Your Handy “Lion King” 2019 Review Bingo Card

Lion King Review Bingo!

For my next trick, I shall create a “Many Moods of CG Simba” T-shirt with 25 adjectives and 25 copies of that same photo.

Disney’s crass rehashes of its extensive back catalog haven’t really been aimed at me, by and large. The Jungle Book had beautiful jungles, but some of those musical numbers…yikes. Our family unanimously hated Tim Burton’s Alice in Wonderland. I have yet to see Dumbo, Cinderella, Aladdin, Beauty and the Beast, or live-action brand extensions such as Maleficent, Alice Through the Looking-Glass, or Mirror, Mirror. (Snow White and the Huntsman found ways to surprise me, but that wasn’t Disney.)

I therefore have no plans to see Jon Favreau’s nearly Warholesque repurposing of Rob Minkoff and Roger Allers’ animated classic The Lion King…and yet I’ve spent half my Thursday reading the first wave of opinions out of skeptical curiosity. After the first five reviews I read from critics and websites I follow on Twitter, I saw patterns emerging. And thus the above artifact was born. Now I can make a game out of reading still more reviews.

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Random Spoiler-y Thoughts on “Stranger Things” Season 3

Stranger Things!

Scoops Troop: they sling ice cream, do maths, and fight Commies. As you do.

Judging by my Twitter feed over the past week, America’s biggest July 4th sensation this year was Netflix’s release of Stranger Things‘s third season for a massive fan base eagerly waiting to follow the further adventures of the pluckiest teens ever to come out of the fictional town of Hawkins, Indiana. As you can imagine, there was no shortage of pre-release coverage, articles, and advertisement here in the good Hoosier state. I’m getting better at finishing new seasons of streaming series as they’re dropped and had this one wrapped up Saturday afternoon. My thoughts didn’t quite streamline themselves into a narrative, but I did have a few.

Most of them are SPOILERS AHEAD, so there’s that. Some of this also won’t make sense to anyone who hasn’t watched it, especially if they’ve never seen an episode. This is virtually stream-of-consciousness, not a pro recap. It’s faster and more fun for me to get it out of my system this way.

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“Dark Phoenix”: X-huming and X-amining the End of the Ex-Series

Dark Phoenix!

The all-new Firestar from a grim-and-gritty Spider-Man and His Amazing Friends.

Remember the glory days when the prospect of a new X-Men film excited anyone who’d previously thrilled to their greatest spectacles, and not just the unconditional superfans?

Dark Phoenix isn’t the worst superhero film I’ve seen this year, but after the waste of resources that was X-Men: Apocalypse, I was fine with waiting until its fourth weekend to see it using free passes, sitting in a theater with half a dozen other viewers who likewise couldn’t be bothered to rush out to the not-quite-grand finale to Fox’s X-Men era (unless we keep holding our breath waiting for New Mutants). Their 19-year run had its highlights, but writer/director/producer Simon Kinberg’s Hail Mary of a retread isn’t one of them.

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Yes, There Are Scenes During and After the “Toy Story 4” End Credits

Toy Story 4!

Utensil friend and me! Utensil friend and me! When your aunt makes her chili, or you’re eating cole slaw at KFC…

The Toy Story trilogy remains an unparalleled cinematic achievement in animation with its track record of consistent excellence through every chapter. The original put Pixar on the map and legitimized three-dimensional computer animation as a feature film-making medium. The follow-up was loaded with at least as much humor and heart, and arguably topped the original for some viewers. The grand finale may have been a hairbreadth beneath its predecessors in quality, but it brought the series full circle, gave us fully satisfactory closure on the saga of Andy’s room, and remains the only animated sequel ever nominated for a Best Picture Oscar. All three remain shining jewels in Pixar’s crown, a fixture in millions of childhoods, and an object lesson for anyone who wants to teach kids what grade-A movies look like so that they can judge the hollow offerings of other Hollywood studios all the more harshly.

