Yes, There’s a Scene After “The Matrix Resurrections” End Credits

Matrix Resurrections Red Pill Blue Pill Poster!

The grand return of the world’s favorite equivocal metaphor for every us-vs.-them feud ever, in which the beholder is somehow always a hero of “us” and never a lackey of “them”.

It’s hard to muster up enthusiasm for a conditionally beloved old series which had one really, really good film that made a groundbreaking impression on me in a packed theater, followed by two expensive letdowns. That means the series previously had a 33% success rate with me, a failure in any rational classroom. Sure, the animated follow-up had its fans, but it wasn’t quite the same thing even if one feels compelled to argue that it indeed “counted”. Here we are again in 2021 with a revival that perhaps some were wishing for, the studio execs more so than the public at large, inviting a few familiar faces to train a batch of promising newcomers in the ways of their franchise. The digital effects have been upgraded and more money has clearly been invested than anyone in the 20th century would’ve dreamed might ever be possible or necessary for a single movie. Just the same, the thought of sitting through such a perfunctory revival felt less like a joyous homecoming and more like that childhood dread of being forced to visit distant, smelly relatives — that sense of “Awwww, do I HAVE to go?”

In conclusion, that’s why I skipped Ghostbusters: Afterlife.

So why did I give The Matrix Resurrections a shot? Good question.

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Yes, There’s a Scene After the “Bill & Ted Face the Music” End Credits

Bill & Ted 3!

“Most bodacious ladies and gentlemen, we beg you, please do not ask us to play ‘YMCA’.”

Of all the films to be released in theaters after March 2020, I’ve regretted missing none of them more than I’ve been regretting missing Bill & Ted Face the Music, the long-awaited reunion of Alex Winter and Keanu Reeves as good-natured rockin’ goofballs Bill S. Preston, Esq., and Ted “Theodore” Logan. The first two films were hilarious delights back in their day and, while I was prepared to live the rest of my life without a trilogy realized, years of negotiations with skeptical studios finally came together courtesy of original writers/creators Chris Matheson and Ed Solomon, along with director Dean Parisot (Galaxy Quest). Thus did their dream come true in the worst possible year of this millennium.

From August onward I kept doggedly checking On Demand prices every weekend but was reluctant to pull the trigger on a $15-$20 home viewing experience. Fans of pay-per-view sports may be accustomed to that or far worse, but for that price, if I have to play it on my own inferior equipment, then I insist on physical custody. I was willing to go as high as maybe eight bucks, but they kept holding out on me. This past Tuesday The Powers That Be relented and BTFM finally materialized at Redbox. And for a most non-non-non-heinous price well under eight bucks.

*air-guitar riff*

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“John Wick: Chapter 3 – Parabellum”: Once Again, Wick’s Mix of Kicks and Tricks Clicks

John Wick Chapter 3!

Our man Wick holding all the recap he needs.

It’s guilty pleasure time! I saw the first two installments of Keanu Reeves’ comeback on home video, where I could revel in macho action ballet without feeling obligated to write an entire entry about either one. Longtime MCC readers may recall any film I see in theaters gets its own writeup. And so we arrive at John Wick: Chapter 3 – Parabellum.

Reeves and his director Chad Stahelski managed two solid entries in a series. I had a coupon from Atom Tickets. And so it went.

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