“The Dead Don’t Die” But They May Be the Last Ones Here to Turn Out the Lights

Sheriffs Don't Die!

Your local sheriffs scrambling to fathom the zombie menace in a film that could also be called The Living Don’t Live. Ooh, paradoxes.

I remember reading about the films of idiosyncratic director Jim Jarmusch in the Movies section of Entertainment Weekly throughout the course of my now-lapsed 28-year subscription, but I’ve never made an effort to watch one for myself till now. Inertia can be a pathetic anchor like that sometimes. And it’s far too easy to get distracted in a universe of nigh-unlimited cultural options, where the human mind can only hold so many directors’ names in its head at any one time, presuming one is making an effort to retain them.

When I saw Jarmusch’s name on the trailer for The Dead Don’t Die, I knew this could be no ordinary zombie film. After a long journey that involved me showing up at the wrong theater, driving halfway across the city to the correct one, nearly having a breakdown when I had to brake for a funeral procession, and arriving with plenty of minutes to spare thanks to a glut of trailers that stalled for time in my favor…then did I see my prophecy fulfilled.

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Yes, There’s a Scene After the “Godzilla: King of the Monsters” End Credits

Godzilla King of the Monsters!

Turn on your heartlight! Let it shine wherever you go!

Previously on the Godzilla and Friends Cinematic Universe: in 2014’s Godzilla reboot we got seven (7) minutes of Our Hero and two hours of Quicksilver and the Scarlet Witch hiding and moping. 2017 brought us Kong: Skull Island, the big ape’s cheesy yet awesome comeback that delivered on its promises of MONSTERS FIGHT! though any human actors who didn’t arrive tongue-in-cheek looked pretty lost.

Now it’s sort of a trilogy as Legendary Pictures perpetuates the American GFCU with Godzilla: King of the Monsters. Hopefully this time Toho isn’t ashamed of what our country has done to its favorite native superlizard.

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“John Wick: Chapter 3 – Parabellum”: Once Again, Wick’s Mix of Kicks and Tricks Clicks

John Wick Chapter 3!

Our man Wick holding all the recap he needs.

It’s guilty pleasure time! I saw the first two installments of Keanu Reeves’ comeback on home video, where I could revel in macho action ballet without feeling obligated to write an entire entry about either one. Longtime MCC readers may recall any film I see in theaters gets its own writeup. And so we arrive at John Wick: Chapter 3 – Parabellum.

Reeves and his director Chad Stahelski managed two solid entries in a series. I had a coupon from Atom Tickets. And so it went.

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My Free Comic Book Day 2019 Results: The Best and the Least Best

Carnage!

I’ve never been a Carnage fan, but Ryan Stegman, JP Mayer, and Frank Martin do make him look stylish.

Previously on Midlife Crisis Crossover: on May 4th I once again had the pleasure of observing Free Comic Book Day, the least fake holiday of them all, that annual celebration when comic shops nationwide offer no-strings-attached goodies as a form of community outreach in honor of that time-honored medium where words and pictures dance in unison on the printed page, whether in the form of super-heroes, monsters, cartoon all-stars, licensed merchandise, or entertaining ordinary folk. Each year, America’s remaining comic book shops (and a handful in the UK that can afford the extra shipping charges) lure fans and curious onlookers inside their brick-and-mortar hideaways with a great big batch of free new comics from all the major publishers and a bevy of smaller competitors deserving shelf space and consideration.

As they’d done last year, my local shops offered a special deal that sounds crazy on the face of it: for a fair sum of money, we could pre-purchase a bundle of all 53 Free Comic Book Day comics (according to their Facebook post) that their stores planned to order. They set aside copies of all those comics, bagged ’em up, and let buyers pick them up late Saturday afternoon, once all the furor and hubbub had subsided. I went for it. I liked the idea of playing the role of patron, donating extra cash to help facilitate Free Comic Book Day for other folks in town, in a way that would help my shop offset the costs.

