Top 10 Even More Shocking Surprises in the Next “Fantastic Four” Film

Fantastic Four

Left to right: Miles Teller, Kate Mara, Jamie Bell, Michael B. Jordan

Today the internet exploded once again (it seems to do that a lot) after hearing the news that Fox had completed casting of the primary roles for their Fantastic Four reboot, scheduled to hit theaters June 19, 2015. Unfortunately Fox forgot to ask the fans to approve their choices first and decided to make its own decisions like an independent adult. The internet responded by leaving nasty notes in Fox’s locker and spitting on its cafeteria pizza at lunchtime.

Fans who feel sole ownership of an intellectual property that’s been around for fifty years unanimously agreed everything about the four actors seen above is wrong. Reed Richards absolutely, positively must be middle-aged. Ben Grimm must begin as a muscular guy, because medical science has proven cosmic rays can’t possibly turn a short, thin guy into a giant rock monster. Johnny Storm has to be white, because all siblings in all Creation have identical skin tones. Sure, Jessica Alba wasn’t white in the last two movies either, but This Is Different. Thanks to these complaints, Fantastic Four has already been given a 5% Rotten rating on the Tomatometer sixteen months before release. That’ll show ’em.

This way for more thoughts about the stars of the series formerly known as the World’s Greatest Comic Magazine!

“The Wolf of Wall Street”: Annoying as Fluffernutter

Leonardo DiCaprio, Wolf of Wall Street

Martin fluffernutterin’ Scorsese, man. Just when you thought fluffernutterin’ Hugo was a sign that he taking his game in a whole ‘nother fluffernutterin’ sellout direction, dude says “Fluffernutter all that,” comes back around to the filthiest fluffernutterin’ script in Hollywood, and presto! He’s back on super-heavy-duty R-rated turf with The Wolf of Wall Street, a flick that makes Goodfellas look like the fluffernutterin’ Apple Dumpling Gang. Dunno why the fluffernutter he changed his mind, but, y’know, what the fluffernutter. It’s his career, am I right?

Fluffernutter-fluffernutter-fluffernutterety-fluffernutter-FLUFFERNUTTER…

2014 Oscar-Nominated Animated Shorts: a Brief Rundown

Mr. Hublot

Behold the complex world of Mr. Hublot.

Each year since 2009 my wife and I have made a day-long date of visiting Keystone Art Cinema, the only dedicated art-film theater in Indianapolis, to view the big-screen release of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but we appreciate this opportunity to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether we agree with their collective opinions or not.

Presented below are my thoughts on this year’s five Animated Short Film nominees. Shorts International, which masterminds these theatrical releases, strongly discourages the nominated filmmakers from posting their works online for free, but it’s my understanding they’re available on iTunes, Amazon, and/or Video On Demand. If you live in a large city where they’re playing in theaters, this year you’re treated to silly framing sequences starring an animated ostrich and giraffe who work as stand-ins during Oscars ceremony rehearsals. Voices are provided by Red Dwarf alumni Kerry Shale and Mac McDonald.

Enjoy where possible!

And the nominees are…

2013 Oscar-Nominated Live-Action Shorts: a Brief Rundown

Martin Freeman, The Voorman Problem

Martin Freeman as a different sort of doctor in “The Voorman Problem”.

Each year since 2009 my wife and I have made a day-long date of visiting Keystone Art Cinema, the only dedicated art-film theater in Indianapolis, to view the big-screen release of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but we appreciate this opportunity to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether we agree with their collective opinions or not.

Presented below are my thoughts on this year’s five Live-Action Short Film nominees. Shorts International, which masterminds these theatrical releases, strongly discourages the nominated filmmakers from posting their works online for free, but it’s my understanding they’re available on iTunes, Amazon, and/or Video On Demand. If you live in a large city where they’re playing in theaters, this year you’re treated to bookend interviews with various Oscar-nominated creators extolling the virtues of short-form over longform, with pro advice from the likes of Matthew Modine, writer/director/actor Shawn Christensen (the 2013 winner for “Curfew”), and 12 Years a Slave director Steve McQueen.

