My 2014 at the Movies, Part 1 of 2: the Year’s Least Best

Horns!

Harry was pretty sure he’d gone terribly wrong somewhere on his Defense Against the Dark Arts homework.

Once again January is National List Month, that left-brained time of year when everyone’s last twelve months of existence must be removed from their mental filing cabinets, reexamined, and refiled in specific pecking order from Greatest to Most Grating. Here on Midlife Crisis Crossover, we enjoy our annual tradition of spending at least two posts looking back at our year in movies, trying to remember what we thought about them at the time and ultimately deciding which films can beat up which other films. When I reach that realization that my opinions sometimes change over time upon further reflection or second viewings, that’s when the process turns messy and I end up hating my own list. But internet bylaws insist it must be done. And I like lists more than I like internet bylaws.

The final tabulations reveal I saw 19 films in theaters in 2014 (tying with 2007 and 2010 as worst moviegoing years ever) and four via On Demand while they were still in limited release. This count doesn’t include seven 2013 films I attended in 2014 for Oscar-chasing purposes, or any films I watched on home video long after their theatrical run. As one sad example, this harsh rule of mine disqualifies Boyhood from the list since I just watched it via Redbox rental two nights ago. If I’d gotten out of the house for a three-hour theater visit just one more time last summer, it would’ve made my Top 3. Consider this paragraph my version of a Very Honorable Mention.

Links to past reviews and thoughts are provided for historical reference. On with the reverse countdown, then:

Right this way for the weakest of the herd!

“Boyhood”: a Living, Breathing, Three-Dimensional Scrapbook

Boyhood!

“Dad, the magical all-seeing crystal says to watch out for something called ‘the Purge’. Does that mean anything to you?”

The Oscars are coming! As longtime MCC followers should know, I’m one of those guys who makes a habit of seeing all the Best Picture nominees every year for fun and entertainment and amateur prognostication purposes. It’s been my thing since 1997 and there hasn’t been a nominee repugnant enough to ruin the ritual for me yet. I had a couple of close calls full of regret, to be sure, but so far I’ve not backed down.

With the official nominations announcement coming next Thursday morning, January 15th, I decided getting a head start on my marathon might not be a bad idea, especially if we end up with nine or ten films on the docket. By a stroke of luck and/or shrewd marketing calculations, this week saw the home-video release of one of the likeliest nominees, Richard Linklater’s Boyhood. Even if it somehow misses the shortlist because of a crowded field or ballet-box stuffing or whatever, no harm done here — I’d been wanting to see this one anyway. If I bothered with an arbitrary rating system, I’d give Boyhood seven out of five stars, an A-super-plus, a two-minute standing ovation, and the loveliest fruit basket I can afford.

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“The Battle of the Five Armies” Plus Martin Freeman as THE Hobbit

Azog the Defiler!

“Let’s take this once more from the top! Real actors to the south, CG replicants to the north, and…ACTION! STAB STAB STABBY-STAB STAB!”

The end of the beginning is here! The epilogue of the prologue has arrived! The grand finale that goes in the middle of the story, even though it was hardly there originally, is finally out! And now it’s time for Part 3 of 6: the Final Chapter!

In An Unexpected Journey we watched a disgruntled Tim from The Office saunter through dangerous territories and endure slovenly dwarven hijinks. In The Desolation of Smaug we watched a resourceful Dr. John Watson brave wild carnival rides and face the growly wrath of a super-sized, serpentine Sherlock Holmes. And now, in The Battle of the Five Armies, director Peter Jackson takes us on one last guided tour of Middle-Earth filled with racial politics, emotional turmoil, treasure addiction, star-crossed lovers, all-out war, Revenge of the Sith continuity knot-tying, video game magic, the world’s funniest riding animals, and a few special appearances by frazzled hitchhiker Arthur Dent. Closure is truly ours for the taking.

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Yes, There’s a Small Thing After the “Mockingjay Part 1” End Credits

Mockingjay Part 1!

From the Hollywood adaptation trend that brought you all the Part Ones of Harry Potter and the Deathly Hallows, The Hobbit, and Twilight, it’s split-sequel time once again with The Hunger Games: Mockingjay Part One. Its lean running time of 123 minutes, which includes roughly 15-60 minutes of visual-effects end credits, would suggest the complete finale to Suzanne Collins’ world-famous trilogy could’ve been translated into a single, epic-length film if dozens of pages’ worth of thinking, feeling moments had been deleted from the screenplay. Sure, why not whittle it all down to a more economical 154 minutes, the average run time of Michael Bay’s four Transformers movies? Less talk, more rock!

Meanwhile, the two-hour Fargo is adapted into a ten-episode TV season, and no one reacts with a facepalm. Critics find it in their heart to forgive and bestow glowing approval upon it.