It’s therefore with a sigh that we now give a round of polite, lukewarm applause for the arrival of Toy Story 4, the Zeppo of the series. That doesn’t have to be a bad thing, mind you.

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“The Dead Don’t Die” But They May Be the Last Ones Here to Turn Out the Lights

Sheriffs Don't Die!

Your local sheriffs scrambling to fathom the zombie menace in a film that could also be called The Living Don’t Live. Ooh, paradoxes.

I remember reading about the films of idiosyncratic director Jim Jarmusch in the Movies section of Entertainment Weekly throughout the course of my now-lapsed 28-year subscription, but I’ve never made an effort to watch one for myself till now. Inertia can be a pathetic anchor like that sometimes. And it’s far too easy to get distracted in a universe of nigh-unlimited cultural options, where the human mind can only hold so many directors’ names in its head at any one time, presuming one is making an effort to retain them.

When I saw Jarmusch’s name on the trailer for The Dead Don’t Die, I knew this could be no ordinary zombie film. After a long journey that involved me showing up at the wrong theater, driving halfway across the city to the correct one, nearly having a breakdown when I had to brake for a funeral procession, and arriving with plenty of minutes to spare thanks to a glut of trailers that stalled for time in my favor…then did I see my prophecy fulfilled.

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Yes, There’s a Scene After the “Godzilla: King of the Monsters” End Credits

Godzilla King of the Monsters!

Turn on your heartlight! Let it shine wherever you go!

Previously on the Godzilla and Friends Cinematic Universe: in 2014’s Godzilla reboot we got seven (7) minutes of Our Hero and two hours of Quicksilver and the Scarlet Witch hiding and moping. 2017 brought us Kong: Skull Island, the big ape’s cheesy yet awesome comeback that delivered on its promises of MONSTERS FIGHT! though any human actors who didn’t arrive tongue-in-cheek looked pretty lost.

Now it’s sort of a trilogy as Legendary Pictures perpetuates the American GFCU with Godzilla: King of the Monsters. Hopefully this time Toho isn’t ashamed of what our country has done to its favorite native superlizard.

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“John Wick: Chapter 3 – Parabellum”: Once Again, Wick’s Mix of Kicks and Tricks Clicks

John Wick Chapter 3!

Our man Wick holding all the recap he needs.

It’s guilty pleasure time! I saw the first two installments of Keanu Reeves’ comeback on home video, where I could revel in macho action ballet without feeling obligated to write an entire entry about either one. Longtime MCC readers may recall any film I see in theaters gets its own writeup. And so we arrive at John Wick: Chapter 3 – Parabellum.

Reeves and his director Chad Stahelski managed two solid entries in a series. I had a coupon from Atom Tickets. And so it went.

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My Free Comic Book Day 2019 Results: The Best and the Least Best

Carnage!

I’ve never been a Carnage fan, but Ryan Stegman, JP Mayer, and Frank Martin do make him look stylish.

Previously on Midlife Crisis Crossover: on May 4th I once again had the pleasure of observing Free Comic Book Day, the least fake holiday of them all, that annual celebration when comic shops nationwide offer no-strings-attached goodies as a form of community outreach in honor of that time-honored medium where words and pictures dance in unison on the printed page, whether in the form of super-heroes, monsters, cartoon all-stars, licensed merchandise, or entertaining ordinary folk. Each year, America’s remaining comic book shops (and a handful in the UK that can afford the extra shipping charges) lure fans and curious onlookers inside their brick-and-mortar hideaways with a great big batch of free new comics from all the major publishers and a bevy of smaller competitors deserving shelf space and consideration.

As they’d done last year, my local shops offered a special deal that sounds crazy on the face of it: for a fair sum of money, we could pre-purchase a bundle of all 53 Free Comic Book Day comics (according to their Facebook post) that their stores planned to order. They set aside copies of all those comics, bagged ’em up, and let buyers pick them up late Saturday afternoon, once all the furor and hubbub had subsided. I went for it. I liked the idea of playing the role of patron, donating extra cash to help facilitate Free Comic Book Day for other folks in town, in a way that would help my shop offset the costs.