I spent the next three nights reading everything I was given and then tweeting my impressions after each comic, along with photo excerpts from every single comic. I took photos rather than scans because (a) our scanner sometimes ruins the hard work of comics colorists, (b) I wanted to capture the feel of comics on actual physical paper, and (c) snapping pics was faster than scanning. This reading/photography project took until 12:15 a.m Monday night to complete.

Careful observers will note the official FCBD site listed 51 titles in all. I’ve cataloged the following discrepancies:

  • Due apparently to oversight, the shop gave me two copies of Aftershock’s Animosity Tales.
  • Two titles listed on the FCBD site aren’t in my stack: DC’s oddly formatted Dear Justice League and Golden Apple Books’ Blastosaurus Annual. The shop probably skipped ordering one of these, but I’m not !00% sure which.
  • Three titles are in the stack they gave me but not on freecomicbookday.com: IDW’s Transformers/Ghostbusters (a 4-page ashcan they may not have counted as a comic, though the shopkeep did); The Overstreet Guide to Collecting 2019; and the 2019 edition of the Comic Book Legal Defense Fund’s Defend Comics.

…so that’s 53-1+2-3=51. Anyway:

This entry is a condensed version of that epic-length tweetstorm: my presentation of the ten best books of the bunch (I’m not in the mood to rank them), followed by my five least favorites of the entire stack. I never trust a comics reviewer or website that shares nothing but relentlessly glowing opinions — nor, conversely do I trust a critic who hates all comics and can’t be pleased — so this is my way of not becoming that which I disparage.

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“Avengers: Endgame”: The All-Spoiler Entry

Rocket War Machine!

Bow before the combined might of ROCKET MACHINE!

Previously on Midlife Crisis Crossover: Avengers: Endgame is here! You’ve seen it, I’ve seen it, an audience roughly one-third the size of Thanos’ human casualties has seen it. I was fine with cranking out the obligatory “I liked it, it was much better than Cats” entry, but as with a few past blockbusters, I’m in the mood to type more paragraphs about its pros, its cons, and the questions it begs that could go either way depending on how sensible or stupid the answers are.

Random thoughts in very little particular order ahead. COURTESY SPOILER WARNING FOR THE WHOLE THREE-HOUR SHEBANG.

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“Avengers: Endgame”: It. Is. FINISHED.

Rocket Raccoon!

Thanos made this cute, fuzzy antihero cry. Now he must PAY.

One of the most exhilarating parts of seeing highly anticipated event films ASAP is the firm pivot point you pass between “before” and “after”. Once you’ve seen it, spoilers can no longer damage your viewer experience. Months and years of news sites hazarding half-baked guesses to the film’s content see all their handiwork either rendered obsolete and worthless or proven right but ultimately irrelevant once the thing becomes a reality rather than a theoretical construct in quantum-superpositional flux. Once the film “is”, the number of possibilities of how it “might be” dwindles ever downward toward one (1).

That’s not to say everyone has seen it yet, though Entertainment Weekly and other ill-mannered organizations live or die on the operating principle that every popular thing is instantly consumed now-now-NOW by the smartest, coolest readerships who are the only humans in the universe that matter. For folks who know how to use the word “courtesy” in a sentence, it means being careful with blaring spoilers in the faces of everyone who might glance in our direction. (When it comes to movies, at least. As someone who live-tweets the occasional CW super-hero show, I’ll own up to some hypocrisy here.)

It’s in that spirit of keeping up the spoiler-free environment for what’s left of this weekend that our obligatory Avengers: Endgame write-up was composed to the best of my ability. Fair warning: if you were so hardcore about no-spoiler purity that you’ve even avoided all the trailers and TV spots, I’m not sure I can help you at quite that level of dedication.

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“How to Train Your Dragon: The Hidden World”: Ride or Die

Train Your Dragon 3!

We gather today for a Toothless farewell.

Time was, I used to see a lot more animated films per year — partly because my son was once a youngster with lower standards, and partly because good animated films used to come out more frequently. Or maybe that’s the middle-aged fogey in me talking.

