MCC Home Video Scorecard #15: Oscar Quest 2019 Extra Credit

First Reformed.

Ethan Hawke isn’t a big fan of superhero films, but he’s perfectly okay with bold costumes.

Previously on Midlife Crisis Crossover: the recurring feature that’s more like a newsletter in which I’ve jotted down capsule-sized notes about Stuff I Recently Watched at home. In this batch as well as the previous one: the past few months’ worth of comfy-chair viewing as prep for this Sunday’s Academy Awards ceremony, except this year I went overboard and decided to see how many the nominees I could catch from other categories, either free via legal means or via existing streaming-service subscriptions. As it turns out, quite a few, mostly documentaries but that’s not a bad thing.

But first, an Original Screenplay nominee I’d been curious to see for a while:

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MCC Home Video Scorecard #14: The Oscar Quest 2019 Home Game

A Star is Born!

Lady Gaga and Rocket Raccoon present the “Guardians of the Gaga” tour!

Previously on Midlife Crisis Crossover: the recurring feature that’s more like a newsletter in which I’ve jotted down capsule-sized notes about Stuff I Recently Watched at home. In this batch as well as the next: the past few months’ worth of comfy-chair viewing as prep for this Sunday’s Academy Awards ceremony hosted by a disembodied sense of doom, featuring at least five musical numbers (minus The Weeknd and SZA but including the un-nominated Queen), spurring endless tired jokes about the runtime, and pumping up the jams for any winners from the ABC/Disney mega-conglomerate.

This year the Best Picture nominees number eight in all. In past entries we covered Black Panther, The Favourite, Vice, Bohemian Rhapsody, and Green Book. Here, then, are brief notes on the final three to complete the octet.

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“Green Book”: Side by Side on My Piano Keyboard

Green Book!

Stars of the new Norman Lear sitcom Aragorn and Cottonmouth.

As a longtime fan of road trips, I spent more of Green Book‘s running time looking forward to Our Heroes seeing the sights, maybe filming on location and giving us new travel ideas. And if they go back in time and cure racism while they’re at it, so much the better.

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“Bohemian Rhapsody”: No Escape From Reality

Bohemian Rhapsody!

Spot all the deeply meaningful moments with mirrors and win prizes!

Off the top of my head, here’s a quick ranking of the Best Picture winners and nominees directed by alleged sexual villains that I’ve watched to date:

  1. The Pianist
  2. Platoon
  3. Chinatown
  4. Born on the Fourth of July
  5. JFK
  6. Annie Hall
  7. Bohemian Rhapsody
  8. Midnight in Paris

…there could be more I’ve forgotten, or whose allegations are off my radar. I know there’re a few I’ve yet to see, such as Hannah and Her Sisters. Hollywood’s moral turpitude is nigh impossible to reconcile with single-minded pursuits such as my annual Oscar Quest, in which I watch every new Best Picture nominee no matter what, come what may, even if I have opinions and regrets about it in advance.

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The MCC 2019 Oscar-Nominated Live-Action Short Film Revue

Skin!

When Rated-M video games seem hokey after Daddy’s taught you how to use a sniper rifle.

Each year since 2009 my wife Anne and I have paid a visit to Keystone Art Cinema, the only fully dedicated art-film theater in Indianapolis, to view the big-screen release of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but we appreciate this opportunity to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether we agree with their collective opinions or not.

Unfortunately a change in circumstances and an issue of lousy showtimes led to us shaking up our tradition this year. We both attended a showing of the Best Animated Short Film nominees, but Anne missed out on the Best Live-Action Short Film nominees. My son tagged along in her place and share in what he later described as “a day-ruining experience”. Not that the shorts were awful per se, but the nominating committee and/or this year’s filmmakers went super dark. They weren’t quite as appalling as past incidents when Live-Action Short Film nominees have sprung an occasional grueling rape scene on us, but one in particular is more emotionally scarring than any of this year’s eight Best Picture nominees. Fair warning to anyone who decides to casually check these out when they’re available online February 19th.

And now, we present our ranking of this year’s five nominees, four of which center on the subject of children killing or being killed. Um, enjoy?

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Yes, There’s a Scene During the “Vice” End Credits

Vice!

Jason Alexander IS Charles Foster Kane!

