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Best CDs of 2018 According to an Old Guy Who Bought 6

2018 cds!

Pretty sure that paltry number still puts me in the upper 10% of American physical media shoppers.

It’s that time again! The annual entry where I look back at the previous year as one of seven people nationwide who still prefers compact discs to digital. I’d probably also count myself among the trendier listeners still collecting vinyl if my last record player hadn’t given up the ghost about twenty years ago. I don’t splurge too much because it’s increasingly tougher for new music to catch my ear as I grow older and more finicky, and as my favorite acts of yesteryear die, stop recording, or turn toward musical directions that take them beyond my zones of interest. That usually means missing out on what the majority loves, thus further dragging me down the long plummet into total irrelevance.

The following list, then, comprises every CD I acquired in 2018 that was also released in 2018. On with the countdown in all its lack of diversity, from the kinda-not-for-me to the unexpectedly inspirational.

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Mighty Mighty Bosstones and Dissonance & Dissent: Ska Night at the Vogue

Mighty Mighty Bosstones!

Never, ever let them forget your band’s name.

Dateline: August 21, 2018 — Tuesday night I found myself once again ignoring my social awkwardness issues and venturing out solo to the Vogue, Indianapolis’ number one nightclub for hosting bands that were in heavy rotation on my CD player throughout the ’90s. My wife Anne and I share a lot of important commonalities, but one of our smaller Venn diagrams is “musical preferences”. Nearly everyone I know with similar tastes lives in other states. Therefore I can either attend concerts alone, attend only when Anne wants to (not impossible but rare), make new friends to attend concerts with, or never experience live music again. Once every 1-2 years, I let option A win.

This year’s reason for me to leave the house and touch a dance floor: the Mighty Mighty Bosstones! If you don’t know the name offhand, your best chance of hearing them was the 1997 single “The Impression That I Get“, which achieved modest airplay beyond the usual alt-rock channels. They were among the first and few ska bands I listened to back in the day, still have four of their first five albums, but had lost track of them and countless other bands over the past 10-15 years. It was great to get reacquainted and find out they’re still recording and touring.

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