To this day the original How to Train Your Dragon — an imaginative, action-packed flight of fantasy with a gut-punch of a climax — remains my favorite Dreamworks Animation project to date. The first sequel wasn’t bad, but never addressed the deadbeat-mom issue at its center to my satisfaction. Five years after How to Train Your Dragon 2 the trilogy concludes with How to Train Your Dragon: The Hidden World — a definitive ending to the saga of Jay Baruchel’s awkward young Viking Hiccup and his fierce, loyal dragon partner Toothless. I nearly typed “pet”, but that descriptor is a bit reductive and and refuted by this very movie itself.

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Yes, There Are Scenes During AND After the “Shazam!” End Credits

Shazam!

At long last, everyone will know what Gomer Pyle was always exclaiming about.

The never-ending battle to distance us all from Dawn of Justice continues as DC Comics proudly presents the mostly lighthearted Shazam!, based on a 1940s alleged Superman copycat that DC acquired in 1953 after they sued original publisher Fawcett Comics into oblivion. His original name was Captain Marvel, which DC kept using in multiple series and projects for the next few decades but made sure never to print on any covers lest their competition sue them, even though Fawcett’s Captain Marvel predated Marvel’s Captain Marvel by almost 28 years. Prior to this nomenclatural conflict, Fawcett’s Captain Marvel was conceived with the name Captain Thunder, but this was also the name of a non-superhero character in a series called Jungle Comics published by Fiction House, neither of which survived past the mid-’50s. Technically DC could call him Captain Thunder without repercussions today except no one wants that.

Comic Books: Overcomplicating What Should Be the Simplest Things Since 1939.

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“Us”: Revenge of the Duality of Man

Lupita Nyong'o!

Now I’m imagining a do-over of 12 Years a Slave in which this version of Lupita Nyong’o turns Michael Fassbender into so much whittling scrap.

Previously on Midlife Crisis Crossover: once upon a time in 2002 I once spent most of a museum walk expounding at length on how virtually every piece of art in front of me, no matter how abstract or realistic or kitschy or modern, could in some way be deconstructed into a metaphor for the Duality of Man. It’s not hard. Take a thing, figure out a way to chop it into two warring halves like you’re Karnak of the Inhumans teaching a philosophy class, and presto. You’ve just written some tenth-grader’s literature report. It was fun till I began annoying myself and possibly our friends.

Leave it to Jordan Peele to follow up his Best Picture nominee Get Out with an unofficial adaptation of my blathering seventeen years later as the raging box office smash Us. It’s about time someone better than me did this.

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Yes, There Are Scenes During AND After the “Captain Marvel” End Credits

Captain Marvel!

My son had to remind me Brie Larson used to be on Community. I thought he was confusing her with Alison Brie, but no, he remembered Brie Larson was Abed’s girlfriend Rachel, and I’m like WHOOOOOOA.

Years from now we’ll all look back on the historical debacle that was the Not-Great Captain Marvel Flame War of 2019 and we’ll laugh about it if only to keep from breaking down in tears at how deeply the fandom-at-large had reached yet another embarrassing nadir. Until then, here’s a shout-out to those millions of kids out there finding delight and inspiration in the sight of a wondrous super-woman punching her way through an evil spaceship armada at hyperspeed, like a young Princess Diana plowing through German soldiers.

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MCC Home Video Scorecard #16: Saluting the Oscar-Adjacent

Sorry to Bother You!

Sales and talking on phones? This job would crush me.

Previously on Midlife Crisis Crossover: the recurring feature that’s more like a newsletter in which I’ve jotted down capsule-sized notes about Stuff I Recently Watched at home. I could string together several entries out of the backlog I built up through 2018, but for now let’s settle for tackling a few recent catches from the past six weeks, when the Academy Awards were fresh in mind, whether relevant or tangential:

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MCC Home Video Scorecard #15: Oscar Quest 2019 Extra Credit

First Reformed.

Ethan Hawke isn’t a big fan of superhero films, but he’s perfectly okay with bold costumes.

