“The LEGO Movie”: If You Build It…You’re Awesome!

Batman, The Lego Movie

Arguably the best Batman film since The Dark Knight.

Because sometimes you need a break from Oscar season.

I had sky-high expectations for The Lego Movie as a veteran player of their first several video games — both Lego Star Wars, both Lego Indiana Jones, both of Lego Harry Potter, the first Lego Batman, Lego Pirates of the Caribbean, and the most epic of them all, Lego Lord of the Rings. They’re inventive, unpredictable, witty beyond all expectations with a keen self-awareness that frequently lampoons the very intellectual properties they paid good money to license. And those were just the cutscenes.

Walk this way for a few more blocks…

“Philomena”: Penance, Piety, and Parenthood Postponed

Judi Dench, Steve Coogan, Philomena

The Academy Awards aren’t complete without at least one token high-caliber British nominee on the Best Picture shortlist. Leave it to director Stephen Frears (whose past nominees include The Queen and Dangerous Liaisons) to fit the bill this year with a transatlantic odd-couple quest for reconnection or closure, for truth or justice, and for fury or forgiveness.

Regarding the search for one middle-aged baby…

Box Office Beyond Borders II: What 2013 Movies Did Other Countries Enjoy More Than We Did?

Cherno Alpha, Pacific Rim

Outside America, Pacific Rim‘s Cherno Alpha is the Boba Fett of a new generation.

Last year around this time, I asked a question aloud to no one in particular: if we know the highest-grossing movies at the American box office each year, and we know the highest-grossing movies worldwide at all box offices, which movies were the year’s winners if we subtract America’s dollars? What were the rest of Planet Earth’s favorite popcorn flicks?

This way for dollar-figure stats!

The Super Bowl XLVIII Movie Trailer Explosion Roundup

I’d rather not spend my evening typing a thousand words that no one will read because they’re drunk, hung over, or avoiding the internet’s two-pronged takeover by Super Bowl XLVIII and #EsuranceSave30. (If you don’t know what that is, you probably don’t want to know. You have to be a greedy resident of the continental U.S., a registered Twitter user, and not opposed to irritating the heck out of all your followers for the chance to win bucks. I’d rather not perpetuate that, beyond what damage I’ve already done there for purely comedic purposes.)

To that end, please enjoy the following summer action blockbuster EXPLOSIONS-filled trailers that either aired during the Big Game, or had tiny teasers aired for them during the Big Game that directed fans to jump online for the full-length extravaganza. (Compatibility warning: if these aren’t cleared for viewing outside the U.S. or on smartphones, my sincerest apologies. Hopefully a quick search would turn them up at other locations.)

Leaving out Seth MacFarlane’s A Million Ways to Die in the West, the internet notified me of four viable specimens that may or may not make zillions this year at the box office. Enjoy!

1. 30-second teaser for Transformers: Age of Extinction, in which Mark Wahlberg has replaced Shia LeBeouf as the guy who runs away from killer robots. But the image of Autobots riding Dinobots will rule the hearts and minds of fans for the next two days.

This way for more ACTION…

“Her”: the Trouble with Mixed-Sentience Couples

Joaquin Phoenix, Her

If an entire crowd is engaging their Bluetooths and ignoring their surroundings, are they still a crowd?

From Spike Jonze, the celebrated director who brought us Where the Wild Things Are, Being John Malkovich, and all the best Beastie Boys videos, comes Her, a sci-fi cautionary tale about the pitfalls of falling in love with a woman who has no body, no soul, no job, no family, no taste buds, and unlimited processing power. Can even Chuck Woolery make a love connection happen for this wacky couple?

We’ll be back in two-‘n’-two…

“Nebraska”: If I Had $1,000,000…

Bruce Dern, Will Forte, NebraskaAlexander Payne’s new film Nebraska perfectly replicates that forlorn Midwest sensation of being trapped in rooms with hordes of impressionable, elderly relatives all living on the same slow-motion wavelength, visiting and reminiscing and comparing their amnesia levels and enjoying life’s remaining minutes at the speed of molasses, except when they’re jumping to conclusions at hyperspeed. When that happens to me, I put on a brave front while suppressing the desperate urge to crawl out of my skin. With SNL’s Will Forte acting as my proxy and reenacting my childhood family vacations so vividly, I’m surprised I didn’t convulse in my seat with flashbacks.

Follow the old man’s quest…

Yes, There’s a Message After the “Dallas Buyers Club” End Credits

Matthew McConaughey, Dallas Buyers ClubOlder fans of Matthew McConaughey’s spate of ’90s romantic comedies may be in for a shock when they walk into Dallas Buyers Club and see him playing Christian Bale’s character from The Machinist. He and costar Jared Leto (both radically transformed and up for Oscars this year) underwent severe weight loss for their roles in this based-on-a-true-story underdog drama that’s one part can’t-we-all-just-get-along and four parts sticking-it-to-The-MAN.

