Our 2023 Road Trip #2: Ernest Meets Henry Clay

Jim Varney's tombstone with a large green plant, small Slinky Dog and other items left in tribute.

Somewhere in the multiverse is a timeline where this counted toward our list of Presidential burial sites. Our timeline, not so much.

Previously on Midlife Crisis Crossover:

Every year since 1999 Anne and I have taken one road trip to a different part of the United States and seen attractions, wonders, and events we didn’t have back home. From 1999 to 2003 we did so as best friends; from 2004 to the present, as husband and wife. After years of contenting ourselves with everyday life in Indianapolis and any nearby places that also had comics and toy shops, we overcame some of our self-imposed limitations and resolved as a team to leave the comforts of home for annual chances to see creative, exciting, breathtaking, outlandish, historical, and/or bewildering new sights in states beyond our own. We’re the Goldens. This is who we are and what we do.

For 2023 it was time at last to venture to the Carolinas, the only southern states we hadn’t yet visited, with a focus on the city of Charleston, South Carolina. Considering how many battlefields we’d toured over the preceding years, the home of Fort Sumter was an inevitable addition to our experiential collection…

Over halfway into Day One we were already running behind schedule in Kentucky, but wanted to commit at least one act of sightseeing before heading to our next state. Our not-so-obvious choice: Lexington Cemetery! Longtime MCC readers know we’ve visited the final resting places of over half the Presidents of the United States of America, but on rare occasion we’ll pay respects to other notable personalities as well. Lexington has no Presidents to its credit (though we’ll get to an erstwhile Commander-in-Chief later in this miniseries), but a few well-known names were laid to rest there. One of them was even born after 1900.

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Our 2023 Road Trip #1: Kentucky Greets ‘n’ Greeks

Purple horse statue with large blue logo on one side for the town of Simpsonville, "Horse Capital of the World".

Kentucky racehorses! Now available in grape flavor.

Every year since 1999 Anne and I have taken one road trip to a different part of the United States and seen attractions, wonders, and events we didn’t have back home. From 1999 to 2003 we did so as best friends; from 2004 to the present, as husband and wife. We grew up in families that couldn’t afford annual out-of-state vacations. We were geeks more accustomed to vicarious life through the windows of pop culture than through in-person adventures. After years of contenting ourselves with everyday life in Indianapolis and any nearby places that also had comics and toy shops, we overcame some of our self-imposed limitations and resolved as a team to leave the comforts of home for annual chances to see creative, exciting, breathtaking, outlandish, historical, and/or bewildering new sights in states beyond our own, from the horizons of nature to the limits of imagination, from history’s greatest hits to humanity’s deepest regrets and the sometimes quotidian, sometimes quirky stopovers in between.

We’re the Goldens. This is who we are and what we do.

After 2022’s sojourn northeast to the peaceful scenery of Vermont, for 2023 we switched directions and headed south for some American history tourism (one of Anne’s favorite things), some Southern culinary comfort, and some light searching for any Civil War statues they hadn’t already toppled. It was time at last to venture to the Carolinas, the only southern states we hadn’t yet visited, with a focus on the city of Charleston, South Carolina. Considering how many battlefields we’d toured over the preceding years, the home of Fort Sumter was an inevitable addition to our experiential collection.

First we actually had to get there. Our journey began, as they nearly always do, with episodic pit stops in the other states between us and our eventual destination. For most of our southbound vacations, Kentucky is first in line.

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“Mickey 17”: The Day the Clone Cried

Movie poster for "Mickey 17" hanging in a dark theater with inconsistent backlighting. Poster has multiple Pattinsons surrounding the rest of the cast.

Edward Cullen! Cedric Diggory! Bruce Wayne! Lighthouse Guy! Crisis on Infinite Pattinsons!