Writer/director Adam McKay’s The Big Short remains one of my favorite Best Picture Oscar nominees from the past few years, and not just because I was thrilled to see our mortgage companies getting dragged on the silver screen. I was less enthusiastic when I saw the trailer for Vice because I’ve developed an anti-partisan revulsion to the sight of 21st-century politics anywhere outside Twitter, which, despite careful curation, is roughly 85% all about 21st-century politics on any given day, even on slow news days. Sooner or later every discussion finds a way to go there, even in the sharing of cute animal GIFs.

Cross-pollination into movies was inevitable in this climate, what with the creative arts being one of the more profitable forms of protest and dissemination. But it’s a Best Picture nominee, so I stuck to my tradition and here I am.

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Old Guy with a PS3: Year 4 Results

Red Dead Redemption!

This throwaway exchange in the original Red Dead Redemption turned into foreshadowing for me. I see what you did there, grizzled frontier helper guy.

Previously on Midlife Crisis Crossover, at the beginning of 2016:

As a kid, I frequented video arcades regularly. As a parent, my son and I spent a good decade playing games together on his various systems. When he graduated and moved away to college, he took all his systems with him, leaving me with only my old Nintendo that won’t play cartridges unless you keep the Game Genie firmly inserted, and an Atari Plug-‘n’-Play Controller I got for Christmas a few years ago that interested me for about two weeks. On Black Friday 2014, I decided I wanted back in the 21st century gaming mode and picked up a used PS3.

Naturally I started off a generation behind the rest of the civilized world, but I didn’t care. After fifteen months without, holding a controller felt abnormal and rusty for the first few weeks. Once I got used to it again and figured out how to disable the “Digital Clear Motion Plus” feature on my TV, I could shake the dust off my trigger fingers, choose the games I wanted to play, sprint or meander through them at whatever pace I saw fit, and try some different universes beyond Final Fantasy and our other longtime mainstays. The following is a rundown of my first year’s worth of solo PS3 adventures…

…and it’s been a minor MCC annual tradition ever since. Last year’s entry covered how I spent literally all my gaming time in 2017 on Borderlands 2, which fascinated me on all the right guilty-pleasure levels. 2018 was a bit more varied, though not vastly so. I found myself skipping more gaming sessions than usual as other hobbies, responsibilities, and conventions overtook my schedule and kept the ol’ PS3 waiting. The following is a rundown of my retro gaming in that busy year, in two or three short sessions per week, in the order played and with my trophy percentages included to reinforce the fact that I’m neither a gaming wizard nor a helpless grandpa:

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Oscar Quest 2019: “The Favourite”

The Favourite!

The producers guarantee no one in the audience shall be snoring during the final minutes of this motion picture.

It’s that time again! Longtime MCC readers know this time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1997 to the present, and look forward to pushing that statistic even farther back into cinematic history if only some kindly studio or lawyers would rescue Mike Leigh’s 1996 improv drama Secrets & Lies from its peculiar, long-standing Region 1 banishment. To this day it’s not available on a single streaming service, not even Amazon Prime. Seriously, I have been aggravated about this for nearly twenty years. CRITERION, I AM BEGGING YOU, PLEASE HELP IT AND ME IN THAT ORDER. Netflix? Kanopy? TCM? Anyone?

Ahem. Sigh. Anyway.

First in line is Yorgos Lanthimos’ The Favourite, a film that checks off two squares on the 21st-century Best Picture Nominee bingo card: “British history” and “sexy-time nudity”, though not as much of the latter as I’d expected and yet more than I ask for in any given film, which is none.

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The MCC 2019 Oscar-Nominated Animated Short Film Revue

One Small Step also!

To infinity and beyond!

Each year since 2009 my wife Anne and I have paid a visit to Keystone Art Cinema, the only fully dedicated art-film theater in Indianapolis, to view the big-screen release of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but we appreciate this opportunity to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether we agree with their collective opinions or not.

Once upon a time we would do both sets as a one-day double-feature date, which gives us time between showings to look around the fashion mall connected to the theater. This year we couldn’t accommodate both in our schedule, but kept half the tradition alive. What follows, then, is my rankings of this year’s Animated Short Film nominees, from fine to finest. All five were likable in their own ways and difficult to rank without getting arbitrary. Three were hand-drawn animation. Three featured Asian or Asian-American main characters. Three had their end credits squashed to half-screen to make space for the directors’ “Oscar Nomination Morning Reaction Videos” squeezed into the other half. Three were silent for the sake of “universal appeal”, which I suppose saves them money by not having to pay any top-tier voice actors.

