House Party at the Hall of Heroes

Hall of Heroes!

Gathered together from the cosmic reaches of the universe, here in this great Hall of Heroes, are the most powerful forces of good ever assembled: Captain America! Deadpool! Bucky! Cartoon Hulk! The Lizard!

My wife and I have a twice-yearly tradition of spending our respective birthdays together traveling to some new place or attraction as a one-day road trip — partly as an excuse to spend time together on those most wondrous days, partly to explore areas of Indiana we’ve never experienced before. My 2016 birthday destination of choice: the northern Indiana city of Elkhart, with a bonus stopover in South Bend, both some 100+ miles north of here. Elkhart was regrettably cut a little short because the weather was miserable and tried to freeze us in our tracks, but we had enough fun to fill out another four-part miniseries starring a candy factory tour, a super-hero roadside attraction, and a selection of the “art” in Elkhart. Also, food.

Part Two of Four: a birthday celebration for a venerated super-hero at a museum made by a fan for fans.

Right this way for a glimpse inside the Hall of Heroes Museum!

My Free Comic Book Day 2016 Results, Best to Least Best

Deadpool!

Our annual Free Comic Book Day tradition saw us once again at Indianapolis’ own Downtown Comics North, where cosplayers are always on hand to greet kids, accompanying adults, and regulars alike. Naturally for pop culture’s Year of Deadpool there was Deadpool, so please enjoy Deadpool because Deadpool.

On May 7th my wife and I had the pleasure of once again observing Free Comic Book Day, the least fake holiday of them all. Readers of multiple demographics, thankfully including lots of youngsters, flocked to our local stores and had the opportunity to enjoy samplers from all the major comic companies and dozens of indie publishers. This year’s assortment saw more all-ages comics than ever, so this wasn’t just an outreach to longtime fortysomething collectors who need no further enticement.

I never grab copies of everything, but this year I got a little more grabby than I thought. This entry was procrastinated days past its relevance expiration date because it took me that much longer to find the free time to read them all, even those I could speed through in three minutes flat. In my mind, regardless of total consumption minutes, each issue ought to be a satisfying experience for any new reader who opens the cover without any foreknowledge. Historically, each publisher’s offerings tend to fall into one of six story levels, ranked here in order from “Best Possible Display of Generosity and Salesmanship” to “Had to Slap SOMETHING Together, So Whatever”:

1. New, complete, done-in-one story
2. Complete story reprinted from existing material
3. A complete chapter of a new story with a proper chapter ending
4. Partial excerpt from an upcoming issue that will also contain all these same pages
5. No story, just random pinups or art samples
6. Disposable ad flyer shaped like a comic

Surprisingly, none of this year’s samples settled for option 5 or 6. Good show, publishers.

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Yes, There’s a Scene After the “Captain America: Civil War” End Credits

Civil War!

Chadwick Boseman leads an all-star cast in Black Panther: Civil War, quite to my delight.

The worldwide phenomenon about two unique individuals from very different worlds — one with his armor and his billions, the other with his enviable muscles and his onetime fervor for The American Way — will rank high among other films in the $300-million U.S. box office club at year’s end. Once again the major studios prove they’re still capable of putting out product that can contemplate serious topics even while reveling in visual dynamics and not shying away from moments of emotional intensity.

No, not the one with the Marthas’ boys in it.

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The One With “Batman v. Superman: Dawn of Justice” In It

Batman v. Superman!

Which grim-‘n’-gritty breakfast mascot’s product do you think should win: Batman Chocolate Strawberry cereal or Superman Caramel Crunch cereal? Both are real things now in stores, and they’re banking on this movie to sell them somehow.

Look, everyone else online had a turn venting about Batman v. Superman: Dawn of Justice the past few days, so I want my turn now. The TL;DR version:

* Not the worst Zack Snyder film ever
* Definitely not the worst super-hero film ever
* It had good things in it
* The good things were outnumbered
* I don’t actively root against DC’s films to fail, but I’m not gonna mollycoddle them with blind adulation, because superheroes are not my religion
* Filmmakers still don’t get Superman
* This movie is more about superpowers than about superheroes
* I’ve been collecting comics for 37 years and I’m 98% certain I’m not this film’s target audience
* If Monday night’s Supergirl/The Flash crossover was an Earth-1 team-up, BvS is its Earth-3 doppelgänger

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C2E2 2016 Photos, Part 8 of 9: Who We Met and What We Did

John Ratzenberger!

