Convention Packing Checklist Recommendations: Which Item Will I Forget?

convention backpack

If this isn’t filled with cool things by the time the convention is over, you’re doing it wrong. (Photo credit: cdedbdme via photopin cc)

With two days to go until my wife and I attend the fourth annual Chicago Comic and Entertainment Expo (a.k.a. “C2E2”), we’re running out of time to pack our bags, plan our strategies, and contain our excitement. The nice thing about C2E2 is that, as it’s grown with each successful year, each aspect has improved for each of our sakes — I’m more into the Comic side of things, while my wife is a fan of Entertainment guests. Also, after eight years of marriage we’re still in that sweet, lovey-dovey phase during which we truly, sincerely enjoy doing things together. Conventions rank near the top of the quality-time options list for both of us.

Between us I’m the one most likely to forget to bring something. After attending so many of these shindigs, you’d think I would have a system in place by now. If you’ve never attended a convention but might someday when funding and opportunity permit, I’d suggest adding a few of the following items to your personal brainstorming list. I’m sharing this not only to spur your own ideas and decision-making processes but also to remind myself before the big day. I guarantee I’ll forget something anyway.

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“Revolution” 4/22/2013 (spoilers): Charlie vs. the Nuclear Terror

suitcase nuke, NBC, RevolutionAs of tonight, now we know for certain why NBC tastefully postponed the new Revolution episode “The Night the Lights Went Out in Georgia” from last week. At first I wondered if the reason would be more scenes of Nora carrying out heroic bombing on behalf of the Rebel Alliance, but no. Even more unnerving, given the events of last week in real life: this week, Sebastian “Bass” Monroe, President of the Monroe Republic, mad with electrical power and incensed paranoia, sends a few henchmen to Atlanta, the capital of the neighboring Georgia Federation, to threaten it with an old-fashioned suitcase nuke. Presumably Monroe and his loyal scientists have been sitting on this portable, stylish WMD through all fifteen years of the blackout, waiting for the opportunity to fire it up and stop postponing WWIII. Luckily for them, most fissile materials have a half-life with a distant expiration date.

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“Oblivion”: Maverick vs. Galactus

Tom Cruise, Morgan Freeman, OblivionAs with most big-budget sci-fi films nowadays, many viewers will spend half the running time of the new Tom Cruise vehicle Oblivion mentally tallying how many refurbished components they recognize from other sci-fi flicks. That doesn’t automatically make the film bad in my book, but it can be a pervasive distraction that turns my viewing experience into one long Highlights for Children puzzle. (Score one point for every borrowed element you spot! If you spot ten or more, you’re a Certified Movie Maven!) Oblivion is the second feature film from Joseph Kosinski, the director of Tron: Legacy, which was a visual wonderland and a surprisingly classy act considering it was a Disney sequel to a film I’ve disliked since I was ten.

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Will “Man of Steel” Be the First Good Superman Film Since Jimmy Carter Was in Office?

Henry Cavill, Superman, Man of SteelYou’ve seen the newest trailer for Man of Steel that was just released Tuesday evening, right? The one labeled as “Trailer #3”, with lots more Jor-El in it? At least once?

No? Really? No one mentioned it in your social circles? Do you believe in watching movie trailers online? Is your Internet connection above 56K? You don’t hate super-hero movies, do you? Not that I wouldn’t respect that, mind you. My oldest relatives aren’t super-hero fans, either. I’ve included it at the end of this entry, just in case. See, I even saved you a few seconds of Googling.

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Our C2E2 Photo Archive, Part 3 of 3: the TV and Video Game Tributes

Previously on Midlife Crisis Crossover:

[T]he following photo collection, to be curated and presented here in three parts, was previously shared elsewhere online last year, two weeks before Midlife Crisis Crossover was born. For the sake of bringing my works under a single, unified creative banner, it’s my pleasure to present to you, the Viewers at Home, this memory parade of our second time at C2E2.

Part One featured movie-based costumes. Part Two was all about Marvel and DC Comics — “the Big Two”, as we comics fans know them. Here in the action-packed conclusion, it’s everyone else’s time to shine.

One such couple of lovable misfits: Pee-Wee and Globey!