If they’re not showing at a theater near you and/or if don’t mind waiting, the complete set will be available February 19th on assorted streaming services. (Barring any convenient changes in our theater’s schedule next week, we may have to settle for watching the Live-Action Short Films via Google Play.) Links are provided to official sites where available if you’re interested in more info. Enjoy where possible!

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Sorting Out the “Glass” Menagerie

Glass!

Nick Fury, Professor X, and John McClane walk into a hospital…, or, if you prefer, John Shaft, Mr. Tumnus, and David Addison…

Sometimes I’m too persuadable for my own good.

I saw M. Night Shyamalan’s Unbreakable in theaters way back in 2000, thought it had intriguing concepts and believable use of a comics-fandom backdrop, but I lost patience with its plodding, lugubrious tone (years before The Walking Dead and Marvel’s Netflix shows made snail-speed pretentiousness an acceptable norm) as well as the Dragnet-esque text-only ending that cheated the viewer out of any earned closure. Cutting a story short after the final twist worked well for Rod Serling, but not so much for other writers.

I saw Shyamalan’s Split in 2017 when word-of-mouth suggested we could call it a comeback, but it lost me with its To Be Continued ending that recast the otherwise taut thriller as the second chapter in Shyamalan’s very own superhero universe.

That brings us to the final act of the trilogy, Glass. I’ve skipped several Shyamalan films, but curiosity got the best of me. Was there a remote chance it would tie together the threads of the first two films with some sense of thematic satisfaction and retroactively redeem them, or at least provide a better sense of closure? Dare I hope?

Yep, I dared.

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Best CDs of 2018 According to an Old Guy Who Bought 6

2018 cds!

Pretty sure that paltry number still puts me in the upper 10% of American physical media shoppers.

It’s that time again! The annual entry where I look back at the previous year as one of seven people nationwide who still prefers compact discs to digital. I’d probably also count myself among the trendier listeners still collecting vinyl if my last record player hadn’t given up the ghost about twenty years ago. I don’t splurge too much because it’s increasingly tougher for new music to catch my ear as I grow older and more finicky, and as my favorite acts of yesteryear die, stop recording, or turn toward musical directions that take them beyond my zones of interest. That usually means missing out on what the majority loves, thus further dragging me down the long plummet into total irrelevance.

The following list, then, comprises every CD I acquired in 2018 that was also released in 2018. On with the countdown in all its lack of diversity, from the kinda-not-for-me to the unexpectedly inspirational.

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Our 2018 in Jazz Hands: Yet Another MCC Convention Photo-Op Gallery

Tom Hiddlest

Of all the pics to lead with, of course I’m going with the one Instagram loved most, apparently one of the year’s best Tom Hiddleston photos judging by their reactions. Big thanks to Ace Comic Con Midwest for making this magically possible.

Previously on Midlife Crisis Crossover: my wife Anne and I are big fans of geek/comic/entertainment conventions. Sometimes we shell out for photo ops with actors from our favorite movies and TV shows. If they’re amenable and don’t mind taking posing suggestions from a pair of eccentric fortysomethings shaped like two lumpy bags of potatoes, our favorite theme is jazz hands. We’re not dancers and we’ve only attended two Broadway shows so far, but we love the idea of sharing a moment of unbridled joie de vivre with anyone who’s game. We can’t remember which of us had the idea first, though the inspiration surely came from a few different possible sources we share. So it’s our thing now.

We previously compiled collections of our first three years of jazz-hands photos (including one that was once used in Wizard World Chicago advertising materials), followed by a complete roundup of our 2017, the year we attended way too many cons for our own good. We didn’t expect 2018 to resemble 2017, but in tallying up the results it struck me that we had a pretty decent — and, if I may say, jazzy — year after all.

After the way our past two months have gone off the rails, we’re confident 2019 will be dramatically scaled back whether we like it or not. While we’re working on finding ways to make austerity measures entertaining, please enjoy the following clipfest starring a plethora of talented folks who have impressed us in movies or on TV who were willing to play along with all that jazz.

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My 2018 in Books and Graphic Novels, Part 3 of 3

Best Books of 2018!

