perplexing question, isn’t it? I am large, I contain multitudes, there are comics involved, sometimes I like to go scavenger hunting for priceless curios in landscapes that are basically alien to me, sometimes I do things that aren’t good for me, and there are other logistics involved that are too weird to go into here, even for me.

But every film I see in theaters gets its own MCC entry. I can either write about the #1 movie in America that also happens to have scenes during the end credits, or I can finish an entry for the mostly inert Pacific Rim: Uprising that I’ve been procrastinating for six weeks and counting because I get sleepy every time I return to it, and will surely be of use to lots of moviegoers when I eventually finish it because as of tonight the film is playing in [checks notes] zero theaters, having been officially yanked after May 17th.

…so. Some thoughts on Ryan Reynolds’ latest multi-million-dollar paycheck it is, then.

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Margot Kidder 1948-2018

Margot Kidder!

MCC file photo, June 9, 2017.

Anne and I were saddened today to hear of the passing of Margot Kidder, the definitive Lois Lane of our generation. Much has been said and will be said around the internet and in the media for days to come. We had the pleasure of meeting Ms. Kidder less than a year ago at the Superman Celebration in Metropolis, IL. We always talk about the actors and other personalities we’d love to meet before it was too late. In this particular case, for this amazing woman, we had no idea we were cutting it so close.

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My Free Comic Book Day 2018 Results: The Best and the Least Best

Maxwell's Demons!

A boy and his toys go to war. From Maxwell’s Demons #1, art by Vittori Astone.

Previously on Midlife Crisis Crossover: on May 5th I once again had the pleasure of once again observing Free Comic Book Day, the least fake holiday of them all, that annual celebration when comic shops nationwide offer no-strings-attached goodies as a form of community outreach in honor of that time-honored medium where words and pictures dance in unison on the printed page, whether in the form of super-heroes, monsters, cartoon all-stars, licensed merchandise, or entertaining ordinary folk. Each year, America’s remaining comic book shops (and a handful in the UK that can afford the extra shipping charges) lure fans and curious onlookers inside their brick-and-mortar hideaways with a great big batch of free new comics from all the major publishers and a bevy of smaller competitors deserving shelf space and consideration.

This year my Free Comic Book Day involvement took on a different form. My local shop offered a special deal that sounds crazy on the face of it: for a fair sum of money, we could pre-purchase a bundle of all 52 Free Comic Book Day comics that their stores planned to order. Normally these would all be free, but you’d look like a schmuck for casually walking in, picking up all 52, and walking right back out. Instead they set aside copies of all those comics, bagged ’em up, and let buyers pick them up late Saturday afternoon, once all the furor and hubbub had subsided. I went for it. I liked the idea of playing the role of patron, donating extra cash to help facilitate Free Comic Book Day for other folks in town, in a way that would help my shop offset the costs.

I spent the rest of Saturday night and nearly all of Sunday reading all 52 and then posting my impressions on Twitter after each comic, along with photo excerpts from every single comic. I took photos rather than scans because (a) our scanner sometimes ruins the hard work of comics colorists, (b) I wanted to capture the feel of comics on actual physical paper, (c) I wanted to test my new phone, and (d) snapping pics was faster than scanning. This reading/photography project took until 11:30 p.m Sunday night to complete, and would’ve taken until sometime Tuesday if I hadn’t cut corners somewhere. I had to put this entry off for a few days because I needed a break after spending so, so much time with them all.

This entry, then, is a condensed version of that epic-length tweetstorm: my ranking of the twenty best books of the bunch, followed by my six least favorites of the entire stack. I never trust a comics reviewer or website that shares nothing but relentlessly glowing opinions — nor, conversely do I trust a critic who hates all comics and can’t be pleased — so this is my way of not becoming that which I disparage.

Up first: that happy Top 20. On with the countdown!

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Happy Free Comic Book Day 2018!

Free Comic Book Day!

One-third of this year’s FCBD reading pile.

It’s that time of year again! Today marked the seventeenth Free Comic Book Day, that annual celebration when comic shops nationwide offer no-strings-attached goodies as a form of community outreach in honor of that time-honored medium where words and pictures dance in unison on the printed page, whether in the form of super-heroes, monsters, cartoon all-stars, licensed merchandise, or entertaining ordinary folk. It’s one of the best holidays ever for hobbyists like me who’ve been comics readers since the days when drugstores sold them for thirty-five cents each and Jean Grey had never died before.