I spent the next three nights reading everything I was given and then tweeting my impressions after each comic, along with photo excerpts from every single comic. I took photos rather than scans because (a) our scanner sometimes ruins the hard work of comics colorists, (b) I wanted to capture the feel of comics on actual physical paper, and (c) snapping pics was faster than scanning. This reading/photography project took until 12:15 a.m Monday night to complete.

Careful observers will note the official FCBD site listed 51 titles in all. I’ve cataloged the following discrepancies:

  • Due apparently to oversight, the shop gave me two copies of Aftershock’s Animosity Tales.
  • Two titles listed on the FCBD site aren’t in my stack: DC’s oddly formatted Dear Justice League and Golden Apple Books’ Blastosaurus Annual. The shop probably skipped ordering one of these, but I’m not !00% sure which.
  • Three titles are in the stack they gave me but not on freecomicbookday.com: IDW’s Transformers/Ghostbusters (a 4-page ashcan they may not have counted as a comic, though the shopkeep did); The Overstreet Guide to Collecting 2019; and the 2019 edition of the Comic Book Legal Defense Fund’s Defend Comics.

…so that’s 53-1+2-3=51. Anyway:

This entry is a condensed version of that epic-length tweetstorm: my presentation of the ten best books of the bunch (I’m not in the mood to rank them), followed by my five least favorites of the entire stack. I never trust a comics reviewer or website that shares nothing but relentlessly glowing opinions — nor, conversely do I trust a critic who hates all comics and can’t be pleased — so this is my way of not becoming that which I disparage.

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“Avengers: Endgame”: The All-Spoiler Entry

Rocket War Machine!

Bow before the combined might of ROCKET MACHINE!

Previously on Midlife Crisis Crossover: Avengers: Endgame is here! You’ve seen it, I’ve seen it, an audience roughly one-third the size of Thanos’ human casualties has seen it. I was fine with cranking out the obligatory “I liked it, it was much better than Cats” entry, but as with a few past blockbusters, I’m in the mood to type more paragraphs about its pros, its cons, and the questions it begs that could go either way depending on how sensible or stupid the answers are.

Random thoughts in very little particular order ahead. COURTESY SPOILER WARNING FOR THE WHOLE THREE-HOUR SHEBANG.

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“Avengers: Endgame”: It. Is. FINISHED.

Rocket Raccoon!

Thanos made this cute, fuzzy antihero cry. Now he must PAY.

One of the most exhilarating parts of seeing highly anticipated event films ASAP is the firm pivot point you pass between “before” and “after”. Once you’ve seen it, spoilers can no longer damage your viewer experience. Months and years of news sites hazarding half-baked guesses to the film’s content see all their handiwork either rendered obsolete and worthless or proven right but ultimately irrelevant once the thing becomes a reality rather than a theoretical construct in quantum-superpositional flux. Once the film “is”, the number of possibilities of how it “might be” dwindles ever downward toward one (1).

That’s not to say everyone has seen it yet, though Entertainment Weekly and other ill-mannered organizations live or die on the operating principle that every popular thing is instantly consumed now-now-NOW by the smartest, coolest readerships who are the only humans in the universe that matter. For folks who know how to use the word “courtesy” in a sentence, it means being careful with blaring spoilers in the faces of everyone who might glance in our direction. (When it comes to movies, at least. As someone who live-tweets the occasional CW super-hero show, I’ll own up to some hypocrisy here.)

It’s in that spirit of keeping up the spoiler-free environment for what’s left of this weekend that our obligatory Avengers: Endgame write-up was composed to the best of my ability. Fair warning: if you were so hardcore about no-spoiler purity that you’ve even avoided all the trailers and TV spots, I’m not sure I can help you at quite that level of dedication.

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“How to Train Your Dragon: The Hidden World”: Ride or Die

Train Your Dragon 3!

We gather today for a Toothless farewell.

Time was, I used to see a lot more animated films per year — partly because my son was once a youngster with lower standards, and partly because good animated films used to come out more frequently. Or maybe that’s the middle-aged fogey in me talking.