Making extra movies doesn’t have to be a sin in and of itself. The question is, can they make the extra space worth our time and money? Or would you like to be the fussy producer who tells director Francis Lawrence, “I’m sorry, but we only want one film, so you’ll need to give us less Phillip Seymour Hoffman”?

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MCC Home Video Scorecard #4: Desert, Dessert, Cops and Flops

Last Action Hero!

Hey, remember when he was in movies? Good times, am I right? Oh, hey, there’s Schwarzenegger on the right, too.

Previously on Midlife Crisis Crossover: the recurring feature that’s me jotting down capsule-sized notes about Stuff I Recently Watched at home. In this batch: Aragorn, Ah-nuld, and two former teen stars — one all grown up, and one grown up only on the inside.

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Procrastination Bites (MCC 2014 Pilot Binge #23-26)

State of Affairs!

No need to fret, Ms. Heigl. Grey’s Anatomy can’t hurt you anymore.

Bloggers love writing prompts. Toss them a random topic, see what they can do with it, cross your fingers and wish them the best on their mental exercise. I don’t mind them myself, sometimes. If there’s a subject on which I have even the most tangential thought, in many cases I can find something creative and/or catchy to do with it, provided there’s no vital scheduling needs involved.

Writing prompts are an enjoyable challenge for me if everyone’s fine waiting anywhere from two days to three years for my results. It doesn’t matter if the idea came from the WordPress.com Daily Post. It doesn’t matter if it came from current events. And as I’ve discovered over the past four months, it makes no difference if the idea was mine.

Speaking of which: I have a commitment to fulfill and a project I said I’d finish.

Right this way for the grand finale!

“Interstellar”: Space Enough at Last

Interstellar!

“Hey, kids! Wanna journey into a wondrous land whose boundaries are that of imagination?”

Not all of Christopher Nolan’s films are five-star masterpieces (here’s nodding off at you, Dark Knight Rises), but the foundation of new ideas that underpin each production guarantees we’re in for a unique cinematic experience rather than prefab Hollywood conveyor-belt product. Witness the debate-class spectacle that is Interstellar — one-half homage to 2001: a Space Odyssey, one-half admitted love letter from Nolan to his daughter bearing messages of hope, curiosity, science, human achievement, and the strength of intangible, immeasurable bonds that keep us connected even when we’re parsecs apart.

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Yes, There’s a Scene After the “Big Hero 6” End Credits

Big Hero 6!

We’re gonna go save the world just as soon as this kitty is sufficiently petted.

When The Walt Disney Company acquired Marvel Entertainment in 2009, fans on all sides wondered what sort of corporate synergy we’d see between the two in future projects. For the most part the companies have kept their logos in separate spaces, but Big Hero 6 represents the first truly co-op experience: a Disney animated film based on a Marvel property, albeit very loosely (whose creators, Steven T. Seagle and Duncan Rouleau, later became part of the think tank responsible for Ben 10). Sharing between Disney and Marvel came easily to them this time, most likely because the characters had become instantly obscure and tossed in the back of the Marvel IP closet, upsetting maybe five or ten fans at most. If a reboot went wrong, they had nothing to lose.

Someone somewhere spotted them on a list, figured they were practically a blank slate, dusted them off, shined them up, upgraded them for a younger audience, deleted all the X-Men connections that got them published in the first place, and now here we are with the next Walt Disney Animated Classic — the all-new, all-different Big Hero 6.

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“Birdman”: Dancing with the Devil in the Broadway Lights

Birdman!

My expression most of the time while watching.

Two weeks ago we drove to the other side of the city to see Birdman in the only art-film theater in Indianapolis. I’m annoyed that it later opened more widely and is now showing at two theaters much closer to home, but there’s no use crying over wasted gas. Ever since then I’ve been struggling to translate my reaction into words that capture my enthusiastic response without being mere labels. There’s a scene about that, and it’s been bugging me ever since.

If you know the movie only from its elliptical ads, you’ll quickly learn Birdman is not slapstick superhero spoof. This isn’t Condorman or Superhero Movie with better effects and a more famous cast. Satire is one of the film’s numerous modes, but costumed metahumans and the summer action blockbusters they inhabit are just a couple of the many subjects facing the scrutiny of director Alejandro González Iñárritu (Babel), who’s more interested in deeper goals than in brainstorming cheap Batman jokes.

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MCC Home Video Scorecard #3: Histories Rewritten

Disney's Lone Ranger!

Coming next fall to The CW: Winklevoss and Wonka! They’re loose-cannon buddy-cops, hot on the trail of Mike Teavee and the Facebook Staff!