“Did you know the Visigoths actually invented comic book conventions back in the fourth century as an excuse to get together with family and draw unflattering caricatures of the Romans? True story…”

Previously on Midlife Crisis Crossover: my wife and I spent two days at the seventh annual Chicago Comics and Entertainment Exposition, where Midwest comics fans in particular and geeks in general gather together in the name of imaginary worlds from print and screen to revel in fiction and touch bases on what’s hot or cool at this moment in pop culture.

Last year Anne and I discussed the notion of no longer considering any conventions an automatic buy-in until and unless the guest list gave us a solid reason to commit. They’re expensive and the guest lists aren’t always tailored to our specific areas of fandom or nostalgia. When C2E2 added TV’s John Ratzenberger to their 2016 roster, he was the first sign that I knew we’d be there. From TV’s Cheers to every Pixar movie ever, ol’ Cliff Clavin has been a part of our lives from childhood to adulthood. We met him twice at C2E2 — once at his autograph booth, where he confirmed he’ll indeed return for Finding Dory, and once at his photo op, where we sensed he was not a jazz-hands kind of guy. ‘sokay, no harm done.

Right this way for the comics creators and the other big ’80s star we met!

C2E2 2016 Photos: Comics Costumes!

Silk + Luffy!

New Marvel meets modern manga: Silk and One Piece star Monkey D. Luffy.

Previously on Midlife Crisis Crossover: my wife and I spent two days at the seventh annual Chicago Comics and Entertainment Exposition, where Midwest comics fans in particular and geeks in general gather together in the name of imaginary worlds from print and screen to revel in fiction and touch bases on what’s hot or cool at this moment in pop culture.

In tonight’s photo gallery: costumes from your favorite comic books! Or someone else’s favorite comics, whichever. You’d think these would out number the other categories, but C2E2 attracts a diverse following of myriad tastes in reading material. Regrettably, it wasn’t till after we got home and I took inventory, when I realized Marvel and DC Comics were very nearly the only publishers represented in the “comics-based costumes” section. I have no idea how that happened, but it’s too late for retakes.

Regardless: onward!

Right this way for super-heroes, super-villains, and a few bonus movie characters!

C2E2 2016 Photos: We Are Here For Supergirl!

Jazz Hands Supergirl!

Finally, two guests who showed US how jazz hands are done.

Defying all expectations, Supergirl has become must-see TV in our house. I’ve yet to write about it here, but Twitter followers are (hopefully) used to me live-tweeting it on Mondays for fun and more fun. (I think most of the I’ll-follow-you-if-you-follow-me-and-also-please-buy-all-my-ebooks crowd already Muted me seconds after I followed them back anyway, so I may not be bothering as many people as I think.) The show has its occasional silly moments and head-scratching choices (many of them Maxwell Lord’s fault), but Kara, Alex, James, Hank/J’onn, MVP Cat Grant, and, yes, even Winn are a welcome sight to us.

Last year Anne and I discussed the notion of no longer considering any conventions an automatic buy-in until and unless the guest list gave us a solid reason to commit. C2E2’s early guest announcements for 2016 were okay, one of them pretty great. (We’ll get to him in a later entry.) Then they added special guests Melissa Benoist, the greatest Supergirl of all time, and former Grey’s Anatomy costar Chyler Leigh, who plays her adopted sister Alex. They sealed the deal for us.

Behold above the newest addition to our ongoing jazz-hands photo-op collection. Even after posing for pics with the hundreds of fans in front of us, their unstoppable enthusiasm bowled us over and won the con and the photo.

Right this way for a few pics from their Q&A!

C2E2 2016 Photos: Dance of the Mad Deadpools

Dance of the Mad Deadpools!

Toting around a boom-box blaring mad beatz, roaming the show and rapping all Friday long, that’s Deadpool on the left with his funky pal Spidey, whose costume is red enough that he basically counts as an honorary Deadpool.