Previously on Midlife Crisis Crossover: class warfare rules in the hands of South Korea’s Bong Joon Ho, from the improbable post-apocalyptic supertrain metaphor of Snowpiercer to the widely celebrated Parasite, Winner of Four Academy Awards Including Best Picture™. Whether it’s the filthy-rich versus the dirt-poor, the genteel-affluent versus the barely-getting-by, or the dirt-poor versus the dirtless-homeless-everythingless, satirical skewerings of the eternal tug-of-war between the have-it-alls and have-nots over their variances in have-measures are very much his favorite field of cinematic dissection.

As we waited patiently through the nearly six-year gestation of his post-Oscar follow-up Mickey 17 (the pandemic’s at fault for some of the hold-up), fans rightly expected his priciest foray into the American big-budget mainstream (with a budget twice that of his Netflix Original Okja) would play to his hot-topical interests, and that his knack for outlandish approaches would suit the material. He enjoyed access to better resources, bigger-name actors, and apparently more negotiable schedules for getting it all accomplished. Bong is in his element for much of the film’s first half, up until a midpoint onset of commentary mission-creep pivots everything off the opening premise and lurches toward another course, broader and much tireder.

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Here Comes “Novocaine”, the Man Without Pain!

Closeup of Jack Quaid's face glaring and bleeding.

Meet THE NUMBER ONE ACTION HERO IN AMERICA till that new Jason Statham flick opens next weekend!

Fellow Gen-X-ers may recall the hubbub back in the day whenever an upcoming action flick would star an unlikely hero we couldn’t possibly imagine punching out baddies or doing acrobatics or reeking of the slightest machismo. Folks were skeptical about Moonlighting wisecracker Bruce Willis starring in Die Hard and comics fanboys all but rioted when Mr. Mom funnyman Michael Keaton became the new Batman. Soon after release, most naysayers shut up and enjoyed the redefinition of terms of big-screen engagement. The era of the bitter, growly, musclebound manly-men had to make room for the unlikeliest of butt-kickers. They didn’t put Schwarzenegger out of work, but more than a few guys with low charisma and dimmer people skills were increasingly relegated to Blockbuster shelves or adapted to new lines of work, such as Academy Award-Winning director Dirty Harry Callahan.

Fast-forward to today and anyone can be an action star thanks to recent advancements in movie magic, and not just via Paul Blart spoofery. All you need is the right combination of precise fight choreography, brilliant stunt people, way too much julienne-sliced editing, and actors willing to throw themselves into the physical challenges to the extent their somatotypes and insurers will allow. I for one applaud the democratization of action heroism, from Bob Odenkirk in Nobody to Allison Janney in Netflix’s Lou, among numerous others whose past roles never implied the slightest interest in winning at shoot-’em-ups. Our latest combatant who won’t be appearing in a Super Smash Bros. sequel is Jack Quaid, star of the bloody indie dramedy Novocaine.

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Indiana Comic Convention 2025 Photos, Part 3 of 3: The Exhibit Hall of Wonders

Anne doing jazz hands inside a "wanted" poster frame written in the Star Wars Aurebesh fake language code.

“WANTED: DEAD OR ALIVE, 70,000 CREDITS REWARD” for this cute tiny fugitive from space justice.

Previously on Midlife Crisis Crossover:

It’s that time again! This weekend my wife Anne and I attended the eleventh edition of the Indiana Comic Convention at the Indiana Convention Center in scenic downtown Indianapolis. ICC 2025 was another opportunity for fans to look at walls covered with old comics, build lightsabers, buy 3D-printed knickknacks, overstock on Funko Pops, respect the anime fandom whose population dwarfs us older generations, and navigate those vast crowds. This year the showrunners occupied more square footage than ever, and last year’s edition was by no means dinky. Geek life had more space to thrive and sometimes enjoy some breathing space in between some of the narrower alleys of thriving pop-culture commerce…

Convention joys are many and varied and all around. You can appreciate the efforts and imaginations of the cosplayers who toiled to recreate and embody their favorite characters from the pop culture spectrum, as we illustrated in our costume gallery. Or, as we described at length in Part Two, you can meet actors and other celebrities, get their autographs, have your photos taken with them, attend the panels where they answer questions about their works and careers, or simply gaze upon them from a safe distance where your nervous system won’t overload at the mere thought of meeting them up close.