About that Best Picture nominee…

Because Not Every Movie Should Be Turned into Joyless Homework

film reel canisters, Underground Vaults and Storage, Hutchinson, Kansas

Movies are fun to look at, even when they’re boxed up and stacked on shelves. I enjoy writing down my thoughts about them — whether inspired or incredulous, amazed or aggravated — before too much time passes and the details vanish (if not the entire movie, in some cases). But I’ve grown to despise my self-imposed assignments of constructing an English-class essay every time I come home from the theater.

When something that’s supposed to be fun isn’t, then something needs to be done differently to rediscover the fun in it.

This way for an announcement/experiment…

21 Movie Headlines That Don’t Belong on a Front Page

Joe Don Baker. Mitchell

Fun trivia: Googling “Joe Don Baker Mitchell remake” yields negative-3,000 results.

I brake for far fewer movie-news articles than the average geek. I still like movies, but what passes for movie “news” nowadays generally doesn’t merit my time or clicking because the majority doesn’t meet my minimum specifications for “news”. I have no vested interest in following the full life cycle of every production from germination-of-idea to perennial-AMC-airings.

I can think of numerous examples off the top of my head for most steps of the filmmaking process and marketing campaign. To illustrate my apathy, let me walk you through the vantage point of internet news outlets — not official sources such as The Hollywood Reporter, Variety, or Nikki Finke, but the other guys. Pretty much all the other guys.

For the sake of argument, let’s pretend the following examples revolve around a remake of the 1975 police drama Mitchell, which starred Joe Don Baker as Oscar Madison from The Odd Couple, plus a gun, minus friends. Let’s pretend we’re in a near-future dystopia in which Hollywood used up its first 5,000 ideas and the only things standing between us and the bottom of the barrel are Mitchell and The Snorks. And James Cameron already has plans for the Snorks.

Let the disposable headlines begin!

The 86th Oscars Nominations: Initial Random Thoughts

Sandra Bullock, Gravity, Best Picture NomineeIf you’re online much, you’re already aware this year’s Academy Awards nominations were announced today. If you follow either The Hollywood Reporter or The Academy of Motion Pictures Arts and Sciences on Twitter, you had the opportunity to see the categories live-tweeted one at a time early this morning. If you shared my mistake of following both entities, you were treated to a double-barrel Oscar-nom redundancy blast that turned Twitter to sludge for fifteen minutes. Homework question: how many live-tweeters does any given event really need?

I’ll not waste your bandwidth copying-‘n’-pasting the full list of nominees that’s readily available on a million other news sites. Several thoughts popped into my head throughout the day while mulling over the results:

* As discussed in the past, since 1997 I’ve made a point every year of seeing every Best Picture nominee as soon as possible. This year I’m facing quite the obstacle course, as I’ve only seen one of the nine nominees so far (hint: the one with the spaceship). In my defense, six of the nine only opened here in Indianapolis within the last month, a few of which were packed exclusively into the single art-house theater on the other side of the city. Late December and early January are never the best time of year for leisure travel. Unless they’re each gifted with a wider re-release in the nearer gen-pop theaters, I’m seeing a lot of mileage in my immediate future.

Beyond the curtain for more…

My 2013 at the Movies, Part 2 of 2: the Year’s Least Worst

Matt Damon, Elysium

The Bourne Upgrade. District 18. Green Zone 3000. Good Will Exploding. And so on, and so on.


Previously on Midlife Crisis Crossover:

Once again January is National List Month, that magical time of year when everyone’s last twelve months of existence must be dehydrated, crammed into enumerated little packets, and lined up on the shelf in subjective order for re-inspection. The final tabulations reveal I saw twenty-five films in theaters in 2013 and one via On Demand while it was still in limited art-house release…

And now, the countdown concludes:

13. Elysium. Some say the 99%-vs.-1% feud will end in negotiations; some say in explosions. Neill Blomkamp’s sophomore extrapolation of the effect of humanity’s self-hatred on its own future stops asking questions halfway through and solves nearly everything with chases and showdowns between Matt Damon’s everyman underdog imperfect sinner Average Joe antihero and Sharlto Copley’s cyborg Snidely Whiplash. In some respects this deserved to be ranked a lot lower, but something about Blomkamp’s vivid underclass aesthetic and leftover District 9 effects cachet boosted it a tad unfairly over the other popcorn-film competition.

This way for #12 through #1…

My 2013 at the Movies, Part 1 of 2: the Year’s Least Best

The Rock, Bruce Willis, GI Joe Retaliation

John McClane and the Scorpion King: sequel survivors perpetuating the vicious circle of lame.

