Yes, There’s a Scene After the “Frozen” End Credits

Queen Elsa, Idina Menzel, Frozen

Disney Princesses beware: here comes Elsa, Disney Queen.

Last week animation writer Paul Dini gave a candid podcast interview in which he divulged numerous depressing details about his recent experiences with Cartoon Network executives who expressed in no ambiguous terms their current disinterest in courting a female audience for their action-adventure cartoons because boys buy more action figures.

I wish I were kidding. Part of this illuminating interview has been helpfully transcribed for the podcast-reluctant. Nothing short of jaw-dropping.

Such a shame, then, to see Walt Disney Pictures fly in the face of Cartoon Network programming logic and gamble on a theatrical release like the action-heavy Frozen, in which the humor isn’t locker-room crude, the animation sets new standards, and the main characters are two sisters who pass the Bechdel Test cum laude. Sure, it’s quality entertainment, but if the girl power in a cartoon overwhelms the manpower, why even bother? This cartoon chick flick will be lucky to make more than twenty bucks at the box office. And you can forget about merchandising sales.

…oh, wait. As of its fourth weekend, the movie’s cleared $160 million domestic so far, and it’s still in the #2 box office spot and barely slowing down. How’d that happen? Conspiracy, maybe?

Nope – it’s genuinely impressive…

“Catching Fire”: And They All Lived Fearfully Ever After

Jennifer Lawrence, Josh Hutcherson, Hunger Games: Catching Fire

Katniss and Peeta practice their strained banter for their next gig hosting the PanEm Oscars.

In the more engrossing and less shaky-looking sequel, The Hunger Games: Catching Fire, we’re told “The Games mean nothing.” In fact they’re not even the central plot; they’re the extended climax appended to a more interesting, feature-length coda in which the quote-unquote “victors” of PanEm’s 74th Hunger Games receive their “rewards”, learn about their new responsibilities, and figure out for themselves that sometimes victory is only as meaningful as your handlers allow.

Continue here as The MAN tries to extinguish the Girl on Fire…

My 2013 Staycation Movie Marathon Report

Casey Affleck, Gone Baby Gone

Before Casey Affleck’s upcoming turn in Out of the Furnace, there was Gone Baby Gone, among the best in this week’s movie marathon.

This week was that time of year again! Long story short, as explained last year with copious superfluous details: thanks to my generous employers, I have enough vacation days every year to take time off for our family road trip and to take another separate week later just for myself. My usual staycation activity of choice is a DVD marathon.

This week’s marathon was hobbled a bit by a sick day, wasted on long bouts of napping and angst. We’re currently taking steps to correct the condition responsible in ways that won’t require immediate medical bills. Hopefully nothing further occurs on this front that becomes interesting enough to inspire follow-up entries. Let’s all assume I get better and live happily ever after. THE END.

Otherwise the week was relaxing and fruitful in a stress-relief sort of way, and a sizable chunk was carved out of the viewing pile. This week’s staycation feature presentations were, in order of viewing:

And the nominees are:

Yes, There Are Scenes During AND After the “Thor: the Dark World” End Credits

Loki, Tom Hiddleston

Thor? Thor who? Oh, you mean my sidekick?

As in the comics, so in the movies has Thor struggled to stand out as a sympathetic character, a hero for us to cheer on through the quiet scenes as well as the action sequences. Whereas Thor: the Mighty Avenger aimed to give him humanity by trapping him in a podunk, no-FX town and making him literally human, the boisterous sequel Thor: the Dark World tries a different approach: it gives up on making him work as a solo hero in his own right, and treats him as a senior but equal member of an ensemble instead. Call them Avengers: Asgard Coast.

More about America’s favorite Asgardian and his brother Thor…

“Agents of S.H.I.E.L.D.”: Exploring the Possibilities of 0.00001% of the Marvel Universe

Marvel's Agents of SHIELD

Drama! Excitement! Danger! Peaceful forest walks!

Six episodes into Marvel’s Agents of S.H.I.E.L.D. (not to be confused with, say, Law & Order: Agents of S.H.I.E.L.D.), we’re seeing little improvements here and there as the writers make up their minds how the camaraderie and rivalries should work between the characters. The series began as an awkward hodgepodge of our man Phil Coulson, Ming-Na Wen (Mulan, ER‘s early seasons), and some extras on loan from the CW, who together felt not nearly scruffy enough to headline a Joss Whedon TV project.

