My 2020 Reading Stacks #2: The Horror and Heroism of “Becoming Superman”

Becoming Superman!

A highly recommended read, from the introduction by onetime Babylon 5 writer Neil Gaiman to all those other pages not written by Gaiman.

Previously on Midlife Crisis Crossover:

Every year, each and every squarebound work of qualifying length that I’ve read gets a capsule review apiece. I refrain from devoting entries to full-length book reviews because 999 times out of 1000 I’m finishing a given work decades after the rest of the world is already done and moved on from it. As time permits and the finished books pile up, I’ll be charting my full list of books, graphic novels, and trade collections in a staggered, exclusive manner here, for all that’s worth to the outside world. Due to the way I structure my media-consumption time blocks, the list will always feature more graphic novels than works of prose and pure text. Novels and non-pictographic nonfiction will still pop up here and there, albeit in an outnumbered capacity…

And now, we rejoin reading time already in progress…though this time with a single memoir that hit me on numerous levels.

7. J. Michael Straczynski, Becoming Superman: My Journey from Poverty to Hollywood. The sub-subtitle on the cover of the celebrated writer’s 2019 autobiography pulls no punches and tells no lies: With Stops Along the Way at Murder, Madness, Mayhem, Movie Stars, Cults, Slums, Sociopaths, and War Crimes. Those diverse, potentially lurid topics are by no means a complete list. He left more than a few surprises between the covers, where they await discovery as each is torn out of his family’s deep, dark closets and brought to light.

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My 2020 Reading Stacks #1

Library Books!

Our first two books, brought to you by our local library. LIBRARIES: Ordering Stuff We Might Not Buy Ourselves Since Sometime B.C.!

A new year means it’s time to make new stacks.

Every year, each and every squarebound work of qualifying length that I’ve read gets a capsule review apiece, because my now-canceled 29-year subscription to Entertainment Weekly got me addicted to the format. I refrain from devoting entries to full-length book reviews because 999 times out of 1000 I’m finishing a given work decades after the rest of the world is already done and moved on from it. 2000-word essays on old works tend to be in severely low demand by the fly-by-night search-engine users who are MCC’s largest visitor demographic.

As time permits and the finished books pile up, I’ll be charting my full list of books, graphic novels, and trade collections in a staggered, exclusive manner here, for all that’s worth to the outside world. Due to the way I structure my media-consumption time blocks, the list will always feature more graphic novels than works of prose and pure text. Novels and non-pictographic nonfiction will still pop up here and there, albeit in an outnumbered capacity. Triple bonus points to any longtime MCC readers who can tell which items I bought at which comic/entertainment conventions we’ve attended over the past few years.

And now:…it’s readin’ time.

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Comics Update: My Current Lineup and 2019 Pros and Cons

Comics 2019!

Nearly all my 2019 purchases, sorted in alphabetical piles from A to Y.

Comics collecting has been my primary geek interest since age 6, but I have a tough time writing about it with any regularity. My comics-judging criteria can seem weird and unfair to other fans who don’t share them. I like discussing them if asked, which is rare, but I loathe debating them. It doesn’t help that I skip most crossovers and tend to gravitate toward titles with smaller audiences. Whenever a larger company axes titles for the sake of their bottom line or internal politics, my favorites are usually first on the chopping block. I doubt many comics readers follow MCC anyway, so it’s really the best possible place for me to talk about comics unharmed, albeit all to myself. Whee.

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My 2019 Reading Stacks #7: The Season Finale

Stack 7 Best!

A few of my year’s highlights.

Previously on Midlife Crisis Crossover:

At the beginning of each year I spend weeks writing year-in-review entries that cover the gamut of my entertainment intake, including capsule reviews for all the books and graphic novels I’ve read. I refrain from devoting entries to full-length book reviews because 999 times out of 1000 I’m finishing a given work decades after the rest of the world is already done and moved on from it.

As time permits and the finished books pile up, I’ll be charting my full list of books, graphic novels, and trade collections I’ve read throughout the year in a staggered, exclusive manner here, for all that’s worth to the outside world. Due to the way I structure my media-consumption time blocks, the list will always feature more graphic novels than works of prose and pure text. Novels and non-pictographic nonfiction will pop up here and there, albeit in a minority capacity for a few different reasons. Triple bonus points to any longtime MCC readers who can tell which items I bought at which comic/entertainment conventions we’ve attended over the past few years.

…and now, the big wrap-up.