Previously on Midlife Crisis Crossover: my wife and I spent two days at the seventh annual Chicago Comics and Entertainment Exposition — or “C2E2” to Ichabod Crane and other acronym haters out there — where Midwest comics fans in particular and geeks in general gather together in the name of imaginary worlds from print and screen to revel in fiction and touch bases on what’s hot or cool at this moment in pop culture. Larger shows like San Diego have garnered the nickname “nerd prom”, which I don’t care for because I have issues with the word “nerd”, but I’ll agree the always fascinating cosplayers make every con quite the extraordinary masquerade ball.

Longtime MCC readers know Deadpool cosplayers have been a rapidly growing demographic in previous cons. C2E2 is the first con we’ve attended since the Merc with a Mouth got his own movie in theaters that’s raked in a ridiculous $340 million at the American box office with no signs of stopping anytime soon. So naturally his variants once again ruled the dance floor and were the belles of the ball.

Right this way for Deadpool! Deadpool! DEADPOOL!

C2E2 Kicks Off Our 2016 Convention Season in Style

SuperAnne!

Longtime MCC readers may or may not remember last year’s C2E2 experience, in which Anne and I met Gene Ha, a fine comics artist who’s worked on past books I’ve collected such as Alan Moore’s Top 10, Fables, Starman, Global Frequency, and guest spots on assorted DC super-hero projects. In 2015 he was at C2E2 to promote his Kickstarter project for the hardcover graphic novel Mae. My Kickstarter moratorium was still in effect, but I bought another item from him instead and wished him well.

Thankfully the Kickstarter was a rousing success and Ha had copies of Mae for sale today at C2E2. Buyers at the show (e.g., me ) were also entitled to a “small doodle” inside the front cover. The above photo is his idea of a “small doodle” — a drawing of my very own wife as Supergirl. Her one-time art-modeling role was his idea. When he suggested turning her into a super-hero, Supergirl’s was the first name that popped into my head. Anne is a lifelong Superman fan, and we’ve both been watching and enjoying the show. No-brainer.

This is many, many light-years above and beyond my expectations and may literally be the greatest purchase I’ve ever made at a con. I spent the next ten minutes just walking around with the book still open to sketch of the woman I love by the Gene Ha.

So our 2016 convention season is off to a stellar start. I’m betting that sketch will be the pinnacle, but the next-best is yet to come!

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Happy Belated National Brotherhood Week!

Brotherhood Week Quiz!

1959 PSA commissioned by DC Comics editor Jack Schiff. Artist not credited.

Last month a dead holiday went and passed us by for thirtieth time in a row, and we all missed it. Shame on us. SHAME.

But are we worthy enough to celebrate it? Take the vintage quiz and check your own tolerance levels. Well, not you cabbage lovers. You people are monsters.

Right this way for more about National Brotherhood Week!

The Springs in Fall — 2015 Photos #18: Colorado Comics Cavalcade

Mile High Comics!

Captain Woodchuck, the official mascot of Mile High Comics, welcomes you to the wonderful world of graphic storytelling!

On our annual road trips I usually hold off on my weekly comics fix until after we return home. It’s a selfish impulse I’m fine with deferring for the sake of family quality time, because a few of my least favorite travel memories involve shops in other states. It doesn’t help that some cities we’ve visited simply had no decent comic shops near any of the points of interest on our to-do list. Between the late-’90s Heroes World debacle and the late-’00s recession, America has several thousand fewer comic shops than it used to when I was a kid. (Examples of both extremes: when we took Manhattan in 2011, you can bet I swung us by Midtown Comics’ two-story location in the city with the mostest. On the other hand, our 2015 journey to New Orleans found exactly zero shops in the French Quarter or in the CBD/downtown district to the south.)

But this wasn’t our usual trip. With Anne’s business matters keeping her preoccupied and frazzled, I was free to plan my one-man sightseeing as I saw fit, to drive wherever I wanted to drive, to indulge in whatever flights of fancy came to mind without any companions to bore. So when I woke up on Day Four, a Wednesday as it so happened, I had two major events coded as Priority One, and one of them was a very special out-of-town New Comic Day.