Enjoy where possible!

And the nominees are…

“12 Years a Slave”: No, It’s Not “Roots”-Meets-“Saw”

Chiwetel Ejiofor, Michael Fassbender, 12 Years a Slave

I love that the phrase “Academy Award Nominee Chiwetel Ejiofor” is now a reality. Whether in his first U.S. film role as the Serenity crew’s most formidable villain, or even as the heroic scientist who delivers the requisite do-the-right-thing speech in Roland Emmerich’s 2012, Ejiofor has been one of those electrifying talents who improves every script he’s handed. I had hoped he would move on to bigger and better things in the years ahead. With 12 Years a Slave my wish was granted.

Why I didn’t see it till now…

“The LEGO Movie”: If You Build It…You’re Awesome!

Batman, The Lego Movie

Arguably the best Batman film since The Dark Knight.

Because sometimes you need a break from Oscar season.

I had sky-high expectations for The Lego Movie as a veteran player of their first several video games — both Lego Star Wars, both Lego Indiana Jones, both of Lego Harry Potter, the first Lego Batman, Lego Pirates of the Caribbean, and the most epic of them all, Lego Lord of the Rings. They’re inventive, unpredictable, witty beyond all expectations with a keen self-awareness that frequently lampoons the very intellectual properties they paid good money to license. And those were just the cutscenes.

Walk this way for a few more blocks…

“Philomena”: Penance, Piety, and Parenthood Postponed

Judi Dench, Steve Coogan, Philomena

The Academy Awards aren’t complete without at least one token high-caliber British nominee on the Best Picture shortlist. Leave it to director Stephen Frears (whose past nominees include The Queen and Dangerous Liaisons) to fit the bill this year with a transatlantic odd-couple quest for reconnection or closure, for truth or justice, and for fury or forgiveness.

Regarding the search for one middle-aged baby…

Box Office Beyond Borders II: What 2013 Movies Did Other Countries Enjoy More Than We Did?

Cherno Alpha, Pacific Rim

Outside America, Pacific Rim‘s Cherno Alpha is the Boba Fett of a new generation.

Last year around this time, I asked a question aloud to no one in particular: if we know the highest-grossing movies at the American box office each year, and we know the highest-grossing movies worldwide at all box offices, which movies were the year’s winners if we subtract America’s dollars? What were the rest of Planet Earth’s favorite popcorn flicks?

This way for dollar-figure stats!

The Super Bowl XLVIII Movie Trailer Explosion Roundup

I’d rather not spend my evening typing a thousand words that no one will read because they’re drunk, hung over, or avoiding the internet’s two-pronged takeover by Super Bowl XLVIII and #EsuranceSave30. (If you don’t know what that is, you probably don’t want to know. You have to be a greedy resident of the continental U.S., a registered Twitter user, and not opposed to irritating the heck out of all your followers for the chance to win bucks. I’d rather not perpetuate that, beyond what damage I’ve already done there for purely comedic purposes.)

To that end, please enjoy the following summer action blockbuster EXPLOSIONS-filled trailers that either aired during the Big Game, or had tiny teasers aired for them during the Big Game that directed fans to jump online for the full-length extravaganza. (Compatibility warning: if these aren’t cleared for viewing outside the U.S. or on smartphones, my sincerest apologies. Hopefully a quick search would turn them up at other locations.)

Leaving out Seth MacFarlane’s A Million Ways to Die in the West, the internet notified me of four viable specimens that may or may not make zillions this year at the box office. Enjoy!

1. 30-second teaser for Transformers: Age of Extinction, in which Mark Wahlberg has replaced Shia LeBeouf as the guy who runs away from killer robots. But the image of Autobots riding Dinobots will rule the hearts and minds of fans for the next two days.

This way for more ACTION…

“Her”: the Trouble with Mixed-Sentience Couples

Joaquin Phoenix, Her

If an entire crowd is engaging their Bluetooths and ignoring their surroundings, are they still a crowd?