Pee-Wee Herman, Globey, costume, C2E2

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Our C2E2 2012 Photo Archive, Part 2 of 3: the Marvel and DC Tributes

Previously on Midlife Crisis Crossover:

[T]he following photo collection, to be curated and presented here in three parts, was previously shared elsewhere online last year, two weeks before Midlife Crisis Crossover was born. For the sake of bringing my works under a single, unified creative banner, it’s my pleasure to present to you, the Viewers at Home, this memory parade of our second time at C2E2.

Part One focused on movie-based costumes. For this installment, our focus is the attending majority who support Marvel and/or DC Comics. Some were more inspired by Marvel films than by Marvel comics, but wouldn’t exist without the comics’ success in the first place.

In a rare moment of Big Two detente, WWII Captain America costars in his own special inter-company crossover with the grim-‘n’-gritty 1980s version of Green Arrow, the first version of the character to retire the trick arrows and fight crime using only traditional, pointy, frequently lethal arrows…except in this photo, because C2E2 has strict weapons policies. Armed WWII Cap will be fighting to defend the both of them, then.

Captain America, Green Arrow, costume, C2E2

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“GI Joe: Retaliation”: a Big-Budget, Old-Fashioned Military Cartoon

Cobra White House, G.I. Joe: Retaliation

Once again our old friend the White House is humiliated, this time in G.I. Joe: Retaliation.

Even though I thought Stephen Sommers’ G.I. Joe: the Rise of Cobra was a handful of loopy action scenes stitched together into summer action filler that bore no resemblance to the Joe I knew from childhood, I decided to give its sequel G.I. Joe: Retaliation a chance anyway, in case it had any worth as a “popcorn flick”. In the end, I found myself left with a lot of unpopped kernels.

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Our C2E2 2012 Photo Archive, Part 1 of 3: the Movie Tributes

We’re now two weeks away from this year’s C2E2, the fourth installment of Chicago’s up-‘n’-coming comic-book-’n’-entertainment convention that hopes someday to achieve the size and reach of the San Diego Comic Con if enough of us Midwesterners support it.

Every C2E2 has plenty of activities for the hobby enthusiast: entertainment guests signing autographs; popular comic book creators speaking at panels, holding Q&As, and likewise autographing for fans; aspiring young creators gathering in Artists Alley and hoping to sell you on their own proud efforts; comic-shop owners and SF collectors selling vintage back issues, rare toys, and bargain-box oldies by the pound; booths representing the major comics publishers, including Marvel and DC; and — most noticeable of all — fans attending in costume, resplendent in their creativity and/or audacity.

Part 1 of MCC’s C2E2 2011 retrospective has a much longer intro with more information about the con and its history. As with that two-part miniseries, the following photo collection, to be curated and presented here in three parts, was previously shared elsewhere online last year, two weeks before Midlife Crisis Crossover was born. (Someone should remind me sometime to tell the story of how C2E2 was indirectly responsible for MCC’s creation in the first place…) For the sake of bringing my works under a single, unified creative banner, it’s my pleasure to present to you, the Viewers at Home, this memory parade of our second time at C2E2.

We commence with the wider-appeal characters first to stress that the ‘E’ in “C2E2” stands for “entertainment”. Comics are a major part of the proceedings, but there’re more to most comics fans’ interests than graphic storytelling alone. Exhibit A: the outlandish stylings of Effie Trinket and Caesar Flickerman from The Hunger Games.

Effie Trinket, Caesar Flickerman, Hunger Games, costumes, C2E2

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“Community”: Subjective Observation of Carcharodon Hurdling Symptoms

Puppets, Community, NBCI’ve tried to watch the fourth season of Community with an open mind. I promise I have. I wanted the privilege of cheering it on as it defied the cliché of the TV series that falters after the departure of its creator. I wanted to witness a strong group collaboration surviving the loss of a single participant, no matter how integral he was. I wanted to see a show continue defying convention and seeking eccentric storytelling methods within the corporate IP context. I wanted more of the same Community whose first three seasons had repeatedly surprised and outsmarted me.

Perhaps I wanted too much. Perhaps I wanted all the wrong things. All I know for sure is that I didn’t want an ordinary sitcom. With each passing week the evidence keeps pointing in that disappointing direction, no matter how hard I wish for the opposite.

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“Room 237” Asks: Was “The Shining” About ALL the Things?