Right this way for pics and shopping list for my one-day three-shop experience!

Comics Update: My 2015 Faves and My Current Lineup

Archie!

After 37 years of collecting, 2015 was the year I first bought more than two Archie comics in a row. From the new Archie #1; art by Fiona Staples and Andre Szymanowicz.

Comics collecting has been my primary geek interest since age 6, but I have a tough time writing about it with any regularity. My criteria can seem weird and unfair to other fans who don’t share them. I like discussing them if asked, which is rare, but I loathe debating them. It doesn’t help that I skip most crossovers and tend to gravitate toward titles with smaller audiences, which means whenever companies need to save a buck, my favorites are usually the first ones culled. I doubt many comics readers follow MCC anyway, so it’s the perfect place to talk about comics all to myself. Whee.

Anyway: time again for another list of lists with comics in them!

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The Desperate Search for the Rare, Elusive, Original Reboot Joke

Extreme Scooby!

All-new all-different Scooby-Doo art by DC Comics VP Jim Lee. To the EXTREME.

Just when you thought entertainment corporations had cooled down on the idea of rebooting their property catalogs, along comes a day like today to remind you to stop overestimating entertainment corporations. This morning Entertainment Weekly reported Hanna-Barbera has struck a deal with DC Comics — that bastion of work-for-hire literary integrity — to jump-start some of its most well-known characters as 21st-century comics for a new generation who doesn’t know them and/or an old generation that will shell out money for any repackaged remnants of their childhood.

The article linked above includes teaser images from DC’s planned reboots of Scooby-Doo (now with weapons and tattoos!), the Flintstones (realistic proportions + painful Stone Age puns = PROFIT), Space Ghost and Brak (no more Adult Swim irony, natch), and more. (Jonny Quest’s cast looks surprisingly unchanged, but we’ll see what happens after half of them are killed in the first issue.) The official press release offers additional details omitted from the EW summation, including the part where the Scooby Gang will be fighting nanites, which are now officially Over if they weren’t already. (Trivia undisclosed in the article: DC, Hanna-Barbera, and EW share the same giant parent company.)

It didn’t take long for Twitter to burst into laughter and kick off another round of reboot jokes. Within the first thirty seconds after I caught the news, I next saw other users lining up to brainstorm concepts for a grim-‘n’-gritty Yogi Bear, scoffing about a Jabberjaw revival, hoping Mighty Man and Yukk were up for grabs, and so on. By the time I got home after a long work day and in a better position to interact, I didn’t even bother checking Twitter because I assumed all the best jokes and obvious intellectual properties were spoken for, and my late contributions would be tired and redundant. What’s a sarcastic guy to do?

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My 2015 in Books and Graphic Novels

Library of Souls!

Ransom Riggs’ Library of Souls, one among a handful of 2015 books I actually read in 2015.

Time again for the annual entry in which I remind myself how much I like reading things besides monthly comics, magazines, and tweets by followers who have me on Mute. Despite the lack of MCC entries about my reading matter, I’m always working on a book or two in my ever-diminishing reading time. I refrain from full-on book reviews because nine times out of ten I’m finishing a given work decades after the rest of the world is already done and moved on from it. I don’t always care about site traffic, but when I do, it usually means leaving some extended thoughts and opinions unwritten due to irrelevance.

Presented below is my full list of books, graphic novels, and trade collections that I finished reading in 2015, mostly but not entirely in order of completion. As I whittle down the never-ending stack I’ve been stockpiling for literal decades, my long-term hope before I turn 70 is to get to the point where my reading list is more than, say, 40% new releases every year. That’s a lofty goal, but I can dream

Right this way for another Reading Rundown!

A Cavalcade of Comics and Cartoons in Columbus

CXC Banner!

This weekend ushered in the inaugural Cartoon Crossroads Columbus, an intentionally different comics show from what we’re used to seeing here in Indianapolis. As conceived and executed by Bone creator Jeff Smith, Comics Reporter journalist Tom Spurgeon, and no doubt a sturdy support network of other talents, CXC promised no actors or celebrities, no mainstream publishers, no costume contest, no cosplay, no gaming, no super-sized convention center, no inedible convention center food, no back-issue longboxes, no action figures, and no bobbleheads. CXC was an aesthetically purified form of literary/art show about comics, featuring a lot of people who make comics better, from within the local community as well as from distant parts.