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My 2019 Reading Stacks #6: The Penultimate Pile

C2E2 Graphic Novels!

Some art samples, if you will.

Previously on Midlife Crisis Crossover:

At the beginning of each year I spend weeks writing year-in-review entries that cover the gamut of my entertainment intake, including capsule reviews for all the books and graphic novels I’ve read. I refrain from devoting entries to full-length book reviews because 999 times out of 1000 I’m finishing a given work decades after the rest of the world is already done and moved on from it.

As time permits and the finished books pile up, I’ll be charting my full list of books, graphic novels, and trade collections I’ve read throughout the year in a staggered, exclusive manner here, for all that’s worth to the outside world. Due to the way I structure my media-consumption time blocks, the list will always feature more graphic novels than works of prose and pure text. Novels and non-pictographic nonfiction will pop up here and there, albeit in a minority capacity for a few different reasons. Triple bonus points to any longtime MCC readers who can tell which items I bought at which comic/entertainment conventions we’ve attended over the past few years.

Wow, was I lousy at keeping up with myself. I need to catch up with the 2019 pile, shrink down some of the capsule reviews to even smaller doses, and clear the decks for more dedicated writing diligence on these in 2020. Let’s see how much I can manage here before I pass out for the night…

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My 2019 Reading Stacks #5

Crime Books!

Mystery! Guns! Danger! Crime! More guns!

Previously on Midlife Crisis Crossover:

At the beginning of each year I spend weeks writing year-in-review entries that cover the gamut of my entertainment intake, including capsule reviews for all the books and graphic novels I’ve read. I refrain from devoting entries to full-length book reviews because 999 times out of 1000 I’m finishing a given work decades after the rest of the world is already done and moved on from it.

As time permits and the finished books pile up, I’ll be charting my full list of books, graphic novels, and trade collections I’ve read throughout the year in a staggered, exclusive manner here, for all that’s worth to the outside world. Due to the way I structure my media-consumption time blocks, the list will always feature more graphic novels than works of prose and pure text. Novels and non-pictographic nonfiction will pop up here and there, albeit in a minority capacity for a few different reasons. Triple bonus points to any longtime MCC readers who can tell which items I bought at which comic/entertainment conventions we’ve attended over the past few years.

And now…it’s readin’ time again!

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My 2019 Reading Stacks #4: Our Dismal Double Date with Heathcliff and Catherine

Wuthering Heights!

I imagine the book designer going to the publisher in tears: “I’m sorry, but there isn’t a single scene worth illustrating on the front cover. Can I just photograph the wallpaper in my grandma’s bedroom?”

Previously on Midlife Crisis Crossover:

At the beginning of each year I spend weeks writing year-in-review entries that cover the gamut of my entertainment intake, including capsule reviews for all the books and graphic novels I’ve read. I refrain from devoting entries to full-length book reviews because 999 times out of 1000 I’m finishing a given work decades after the rest of the world is already done and moved on from it.

As time permits and the finished books pile up, I’ll be charting my full list of books, graphic novels, and trade collections I’ve read throughout the year in a staggered, exclusive manner here, for all that’s worth to the outside world. Due to the way I structure my media-consumption time blocks, the list will always feature more graphic novels than works of prose and pure text. Novels and non-pictographic nonfiction will pop up here and there, albeit in a minority capacity for a few different reasons. Triple bonus points to any longtime MCC readers who can tell which items I bought at which comic/entertainment conventions we’ve attended over the past few years.

And now…it’s readin’ time. Again, finally, after a plethora of topics I felt compelled to cover first, not to mention dozens of criminal instances of going to bed before midnight instead of writing. Tally-ho!

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The CW’s “Crisis on Infinite Earths” Midterm Report

Crisis Poster!

Shows will live! Shows will die! And The CW’s Arrowverse will never be the same!

Previously on Midlife Crisis Crossover: the landmark 1985-1986 maxiseries Crisis on Infinite Earths left such a massive impression on me as a young teen who’d been collecting comics since age 6, it changed the DC Universe forever as promised and factored into the naming of this very website 7½ years ago. It wasn’t easy for older fans to watch fifty years of comics canon and continuity get shredded and/or remixed, but youngsters with less of an emotional investment had front-row seats for The End of, and the subsequent rebirth of, the DC Universe as we knew it. Between Crisis, Alan Moore and Dave Gibbons’ Watchmen, and Frank Miller’s The Dark Knight Returns, 1986 was a grandly historic time for DC on multiple fronts. And I was there for it.