Rodney Ascher, Room 237One of my least favorite moments in college was sitting in an intense English class and concentrating on maintaining a straight face while a classmate explained his theory of how the scene from Edgar Allan Poe’s “The Murders in the Morgue” in which a gorilla stuffs a victim up a chimney somehow, in his mind, represented a return-to-the-womb motif. I have no idea how he thought that related to the rest of the story at all. After the few first few sentences my mind turned to white noise in self-defense.

This evening I had flashbacks to that moment while watching Rodney Ascher’s thought-provoking new documentary Room 237, an examination of hidden meanings in Stanley Kubrick’s film adaptation of Stephen King’s novel The Shining. Whether you hated or loved either or both, few would accuse Kubrick of taking a slapdash approach to the project, regardless of the lengthy list of differences between it and the book. Room 237 is narrated by five Shining enthusiasts: ABC News war correspondent Bill Blakemore; playwright/novelist Juli Kearns; author/conspiracy theorist Jay Weidner; history professor Geoffrey Cocks; and Excepter frontman John Fell Ryan. Each one has their own interpretation of the recurring motifs and subliminal imagery buried in the mix, all adding up to a grand design on Kubrick’s part in their minds. The nature of that grand design, though, varies wildly by viewer…very wildly, in this case.

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“Revolution” 4/8/2013 (spoilers): Charlie vs. Neville vs. Neville

NBC, Revolution“No one’s a good guy.”

Thus does our hero Miles Matheson (Billy Burke) sum up the current state of mankind in the final minutes of tonight’s new Revolution episode, “The Song Remains the Same” (another Led Zeppelin song title, for annotation fans). If the power is restored for one and all, to oppressors and oppressed alike, who’s to say the warring factions of the country formerly known as America would set aside their differences and reunite for the good of mankind? If adversity wasn’t enough to inspire peaceful cooperation, why should we expect the restoration of power access to be any less divisive?

It’s a question worth asking, in light of the surprise revelation about the true nature of Ben and Rachel Matheson’s secret invention responsible for the worldwide blackout. Bets were won and high-fives were exchanged for any viewers who guessed that the correct answer is…

…insert drumroll here….

…redundant pause for tension effect…

…one last pause for no good reason…

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Our C2E2 2011 Photo Archive, Part 2 of 2: Villains in Chicago

Previously on Midlife Crisis Crossover:

The following photo collection, to be curated and presented here in two parts, was previously shared elsewhere online [in 2011], but never on a site I could call my own…until now. Midlife Crisis Crossover wasn’t created until a few weeks after C2E2 2012; thus it’s my pleasure to present to you, the Viewers at Home, this retrospective of our first C2E2 — chiefly, pics of some of the most interesting costumes we witnessed. For the average con attendee, the costumes are one of the most fascinating, creatively engaging aspects of the convention experience.

Last time we focused on some of the good-guy costumes we encountered. Now it’s the bad guys’ turn. Darkseid, Shredder, and Dr. Doom bid you welcome and insist that you submit or else.

Darkseid, Shredder, Dr. Doom

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Siskel & Ebert at/and/with/for/vs./because of the Movies

Most Internet users already heard the news: longtime film critic Roger Ebert passed away Thursday at age 70 after yet another bout with cancer. His passing comes fifteen years after that of his TV comrade, sparring partner, and dear friend Gene Siskel.

I can’t remember what impressionable age I was when I first encountered their popular syndicated movie-review series Siskel & Ebert at the Movies. Our local affiliates sometimes aired it on Saturday afternoons, sometimes in the dead of night, and occasionally found it useful for filling any programming holes outside primetime. I’d never seen anything like it; thirty minutes of two movie fans sitting in a deserted theater balcony and telling viewers whether they thought the latest movies were good or bad. It sounded like a dull concept for a TV show. I could imagine the fun if they were brandishing weapons, but just sitting there? Talking? Why?

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Our C2E2 2011 Photo Archive, Part 1 of 2: Heroes in Chicago

This year my wife and I are gearing up to attend our third consecutive C2E2 comic-book-‘n’-entertainment convention up in Chicago, happening April 26th-28th, 2013. We missed the inaugural year in 2010 due to a schedule conflict, but I’ve made a point of prioritizing it on my calendar ever since. I rather like the idea of someone attempting a Midwest version of the San Diego Comic Con.