I’m warming a little more to the show as the weeks progress. I’m no longer wishing for Skye the fake-hobo hacker to be dismissed and dropped off at her van down by the river. I’m no longer letting the mystery of Coulson’s alleged clinical death undermine my attention. I’ve stopped nitpicking at how Agent Ward looks 25 but we’re expected to believe he has the acumen and respectability of a 50-year-old war veteran. And I can’t remember the last time I was distracted by an underbudgeted special effect.

One major disappointment still looms: while it’s nice to see them playing with elements of the Marvel movie universe — what’s stopping them from exploring more deeply into the actual Marvel Universe?

(Fair warning: one bit later in this article is a mild spoiler for tonight’s new episode.)

So, about that Marvel Universe…

“Ender’s Game”: Kids Kill the Darndest Things

Asa Butterfield, Ender Wiggin, Ender's GameIf the stakes were catastrophic enough, the training techniques were sufficiently intensive, and the world were just that unforgiving, who’s to say preteens couldn’t be accelerated to maturity and transmogrified into hardened soldiers like today’s eighteen-year-old American military volunteers?

Thus is the foundation laid for Ender’s Game: in a future where millions have perished at the hands of insectoid aliens (the predominant taxonomic class of Hollywood aliens), Earth’s last hope — and who knows how many hopes were wasted before the story begins — lie in an interstellar military system built on targeting the most gifted junior high students for recruitment, instead of the older kids least likely to go to college.

So, about that big-budget sci-fi thingie…

“Sleepy Hollow” 10/14/2013 (spoilers): the Chaucer Whisperer

Sleepy Hollow, Fox

BIG ICHABOD IS WATCHING YOU. Even though he has no idea how it works.

The fifth episode of Fox’s Sleepy Hollow, “John Doe”, tosses a few new elements in with some things missing from recent escapades. Ichabod reunites with Katrina; a new Horseman steps onto the game board; another early American legend is revealed as more than it seemed in your history classes; and, as with such movies as Outbreak, we confirm that diseases can be a really dull antagonist.

For those who missed out, my attempt to streamline the basic events follows after this courtesy spoiler alert for the sake of time-shifted viewers.

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“Sleepy Hollow” 10/7/2013 (spoilers): That Distracting Tea Party

Item 37, Sleepy Hollow, Fox

What lies within…Item 37? (Hint: it’s bigger than a breadbox, smaller than the Ark of the Covenant.)

As with last week, the fourth episode of Fox’s Sleepy Hollow contains no Horseman, no witches, no Katrina or her time loop, and no Clancy Brown flashbacks (except in one telling photo). This week was jam-packed with movement nonetheless, including a key piece of info we’ve been dying to know since episode one. The focus of tonight’s “The Lesser Key of Solomon” is squarely on the broken relationship between Abbie and her sister Jenny, who escaped from the asylum last week with an agenda of her own.

For those who missed out, my attempt to streamline the basic events follows after this courtesy spoiler alert for the sake of time-shifted viewers.

So…who wants to learn the Big Bad’s true name? Show of hands?

“Gravity”: Connect or Perish

Sandra Bullock, Gravity

Zero-g leaves zero margin for error.

If movie theaters were allowed to set individual rules before watching certain films, the first rule of a Gravity showing would be no snacking during the first ten minutes. After the title and text intro (“Life in space is impossible”), the movie doesn’t begin so much as it emerges from the darkness and silence of space. As a distant pinpoint expands and metamorphoses into a Space Shuttle bearing Academy Award Winners Sandra Bullock and George Clooney, the noiseless vacuum slowly parts for a trickle of radio chatter that steadily builds from volume 0 as its source nears our position.

While we eavesdropped on the cast’s interplay during their distant grand entrance, the ambiance of their stage-setting was slightly disrupted by the sounds of the peckish viewers seated around me, rustling plastic wrappers and scarfing whatever snacks they couldn’t be bothered to finish during the preceding 25-minute trailer marathon. This sort of aural dissonance isn’t an issue when you’re watching the average summer action blockbuster that kicks off with a twenty-minute 200-decibel set piece that eradicates all sound and vibration in its path.