From Spike Jonze, the celebrated director who brought us Where the Wild Things Are, Being John Malkovich, and all the best Beastie Boys videos, comes Her, a sci-fi cautionary tale about the pitfalls of falling in love with a woman who has no body, no soul, no job, no family, no taste buds, and unlimited processing power. Can even Chuck Woolery make a love connection happen for this wacky couple?

We’ll be back in two-‘n’-two…

“Nebraska”: If I Had $1,000,000…

Bruce Dern, Will Forte, NebraskaAlexander Payne’s new film Nebraska perfectly replicates that forlorn Midwest sensation of being trapped in rooms with hordes of impressionable, elderly relatives all living on the same slow-motion wavelength, visiting and reminiscing and comparing their amnesia levels and enjoying life’s remaining minutes at the speed of molasses, except when they’re jumping to conclusions at hyperspeed. When that happens to me, I put on a brave front while suppressing the desperate urge to crawl out of my skin. With SNL’s Will Forte acting as my proxy and reenacting my childhood family vacations so vividly, I’m surprised I didn’t convulse in my seat with flashbacks.

Follow the old man’s quest…

Yes, There’s a Message After the “Dallas Buyers Club” End Credits

Matthew McConaughey, Dallas Buyers ClubOlder fans of Matthew McConaughey’s spate of ’90s romantic comedies may be in for a shock when they walk into Dallas Buyers Club and see him playing Christian Bale’s character from The Machinist. He and costar Jared Leto (both radically transformed and up for Oscars this year) underwent severe weight loss for their roles in this based-on-a-true-story underdog drama that’s one part can’t-we-all-just-get-along and four parts sticking-it-to-The-MAN.

About that Best Picture nominee…

Because Not Every Movie Should Be Turned into Joyless Homework

film reel canisters, Underground Vaults and Storage, Hutchinson, Kansas

Movies are fun to look at, even when they’re boxed up and stacked on shelves. I enjoy writing down my thoughts about them — whether inspired or incredulous, amazed or aggravated — before too much time passes and the details vanish (if not the entire movie, in some cases). But I’ve grown to despise my self-imposed assignments of constructing an English-class essay every time I come home from the theater.

When something that’s supposed to be fun isn’t, then something needs to be done differently to rediscover the fun in it.

This way for an announcement/experiment…

21 Movie Headlines That Don’t Belong on a Front Page

Joe Don Baker. Mitchell

Fun trivia: Googling “Joe Don Baker Mitchell remake” yields negative-3,000 results.

I brake for far fewer movie-news articles than the average geek. I still like movies, but what passes for movie “news” nowadays generally doesn’t merit my time or clicking because the majority doesn’t meet my minimum specifications for “news”. I have no vested interest in following the full life cycle of every production from germination-of-idea to perennial-AMC-airings.

I can think of numerous examples off the top of my head for most steps of the filmmaking process and marketing campaign. To illustrate my apathy, let me walk you through the vantage point of internet news outlets — not official sources such as The Hollywood Reporter, Variety, or Nikki Finke, but the other guys. Pretty much all the other guys.

For the sake of argument, let’s pretend the following examples revolve around a remake of the 1975 police drama Mitchell, which starred Joe Don Baker as Oscar Madison from The Odd Couple, plus a gun, minus friends. Let’s pretend we’re in a near-future dystopia in which Hollywood used up its first 5,000 ideas and the only things standing between us and the bottom of the barrel are Mitchell and The Snorks. And James Cameron already has plans for the Snorks.

Let the disposable headlines begin!

The 86th Oscars Nominations: Initial Random Thoughts

Sandra Bullock, Gravity, Best Picture NomineeIf you’re online much, you’re already aware this year’s Academy Awards nominations were announced today. If you follow either The Hollywood Reporter or The Academy of Motion Pictures Arts and Sciences on Twitter, you had the opportunity to see the categories live-tweeted one at a time early this morning. If you shared my mistake of following both entities, you were treated to a double-barrel Oscar-nom redundancy blast that turned Twitter to sludge for fifteen minutes. Homework question: how many live-tweeters does any given event really need?