Previously on Midlife Crisis Crossover: the recurring feature that’s more like a newsletter in which I’ve jotted down capsule-sized notes about Stuff I Recently Watched at home. In this batch as well as the previous one: the past few months’ worth of comfy-chair viewing as prep for this Sunday’s Academy Awards ceremony, except this year I went overboard and decided to see how many the nominees I could catch from other categories, either free via legal means or via existing streaming-service subscriptions. As it turns out, quite a few, mostly documentaries but that’s not a bad thing.

But first, an Original Screenplay nominee I’d been curious to see for a while:

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MCC Home Video Scorecard #14: The Oscar Quest 2019 Home Game

A Star is Born!

Lady Gaga and Rocket Raccoon present the “Guardians of the Gaga” tour!

Previously on Midlife Crisis Crossover: the recurring feature that’s more like a newsletter in which I’ve jotted down capsule-sized notes about Stuff I Recently Watched at home. In this batch as well as the next: the past few months’ worth of comfy-chair viewing as prep for this Sunday’s Academy Awards ceremony hosted by a disembodied sense of doom, featuring at least five musical numbers (minus The Weeknd and SZA but including the un-nominated Queen), spurring endless tired jokes about the runtime, and pumping up the jams for any winners from the ABC/Disney mega-conglomerate.

This year the Best Picture nominees number eight in all. In past entries we covered Black Panther, The Favourite, Vice, Bohemian Rhapsody, and Green Book. Here, then, are brief notes on the final three to complete the octet.

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“Green Book”: Side by Side on My Piano Keyboard

Green Book!

Stars of the new Norman Lear sitcom Aragorn and Cottonmouth.

As a longtime fan of road trips, I spent more of Green Book‘s running time looking forward to Our Heroes seeing the sights, maybe filming on location and giving us new travel ideas. And if they go back in time and cure racism while they’re at it, so much the better.

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“Bohemian Rhapsody”: No Escape From Reality

Bohemian Rhapsody!

Spot all the deeply meaningful moments with mirrors and win prizes!

Off the top of my head, here’s a quick ranking of the Best Picture winners and nominees directed by alleged sexual villains that I’ve watched to date:

  1. The Pianist
  2. Platoon
  3. Chinatown
  4. Born on the Fourth of July
  5. JFK
  6. Annie Hall
  7. Bohemian Rhapsody
  8. Midnight in Paris

…there could be more I’ve forgotten, or whose allegations are off my radar. I know there’re a few I’ve yet to see, such as Hannah and Her Sisters. Hollywood’s moral turpitude is nigh impossible to reconcile with single-minded pursuits such as my annual Oscar Quest, in which I watch every new Best Picture nominee no matter what, come what may, even if I have opinions and regrets about it in advance.

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The MCC 2019 Oscar-Nominated Live-Action Short Film Revue

Skin!

When Rated-M video games seem hokey after Daddy’s taught you how to use a sniper rifle.

Each year since 2009 my wife Anne and I have paid a visit to Keystone Art Cinema, the only fully dedicated art-film theater in Indianapolis, to view the big-screen release of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but we appreciate this opportunity to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether we agree with their collective opinions or not.

Unfortunately a change in circumstances and an issue of lousy showtimes led to us shaking up our tradition this year. We both attended a showing of the Best Animated Short Film nominees, but Anne missed out on the Best Live-Action Short Film nominees. My son tagged along in her place and share in what he later described as “a day-ruining experience”. Not that the shorts were awful per se, but the nominating committee and/or this year’s filmmakers went super dark. They weren’t quite as appalling as past incidents when Live-Action Short Film nominees have sprung an occasional grueling rape scene on us, but one in particular is more emotionally scarring than any of this year’s eight Best Picture nominees. Fair warning to anyone who decides to casually check these out when they’re available online February 19th.

And now, we present our ranking of this year’s five nominees, four of which center on the subject of children killing or being killed. Um, enjoy?

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Yes, There’s a Scene During the “Vice” End Credits

Vice!

Jason Alexander IS Charles Foster Kane!