Most people in our hobbies are familiar with the longer-running Wizard World Chicago con, whose present incarnation emphasizes its celebrity autograph show while casually including some comics on the side. Though C2E2’s 2013 guest list implies that their entertainment-guest budget has been exponentially increased, they nonetheless attract a much wider lineup of comic-book writers, artists, and fans as well. C2E2 has one major advantage in my book: the major comic companies — Marvel, DC, Dark Horse — have sided with C2E2 over WWC, appearing each year at the former while having sadly eschewed the latter for years.

* * * * *

C2E2 is nowhere near the size of San Diego, but obviously dreams of being such someday. It presently uses only one section of Chicago’s enormous McCormick Place convention center, which has plenty more room to offer if Reed Exhibitions decided they needed some value-added sprawling space. 2012 attendance was pegged at 41,000, up from 32,000 in 2011 and well above its 2010 debut of 27,500. San Diego could still beat up C2E2 and steal its lunch money, but I’m eager to see it keep growing.

The following photo collection, to be curated and presented here in two parts, was previously shared elsewhere online at the time, but never on a site I could call my own…until now. Midlife Crisis Crossover wasn’t created until a few weeks after C2E2 2012; thus it’s my pleasure to present to you, the Viewers at Home, this retrospective of our first C2E2 — chiefly, pics of some of the most interesting costumes we witnessed. For the average con attendee, the costumes are one of the most fascinating, creatively engaging aspects of the convention experience.

(Not that it was all about costumes. Your humble author and his even humbler wife were each allowed a moment to strike our own poses courtesy of Dark Horse Comics.)

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“Revolution” 4/1/2013 (spoilers): Charlie vs. the Humvees of Hate

Billy Burke, Revolution, NBCTonight’s new episode of Revolution, “Ghosts”, divides its time between two primary threads, each about former partnerships torn asunder but looking for common ground to reunite, and finding it in the form of evil armed henchmen. Nothing mends fences like common foes.

Of the episode’s two halves, more interesting and personal is the tension between Charlie and Rachel, as mother and daughter grieve the loss of son/brother Danny in last week’s mismatched showdown between a pair of working helicopters and one thermal-guided surface-to-air missile launcher. As the Rebel Alliance relocates its Annapolis base from its now-missile-ridden digs to a nearby former hospital, Rachel wallows in guilt and blame (when she’s not busy drawing electrical diagrams of the mysterious blue-light device she retrieved from her dead son’s innards last week), while Charlie rebuffs her and instead looks for opportunities for action, doing whatever she can for the resistance so that Danny’s death won’t be as much in vain as his hard-fought rescue from Independence Hall ultimately was. She storms off without Mom’s permission to assist in an overnight militia raid and returns the next day with an ugly shoulder wound, rebuking any attempts at assistance and talking back in hardcore Wolverine tough-guy whispers. Their argument ends with Rachel slapping Charlie. That doesn’t help, and seems unnecessary now that Tracy Spiridakos’ performance is showing signs of improvement.

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Grumpy Cat Signs Three-Year $5 Million Deal to Join “The View”

Grumpy Cat, morningsIn the wake of recent conflicting headlines regarding the revolving-door employment status of its longtime participants, ABC’s The View announced a new initiative to move forward into a bold new era by hiring Internet sensation Tardar Sauce, star of the massively popular “Grumpy Cat” meme, as new co-host to represent for furry, nonhuman, and hatemonger minorities. The arguably photogenic Ms. Sauce will replace outgoing co-host Joy Behar and has sinister plans to drive out the three survivors until none remain. ABC executives are on board with this dramatic plan in hopes of boosting viewership in the precious young-adult-male demographic from its current double-digit negative ratings share.

Viewers who were Grumpy Cat fans before Grumpy Cat was cool are cordially invited to share her official site or her official Facebook page with bandwagon jumpers to show how superior you are to them, even though she hates you and newcomers equally.

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“White House Down” Trailer: Starring the Jean Grey of American Landmarks

Roland Emmerich, "White House Down"We saw the White House blow up in Independence Day. We saw it blow up again in 2012. As I type this it’s being blown up yet again in theaters in Olympus Has Fallen. Add your own memories here of the White House’s repetitive history of exploding again and again and again at the movies, whether at the hands of terrorists, invaders, or bad weather.

