I’ve been offline most of today, but upon returning late Saturday night was saddened to hear of the unexpected death of actor Scott Wilson at age 76. Most folks today know him as Herschel from seasons 2-4 of The Walking Dead, the kindly farmer and sage of the ensemble, often the conscience during the toughest of times when he wasn’t dealing with critical injuries, grieving the loss of teammates and family, or suffering the cruelty of the Governor. Barely an hour before his passing, news had broken at this weekend’s New York Comic Con that he would be returning this coming season for a flashback, most likely in connection with Andrew Lincoln’s farewell episodes and hopefully not as his surprise twin brother Murschel.
Previously on Midlife Crisis Crossover: in 2015 my wife Anne and I undertook one of our most action-packed Wizard World Chicago experiences to date. It was the year we met more actors than any other, the year I attended more comics panels than any other, and a rare year in which the two of us had to split up a few times in order to see everything on our personal to-do lists. While I attended a Friday panel starring other, younger actors of relatively recent renown, Anne sped straight for a photo op with the legendary Burt Reynolds, that unparalleled star of the silver screen and beloved macho man of our childhoods.
We were shocked to hear this afternoon about his unexpected passing at age 82. As the photo proves, Anne had the chance to meet him, but I’m sorry I missed out. Even sorrier tonight.
Previously on Midlife Crisis Crossover: Anne and I attended the 2016 Superman Celebration in Metropolis, IL, whereupon…
…We also had the pleasure of meeting director Jon Schnepps and producer Holly Payne, the minds behind the recent documentary “The Death of ‘Superman Lives’: What Happened?”, the astonishing true story of that time Nicolas Cage, director Tim Burton, and writer Kevin Smith tried and failed to make a, uh, truly unique Superman film together. I’ve been wanting to see this for months even though I’m afraid to see it for myself.
We chatted for a minute at their table. I can’t remember a single thing about the conversation except that they were good people not that different from us. The last time I saw him in person was later that same weekend as we were wandering around the town’s “Super-Con” — the Superman Celebration’s equivalent of an exhibit hall for toy shops and comics dealers. During our lap around the building, we passed by Schnepp — no guards, no entourage, no disguise — standing at one table, rifling through their back-issue box like any ordinary average Joe who hadn’t made an actual film, accumulated Cartoon Network credits to their name, or once filmed themselves being wrestled to the ground by an unchecked, filthy rich studio exec.
After I watched writer/director/producer Schnepp’s candid, illuminating documentary about a massive failure of a Hollywood production, I eventually remarked…
We rarely get complete stories as to why a given high-profile film turns out awful, let alone a tell-all about one that collapsed under its own bloated before it could harm the innocent public. Copious interviews with would-be director Tim Burton, several attempted screenwriters including but not limited to a candid and incredulous Kevin Smith, producer Jon Peters checking in from some bizarre mental plane far removed from our own, fans, pundits, and other crew members who put in hundreds of hours of labor before someone realized they were collaborating on a fiasco and had to be stopped. It’s a shame Nicolas Cage himself couldn’t chime in with his thoughts because I suspect they would’ve made Peters seem rational by comparison.
Cage’s absence notwithstanding, I had to respect the force of will it must have taken to coax such revealing cautionary tales out of the participants themselves. I never took the time to watch Schnepp’s signature work on the Adult Swim series Metalocalypse (my loss, I’m guessing), but from the strong showing in that documentary alone I’d assumed we would see more great things from him in the future.
Then came the events of the past week.
Previously on Midlife Crisis Crossover: on June 7th my wife’s grandmother passed away, six days before her 93rd birthday. From 2011 to 2017 my wife Anne and I would take her out twice per year to the Indiana State Fairgrounds for her two favorite outings, the Indiana Flower & Patio Show and the Christmas Gift & Hobby Show. Longtime MCC readers have been treated to the resulting photo galleries and occasional cute Mamaw photos — her in her wheelchair and me as her chauffeur. While the better relatives would come over and visit her from time to time, not all of them took her places. I was among the precious few who stepped up to the privilege of being her personal driver in that sense.
The ongoing postmortem process has moved at a glacial pace in the ten days since her passing. Over this weekend the family got to the part where they begin dividing up the stuff she couldn’t take with her. As far as we know, she didn’t have a will drawn up, nor did she have enough extravagant possessions to her name to merit bitter feuding in lieu of one. The house itself is ultimately spoken for, but for now an aunt and a cousin are acting as estate wranglers, for lack of an actual, legally opened estate. This means they’ve been allowing close relatives to take turns coming over and picking out whatever mementos they’d like, within reason.
Today was Anne’s turn. Behold a selection from her de facto inheritance.
Previously on Midlife Crisis Crossover: from 2011 to 2017 my wife Anne and I would take her grandmother out twice per year to the Indiana State Fairgrounds for her two favorite outings: the Indiana Flower & Patio Show every May, and the Christmas Gift & Hobby Show every November. For Mamaw the fairgrounds were her premier destination for getting out of the house, buying presents for loved ones, stocking up on her favorite dark chocolates, marveling at strangers’ cute little babies, getting her watch battery changed at her favorite jeweler’s booth, oversharing about her medial conditions with any salesman who dared approach us unsolicited, and, for the last several affairs, relaxing while I had the honor of being her wheelchair chauffeur, uttering the occasional “Wheeeeee!” whenever we sped up while descending ramps and slopes. Longtime readers have seen several pictures of her throughout the years, enjoying what were basically her Super Bowl and her World Series.
Thursday morning, Mamaw passed away after a long, loving life, six days before her 93rd birthday.
The above musical number was performed in November 2014, four months after li’l Rosie’s double-lung transplant. I’m at a loss to add a review here other than something synonymous with “WOW”.