Writer/director Adam McKay’s The Big Short remains one of my favorite Best Picture Oscar nominees from the past few years, and not just because I was thrilled to see our mortgage companies getting dragged on the silver screen. I was less enthusiastic when I saw the trailer for Vice because I’ve developed an anti-partisan revulsion to the sight of 21st-century politics anywhere outside Twitter, which, despite careful curation, is roughly 85% all about 21st-century politics on any given day, even on slow news days. Sooner or later every discussion finds a way to go there, even in the sharing of cute animal GIFs.

Cross-pollination into movies was inevitable in this climate, what with the creative arts being one of the more profitable forms of protest and dissemination. But it’s a Best Picture nominee, so I stuck to my tradition and here I am.

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Oscar Quest 2019: “The Favourite”

The Favourite!

The producers guarantee no one in the audience shall be snoring during the final minutes of this motion picture.

It’s that time again! Longtime MCC readers know this time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1997 to the present, and look forward to pushing that statistic even farther back into cinematic history if only some kindly studio or lawyers would rescue Mike Leigh’s 1996 improv drama Secrets & Lies from its peculiar, long-standing Region 1 banishment. To this day it’s not available on a single streaming service, not even Amazon Prime. Seriously, I have been aggravated about this for nearly twenty years. CRITERION, I AM BEGGING YOU, PLEASE HELP IT AND ME IN THAT ORDER. Netflix? Kanopy? TCM? Anyone?

Ahem. Sigh. Anyway.

First in line is Yorgos Lanthimos’ The Favourite, a film that checks off two squares on the 21st-century Best Picture Nominee bingo card: “British history” and “sexy-time nudity”, though not as much of the latter as I’d expected and yet more than I ask for in any given film, which is none.

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The MCC 2019 Oscar-Nominated Animated Short Film Revue

One Small Step also!

To infinity and beyond!

Each year since 2009 my wife Anne and I have paid a visit to Keystone Art Cinema, the only fully dedicated art-film theater in Indianapolis, to view the big-screen release of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but we appreciate this opportunity to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether we agree with their collective opinions or not.

Once upon a time we would do both sets as a one-day double-feature date, which gives us time between showings to look around the fashion mall connected to the theater. This year we couldn’t accommodate both in our schedule, but kept half the tradition alive. What follows, then, is my rankings of this year’s Animated Short Film nominees, from fine to finest. All five were likable in their own ways and difficult to rank without getting arbitrary. Three were hand-drawn animation. Three featured Asian or Asian-American main characters. Three had their end credits squashed to half-screen to make space for the directors’ “Oscar Nomination Morning Reaction Videos” squeezed into the other half. Three were silent for the sake of “universal appeal”, which I suppose saves them money by not having to pay any top-tier voice actors.

If they’re not showing at a theater near you and/or if don’t mind waiting, the complete set will be available February 19th on assorted streaming services. (Barring any convenient changes in our theater’s schedule next week, we may have to settle for watching the Live-Action Short Films via Google Play.) Links are provided to official sites where available if you’re interested in more info. Enjoy where possible!

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Sorting Out the “Glass” Menagerie

Glass!

Nick Fury, Professor X, and John McClane walk into a hospital…, or, if you prefer, John Shaft, Mr. Tumnus, and David Addison…

Sometimes I’m too persuadable for my own good.

I saw M. Night Shyamalan’s Unbreakable in theaters way back in 2000, thought it had intriguing concepts and believable use of a comics-fandom backdrop, but I lost patience with its plodding, lugubrious tone (years before The Walking Dead and Marvel’s Netflix shows made snail-speed pretentiousness an acceptable norm) as well as the Dragnet-esque text-only ending that cheated the viewer out of any earned closure. Cutting a story short after the final twist worked well for Rod Serling, but not so much for other writers.

I saw Shyamalan’s Split in 2017 when word-of-mouth suggested we could call it a comeback, but it lost me with its To Be Continued ending that recast the otherwise taut thriller as the second chapter in Shyamalan’s very own superhero universe.

That brings us to the final act of the trilogy, Glass. I’ve skipped several Shyamalan films, but curiosity got the best of me. Was there a remote chance it would tie together the threads of the first two films with some sense of thematic satisfaction and retroactively redeem them, or at least provide a better sense of closure? Dare I hope?

Yep, I dared.

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