As a longtime comics fan who needs more than super-heroes in his reading list, I found their guest list intriguing and populated with the kind of principled names we’re likely never to see at a Wizard World show. I deeply regret we had a limited time frame to spend there, but my wife, who only recognized one name on the entire guest list, was happy to tag along and let me immerse myself for a few hours, even though it meant a three-hour drive each way through an unsightly rainy day. We met several creators, we attended one Q&A, I came away with a potentially fascinating reading pile, and we had just enough time left over for some bonus comics sightseeing a few miles up the road.

Right this way for a selection of pics from our experience!

Grieving the Erasure of Your Favorite Corporate-Owned Universe

DC: Where Legends Live!

DC Comics house ad from The Flash #339, cover-dated November 1984. A lot of ’80s characters are no longer around, and it’s been decades since fans begged DC to bring back “legends” like these.

We live in an entertainment culture where we take it as given that all the best ideas were conceived before we were born, so trying to forge new universes seems like too much effort. Reboots used to be a desperation move, but anymore they’re the norm for luring in new fans — not just for work-for-hire companies with an intellectual property catalog to keep fertile and growing, but for artists, writers, and filmmakers all too happy to make a lifelong career out of perpetuating the lives and histories of worlds and heroes they didn’t invent themselves. It’s a living.

It’s easy to scoff at reboots when they’re happening to characters that don’t matter to you. If you’re a geek for long enough, though, sooner or later they’ll get to a universe you do care about.

I’ve been there. I remember the first time I had a universe yanked out from under me.

Right this way for memories and lessons about two universes with a lot in common…

The Twilight Years of the Back Issue Hunter

Comics!

Once upon a time, at the very first comic book shows I attended as a teen, rooting through back issue bins for missing comics was the only thing I wanted to do. Once a year or so, my mom would drive me to the Marriott out at 21st and Shadeland, where the Ash Comics Show brought a bunch of dealers and collectors into a single ballroom and let them sell the heck out of comics — shelves, spinner racks, and packed longboxes from wall to wall. A few published artists would come in as guests. A TV and some chairs set up near the entrance passed for an anime viewing area. There may have been related events in another room or two. But mostly I wanted to plug the holes in my comics collection. The thrill of the hunt, the joy of discovery, the satisfaction of completism — whatever you call it, that’s how comics were my anti-drug.

I tried to get into the spirit in time for Wizard World Chicago last month. I took the above pic while going through my organized accumulation as a reminder to myself of the joy I once had rifling through hundreds of comics at a time in hopes of striking reader gold. I spent a couple of nights shifting from box to box, reuniting with old series, reliving classic arcs, stumbling across #1s I forgot I had (Reign of the Zodiac? That was a thing?), and generally immersing myself in the old-timey smell of newsprint and the nostalgic sight of crinkled, battered covers from decades past.

I was thiiis close to wanting more back issues. It almost worked.

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“Fantastic Four” a Maddening Marvel Mishmash

Human Torch!

Michael B. Jordan gets into character while the film crew shields themselves from the toxic work environment.

As a longtime comics fan, John Byrne’s Fantastic Four was one of my favorite Marvel series as a kid. Years later I developed an appreciation for the first 103 issues in which Stan Lee and Jack Kirby gave us some of the greatest stories among their many collaborations. My FF fandom came and went as creative teams, interpretations, and times changed, but I have fond memories of great runs by Walt Simonson, Dwayne McDuffie and Paul Pelletier, Mark Waid and Mike Wieringo, and the long-forgotten team of Doug Moench and Bill Sienkiewicz (#219, 222-231) who introduced Marvel’s First Family to this impressionable eight-year-old. I have those runs, and I have my warm memories, but my emotional attachment to them as individual characters has faded enough over time that I’m open to seeing new and different reinterpretations. Honestly, though, I haven’t encountered a worthwhile use of the FF in years.