Fast-forward 34 years later: I’m a different, older, creakier guy, but I’m still at the comic shop every Wednesday, and still partaking in superhero fare, albeit decreasingly in moderation. DC is still here, still banking on superheroes and trying much harder than I am to stay young-looking. They’ve spent the past eight years unleashing hundreds of their characters onto The CW across six TV series and counting. Here in 2019 going on 2020, it’s their turn for a Crisis.

(Let me throw a courtesy spoiler warning up front: this entry isn’t a full recap, but remarks are up ahead about plot points, surprises, and possibilities in the fourth and fifth chapters that’ll conclude the major crossover event on January 14th. If you’re planning to catch up on your own between now and then, the exits are clearly marked on your browser.)

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MCC Home Video Scorecard #18: Temporarily Free HBO Presents “Watchmen”

Sister Night!

Sister Night and the tea. Your move, Baby Yoda.

Previously on Midlife Crisis Crossover: the recurring feature that’s more like a newsletter in which I’ve jotted down capsule-sized notes about Stuff I Recently Watched at home. Plan A for Thanksgiving weekend had been a combination of reading, writing, and watching. One of those three won out thanks to a confluence of unrelated factors, all involving TVs and streaming media.

Anne and I are old-fashioned cable subscribers, but I cut all premium channels from our lineup over a decade ago for (mostly) cost-cutting reasons. A few times per year, our provider will allow limited access to one or more of those high-falutin’ deluxe stations for the space of an entire weekend, a taste of what we’ve been missing to lure us into throwing more monthly money at them because only they have the cure for TV FOMO. For me those free weekends represent surprise binge opportunities, an indulgence that staves off any temptation of permanent signup. For this past holiday weekend they granted us free HBO from Thursday through Monday. I could’ve picked up where I left off on the previous “Watch-a-Thon” and continued my dive into Flight of the Conchords…but I decided to go with something a bit more current, much harsher and a lot less melodic.

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Tom Spurgeon, 1968-2019

Tom Spurgeon!

Our least worst photo of the esteemed gentleman, moderating a panel at CXC 2017.

Thursday morning I was saddened and shocked to learn of the unexpected passing of Tom Spurgeon, the longtime comics journalist, dedicated mind behind the Comics Reporter news site, and co-founder and executive director of Cartoon Crossroads Columbus, an uniquely high-caliber arts festival that Anne and I attended both in 2015 and in 2017. I never had the pleasure of chatting with him in person and kick myself now for being too sheepish to try. Spurgeon was only 50, a year older than Anne and far, far, far too young.

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Our 2019 Road Trip, Part 19: The Hobbyist’s Shopping Interlude

wacky skull shop!

I was too buys getting my directions wrong to catch the name of this shop. I trust they sell cool stuff.

Previously on Midlife Crisis Crossover:

Every year since 1999 my wife Anne and I have taken a trip to a different part of the United States and visited attractions, wonders, and events we didn’t have back home in Indianapolis. From 1999 to 2003 we did so as best friends; from 2004 to the present, as husband and wife. My son tagged along from 2003 until 2013 when he ventured off to college. We’ve taken two trips by airplane, but are much happier when we’re the ones behind the wheel — charting our own course, making unplanned stops anytime we want, availing ourselves of slightly better meal options, and keeping or ruining our own schedule as dictated by circumstances or whims. We’re the Goldens. It’s who we are and what we do.

For years we’ve been telling friends in other states that we’d one day do Atlanta’s Dragon Con, one of the largest conventions in America that isn’t in California or New York. We’d been in Atlanta, but we hadn’t really done Atlanta. Hence this year’s vacation, in which we aimed for a double proficiency in Atlanta tourism and over-the-top Dragon Con goodness. Before we went to D*C, there was the road trip to get there, and the good times to be had before the great times at the big show.

Anne and I don’t shop a lot on vacation. As long as she can get her smashed pennies and some other relevant souvenirs for herself and a few key relatives, she’s generally not interested in high fashion, heavy knickknacks, home decor, or…well, whatever else the upper class buy when they’re off jet-setting and whatnot. Frankly, we wouldn’t know. Depending on where we are, sometimes I’ll look for shops that feed my core hobbies. I don’t like to take us too far out of our way for my art fixes, but if viable candidates just so happen to fall along a paths between Major Attraction A and Historical Point of Interest B, Anne is okay with me indulging as long as I keep us safe and we don’t have to forfeit sites she really wanted to see.