I’ll not waste your bandwidth copying-‘n’-pasting the full list of nominees that’s readily available on a million other news sites. Several thoughts popped into my head throughout the day while mulling over the results:

* As discussed in the past, since 1997 I’ve made a point every year of seeing every Best Picture nominee as soon as possible. This year I’m facing quite the obstacle course, as I’ve only seen one of the nine nominees so far (hint: the one with the spaceship). In my defense, six of the nine only opened here in Indianapolis within the last month, a few of which were packed exclusively into the single art-house theater on the other side of the city. Late December and early January are never the best time of year for leisure travel. Unless they’re each gifted with a wider re-release in the nearer gen-pop theaters, I’m seeing a lot of mileage in my immediate future.

Beyond the curtain for more…

My 2013 at the Movies, Part 2 of 2: the Year’s Least Worst

Matt Damon, Elysium

The Bourne Upgrade. District 18. Green Zone 3000. Good Will Exploding. And so on, and so on.


Previously on Midlife Crisis Crossover:

Once again January is National List Month, that magical time of year when everyone’s last twelve months of existence must be dehydrated, crammed into enumerated little packets, and lined up on the shelf in subjective order for re-inspection. The final tabulations reveal I saw twenty-five films in theaters in 2013 and one via On Demand while it was still in limited art-house release…

And now, the countdown concludes:

13. Elysium. Some say the 99%-vs.-1% feud will end in negotiations; some say in explosions. Neill Blomkamp’s sophomore extrapolation of the effect of humanity’s self-hatred on its own future stops asking questions halfway through and solves nearly everything with chases and showdowns between Matt Damon’s everyman underdog imperfect sinner Average Joe antihero and Sharlto Copley’s cyborg Snidely Whiplash. In some respects this deserved to be ranked a lot lower, but something about Blomkamp’s vivid underclass aesthetic and leftover District 9 effects cachet boosted it a tad unfairly over the other popcorn-film competition.

This way for #12 through #1…

My 2013 at the Movies, Part 1 of 2: the Year’s Least Best

The Rock, Bruce Willis, GI Joe Retaliation

John McClane and the Scorpion King: sequel survivors perpetuating the vicious circle of lame.

Once again January is National List Month, that magical time of year when everyone’s last twelve months of existence must be dehydrated, crammed into enumerated little packets, and lined up on the shelf in subjective order for re-inspection. MCC’s first full calendar year consequently allowed me to submit entries for everything I saw in theaters in 2013. Even if this site didn’t exist, since 2000 I’ve saved lists of every trip I’ve made to the cinema, year by year. The best part of this compulsion is rereading previous years’ lists and seeing names I no longer remember. (Disney’s Teacher’s Pet? Past Me swears my son and I saw it, but we’ve mutually wiped it from memory.)

The final tabulations reveal I saw twenty-five films in theaters in 2013 and one via On Demand while it was still in limited art-house release. This count doesn’t include five 2012 films I attended in 2013 for Oscar-chasing purposes, or any old films I watched on home video. Because lists such as this one must have rules.

Links to past reviews and musings are provided for historical reference. On with the reverse countdown, then:

26. GI Joe: Retaliation. Once again Hollywood forgets the lessons learned from Halloween 3 and Fast and the Furious: Tokyo Drift — i.e., if you dump too much of the original cast, why even bother with a theatrical release? While Ray Park is good for a few minutes of aerial man’s-man ballet, Bruce Willis and the Rock are called in as scabs from other macho action series to shoulder the rest of this silly, overlong commercial for military weaponry and boys’ toys, in that order.

This way for #25 through #14…

“The Hobbit: the Desolation of Smaug” as an Afternoon of Binge-Watching

Bilbo Baggins, Martin Freeman, The Hobbit, The Desolation of Smaug

Bilbo struggles with temptation. So. Many. CUPS.