Previously on Midlife Crisis Crossover: the recurring feature that’s me jotting down capsule-sized notes about Stuff I Recently Watched at home. In this batch: an expensive tale about Massive Explosions of the Oooold West; an epic from the end of China’s Warring States period; a World War II short story about the time they almost killed Hitler; and an animated sort-of adaptation of a famous novel about an honorary teen pirate.

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MCC 2014 Pilot Binge #21- 22: “Jane the Virgin” vs. “Mike Tyson Mysteries”

Gina Rodriguez!

I haven’t forgotten about this very special project, but I had a certain viewing/posting order in mind that would’ve put some thematic coupling to these entries. That plan was derailed when two of the pilots on the master list were not available for viewing On Demand, my primary source of after-airing catch-up. I’m in the process of making special arrangements to see those two without resorting to pirating or (ugh) buying them on iTunes. That leaves me with two pilots I’ve watched in the past month that share absolutely nothing in common except that I haven’t covered them yet. Maybe this works if we all agree to pretend Jane the Virgin and Mike Tyson are mismatched buddy-cops who have to get along for the sake of their jobs, and that there are high stakes and…I don’t even know how to finish this sentence in any remotely entertaining manner. The two series are like comparing apples and Edsels. I give.

Onward, then:

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“Horns”: The Devil’s Dues and Don’ts

Horns.

The protesters were right all along: Harry Potter is the Devil.

Horror is rarely my thing anymore, but Horns was a different, rarer event for me: a movie based on a novel I’d actually read. Checking out the original book was a natural leap since I was a fan of author Joe Hill’s comics series Locke & Key. I was also curious to see how his writing style compared to his famous father’s. (Summed up: Hill’s dark, rural underside doesn’t have his dad’s grandiloquent flourishes, but his lean-‘n’-mean approach is pretty propulsive nonetheless.)

My reaction to the novel was a bit mixed, but I felt compelled to check out the movie version anyway — partly out of curiosity, and partly because nearly three months had passed since I watched any 2014 releases (my last theater trip was for Guardians of the Galaxy) and I’ve been itching to see something new. And Horns happened to be available On Demand before its U.S. theatrical release on Halloween, so I figured why not. ‘Twas the season.

…and I have to mention it stars the Daniel Radcliffe, the Man Who Lived. That part’s important to some, I suppose.

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MCC Home Video Scorecard #2: Costumes and Scares

42: the Jackie Robinson Story!

Chadwick Boseman: a black hero in a white genre.

Previously on Midlife Crisis Crossover: we launched a new recurring feature that’s me jotting down capsule-sized notes about not-new movies I catch at home. In this batch of Stuff I Recently Watched: two recent horror DVDs that were given to me for free, just in time for Halloween; one Shakespearean adaptation with a most unusual costuming approach; and one period-piece/biopic featuring an actor whose biggest starring role yet was just announced earlier today with much delightful fanfare.

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MCC 2014 Pilot Binge #20: “Constantine”

John Constantine!

“The power of comics compels you to watch! The power of comics compels you to watch! Um, uh, accio remote!

It’s time for more comic book TV! Longtime readers know John Constantine from his first appearance as an obnoxious Swamp Thing ally and/or as the star of his own mature-readers DC/Vertigo series that ran for 25 years before it was canceled and replaced by a more mainstream version ready-made for super-hero crossovers. Too many movie viewers first knew him as the focus of just another failed Keanu Reeves vehicle, whose high point was Tilda Swinton as a creepy angel. The new John in NBC’s Constantine is basically Dr. Strange on zero hours’ sleep wearing Harvey Bullock’s clothes. Regardless, the cunning yet selfish antihero has been handled by so many great writers over the decades, shown in so many states of mind operating in so many peculiar ways, that this pilot had no chance of pleasing all the people all of the time.

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MCC 2014 Pilot Binge #19: “Star Wars Rebels”

Star Wars Rebels!

A long time ago in a galaxy far, far away…the Keystone Kops were alive and well and still wearing useless helmets.

Star Wars Rebels is the first of two animated pilots on the project list, and one of the very few that my wife and I had planned to try anyway. She’s a longtime dedicated Star Wars fan with an Expanded Universe emphasis, as are some of my oldest internet cohorts. Together we watched nearly every episode of Star Wars: The Clone Wars until its abrupt cancellation. We number among the many thousands of fans waiting impatiently and vainly for closure on the life of former Jedi Padawan Ahsoka Tano. Regardless, we’d look and feel weirder if we didn’t give the new show a try.

Far as I can tell, nearly everyone who’ll love any media product with the words “Star Wars” on it has given the show an A for existing. So far to me, it’s Firefly for kids. There’s some good and some less-good in that.

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MCC 2014 Pilot Binge #18: “The Flash”

The Flash!