Once again January is National List Month, that magical time of year when everyone’s last twelve months of existence must be dehydrated, crammed into enumerated little packets, and lined up on the shelf in subjective order for re-inspection. MCC’s first full calendar year consequently allowed me to submit entries for everything I saw in theaters in 2013. Even if this site didn’t exist, since 2000 I’ve saved lists of every trip I’ve made to the cinema, year by year. The best part of this compulsion is rereading previous years’ lists and seeing names I no longer remember. (Disney’s Teacher’s Pet? Past Me swears my son and I saw it, but we’ve mutually wiped it from memory.)

The final tabulations reveal I saw twenty-five films in theaters in 2013 and one via On Demand while it was still in limited art-house release. This count doesn’t include five 2012 films I attended in 2013 for Oscar-chasing purposes, or any old films I watched on home video. Because lists such as this one must have rules.

Links to past reviews and musings are provided for historical reference. On with the reverse countdown, then:

26. GI Joe: Retaliation. Once again Hollywood forgets the lessons learned from Halloween 3 and Fast and the Furious: Tokyo Drift — i.e., if you dump too much of the original cast, why even bother with a theatrical release? While Ray Park is good for a few minutes of aerial man’s-man ballet, Bruce Willis and the Rock are called in as scabs from other macho action series to shoulder the rest of this silly, overlong commercial for military weaponry and boys’ toys, in that order.

This way for #25 through #14…

“The Hobbit: the Desolation of Smaug” as an Afternoon of Binge-Watching

Bilbo Baggins, Martin Freeman, The Hobbit, The Desolation of Smaug

Bilbo struggles with temptation. So. Many. CUPS.

Two advance caveats:

1. It’s been years since I read The Hobbit. I remember most of it, but to me it’s not a sacred idol to be treated as holy writ every time it’s adapted into another medium. My impressions of The Hobbit: An Unexpected Journey were previously documented to this effect.

2. Some of the following will assume you’re familiar with the book and/or already saw The Desolation of Smaug for yourself. As a latecomer to the party once again, I doubt I’ll be treading unfamiliar ground for too many readers.

That being said: I may be one of the few viewers who found The Desolation of Smaug a more satisfying experience than its predecessor, burdened as that one was with cumbersome exposition and morose musical numbers. Faced with a 161-minute running time, I entered the theater this time with despondent expectations, but realized partway through that the movements are so neatly segmented, it was like binge-viewing a TV miniseries at home. Granted, Desolation was the equivalent of a series’ middle and therefore guaranteed to disappoint no matter how it ended, but taken as Disc 2 of 3, its 3½ episodes zoomed along nicely and moved the story forward with only minimal irrelevant detours.

Onward toward Erebor, then…

Yes, There’s a Scene After the “Frozen” End Credits

Queen Elsa, Idina Menzel, Frozen

Disney Princesses beware: here comes Elsa, Disney Queen.

Last week animation writer Paul Dini gave a candid podcast interview in which he divulged numerous depressing details about his recent experiences with Cartoon Network executives who expressed in no ambiguous terms their current disinterest in courting a female audience for their action-adventure cartoons because boys buy more action figures.

I wish I were kidding. Part of this illuminating interview has been helpfully transcribed for the podcast-reluctant. Nothing short of jaw-dropping.

Such a shame, then, to see Walt Disney Pictures fly in the face of Cartoon Network programming logic and gamble on a theatrical release like the action-heavy Frozen, in which the humor isn’t locker-room crude, the animation sets new standards, and the main characters are two sisters who pass the Bechdel Test cum laude. Sure, it’s quality entertainment, but if the girl power in a cartoon overwhelms the manpower, why even bother? This cartoon chick flick will be lucky to make more than twenty bucks at the box office. And you can forget about merchandising sales.

…oh, wait. As of its fourth weekend, the movie’s cleared $160 million domestic so far, and it’s still in the #2 box office spot and barely slowing down. How’d that happen? Conspiracy, maybe?

Nope – it’s genuinely impressive…

“Die Hard 2”: That OTHER Technically Christmas Movie

John McClane, Bruce Willis, Die Hard 2

Bruce Willis. Guns. Fake snow. Yep, it was that time again.

It’s an old joke among internet guys that, when asked about the best Christmas movies ever, they’ll mention famous favorites with scenes set at Christmas, even if the entire movie isn’t actually about Christmas. Old reliables such as Lethal Weapon, Die Hard, and maybe Gremlins make strong showings on such lists, though Kiss Kiss Bang Bang is a solid dark-horse candidate and I expect a few tongue-in-cheek votes in the future for Iron Man 3.