I didn’t rank all 62 books in order, but here’s my Top 6 of the year.

Previously on Midlife Crisis Crossover:

Time again for the annual entry in which I remind myself how much I like reading things besides monthly comics, magazines, and self-promotion from internet users who have me muted. Despite the lack of MCC entries about my reading matter, I’m always working on at least two books at a time in my ever-diminishing reading time. I refrain from full-on book reviews because nine times out of ten I’m finishing a given work decades after the rest of the world is already done and moved on from it. I don’t always care about site traffic, but when I do, it usually means leaving some extended thoughts and opinions unwritten due to non-timeliness.

Presented over this entry and the next two is my full list of books, graphic novels, and trade collections that I finished reading in 2018, partly but not entirely in order of completion. As I whittle down the never-ending stack I’ve been stockpiling for literal decades, my long-term hope before I turn 80 is to get to the point where my reading list is more than, say, 30% new releases every year. That’s a lofty goal, but I can dream.

As with last year’s experiment, every book gets a full capsule summary apiece, because 29 years of reading Entertainment Weekly have gotten me addicted to the capsule format. The list is divided into a three-part miniseries to post on back-to-back evenings in order to ease up on the word count for busier readers. Triple bonus points to any longtime MCC readers who can tell which items I bought at which comic/entertainment conventions we attended over the past few years.

Part One is linked above. Part Two contained a bunch more. And now: the other part. Onward! One last time! For the trilogy!

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My 2018 in Books and Graphic Novels, Part 2 of 3

Library books!

We’ll not be covering the 108 books that my wife read in 2018, but you can glimpse a few of them in this library haul. Guess which one of these four was my selection and win no prizes!

Previously on Midlife Crisis Crossover:

Time again for the annual entry in which I remind myself how much I like reading things besides monthly comics, magazines, and self-promotion from internet users who have me muted. Despite the lack of MCC entries about my reading matter, I’m always working on at least two books at a time in my ever-diminishing reading time. I refrain from full-on book reviews because nine times out of ten I’m finishing a given work decades after the rest of the world is already done and moved on from it. I don’t always care about site traffic, but when I do, it usually means leaving some extended thoughts and opinions unwritten due to non-timeliness.

Presented over this entry and the next two is my full list of books, graphic novels, and trade collections that I finished reading in 2018, partly but not entirely in order of completion. As I whittle down the never-ending stack I’ve been stockpiling for literal decades, my long-term hope before I turn 80 is to get to the point where my reading list is more than, say, 30% new releases every year. That’s a lofty goal, but I can dream.

As with last year’s experiment, every book gets a full capsule summary apiece, because 29 years of reading Entertainment Weekly have gotten me addicted to the capsule format. The list is divided into a three-part miniseries to post on back-to-back evenings in order to ease up on the word count for busier readers. Triple bonus points to any longtime MCC readers who can tell which items I bought at which comic/entertainment conventions we attended over the past few years.

Special shout-out to our local library, source of a few of the books in this section. Also, please note the numbers don’t represent rankings. They were merely to help me count toward my grand total. On with the countdown! Some more!

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My 2018 in Books and Graphic Novels, Part 1 of 3

books 2018!

Other than a handful of library selections not pictured, this is the complete 2018 reading list.

Time again for the annual entry in which I remind myself how much I like reading things besides monthly comics, magazines, and self-promotion from internet users who have me muted. Despite the lack of MCC entries about my reading matter, I’m always working on at least two books at a time in my ever-diminishing reading time. I refrain from full-on book reviews because nine times out of ten I’m finishing a given work decades after the rest of the world is already done and moved on from it. I don’t always care about site traffic, but when I do, it usually means leaving some extended thoughts and opinions unwritten due to non-timeliness.

Presented over this entry and the next two is my full list of books, graphic novels, and trade collections that I finished reading in 2018, partly but not entirely in order of completion. As I whittle down the never-ending stack I’ve been stockpiling for literal decades, my long-term hope before I turn 80 is to get to the point where my reading list is more than, say, 30% new releases every year. That’s a lofty goal, but I can dream.

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My 2018 at the Movies, Part 2 of 2: The Year’s Least Worst

mary poppins returns!

Off we go!