Each year, America’s remaining comic book shops (and a handful in the UK that can afford the extra shipping charges) lure fans and curious onlookers inside their brick-and-mortar hideaways with a great big batch of free new comics from all the major publishers and a bevy of smaller competitors deserving shelf space and consideration. It’s easy to remember when to pin it on the calendar because it’s always the first Saturday of every May and virtually always coincidental with a major movie release. Some folks were concerned about a break in tradition when Avengers: Infinity War moved up a week, but millions of psychologically devastated viewers still have it fresh in mind and haunting them to this day, so there’s no danger of anyone forgetting about superheroes in the near future.

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Yes, There’s a Scene After the “Avengers: Infinity War” End Credits

Thanos!

If you can see only one Josh Brolin film this year, skip Sicario 2: Soldado.

The short version of this entry: for anyone who’s sat through all three Iron Man, Thor, and Captain America films; the first two Avengers films; both Guardians of the Galaxy flicks; Edward Norton’s Incredible Hulk; Spider-Man Homecoming; Ant-Man; Dr. Strange; and the great and powerful Black Panther…as those fans hoped unanimously, Avengers: Infinity War is the ultimate, fitting culmination of all that. It ties lots of threads together, features unexpected team-ups, makes time for heroes punching heroes in the grand tradition of Marvel misunderstandings, hits hard with heavy emotional moments, allows a few quiet spaces to breathe in between the chaos, and has a few moments rigged to invite audience cheers and gasps, sometimes mere seconds apart.

However, it is not the season finale. It’s episode 19 of a 22-episode season eleven years in the making, with three more episodes to go: this summer’s Ant-Man and the Wasp, which takes place beforehand; the technical prequel Captain Marvel; and the true season finale, Avengers: Secret Subtitle. Anyone trying to approach Infinity War as a standalone work, clinging to the notion that any and every film should be a self-sufficient viewing experience in itself, will walk away disappointed. Infinity War has other objectives in mind. Comics fans are used to major crossover events and know how the game works, but some film critics are bristling at this new idea that threatens to make movies more like comics in the long term, and not necessarily like good comics.

Okay, that opening was supposed to be shorter. Even shorter version, then: upon a single viewing in IMAX, where the volume-17 sound system purged all intellectual notions out of my body, Avengers: Infinity War was extremely cool, somewhat depressing, and, as I suspected going into it, thoroughly futile on at least one ostensibly dramatic level.

That’s still too long. One more try: if you love Marvel movies to pieces, Avengers: Infinity War is more of that but quadrupled.

Caution ahead: spoilers are probably ahead if you’re the kind of deductive reader who can put two and two together too quickly. My movie entries are normally written as if I’m talking to a general audience who hasn’t seen the film, but we’re now on the nineteenth film, the biggest one yet (literally for me, since I saw none of the others in IMAX) and I don’t know if I’m about to make this entry quite so reader-friendly. I’m not indulging in stroke-for-stroke golf commentary, but a few aspects of my reactions — including my least favorite thing about it — can’t be covered coyly without rendering them into so much useless ambiguity. If you need to brake and reverse now, I’ll understand.

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American Ninja Warrior Indianapolis II: Return to the Circle of Death

American Ninja Warrior!

Once again…it’s ninja time.

Previously on Midlife Crisis Crossover in April 2016:

Fun event here in Indianapolis this week: the NBC reality series American Ninja Warrior is filming an episode on Monument Circle in the very heart of downtown. They’re filming the initial challenges in the wee hours of Wednesday night/Thursday morning from a crowd of thirty competitors, and it’s my understanding semifinalists will continue competing Thursday night/Friday morning. If you’re a local night owl who has no use for crowing roosters or morning-drive DJs, this event was made just for you.

The ninja are back in town! Once again the ANW crew took over Monument Circle with their trucks, their rigging, their tents, their boxes and boxes of electrical equipment, and their high-falutin’ obstacle courses meant to test the mettle of anyone who wants to go on TV, look Olympian, attempt a series of stunts, and subject themselves to a spectacular pratfalls when the gauntlet smacks them down. And once again they got in the way of my weekly walk to the local comic shop on my lunch break.

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