“Solo: A Star Wars Story”: From Scaramouch to Scoundrel?

Solo!

THIS IS CORELLIA. WE CAUGHT YOU SLIPPIN’ NOW.

It’s never fun to hear stories about difficulties behind the scenes on a film set. When Lucasfilm decided Rogue One: A Star Wars Story needed retooling, they recruited top screenwriter Tony Gilroy (the Bourne series, Michael Clayton) and delivered. When Lucasfilm fired original jokey directors Phil Lord and Chris Miller from Solo: A Star Wars Story after repeated clashes with the producers and the Kasdan dynasty, they recruited director Ron Howard — a known name, a respected professional, but a safe choice to save the film. I’ve liked quite a few of his works (Cocoon, A Beautiful Mind, Frost/Nixon) and still remember that time on Saturday Night Live‘s “Weekend Update” when Eddie Murphy led the audience in a chant of “OPIE CUNNINGHAM! OPIE CUNNINGHAM!” But I don’t know any Star Wars fans who fist-pumped in triumph when he signed on. I mean, maybe there were some, and we just haven’t been introduced?

On a related note, quick show of hands, out of curiosity: how many folks out there still buy anything and everything with the words “Star Wars” stamped on it regardless of content or merit?

…huh. I count a lot fewer than there used to be.

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