On our way back from Stone Mountain to the heart of Atlanta, Anne graciously allowed me to make a few stops along the way, and took photos of the scenery around us while I faked my way through unfamiliar turf. By and large, Google Maps did right by us on this leg of our journey and I only made two wrong turns, neither of them irreversible. And there was only one moment she officially deemed “scary”.

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“Joker”: The Day the Clown Cried and People Died

Joker!

Toys and statues now available on Etsy and eBay! For other versions, check your local comic shops, big-box stores, Barnes & Noble toy sections, or good ol’ Amazon! Buy Joker stuff wherever you shop, work or bank!

Every review of Todd Phillips’ controversial Joker that I’ve read so far — and I’ve read several, none of them by youngsters who love DC Comics unconditionally, but not all of them scathing — has name-checked Martin Scorsese’s The King of Comedy and Taxi Driver because, per their consensus, the homage is so derivative that it’s practically an attempted reboot of both, or possibly the conclusion to the trilogy they never were.

I haven’t watched Taxi Driver in over twenty years, and I’ve yet to see The King of Comedy, which wasn’t available on any of my streaming-service subscriptions as of a week before release. Aside from noting how hard I snickered at an obvious, neutered copycat of the famous “You talkin’ to me?” scene, that means I can’t simply spend 1500 words deriding its Scorsese allusions scene by scene, and will instead have to come up with my own words and thoughts, as opposed to typing a derivative homage to all those other reviews. IF it turns out like that anyway, don’t blame me. It’s everyone else’s fault but mine.

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Dragon Con 2019 Photos #7: Deadpool Presents the Deadpool Cosplay Parade Starring Deadpool

Ladys Deadpool + Grimespool!

Ladiess Deadpool and Sheriffpool!

Previously on Midlife Crisis Crossover:

For years we’ve been telling friends in other states that we’d one day do Atlanta’s Dragon Con, one of the largest conventions in America that isn’t in California or New York. We’ve been in Atlanta, but we hadn’t really done Atlanta. Hence this year’s vacation, in which we’re aiming for a double proficiency in Atlanta tourism and over-the-top Dragon Con goodness…

…such as that Saturday morning parade through downtown Atlanta. Longtime MCC readers are used to Deadpool variants showing up in every convention cosplay lineup. I promise we don’t show up at every convention center asking, “Pardon us, but can you direct us to all the Deadpools? There’re Deadpool cosplayers here, right? It would be so nice if there was Deadpool cosplay!” All we know is wherever we go, there he is.

Same cautions apply as last time: we’re pros, not fans; corrections are very welcome if we misname anyone; we do take requests, but can’t guarantee we photographed every parade participant; enjoy!

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Indiana State Fair 2019 Photos, Part 3 of 6: The Marvel/DC CAN-ematic Universe

CAN Black Panther!

Black CANther welcomes you to WaCANda, homeland of King TIN’Challa. (Look, I didn’t start it, okay?)

Previously on Midlife Crisis Crossover:

It’s that time again! The Indiana State Fair is an annual celebration of Hoosier pride, farming, food, and 4-H, with amusement park rides, cooking demos, concerts by musicians either nearly or formerly popular, and farm animals competing for cash prizes without their knowledge. My wife Anne and I attend each year as a date-day to seek new forms of creativity and imagination within a local context…

One of the many creative events each year is the Canstruction contest, which isn’t necessarily exclusive to local 4-H youngsters. Canstruction is a charitable organization that holds nationwide events in which engineers and other clever planners compete against each other in building the best sculpture made entirely from canned goods, preferably in recognizable shapes and not ordinary stacks with boring titles like “Can Do!” After the judging and the public displaying are over, all those meticulously planned figures are torn down and the components are donated to local hunger relief charities, who in turn forward them to needy families totally unaware their next few meals used to be Art.

In keeping with this year’s “Heroes in the Heartland” theme and its inclusion of beloved mainstream superheroes, contestants were asked to make superheroes out of cans. The results were amusing for all but the most cantankerous.

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My 2019 Reading Stacks #3

American Born Chinese!

Racism: ruining classroom experiences since nearly forever. Art by Gene Luen Yang and Lark Pien.