For some, it’s cool just immersing yourself in the main exhibit hall — a magical world of whimsy the size of multiple football fields and filled with IP-based merchandise, antiques, arts, crafts, games, toys, and vibes. It’s the nexus of our temporary realities, a three-day safe harbor from the “real” world and all its problems — the burdens, stresses, horrors, letdowns, sorrows, infuriating disruptions and abject drabness. Here we can connect with like-minded aficionados in celebrating the mass-media universes and multiverses where stories and inspirations thrive for our entertainment, meaning, uplift or escape. Community can feel positively transcendental in a place like this.

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Indiana Comic Convention 2025 Photos, Part 2 of 3: The Stars in Our Galaxy!

Us doing jazz hands with Rainn Wilson, who wears a flannel shirt, glasses, beard, and glum Dwight-like expression.

Meet the new assistants to the assistant to the regional manager!

Previously on Midlife Crisis Crossover:

It’s that time again! This weekend my wife Anne and I attended the eleventh edition of the Indiana Comic Convention at the Indiana Convention Center in scenic downtown Indianapolis. ICC 2025 was another opportunity for fans to look at walls covered with old comics, build lightsabers, buy 3D-printed knickknacks, overstock on Funko Pops, respect the anime fandom whose population dwarfs us older generations, and navigate those vast crowds. This year the showrunners occupied more square footage than ever, and last year’s edition was by no means dinky. Geek life had more space to thrive and sometimes enjoy some breathing space in between some of the narrower alleys of thriving pop-culture commerce…

…which for us worked out to a fair mix of comics and celebrities, with light shopping in between. We’d met a number of the guest list’s highest-profile names at past cons, but a few newcomers to Indy caught our attention and lured us in, such as the distinguished content provider in our lead photo — a frequent podcaster, co-founder of an erstwhile interfaith networking site, author of three books, and three-time Emmy Award Nominee who lost to guys like Jeremy Piven and Jon Cryer, thus proving the Emmys are a corrupt institution no more reliable a barometer of aesthetic transcendence than the Fangoria Chainsaw Awards, who likewise nominated and denied him.

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Indiana Comic Convention 2025 Photos, Part 1 of 3: Cosplay!

cosplay: Linguini and the Swedish Chef, with Remy and Kermit dolls and a copper frying pan.

Linguini (with Remy!) from Ratatouille and the Swedish Chef, who had BETTER NOT HARM KERMIT.

It’s that time again! This weekend my wife Anne and I attended the eleventh edition of the Indiana Comic Convention at the Indiana Convention Center in scenic downtown Indianapolis. They’ve stopped calling themselves “Indiana Comic Con” on paper for tiresome legal reasons that aren’t their fault, but to us they’ll always be Indiana Comic Con.

ICC 2025 was another opportunity for fans to look at walls covered with old comics, build lightsabers, buy 3D-printed knickknacks, overstock on Funko Pops, respect the anime fandom whose population dwarfs us older generations, and navigate those vast crowds. This year the showrunners occupied more square footage than ever, and last year’s edition was by no means dinky. Geek life had more space to thrive and sometimes enjoy some breathing space in between some of the narrower alleys of thriving pop-culture commerce

While we recuperate and wait for our feet to forgive us for their punishment, please enjoy this modest collection of cosplayers who brightened our two days around the show floor. The jazz-hands photo ops and other sights will be shared in the other chapters. We regret we can only represent a fraction of a fraction of a fraction of a fraction of a fraction of the total cosplay wonderment that was on display this weekend. We’re just an aging couple doing what we can for happy sharing fun. Enjoy! Corrections are humbly welcomed for any we might’ve misidentified!