Sadly, I never see anyone show any Christmas love for Die Hard 2: Die Harder, which may be one of the two best films of director Renny Harlin’s career and is set entirely on Christmas Eve. Sure, its older brother hogs all the glory as the Greatest Action Film of All Time according to me and occasionally polls, but if you watch too closely and never mind the unfair comparisons to the One That Started It All, you’ll notice it has all the necessary elements of a basic Christmas movie, not to mention a few reminders of Christmas with your own family.

Where’s the Christmas in Die Hard 2? Count the ways:

* Snow! Die Hard had no snow. None. Not a flake. It was set in L.A., which has no snow because it hates Christmas. Die Hard 2 is set in Washington D.C., where snow is everywhere, even though most of it is fake movie snow that would make decent pillow stuffing. Even fake snow has more of a right to be in a Christmas movie than palm trees do.

John McClane’s Christmas list goes on…

“Catching Fire”: And They All Lived Fearfully Ever After

Jennifer Lawrence, Josh Hutcherson, Hunger Games: Catching Fire

Katniss and Peeta practice their strained banter for their next gig hosting the PanEm Oscars.

In the more engrossing and less shaky-looking sequel, The Hunger Games: Catching Fire, we’re told “The Games mean nothing.” In fact they’re not even the central plot; they’re the extended climax appended to a more interesting, feature-length coda in which the quote-unquote “victors” of PanEm’s 74th Hunger Games receive their “rewards”, learn about their new responsibilities, and figure out for themselves that sometimes victory is only as meaningful as your handlers allow.

Continue here as The MAN tries to extinguish the Girl on Fire…

Wonder Woman Finally Coming to Theaters as Sidekick to More Popular Male Heroes

George Perez, Wonder Woman #1

For me, Wonder Woman’s golden age began in 1985. Artist/co-writer George Perez autographed my battered old copy of that year’s WW #1 at the 2012 Superman Celebration in Metropolis.

Welcome to another one of those times where my headline pretty well nails what I’m thinking and renders all my additional typing pointless.

Warner Brothers confirmed on the record today that the long-neglected Wonder Woman will be featured in a live-action theatrical release for the first time in her 72-year history, and her first live-action non-bootlegged role in 34 years. This potentially historical part has been awarded to Israeli actress Gal Gadot, who was a complete unknown to me before today, though I understand she’s a regular in the Fast and the Furious series. For longtime fans who’ve been wanting to see our legendary Princess Diana on the big screen, your wish is about to be granted.

One catch: she’s not yet earned a film to have all to herself. Instead she’ll be a supporting character in Zack Snyder’s Batman vs. Superman crossover.

Caution: grumbling ahead…

Spoilers for “It’s a Wonderful Life 2: the Final Bell Rings”

It's a Wonderful Life

Nope. They don’t believe it, either.

Because nothing good can remain untarnished and self-contained:

Variety reported Tuesday a small movie company that doesn’t own It’s a Wonderful Life is planning an official sequel — somehow, for some reason, possibly because greed minus self-awareness. Tentatively titled It’s a Wonderful Life: The Rest of the Story, the superfluous production will show George’s grandson being taught a lesson by his aunt Zuzu, now transformed into an angel. The company is hoping for a holiday 2015 release so it can compete against Star Wars Episode VII and look that much more foolish.

So what else could they possibly do?

My 2013 Staycation Movie Marathon Report

Casey Affleck, Gone Baby Gone

Before Casey Affleck’s upcoming turn in Out of the Furnace, there was Gone Baby Gone, among the best in this week’s movie marathon.

This week was that time of year again! Long story short, as explained last year with copious superfluous details: thanks to my generous employers, I have enough vacation days every year to take time off for our family road trip and to take another separate week later just for myself. My usual staycation activity of choice is a DVD marathon.

This week’s marathon was hobbled a bit by a sick day, wasted on long bouts of napping and angst. We’re currently taking steps to correct the condition responsible in ways that won’t require immediate medical bills. Hopefully nothing further occurs on this front that becomes interesting enough to inspire follow-up entries. Let’s all assume I get better and live happily ever after. THE END.

Otherwise the week was relaxing and fruitful in a stress-relief sort of way, and a sizable chunk was carved out of the viewing pile. This week’s staycation feature presentations were, in order of viewing:

And the nominees are:

Yes, There Are Scenes During AND After the “Thor: the Dark World” End Credits

Loki, Tom Hiddleston

Thor? Thor who? Oh, you mean my sidekick?

As in the comics, so in the movies has Thor struggled to stand out as a sympathetic character, a hero for us to cheer on through the quiet scenes as well as the action sequences. Whereas Thor: the Mighty Avenger aimed to give him humanity by trapping him in a podunk, no-FX town and making him literally human, the boisterous sequel Thor: the Dark World tries a different approach: it gives up on making him work as a solo hero in his own right, and treats him as a senior but equal member of an ensemble instead. Call them Avengers: Asgard Coast.

More about America’s favorite Asgardian and his brother Thor…