Two advance caveats:

1. It’s been years since I read The Hobbit. I remember most of it, but to me it’s not a sacred idol to be treated as holy writ every time it’s adapted into another medium. My impressions of The Hobbit: An Unexpected Journey were previously documented to this effect.

2. Some of the following will assume you’re familiar with the book and/or already saw The Desolation of Smaug for yourself. As a latecomer to the party once again, I doubt I’ll be treading unfamiliar ground for too many readers.

That being said: I may be one of the few viewers who found The Desolation of Smaug a more satisfying experience than its predecessor, burdened as that one was with cumbersome exposition and morose musical numbers. Faced with a 161-minute running time, I entered the theater this time with despondent expectations, but realized partway through that the movements are so neatly segmented, it was like binge-viewing a TV miniseries at home. Granted, Desolation was the equivalent of a series’ middle and therefore guaranteed to disappoint no matter how it ended, but taken as Disc 2 of 3, its 3½ episodes zoomed along nicely and moved the story forward with only minimal irrelevant detours.

Onward toward Erebor, then…

Yes, There’s a Scene After the “Frozen” End Credits

Queen Elsa, Idina Menzel, Frozen

Disney Princesses beware: here comes Elsa, Disney Queen.

Last week animation writer Paul Dini gave a candid podcast interview in which he divulged numerous depressing details about his recent experiences with Cartoon Network executives who expressed in no ambiguous terms their current disinterest in courting a female audience for their action-adventure cartoons because boys buy more action figures.

I wish I were kidding. Part of this illuminating interview has been helpfully transcribed for the podcast-reluctant. Nothing short of jaw-dropping.

Such a shame, then, to see Walt Disney Pictures fly in the face of Cartoon Network programming logic and gamble on a theatrical release like the action-heavy Frozen, in which the humor isn’t locker-room crude, the animation sets new standards, and the main characters are two sisters who pass the Bechdel Test cum laude. Sure, it’s quality entertainment, but if the girl power in a cartoon overwhelms the manpower, why even bother? This cartoon chick flick will be lucky to make more than twenty bucks at the box office. And you can forget about merchandising sales.

…oh, wait. As of its fourth weekend, the movie’s cleared $160 million domestic so far, and it’s still in the #2 box office spot and barely slowing down. How’d that happen? Conspiracy, maybe?

Nope – it’s genuinely impressive…

“Die Hard 2”: That OTHER Technically Christmas Movie

John McClane, Bruce Willis, Die Hard 2

Bruce Willis. Guns. Fake snow. Yep, it was that time again.

It’s an old joke among internet guys that, when asked about the best Christmas movies ever, they’ll mention famous favorites with scenes set at Christmas, even if the entire movie isn’t actually about Christmas. Old reliables such as Lethal Weapon, Die Hard, and maybe Gremlins make strong showings on such lists, though Kiss Kiss Bang Bang is a solid dark-horse candidate and I expect a few tongue-in-cheek votes in the future for Iron Man 3.

Sadly, I never see anyone show any Christmas love for Die Hard 2: Die Harder, which may be one of the two best films of director Renny Harlin’s career and is set entirely on Christmas Eve. Sure, its older brother hogs all the glory as the Greatest Action Film of All Time according to me and occasionally polls, but if you watch too closely and never mind the unfair comparisons to the One That Started It All, you’ll notice it has all the necessary elements of a basic Christmas movie, not to mention a few reminders of Christmas with your own family.

Where’s the Christmas in Die Hard 2? Count the ways:

* Snow! Die Hard had no snow. None. Not a flake. It was set in L.A., which has no snow because it hates Christmas. Die Hard 2 is set in Washington D.C., where snow is everywhere, even though most of it is fake movie snow that would make decent pillow stuffing. Even fake snow has more of a right to be in a Christmas movie than palm trees do.

John McClane’s Christmas list goes on…