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So You’re Going to a Comic Con: Our Convention Survival Tips for Beginner Geeks

us with Chris Evans, all doing jazz hands, and he is smiling SO brilliantly.

Let the clipfest begin! From C2E2 2023, Anne and myself in a jazz-hands photo op with Chris Evans, the old Captain America.

Previously on Midlife Crisis Crossover: my wife Anne and I share a fannish love of attending entertainment and comic conventions together, whether in our hometown of Indianapolis or in adjacent states (or sometimes beyond). She’s been doing them since the early ’90s, and invited me to tag along as our relationship evolved from classmates to coworkers to neighbors to BFFs to married geeks, now twenty years and counting. We’re the Goldens. It’s who we are and what we do.

Every con is someone’s first. We’re happy to offer advice whenever we chat with newcomers to the scene. In the various Facebook groups dedicated to each of the cons we regularly attend, Anne has taken to posting practical advice for newer con-goers — the teen, the elderly, and everyone in between — who are beyond excited to mingle in all those crowds of merry hobbyists and scintillating costumes and vintage collectibles and character merchandise and rows of celebrities from their favorite movies, TV shows, animated works and streaming channels. It’s a lot. It can be daunting to figure out where to start. It’s normal to feel overwhelmed. It’s impossible to prepare for every possible contingency.

Cons are foremost on our mind in anticipation of our season beginning next weekend. As we discard the psychological shackles of a depressing winter and prepare to leave the house a little more often, we offer a selection of suggestions for coping with some aspects of the comic-con experience for the absolute beginners out there.

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The Academy Awards 2025 Season Finale

Conan doing photo ops on a black stage with a giant Oscar statue behind him. He's grimacing and holding a large jar of cotton balls or something resembling them.

He’s written for comedy shows, starred in talk shows, and hosted other award ceremonies and events. Some of that might’ve prepared him for tonight!

Oscar season is over at last! Tonight the 97th Academy Awards were aired live on ABC and streamed live on Hulu, once again held at ye olde Dolby Theatre in Hollywood and hosted for the very first time by beloved funnyman Conan O’Brien. This year’s soiree clocked in at 229 minutes, twenty minutes longer than last year’s and fifteen longer than The Brutalist with intermission. O’Brien was his usual uproarious self, taking more potshots at himself than at anyone or anything else and (mostly) refraining from hot-button politics. Anyone who needs more political debate can go overdose on any given social app anyway. Most such netizens generally avoid the Oscars anyway, or spend the evening replying to Oscars fans with such scintillating pearls of Oscar Wilde brilliance as “Who cares.”

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Oscar Quest 2025 Final Scorecard: 47/50

Jeremy Strong and Sebastian Stan sit in character in the back of a limo. Strong glares at Stan, who's on the 1980s car phone.

“Look, Bucky, you’re gonna get me into the MCU right NOW.”

Previously on Midlife Crisis Crossover: Oscar Quest ’25 is over! I did my best to catch all the Academy Award nominees I could in every single category before the big ceremony Sunday, whether in theaters or on our household’s available streaming services. Last year I managed a 100% completion achievement, but no one gave me a trophy for my amateur hobbyist efforts. My wife Anne was relieved to know our routines could get back to normal, but that’s about it for prizes. Oh, and it was a great excuse to catch some fantastic films I might otherwise have missed…as well as a few pieces of garbage.

This year I earned no real bragging rights. Of the fifty different works up for honors this year, I’ve seen 47 in all as of Saturday morning, with no chance of getting any farther. Per my completionist tradition, the following are capsule summaries of the other ten nominees I watched over the past six weeks that I hadn’t previously written up. The services that granted me access to each of them are provided as well, though at least one has changed since I watched it.

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The MCC 2025 Oscar-Nominated Short Film Revue

2-D animated woman asleep on a floor mat in light shadows with sunlight pouring in through a narrow rectangular window. Next to her on a table are components of an elderly relative's daily medicinal regimen.