Previously on Midlife Crisis Crossover: In 2018 I made 24 trips to the theater to see films made that same year. In Part 1 we ranked the bottom twelve. And now, the countdown concludes with the twelve most relatively awesome:

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My 2018 at the Movies, Part 1 of 2: The Year’s Least Best

pacific rim uprising!

We live in topsy-turvy times when Transformers don’t star in the worst robot film of the year.

It’s listing time again! In today’s entertainment consumption sphere, all experiences must be pitted against each other and assigned numeric values that are ultimately arbitrary to anyone except the writer themselves. It’s just this fun thing some of us love doing even though the rules are made up and the points don’t matter.

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“First Man”: The Last 2018 Review

first man!

If that had been me in 1969, the first several recorded minutes of the moon landing would’ve been me screaming, “AAAAAHHH! THAT’S THE MOON! WE’RE ON THE FREAKING MOON! AAAAAAHH! AAAAAAAAAAAAAAHHHHHHHH!”

Here at Midlife Crisis Crossover we try not to hold ourselves to too many fixed rules, but one I haven’t broken yet is: every film I see in theaters gets its own full-length entry. Sometimes they can take a while because I get distracted by other things I’d rather write about first. Sometimes shifting into overthinking mode takes more brain muscle than I care to exert. Sometimes I don’t feel like a movie needs more than a shrug and a “meh”, but I refuse to settle for a three-word entry. Sometimes I’m not enthusiastic about sharing candid thoughts on a film I thought would be much better than it was, and would rather see succeed despite my tepid reaction to it, particularly if it’s not doing well in theaters in the first place.

That reluctance brings us to First Man, the latest film from Damien Chazelle, director of La-La Land and Whiplash, two films I loved. Our family saw it back in October on its second week of release. In the past we’ve sought out spaceflight history in our entertainment as well as in our vacation choices (cf. Kennedy Space Center, the Cosmosphere, et al.). I assumed this would be one of my favorite films of the year.

it kinda wasn’t. Hence the nearly three-month delay on the mandatory wool-gathering. But I can’t get to my annual “Best/Worst of the Year” pop culture listicles until and unless I finish all the movie entries first. So here we go, checking the one missing box. Because it’s always exciting when you have to force yourself to write.

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“Bumblebee”: Bay Ban Breeds Better Bug-Bot Battle Ballet

bumblebee!

Not quite life-size, but close.

“Midlife Crisis Crossover calls Bumblebee the Greatest Transformers Film of All Time!” is how I expected to lead off this entry. With Michael Bay out of the director’s chair (though still credited as an executive producer) and replaced by Travis Knight (Kubo and the Two Strings), it couldn’t possibly be another empty failure.

After seeing the film, which was fine, I’m not yet feeling the “Greatest” superlative.

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“Mary Poppins Returns”: Sequel Gal a Frabjous Mystic, Extra Braggadocious

Mary Poppins Returns!

Meanwhile in the evil Mirror Universe, a misbegotten Mary Poppins reboot rues its poor box office and looks upon our universe’s sequel in envy.

Anne and I haven’t watched the original Mary Poppins in 35-40 years. We had considered revisiting it before lining up for director Rob Marshall’s showy happy sequel, but all the legal streaming services wanted twelve bucks or more for one (1) showing of one (1) 54-year-old film. We moved on without it.

I remember very little of the plot, but the songs have haunted me ever since. Credit goes mostly to the legendary songwriting team of Robert and Richard Sherman, and partly to my grade-school music teacher Mrs. Quebbeman, later Mrs. Surdi when she remarried. She taught us songs we never wanted to know (“Up with People”), didn’t notice when a few of us discovered the new fad called “lip-syncing” in sixth grade, assigned me solos in three consecutive Christmas programs while I still had a stable singing voice, and blessedly introduced us to the wonders of wooden percussion, “The Rainbow Connection”, “Danse Macabre”, and at least half the Mary Poppins soundtrack. For me the film may have faded, but the tunes remain etched into my brain. Long after all the useful parts have shut down, I’ll be in my bed humming the chorus from “Step in Time” till the end of days.

Sadly, Mrs. Surdi passed away about a month ago. She was firmly in my thoughts as Mary Poppins Returns played on. Thanks to her, I knew ahead of time there’s no way I’d like the sequel more than the original. But sometimes it’s nice to sit back, be patient, listen closely, and wait to be surprised at what sticks.

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