Previously on Midlife Crisis Crossover:

At the beginning of each year I spend weeks writing year-in-review entries that cover the gamut of my entertainment intake, including capsule reviews for all the books and graphic novels I’ve read. I refrain from devoting entries to full-length book reviews because 999 times out of 1000 I’m finishing a given work decades after the rest of the world is already done and moved on from it.

As time permits and the finished books pile up, I’ll be charting my full list of books, graphic novels, and trade collections I’ve read throughout the year in a staggered, exclusive manner here, for all that’s worth to the outside world. Due to the way I structure my media-consumption time blocks, the list will always feature more graphic novels than works of prose and pure text. Novels and non-pictographic nonfiction will pop up here and there, albeit in a minority capacity for a few different reasons. Triple bonus points to any longtime MCC readers who can tell which items I bought at which comic/entertainment conventions we’ve attended over the past few years.

And now…it’s readin’ time. Some more.

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My 2019 Reading Stacks #2

Form of a Question!

The thrill of victory in front of a celebrity and an audience of millions. Art by Kate Kasenow, Jenna Ayoub with Ilara Catalani, and Laura Langston.

Previously on Midlife Crisis Crossover:

At the beginning of each year I spend weeks writing year-in-review entries that cover the gamut of my entertainment intake, including capsule reviews for all the books and graphic novels I’ve read. I refrain from devoting entries to full-length book reviews because 999 times out of 1000 I’m finishing a given work decades after the rest of the world is already done and moved on from it.

As time permits and the finished books pile up, I’ll be charting my full list of books, graphic novels, and trade collections I’ve read throughout the year in a staggered, exclusive manner here, for all that’s worth to the outside world. Due to the way I structure my media-consumption time blocks, the list will always feature more graphic novels than works of prose and pure text. Novels and non-pictographic nonfiction will pop up here and there, albeit in a minority capacity for a few different reasons. Triple bonus points to any longtime MCC readers who can tell which items I bought at which comic/entertainment conventions we’ve attended over the past few years.

And now:…it’s readin’ time. Again.

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My 2019 Reading Stacks #1

Anne's books!

So far this year’s list includes a few library books and two loaners from my wife, pictured above. Borrowed reading is still reading!

Previously on Midlife Crisis Crossover: at the beginning of each year I spend weeks writing year-in-review entries that cover the gamut of my entertainment intake, including capsule reviews for all the books and graphic novels I’ve read. Every book gets a full capsule summary apiece, because my now-canceled 29-year subscription to Entertainment Weekly got me addicted to the capsule format. I refrain from devoting entries to full-length book reviews because 999 times out of 1000 I’m finishing a given work decades after the rest of the world is already done and moved on from it. 2000-word essays on old works tend to be in severely low demand by the fly-by-night search-engine users who are MCC’s largest visitor demographic.

Back in the day (December 2013 to January 2019) I would write my book/graphic-novel capsule reviews as I went, store them offsite, then dump them here on MCC all at once during entertainment year-in-review season. It was an inefficient system, but it was mine. This year I’m changing up my protocols. Effective here and now, the reading capsules are a recurring feature. As time permits and the finished books pile up, I’ll be charting my full list of books, graphic novels, and trade collections in a staggered, exclusive manner here, for all that’s worth to the outside world. Seven months into 2019 I have some catch-up to do, so these initially won’t be listed in actual reading order.

Due to the way I structure my media-consumption time blocks, the list will always feature more graphic novels than works of prose and pure text. Novels and non-pictographic nonfiction will pop up here and there, albeit in a minority capacity for a few different reasons. Triple bonus points to any longtime MCC readers who can tell which items I bought at which comic/entertainment conventions we’ve attended over the past few years.

And now:…it’s readin’ time.

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Yes, There Are Scenes During and After the “Spider-Man: Far from Home” End Credits

Spider-Man Far from Home!

And now my paychecks are thiiiis big!

The inspired, rambunctious Spider-Man: Far from Home marks Tom Holland’s fifth film as everyone’s favorite put-upon wall-crawler, meaning he’s now done as many Spider-films as Tobey Maguire and Andrew Garfield combined. While every Spidey has had his high points in my estimation, Far from Home may be the best translation to date of the Spidey-era from my own childhood, roughly 1978-1989 plus Marvel Tales reprints of the first sixty issues of Amazing Spider-Man (the entire Steve Ditko oeuvre plus John Romita’s first two years). It’s a winning coda to the emotional pinnacles and pitfalls of Avengers: Endgame, an encouraging sign of heroism to come and a herald of hopefulness for the future of the Marvel Cinematic Universe.