Don’t sleep your life away! There’re always cool new things to see!

Previously on Midlife Crisis Crossover: my annual Oscar Quest continues! I’m still trying to catch all the Academy Award nominees I can before the big ceremony regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family will care in the least bit.

Each year since 2009 (except for 2021’s pandemic lockdown marathon) I’ve ventured out to the few Indianapolis theaters carrying the big-screen releases of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but I appreciate the opportunities to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether I agree with their collective opinions or not. My wife and adult son usually accompany me on the journey and we make a family outing of it, even though Oscar Quest is not their problem. Since 2019 I’ve also given myself extra credit for catching as many nominees for Best Documentary Short Film as possible, depending on their availability online, for the most complete shorts experience possible.

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Yes, There’s a Family Photo Album During the “I’m Still Here” End Credits

A Brazilian mom poses on outdoor stairs for a photo with her five kids. All but two are smiling. Dad is not around.

We’re a happy family! We’re a happy family! We’re a happy family! Me, Mom, and…oh.

Previously on Midlife Crisis Crossover: Oscar Quest ’25 continues! Once again we see how many among the latest wave of Academy Award nominees I can catch before the big ABC ceremony. That includes any and all works I never heard of before they were nominated. I have no fear of subtitles — I relish them, in fact — and I’m always happy to learn more about the world history they failed to teach me in school, which was nearly all of it.

One of the interesting side effects of AMPAS’ membership diversification efforts of the past few years (contrasting with all their many other years of existence) is the Best Picture nominee lineups offer more surprises from other countries — works that only film-festival attendees could’ve possibly seen in their official year of release. Nominees about dictatorships are sadly commonplace across several categories, which is understandable considering our sinful humankind has spawned far too many tyrants throughout the millennia and on most continents. Most of those works used to be Holocaust films, but in recent times filmmakers from other countries have been taking turns sorting their own tragic histories. Next up is Brazil with I’m Still Here, following in the footsteps of recent-vintage, Oscar-recognized tales of South American regimes such as Argentina, 1985 and (technically) El Conde.

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“No Other Land”: The Oscar Nominee THEY Didn’t Want You to See

Movie poster in a black case hanging on an exterior brick wall. Poster image is a young Palestinian man fallen on a rocky plain and a bulldozer parked on the distant horizon.

Now playing in 54 theaters this weekend, as opposed to Captain America 4‘s 4,100+ screens.

Previously on Midlife Crisis Crossover: Oscar Quest ’25 continues! Once again we see how many among the latest wave of Academy Award nominees I can catch before the big ABC ceremony, assuming the filmmakers can afford a release wide enough to reach us Midwest film fans in time.

As of February 17th my Oscar Quest scorecard was down to the final five unseen works, all of which I’d assumed would remain out of my grasp for the rest of the season. Then up stepped Indy’s own Kan-Kan Cinema, an eclectic nonprofit who frequently hosts tiny new films that the major chains overlook or think aren’t worth their time and space, because they really really need a dozen screens showing Dog Man for the rest of the year. Of all our theaters, I should’ve known they’d be the first (and as of this weekend the only one) to jump at the chance to bring us No Other Land. In a true rarity for recent Oscar history, it was nominated for Best Documentary Feature without a preexisting distribution deal. The filmmakers themselves have had to foot the bills for a slow rollout because all the studios passed on it (major and minor), possibly because it contains that magic hot-button word guaranteed to start a riot whenever it’s dropped into a conversation among two or more people: “Palestine”.

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“The Girl with the Needle”: The Case of the 37-Week Abortionist

Black-and-white poster for "The Girl with the Needle", featuring a glowering young lady in old-time sewing factory togs. A large sewing needle is stabbed into the film's title.

Not just another Lisbeth Salander mystery.

