
“Mmmm, box office receipts.”
I usually avoid reading recommendations from coworkers because few among them share my tastes. (
Twilight? Not really aimed at me.
The Shack? ) Not only did I recently make an exception, I’m glad I did so, when I was allowed to borrow a copy of Ransom Riggs’ first novel,
Miss Peregrine’s Home for Peculiar Children. I’d read a review of it a while back in
Entertainment Weekly that stuck in my head because of the unusual creative conceit behind it: Riggs amassed numerous bizarre, disturbing, or just plain head-scratching yesteryear photos of haunting-looking children and developed a narrative to string them together. Granted, anyone with bad vacation photos could muster at least a short story out of their own useless outtakes, but the photos in question elevate the project several levels above that.
On an overly reductive level, it’s a WWII-set X-Men vs. Groundhog Day. Jacob Portman is a present-day 16-year-old misfit who finagles his way to an obscure island near Wales to investigate his sketchy family history after his grandfather dies under violent circumstances. A trail of mystery and oddities leads Jacob into a place outside of time where a most unusual headmistress presides over a coterie of kids with impossible powers and features, here called “peculiars” instead of “mutants” — living in secret inside an endlessly repeating day for their own protection. There are super-powers, magical feats, disgusting things, poetic moments, terrifying evils, an open ending that begs for further journeys, and that mad, mad picture collection. I was left satisfied and ready for more.
According to the author’s official website, as of February 2012 the book has been optioned for big-screen adaptation, with big names attached such as director Tim Burton and screenwriter Jane Goldman, between whom I can easily see this being renamed Big Fish: First Class.
Please note the Courtesy Spoiler Alert at this point, where I’m about to delve a little further into character specifics. If this is still on your reading pile, now’s the time for a graceful exit, and I look forward to seeing you tomorrow.
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