More about this weekend’s #1 film, which presently sits at 98% on the Tomatometer…

“Sleepy Hollow” 9/30/2013 (spoilers): Dreams Along the Mohawk

Sandman, Ro'henkrontyes, Sleepy Hollow

The other six Endless cannot save you now!

The third episode of Fox’s runaway Monday night sensation, Sleepy Hollow, contains no Horseman, no witches, no Katrina or her Phantom Zone, no Clancy Brown flashbacks, and very little mysterious demon except in flashback. Thankfully it’s not exactly sixty minutes of dead air. “For the Triumph of Evil” is the first time Our Heroes must face a mythical creature who’s not overtly taking orders from the Big Bad. And yet…this otherworldly stalker nicknamed “the Sandman” holds connections to both Ichabod and Abbie, while appearing visually indebted to Pan’s Labyrinth and half the characters Doug Jones has ever played.

For those who missed out, my attempt to streamline the basic events follows after this courtesy spoiler alert for the sake of time-shifted viewers.

About that pale white man…

Siskel & Ricky Jay and Movie Magic

Gene Siskel Film Center, Chicago, Illinois

The Siskel Film Center: sincere, comfy, willing to showcase material beyond the major studios’ low-budget farm teams. Two thumbs up.

Indianapolis has exactly (1) one art-film theater, which leavens its offerings with a mixture of big studio fare presumably for the sake of ticket sales, thus minimizing the number of small films they can truly show during any given week. It doesn’t help that this theater and our house are on opposite ends of town. It’s my understanding other, larger cities have more options for moviegoers who yearn for something besides sequels, explosions, and big budgets. The advent of Video on Demand has charitably broadened our access to new limited-release fare, but there’s something I like about seeing films in their natural habitat.

This weekend my wife and I journeyed once again to Chicago via reasonably priced group tour. While our fellow passengers availed themselves of the Magnificent Mile’s upscale merchandise or gallivanted around Lake Michigan on water taxis, she and I paid our first visit to the Gene Siskel Film Center to view the kind of real, live documentary that rarely plays within fifty miles of our house.

Click here for more about the theater and the documentary “Deceptive Practice”…

“Sleepy Hollow” 9/23/2013 (spoilers): Donut Hole Tax Reform NOW!

Tom Mison, Ichabod Crane, Sleepy Hollow

The gentleman doth protest his receipt. From tonight’s cute scene in which Crane learns about the pitfalls of taxation with representation.

The second episode of Fox’s new Monday night spooky-action series, Sleepy Hollow, understandably has to work with a fraction of the pilot’s budget, but scores best when it keeps the focus on our heroes, the time-displaced Ichabod Crane and present-day police Lieutenant Abbie Mills, whose chemistry compensates for this week’s villain, a dead witch who has no lines and hides in the shadows between jump-cuts. We also saw a couple of unexpected returns and a clever use of Post-It Notes as an educational tool that Memento‘s Leonard Shelby wishes he’d thought of first.

For those who missed out, my attempt to streamline the basic events follows after this courtesy spoiler alert for the sake of time-shifted viewers.

Tonight’s Sleepy Hollow was brought to you by Overtaxed Donut Holes. 8.25% government-levied, 100% delicious!

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“Sleepy Hollow” 9/16/2013 (spoilers): Death Wields a Mean Shotgun

Nicole Beharie, Tom Mison, Sleepy Hollow

She’s a medium-town sheriff with FBI dreams. He’s a 250-year-old Minuteman. They fight crime!

With a swing of the axe and a shotgun blast into the air, Fox brazenly kicked off the 2013-2014 fall TV season Monday night with our first new series, Sleepy Hollow. From the early ads its simple but silly premise — Ichabod Crane and the Headless Horsemen, ripped from Washington Irving’s short story and transported to the World of Tomorrow (i.e., today) — felt to me like another uninspired Hollywood reboot, scraping the bottom of the public-domain intellectual-property barrel.

If you don’t mind the occasional hour of loony, far-fetched “popcorn TV”, you can do plenty of fun things with barrel scrapings.

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“THE Star Wars”: Fun Adaptation of Stuff Found in George Lucas’ File Cabinets

Annikin Starkiller, Kane Starkiller, The Star Wars

Race into adventure with Kane Starkiller and his sons Annikin and Deak! Whoever they are!