Previously on Midlife Crisis Crossover: Oscar Quest ’25 continues! Once again we see how many among the latest wave of Academy Award nominees I can catch before the big ABC ceremony, no matter how dark or disturbing or draining.

The Substance and Nosferatu are the highest-profile nominees from the realm of horror, but farther down the ballot is a smaller tale of terror out of Denmark — The Girl with the Needle, inspired by the true story of a serial killer with a very specific, defenseless prey. Its nightmares are measured not in buckets of blood, but by the breadth of its unhealed psychological scars.

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“The Seed of the Sacred Fig”: Your Father Worked Very Hard for His Promotion to Death-Sentencer

An Iranian mom stands at a window with her two daughters, one college age and one high schooler. Nobody's happy, everyone's shadowy.

Women on the verge of a nervous breakdown.

Previously on Midlife Crisis Crossover: Oscar Quest ’25 continues! Once again we see how many among the latest wave of Academy Award nominees I can catch before the big ABC ceremony, some of which have had me driving all over Indianapolis to catch fleeting, one-week-only releases and sometimes having entire screens to myself.

Case in point: for the Iranian drama The Seed of the Sacred Fig on a late Tuesday afternoon, it was just me and one other fat, four-eyed white guy sitting in the way back who was hopefully not my evil twin. I’ve no idea whether or not he found it as chilling as I did, because we pasty introverts don’t run up and share our opinions with just anybody. The travel effort (to the other side of the city) and the social awkwardness were the least I could “suffer” for the sake of witnessing the work of writer/director Mohammad Rasoulof, who had to flee his home country so he could safely take a stand against it through his art.

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“A Complete Unknown”: Deluxx Folk Explosion

Movie poster with Timothee Chalamet onstage, playing acoustic guitar and harmonica holder around his neck.

As seen on Saturday Night Live!

Previously on Midlife Crisis Crossover: Oscar Quest ’25 continues! Once again we see how many among the latest wave of Academy Award nominees I can catch before the big ABC ceremony, regardless of whether or not I’ve previously connected with the subject matter in the slightest, and whether or not I’ll sound like a philistine to said subject’s biggest fans who outnumber me 500 million to 1. It wouldn’t be my first time speaking as an ignoramus who’s willing to learn.

Over the years James Mangold has directed films of all sizes and accumulated enough goodwill among studios and audiences alike that he’s now alternating between them — not exactly the vaunted “one for them, one for me” model of project selection, considering the last time he spent under $20 million on a film was 1997’s Cop Land. A steady career of dramas (and one fantasy-lite rom-com, the underrated Kate & Leopold) segued into blockbuster franchising with The Wolverine and Logan (still in my superhero-film Top 3), returned to true-story territory with Ford v. Ferrari, then was handed the golden keys to the Indiana Jones series and…uh, lost a lot of Disney’s money, but at least he helped the old man live down the one with Mutt and the aliens in it.

Mangold manages to do more with a little less in A Complete Unknown, technically another biopic in the manner of his Johnny Cash biopic Walk the Line, though it only covers a five-year period — the early years of Bob Dylan, which seem enough to convey his impact on the world of folk music and stopping short of…well, the last five decades of his career that fell within my lifetime. Hence why I procrastinated seeing this ever since its Christmas Day release until after it was a confirmed Oscar nominee rather than a presumptive one: folk music is generally not my thing.

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Yes, There’s a Scene After the “Captain America: Brave New World” End Credits

IMAX lobby poster of Red Hulk towering menacingly over Anthony Mackie's Captain America.

Every heart bleeds true under Red, fight and BOOM.

Previously on Midlife Crisis Crossover: our family keeps up with the Marvel Cinematic Universe line of comic-book screen adaptation and transmutation products! Yes, we’ve even watched the ones that show up at the low end of every “Every MCU Movie and TV Show, Ranked” listicle whose criteria change whenever new interns update it. Someone needs to sort those with an “Every MCU Ranking Listicle, Ranked” listicle, but it won’t be me. Between the Marvel Zombies that give every release an A only because they have the “Marvel” cattle-brand stamped on them, and the four-hour YouTube anti-“woke” tantrum-throwers who think hate-watching is a wise use of their limited lifespans, I’d never get more than halfway through most of the contenders without developing listicular cancer.