To this day the original How to Train Your Dragon — an imaginative, action-packed flight of fantasy with a gut-punch of a climax — remains my favorite Dreamworks Animation project to date. The first sequel wasn’t bad, but never addressed the deadbeat-mom issue at its center to my satisfaction. Five years after How to Train Your Dragon 2 the trilogy concludes with How to Train Your Dragon: The Hidden World — a definitive ending to the saga of Jay Baruchel’s awkward young Viking Hiccup and his fierce, loyal dragon partner Toothless. I nearly typed “pet”, but that descriptor is a bit reductive and and refuted by this very movie itself.

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Yes, There Are Scenes During AND After the “Shazam!” End Credits

Shazam!

At long last, everyone will know what Gomer Pyle was always exclaiming about.

The never-ending battle to distance us all from Dawn of Justice continues as DC Comics proudly presents the mostly lighthearted Shazam!, based on a 1940s alleged Superman copycat that DC acquired in 1953 after they sued original publisher Fawcett Comics into oblivion. His original name was Captain Marvel, which DC kept using in multiple series and projects for the next few decades but made sure never to print on any covers lest their competition sue them, even though Fawcett’s Captain Marvel predated Marvel’s Captain Marvel by almost 28 years. Prior to this nomenclatural conflict, Fawcett’s Captain Marvel was conceived with the name Captain Thunder, but this was also the name of a non-superhero character in a series called Jungle Comics published by Fiction House, neither of which survived past the mid-’50s. Technically DC could call him Captain Thunder without repercussions today except no one wants that.

Comic Books: Overcomplicating What Should Be the Simplest Things Since 1939.

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“Us”: Revenge of the Duality of Man

Lupita Nyong'o!

Now I’m imagining a do-over of 12 Years a Slave in which this version of Lupita Nyong’o turns Michael Fassbender into so much whittling scrap.

Previously on Midlife Crisis Crossover: once upon a time in 2002 I once spent most of a museum walk expounding at length on how virtually every piece of art in front of me, no matter how abstract or realistic or kitschy or modern, could in some way be deconstructed into a metaphor for the Duality of Man. It’s not hard. Take a thing, figure out a way to chop it into two warring halves like you’re Karnak of the Inhumans teaching a philosophy class, and presto. You’ve just written some tenth-grader’s literature report. It was fun till I began annoying myself and possibly our friends.

Leave it to Jordan Peele to follow up his Best Picture nominee Get Out with an unofficial adaptation of my blathering seventeen years later as the raging box office smash Us. It’s about time someone better than me did this.

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Yes, There Are Scenes During AND After the “Captain Marvel” End Credits

Captain Marvel!

My son had to remind me Brie Larson used to be on Community. I thought he was confusing her with Alison Brie, but no, he remembered Brie Larson was Abed’s girlfriend Rachel, and I’m like WHOOOOOOA.

Years from now we’ll all look back on the historical debacle that was the Not-Great Captain Marvel Flame War of 2019 and we’ll laugh about it if only to keep from breaking down in tears at how deeply the fandom-at-large had reached yet another embarrassing nadir. Until then, here’s a shout-out to those millions of kids out there finding delight and inspiration in the sight of a wondrous super-woman punching her way through an evil spaceship armada at hyperspeed, like a young Princess Diana plowing through German soldiers.

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MCC Home Video Scorecard #16: Saluting the Oscar-Adjacent

Sorry to Bother You!

Sales and talking on phones? This job would crush me.

Previously on Midlife Crisis Crossover: the recurring feature that’s more like a newsletter in which I’ve jotted down capsule-sized notes about Stuff I Recently Watched at home. I could string together several entries out of the backlog I built up through 2018, but for now let’s settle for tackling a few recent catches from the past six weeks, when the Academy Awards were fresh in mind, whether relevant or tangential:

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MCC Home Video Scorecard #15: Oscar Quest 2019 Extra Credit

First Reformed.