In 1999 Dark Horse Comics published an intriguing experiment called Buffy the Vampire Slayer: the Origin — a comic-book adaptation of Joss Whedon’s original script for the movie, hewing more closely to what he envisioned in his head before the director and producer meddled and warped everything. Although Dark Horse’s version didn’t contain nearly enough Paul Reubens, few Buffy fans would choose the movie over The Origin. It was a rare opportunity to see a writer’s lost draft technically restored and given life anew.

In that same vein, Dark Horse now brings us The Star Wars, an eight-issue miniseries promising to adapt George Lucas’ 1974 rough-draft screenplay that would later be rethought, rewritten, rearranged, and eventually filmed as merely Star Wars. Without the “The”. Because it looked cleaner.

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“The World’s End”: Midlife Crisis Begets Drinking Quest Begets Apocalypse

The World's End, movie

Under normal circumstances, a film like The World’s End would be miles outside my bailiwick. It’s been years since I could stomach flocks about man-children stalled in permanent adolescence (e.g., half the comedies starring SNL vets). I’m not interested in celebrations of the magical bonding power of alcohol (e.g., half the comedies released in the last five years). I’ve seen maybe one R-rated comedy in the last five years (Tropic Thunder had its good parts). Combine the three elements and I would anticipate the kind of mess least likely to earn a dime of my own money. Only on the strength of the talented names of Simon Pegg and director/co-writer Edgar Wright did I temporarily waive my reservations and see if the minds behind Shaun of the Dead and Hot Fuzz came within a stone’s throw of the same achievement levels in wit and ingenuity.

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“Fruitvale Station”: Last Stop, This Life

Michael B. Jordan, Fruitvale Station

In less than ninety minutes, first-time director Ryan Coogler’s straightforward yet piercing Fruitvale Station introduces you to your new best friend, lets you hang out with him for a while, shows him at his best and worst, and then punches you in the chest while forcing you to watch helplessly as his life is taken right in front of you.

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“Elysium”: Heavy are the Burdens of the Exosuit Gladiator

Matt Damon, Sharlto Copley, Elysium

Answering the most important question first: no, Elysium is nowhere near as revelatory as writer/director Neill Blomkamp’s previous film, the Oscar-nominated District 9. Constructed with four times the budget and ten times the star power, Blomkamp’s latest Important-Message sci-fi actioner is just as visually accomplished, but delivers a fraction of the impact.

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“Batman ’66”: My New Favorite DC Comic

Jeff Parker, Jonathan Case, Batman '66, DC Comics

When I was a kid, Adam West and Burt Ward were the first super-heroes I remember following on TV. Less wooden than the Super-Friends, beset by better villains than Marvel’s 1970s live-action TV offerings, and a few years ahead of Spider-Man and His Amazing Friends, syndicated reruns of the 1966-1968 Batman TV show were a staple of my afternoon viewing.

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So There’s a Scene During “The Wolverine” End Credits

Hugh Jackman, Rila Fukushima, The Wolverine

For the first 2½ acts, The Wolverine is an engrossing slow-burn psychological thriller about the crippling effects of grief, powerlessness, sin, rediscovering your life’s purpose, and stranger-in-a-strange-land culture clash, all nestled inside an outlandish but well-oiled martial-arts flick that easily outclasses the previous Wolverine solo film. That being said, this is a rare instance of a Marvel film that would’ve functioned more cohesively if super-villains had been kept out of it altogether.

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“Turbo”: Routine Underdog Learns Lessons about Perseverance, Self-Promotion

Ryan Reynolds, Paul Giamatti, Turbo, DreamWorks

Reynolds. Giamatti. Turbo.

Midlife Crisis Crossover calls Turbo the Best Indianapolis Tourism Ad of the Year!

That was my first impression, anyway. It’s rare that Hollywood sets a big-budget motion picture in my hometown. The last film to use us, Eagle Eye for a single action scene, couldn’t be bothered to research our geography on Google Maps and pretended that 72 West 56th Street is a crowded financial district like downtown Boston. Local pro tip for future filmmakers: 72 West 56th puts you in a highly tree-filled residential area between the wooded Butler University campus and the trendy bars of Broad Ripple.

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