Meanwhile in the more recent past, I previously named Chronicle my favorite film of 2012. A previous entry already used up a couple hundred words explaining what impressed me about this found-footage mini-epic that imagined what would happen if one of Disney’s Witch Mountain films were remade as an episode of Black Mirror. Credit remains due to lead actors Dane DeHaan, Alex Russell, and The Wire‘s Michael B. Jordan; to screenwriter Max Landis making a heck of a feature-film debut; to cinematographer Matthew Jensen, editor Elliot Greenberg, and numerous other cast and crew members for an experience that still rattles me whenever I think back to key scenes.

In the MCC capsule summary I’d expressed my hopes of seeing big things from director Josh Trank in the future. Here we are today, living in that bleak future where the boundaries of Chronicle‘s imagination are visible in maybe two sequences from Fox’s newly rebooted Fantastic Four, which was mostly directed by Trank and finished by a producers’ committee using Trank as their contractually subjugated proxy/scapegoat. In a short-lived tweet last week Trank publicly blamed the studio for all the faults in the finished product. The multiple flaws that riddle this slipshod corporate product from start to finish belie Trank’s sorry attempt at a total cop-out.

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Happy July 4th from My Favorite Patriotic Marvel Comic Ever

What If? 44!

Except where noted, all art in this entry is by Sal Buscema, Dave Simons, and George Roussos.

Behold the big save-the-day rallying moment from What If? (vol. 1) #44, cover-dated April 1984, which left an indelible impression on me when I was eleven. Three decades later you can take this dramatic splash page totally out of context and pretend it’s symbolic of you as the one true arbiter of What America Is Really All About, Spider-Man and alt-universe Sam Wilson’s army are your friends who agree with you on everything as far as you know, and the other Captain America is everyone whose idea of America is the exact opposite of yours, thus making them evil impostors who must be crushed. With all those Zip-a-Tone layers giving it more lighting depth than any other page in the issue, I have no idea why no one ever turned this into a poster.

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Marvel’s New “Star Wars” Comics: 6-Month Progress Report

Star Wars 6!

This month in Star Wars #6: Boba Fett tries to prove he’s not a loser by going after Luke Skywalker. “Go big or go home,” I guess. (Art by John Cassaday and Laura Martin.)

Marvel’s takeover of the Star Wars comics license from Dark Horse is nearly halfway through its first year, having published a combined eighteen issues to date between three ongoing series and one miniseries thus far. In our household I’m the one with the lifelong comics habit, while my wife is the dedicated Star Wars fan. I have dozens of longboxes; she has a six-foot shelf overflowing with hundreds of Expanded Universe novels. Strictly speaking, Star Wars comics are among those few releases that hold potential interest for both of us. Her enjoyment of Dark Horse’s output outlasted mine by a wide margin, but we’re in a new era and a new universe now, with different creators, different priorities, and different results.

Fair warning for context: I’ve seen all six films multiple times (a couple of them way too many times), but Star Wars is not one of my primary geek specialties as it is for her. My perceptions of George Lucas’ favorite galaxy are skewed because I experienced the original film trilogy in the following order:

1. Heard about the original Star Wars from friends while my mom went to see it without me
2. Bought and read the Empire Strikes Back novelization from a school book fair
3. Saw Return of the Jedi twice in theaters, then read the Goodwin/Williamson comics adaptation
4. Years later, saw Star Wars
5. A decade or so after that, possibly after high school, saw ESB

Despite several attempts at reading random issues, I never got into Marvel’s original 114-issue Star Wars series, not even for Jax the giant green bunny. I read a smattering of Dark Horse works and liked a few things here and there, but I mostly bought them for my wife until and unless she told me to drop titles at her discretion. When I heard about Marvel’s acquisition and reboot using several of their top creators, I think I was more excited than she was. Then again, I’m not the one who just had thirty-odd years’ worth of treasured, memorized, extensively researched Expanded Universe history and intricacies tossed into a garbage chute by Lucasfilm Marketing. (Been there, done that, felt that pain. Welcome to my life as a fortysomething comics fan.)

In my skewed opinion as an old guy who likes comics more than Star Wars, Marvel’s current titles rank as follows from least best to definite best.

Right this way for MCC’s Top 4 countdown!