Ethan Hawke isn’t a big fan of superhero films, but he’s perfectly okay with bold costumes.

Previously on Midlife Crisis Crossover: the recurring feature that’s more like a newsletter in which I’ve jotted down capsule-sized notes about Stuff I Recently Watched at home. In this batch as well as the previous one: the past few months’ worth of comfy-chair viewing as prep for this Sunday’s Academy Awards ceremony, except this year I went overboard and decided to see how many the nominees I could catch from other categories, either free via legal means or via existing streaming-service subscriptions. As it turns out, quite a few, mostly documentaries but that’s not a bad thing.

But first, an Original Screenplay nominee I’d been curious to see for a while:

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MCC Home Video Scorecard #14: The Oscar Quest 2019 Home Game

A Star is Born!

Lady Gaga and Rocket Raccoon present the “Guardians of the Gaga” tour!

Previously on Midlife Crisis Crossover: the recurring feature that’s more like a newsletter in which I’ve jotted down capsule-sized notes about Stuff I Recently Watched at home. In this batch as well as the next: the past few months’ worth of comfy-chair viewing as prep for this Sunday’s Academy Awards ceremony hosted by a disembodied sense of doom, featuring at least five musical numbers (minus The Weeknd and SZA but including the un-nominated Queen), spurring endless tired jokes about the runtime, and pumping up the jams for any winners from the ABC/Disney mega-conglomerate.

This year the Best Picture nominees number eight in all. In past entries we covered Black Panther, The Favourite, Vice, Bohemian Rhapsody, and Green Book. Here, then, are brief notes on the final three to complete the octet.

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“Green Book”: Side by Side on My Piano Keyboard

Green Book!

Stars of the new Norman Lear sitcom Aragorn and Cottonmouth.

As a longtime fan of road trips, I spent more of Green Book‘s running time looking forward to Our Heroes seeing the sights, maybe filming on location and giving us new travel ideas. And if they go back in time and cure racism while they’re at it, so much the better.

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“Bohemian Rhapsody”: No Escape From Reality

Bohemian Rhapsody!

Spot all the deeply meaningful moments with mirrors and win prizes!

Off the top of my head, here’s a quick ranking of the Best Picture winners and nominees directed by alleged sexual villains that I’ve watched to date:

  1. The Pianist
  2. Platoon
  3. Chinatown
  4. Born on the Fourth of July
  5. JFK
  6. Annie Hall
  7. Bohemian Rhapsody
  8. Midnight in Paris

…there could be more I’ve forgotten, or whose allegations are off my radar. I know there’re a few I’ve yet to see, such as Hannah and Her Sisters. Hollywood’s moral turpitude is nigh impossible to reconcile with single-minded pursuits such as my annual Oscar Quest, in which I watch every new Best Picture nominee no matter what, come what may, even if I have opinions and regrets about it in advance.

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The MCC 2019 Oscar-Nominated Live-Action Short Film Revue

Skin!

When Rated-M video games seem hokey after Daddy’s taught you how to use a sniper rifle.

Each year since 2009 my wife Anne and I have paid a visit to Keystone Art Cinema, the only fully dedicated art-film theater in Indianapolis, to view the big-screen release of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but we appreciate this opportunity to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether we agree with their collective opinions or not.

Unfortunately a change in circumstances and an issue of lousy showtimes led to us shaking up our tradition this year. We both attended a showing of the Best Animated Short Film nominees, but Anne missed out on the Best Live-Action Short Film nominees. My son tagged along in her place and share in what he later described as “a day-ruining experience”. Not that the shorts were awful per se, but the nominating committee and/or this year’s filmmakers went super dark. They weren’t quite as appalling as past incidents when Live-Action Short Film nominees have sprung an occasional grueling rape scene on us, but one in particular is more emotionally scarring than any of this year’s eight Best Picture nominees. Fair warning to anyone who decides to casually check these out when they’re available online February 19th.

And now, we present our ranking of this year’s five nominees, four of which center on the subject of children killing or being killed. Um, enjoy?

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