Of all twenty-six pilots in this series, I had more mixed emotions about The Flash in advance than I did any of the rest. When I began collecting comics at age six, Barry Allen was one of the first heroes to teach me about truth, justice, and sequential numbering in long-running comics. I still have issues #270-350, along with the first 200+ issues of Wally West’s subsequent series (including the weirdly numbered Zero Hour and DC One Million crossovers). The first time he came to TV in 1990, I’d taped nearly every episode on VHS years before DVD was a thing, and when it became a thing and the show was eventually granted its release, finally getting to see the legendarily preempted Captain Cold episode was, pardon the expression, pretty cool. Until several years ago, I was a longtime fan of the Flash legacy.

I entered with trepidation into his new vehicle produced by The CW, purveyors of the frequently aggravating Smallville, which left me with so many negative emotions that to this day I still haven’t convinced myself to try a single episode of Arrow because I assumed the results would be similar or worse. (I haven’t forgotten Birds of Prey, either. Yikes.) Knowing that The Flash was a direct spinoff from a show I’m not watching didn’t encourage me, nor did the announcement that both shows are already planning their first crossover (ugh). Insert obligatory reference here to other problems with translating DC heroes to other media, especially movies.

But it’s on the list. So I gave it a try. And I was happy to be surprised. (Fair warning to anyone who hasn’t seen it yet: one paragraph in this entry covers the specific subject of Easter eggs. If you’re a fan of those and plan to savor them as a surprise someday, consider this your courtesy spoiler warning.)

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MCC 2014 Pilot Binge #16-17: “Black-ish” / “Mulaney”

Black-ish!

Don’t look at me for a caption. They got this covered.

In this corner, a onetime almost-movie star who has his own Food Network show! In that corner: a former SNL writer with some standup comedy experience! These two sitcoms have almost nothing in common, not even their ratings. I watched the pilots for both a while back and procrastinated doing anything with my notes…until now.

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MCC Home Video Scorecard #1: Monsters Overseas

Moses!

Moses (John Boyega) parts the sea of critters in Attack the Block.

In my ongoing quest to scribble things down before they vanish from memory and personal history, for a while now I’ve been trying to coming up with a system for jotting down notes about the movies I watch at home. I normally limit my movie writing to new theatrical releases, indies On Demand, and Best Picture nominees during Oscar season, but I’d like to engage in slightly more notetaking for the fun of it — tracking what I watch as I go and recording my impressions in brief, not in 2000-word list-bombs. Once I’ve forgotten the entire movie six months from now, I can return to my previous capsule and remind myself whether or not it was worth remembering.

On to the first batch of Stuff I Recently Watched…

MCC 2014 Pilot Binge #13-15: “Gracepoint” / “Murder” / “Stalker”

Gracepoint!

Our Heroes prepped for their roles by attending a seminar on “Surviving an American Remake of a European Series” and then reading viewer complaints about The Killing.

This very special, pretty unwise MCC project continues!

I’m combining three entries in one for simple bookkeeping reasons. See, some MCC entries get Likes from fellow WordPress users. Some MCC entries see an uptick in site traffic. Some rare MCC specimens are blessed enough to garner both. Up to this point most of the MCC 2014 Pilot Binge entries have been earning neither. Even spammerbot accounts are looking at them and thinking, “This no good! We go spam other bloggers! You call when you go back to posting photos! THEN we link you to counterfeit Louboutins long time!”

I refuse to quit the project because that’s the kind of mule-headed fool I am, even if means more TV viewing discomfort. A few pilots may still merit individual entries in the future, but I’ve received the message loud and clear that not every impression I have is worth 700-1,000 words. It doesn’t help that my tastes are sometimes confounding and governed by peculiar guidelines. Regardless, we’ll see what we can do with this silent input and go from there.

And now, a few words on three pilots about MURDER.

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MCC 2014 Pilot Binge #12: “Bad Judge”

Bad Judge, Worse Show.

“Time for karaoke! Where do we start? ‘Bad Reputation’? ‘I Am Woman’? ‘Sisters Are Doin’ It for Themselves’? ‘R-E-S-P-E-C-T’? Or something by the Fray?”

In case the title Bad Judge was a little too shorthand and didn’t prepare you, the pilot is quick to give you everything you need to know to form your own snap judgment and recuse your TV from the rest of the proceedings. I assume it owes some gratitude and royalties to either Bad Teacher or Bad Santa, but I really wouldn’t know and intend to stay ignorant of all such likenesses.

Before I continue, I suppose I could add a courtesy spoiler alert for anyone who’s saving this mistrial on their DVR for a rainy, thundering, frog-pouring kind of day. The element of surprise certainly didn’t help me out.

…so, where were we?