Fair warning: this entire film follows the events of Endgame and reverberates from its ramifications. If you’re waiting for Endgame to hit DVD and living in the off-grid wilderness has sheltered you from learning of its major MCU-changing moments, you may want to flee now if you want to maintain your cone of silence. (True story: I know at least one person in this very situation. It is possible. I realize it’s hard to imagine, but not everyone in America is as entrenched in online living as you and I may be.)

On another level, anyone with zero foreknowledge of the antagonist Mysterio and his motifs from old Spidey-comics will want to skip the regular “Meaning or EXPLOSIONS?” section because, frankly, it was kind of boring to ruminate on that aspect spoiler-free. I’m not revealing all his secrets or recapping his scenes shot-for-shot, but…well, there’s stuff that spoke to me.

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“Dark Phoenix”: X-huming and X-amining the End of the Ex-Series

Dark Phoenix!

The all-new Firestar from a grim-and-gritty Spider-Man and His Amazing Friends.

Remember the glory days when the prospect of a new X-Men film excited anyone who’d previously thrilled to their greatest spectacles, and not just the unconditional superfans?

Dark Phoenix isn’t the worst superhero film I’ve seen this year, but after the waste of resources that was X-Men: Apocalypse, I was fine with waiting until its fourth weekend to see it using free passes, sitting in a theater with half a dozen other viewers who likewise couldn’t be bothered to rush out to the not-quite-grand finale to Fox’s X-Men era (unless we keep holding our breath waiting for New Mutants). Their 19-year run had its highlights, but writer/director/producer Simon Kinberg’s Hail Mary of a retread isn’t one of them.

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Kid Dungeon Master’s Neighborhood Reign: Nostalgic Confession Inspired by “Die”

Die 1!

Teen RPG fan Solomon brings foreboding gameplay setup to Die #1. Art by Stephanie Hans, words by Kieron Gillen, letters by Clayton Cowles.

1. A Long-expected Party.

Previously on Midlife Crisis Crossover: my annual comic book reviews included a promise of a future entry inspired by Die, the new Image Comics series by Kieron Gillen and Stephanie Hans that I encapsulated like so:

What if you took the structure of Stephen King’s It, but instead of fighting a murderous super-clown, the kids and adults in their respective eras were reliving the ’80s Dungeons and Dragons cartoon as a horror story, and the Big Bad was Tom Hanks from Mazes and Monsters turned into a truly mystical, manipulative interdimensional overlord?

Painted art by Stephanie Hans is like a high-end gallery showing on every page, while writer Kieron Gillen is engaging in ambitious, phenomenally detailed world-building, worrisome in its six-digit word count and rising. He’s exploring fantasy tropes and toying with them from within, but he’s also designed an entire RPG from the ground up to facilitate his vision, one that’s dredging up so many childhood memories for me — some I would dare label “definitive” in regard to my personal backstory — that I’ll need to devote a separate entry to this series in the near future. I have a lot of baggage to unpack here, and I blame Gillen for wheeling the baggage cart right up next to me.

I had the pleasure of meeting painter Stephanie Hans at this year’s C2E2, where I gave her the elevator-pitch version of this entry and she encouraged me to share it. I got a kick out of meeting Kieron Gillen at C2E2 2013, where we briefly chatted about his Britpop-magic fantasy Phonogram and he asked me which character I identified with most. I honestly hadn’t given much thought to it and was ashamed to have no answer, either prepared or improvised. I’m not used to pros at a con asking me a question beyond “Where are you from?”

(Having had time to think later, my answer came to me, obvious if twofold. As a young adult from 1989 to 2000 I imagined myself Seth Bingo, self-anointed tastemaker and DJ, bringing my boom-box and tapes/CDs to entertain at work after-hours — no requests allowed, sharing my collection with peers who just didn’t get me or my nightly playlist. For my life 2000-present I’ve been closer to Lloyd, engaging with music intellectually via long thinkpieces written only for the audiences in my head, but rarely physically and never socially, thus arguably denying its greatest powers. If only I could’ve written all that on an index card before approaching Gillen’s table. Or narrowed my answer down to just one of those two alienating dudes.)

The farther I’ve read into Die, the more I’ve found myself reflecting on my own experiences with Dungeons and Dragons, an integral part of my preteen years. It was a compelling confluence of entertainment and imagination. It was a big hit with the other kids who joined in. It also ushered in the end of my circle of childhood friends.

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