Now add one more death scene to the list, as director Roland Emmerich, the White House’s arch-nemesis, has directed yet another film in which the poor, beleaguered establishment takes a discouraging beating for entertainment’s sake. In the trailer for Emmerich’s new film White House Down, the President’s workspace is targeted neither by aliens nor by Mother Nature. This time the bombs are coming from inside the country:

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“Revolution” 3/25/2013 (spoilers): Charlie vs. the Whirlybirds of War

NBC, Revolution, "The Stand"Tonight on Revolution: EXPLOSIONS! GUNFIRE! MAJOR DEATH! BAZOOKAS! PUNCHING! Behold the end results of a three-month retooling hiatus.

We rejoin Our Heroes for the new episode, “The Stand” (I don’t have to explain the reference, right?), quickly resolving last winter’s cliffhanger that saw them facing the world’s first working helicopter in fifteen years, its cannons fully loaded, its pendant-powered generator in working order, its pilot ordered to kill. Fortunately everyone outruns the flying death machine, scampers into the abandoned (fictional) restaurant pictured above, and escapes death by hiding in the freezer until the chopper stops firing missiles into the joint. If a refrigerator can save Indiana Jones from atomic warfare, it stands to reason than an entire walk-in freezer would be just as impervious a bunker.

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Yes, There’s a Scene After “The Croods” End Credits

Dreamworks, The CroodsAs unimpressed as I was with the trailer, The Croods turned out to be an unexpected delight, with a sincere message for parents who want to protect their children from the world, but struggle with the knowledge that someday that job won’t be theirs anymore. (Says the nervous guy counting down the days until his son begins college.)

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My Former Life as a Kickstarter Junkie

Kickstarter sampler

Top to bottom: Ashes (art by Richard Pace); Jamal Igle’s Molly Danger; Neil DeGrasse Tyson, interviewee from Fight for Space; and Great Pacific (art by Martin Morazzo).

When Kickstarter was relatively new and not yet a household name, it took a while before I warmed up to the concept. Once I dipped my toe into the pool, I had a hard time convincing myself to come up for air.

I loved the idea of artists, writer, musicians, inventors, designers, and other makers of stuff bypassing the corporate processes that normally rule their respective fields and obtaining the necessary funding to self-publish, self-release, or otherwise bring their works to life through the magic of crowdfunding, which in most cases works a lot like pre-ordering an item except you’re also adding a generous tip.

At the end of 2012 I drew a line because I realized I’d gone overboard. I have disposable income set aside each month for doing fun things such as comics and movies, but Kickstarter was devouring more than its fair share and compromising my hobbies. With my son preparing to start college this coming fall, the time has come to batten down the hatches, tighten the belts, and find ways to slash our budget, unless some wealthy benefactor wants to start donating enormous sums in care of this humble blog.

Consequently, one of the first extravagances on the chopping block was my Kickstarter patronage. I like philanthropy. I like helping creators create. I like watching success stories in action. But other priorities have come a-callin’. My last pledge was in December 2012 (a Bob Mould tribute concert film); I can’t swear it’ll be my final use of the site, but any future contributions will have to be severely limited, judiciously selected, frugally committed, and wildly recompensed with endless freebies.

Thus I bid farewell-for-now to my active Kickstarter status with a look back at our history together thus far. The following are past campaigns about which I’ve posted here previously, with updates about their subsequent progress:

* Rich Burlew’s phenomenal Order of the Stick reprint drive. A year after the fact, Burlew is still working hard to fulfill the remaining supporter perks that were delayed due to a severe hand injury. I’ve already received everything I was expecting and then some. (The OotS notepad used for a previous MCC entry was made possible by Kickstarter.)

* The Fight for Space documentary, about mankind’s retreat from the stars. Project mastermind Paul Hildebrandt wisely set a distant but realistic delivery date of December 2013; as of January 2013 his team was still conducting interviews with relevant parties in Washington D.C., making the most of their surplus funding.

* Jamal Igle’s Molly Danger graphic novel. Counting down to the release date later this year, Igle has provided backers with frequent updates and exclusive preview materials, including a heads-up that an eleven-page preview that will appear in Action Lab’s Free Comic Book Day 2013 sampler.

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