I was perhaps a tad less cranky than the pro critics who groused about the MCU’s 35th film, Captain America: Brave New World, and the curious decision to devote Anthony Mackie’s first solo Marvel marquee to sewing up dangling threads from previous works. I can’t say it’d go in the top half of my own MCU rankings, but it got some things right, though part of the plan involved pleasing Disney’s superiors by forcing the MCU to diverge into a completely different political backdrop, quainter than our own reality.

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“Sing Sing”: The Divines’ Comedy

Colman Domingo as a prison inmate sitting against an outdoor courtyard wall, laughing with eyes closed.

Colman Domingo, two-time nominee for Best Actor — for this and last year’s Rustin.

Previously on Midlife Crisis Crossover: Oscar Quest ’25 continues! Once again we see how many among the latest wave of Academy Award nominees I can catch before the big ABC ceremony, no matter how much chase they give me as their showtimes are few and far between — disappearing from all local screens one week, only to pop up the next as a last-minute addition to fill up any remaining back-of-the-theater showings that weren’t already taken up by the cartoon about the weredog beat-cop.

Such was the elusive cat-and-mouse chase between me and Sing Sing, which seemed to hold down more screens here in Indy before its three Oscar nominations were announced. It finally slowed down and let me catch up so I could marvel at Colman Domingo’s bravura performance in a very different prison drama — no sex, drugs, gore, riots, or interfaith gang wars among tattooed factions. (There are tattoos, but no one declares war over wearing the wrong ones.) It’s based on the true story of a community of men encouraging each other to find new purpose in their broken lives behind bars.

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Yes, There’s a Q&A After the “September 5” End Credits

Movie poster for "September 5" depicting the four main cast members, each visage divided across multiple TV screens.

We are all made of screens.

Previously on Midlife Crisis Crossover: Oscar Quest ’25 continues! Once again we see how many among the latest wave of Academy Award nominees I can catch before the big ABC ceremony, even those named in just one category. In a possible historical first, one of our nominees is actually about ABC.

The last time Peter Sarsgaard starred in a true-life tale of journalism and ethics, Shattered Glass was riveting and remains The Greatest Hayden Christensen Film of All Time. Sarsgaard returns to the news beat in September 5, moving from newsprint to live TV in an unofficial yet historically sequential headline-news prequel to Steven Spielberg’s 2005 Best Picture nominee Munich. It’s a true-life drama that’s half found-footage suspense and half You Are There recreation of one of the most horrifying moments in sports history.

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“Nickel Boys”: Press Start to Begin Empathy

Large standee for the film next to a white theater wall. The image is first-person viewpoint from a kid on a bicycle, riding behind another one, both heading down a straight country road surrounded by fields.

New | Continue | Load | Save | Options | Extras

Previously on Midlife Crisis Crossover: Oscar Quest ’25 continues! Once again we see how many among the latest wave of Academy Award nominees I can catch before the big ABC ceremony. Every year it’s a lively ballroom dance between new voices and For Your Oscar Consideration familiarity. Sometimes it’s two for the price of one.

Academy Award Winner RaMell Ross won that honorific with the live-action short film Hale County This Morning, This Evening back in 2019. This year the director scored another shot at the trophies with his first full-length feature, Nickel Boys — a period-piece drama about a subject familiar to longtime Oscar fans, not to mention historians and other decent folks still working and/or waiting for social sciences to discover the cure for American racism. To differentiate the film from past exemplars, Ross conducts an extended experiment with the narrative vantage approach that’s seemed revolutionary to scores of film critics whose only pastime is movies.

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