Best CDs of 2014, According to an Old Guy Who Bought Ten

Sonic Highways!

The Foo Fighters’ Sonic Highways was far from my favorite album, but its eight-city metropolitan hodgepodge was definitely my favorite album cover.

It’s that time of year again! Even though my musical tastes don’t match anyone geographically near me, aren’t becoming any more stylish as I age, sometimes don’t fit well with my faith, and are increasingly leaning toward a uniform power-pop pageant, I do still like owning physical albums with all-new songs recorded and sequenced by the artists. I prefer CDs while driving because I can pop them in and out of the player with sufficient dexterity and without crashing, because local commercial radio enjoys being terrible, and because, last time I checked, the pre-installed satellite radio won’t accept monthly payments. And any digital music I accumulate tends to sit on my hard drive ignored and/or forgotten

(For more about that segment, I refer you to my thoughts on U2’s free Songs of Innocence, as previously discussed.)

The following list, then, comprises every CD I acquired in 2014 that was also released in 2014. Back-catalog materials are forbidden from inclusion, though for what it’s worth Mike Doughty’s 2011 album Yes and Also Yes deserved to be bought much sooner.

Right this way for lots of, well, white-guy rock!

“Sleepy Hollow” 1/19/2015: The Art is a Lonely Hunter

James Colby!

Portrait of the artist who’s out to get you.

Previously on Sleepy Hollow: an angel came to Sleepy Hollow, not with glad tidings from the Lord, but with a wish for the power of Death. So then that didn’t come to pass and we may or may not see the angel Orion again, because Fox execs recently revealed they’re actively tinkering with the show, taking a break from the ongoing apocalypse storyline for a while in favor of more done-in-one monster-of-the-week episodes, like what we used to see on Fringe or Smallville. If they keep focusing on evil-artifacts-of-the-week plots, I’d also toss in the long-forgotten Friday the 13th syndicated series, since that was the show’s exact premise.

In tonight’s new episode, “Pittura Infamante”: Ichabod and Katrina go on their first date since her return from Purgatory; Captain Irving’s return raises questions; special guest Michelle Trachtenberg (Buffy’s sister Dawn) appears in flashbacks as second First Lady Abigail Adams; and the Monster of the Week is a work of art best described as…cutting-edge! (Cue Crypt-Keeper laugh.)

For those who missed out, my attempt to hash out the basic events follows after this courtesy spoiler alert for the sake of time-shifted viewers…

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The 87th Oscars Nominations: Initial Random Thoughts and Lists

Selma!

The long march from Selma to the Dolby Theatre was stopped cold in its tracks by a fabulous year in white cinema.

The Academy Award nominations are in! But you already knew that. Like 99% of America, you likely haven’t seen too many of the nominees yet. The complete list is available in myriad locations (here’s the example I’ve been using for reference), so I don’t see a point in wasting time or space copying, pasting, and reformatting all that off someone else’s site. The nice thing about running my own site is I have no high-pressure word-count quotas to meet.

I’ve seen and written about three of the nominees so far — Birdman, Boyhood, and Selma — all of which I super-liked, all of which I wish could win all the prizes, one of which was dealt a far crappier hand than the other two by the elderly white voting majority of the Academy of Motion Pictures Arts and Sciences. Perhaps Selma‘s most egregious error was in failing to better balance the dual celebrations of black and white nobility like The Help did. Who can say.

The following lists and other thoughts popped into my head throughout the day while I mulled over this year’s honorees:

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“Selma”: For Your Voting Consideration

Selma!

Show of hands: who wants to read what another middle-class white guy thinks about Selma?

So much glowing praise has been written by countless others that I’m not sure my voice needs to count as anything other than a vote for “Yes, you should go see it now,” and this is apropos because voting was one of the key issues at stake in the famous historical event it covers. And what a simple pleasure it is to side with the professional viewing majority who’ve given it a landslide 99% rating on the Tomatometer, nicked slightly by thumbs-down from two white critics over 60.

It took forty-six years for Hollywood to produce the very first theatrical film about the great Reverend Dr. Martin Luther King, Jr. Its predecessors are a few documentaries; an infamous X-rated film that shouldn’t count; two TV-movies, including the Peabody Award-winning Boycott, which sounds very interesting to me right now; and an Emmy-nominated animated time-travel adventure. Thanks to director Ava DuVernay (who previously appeared in last year’s Roger Ebert documentary Life Itself), the MLK film bibliography looks a lot stronger now.

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Former Kickstarter Junkie IV: Here, YOU Save Spaceflight

Fight for Space!

Moviemaking is like spaceflight. Dream big. Aim high. Don’t look down. Curse the budget issues.

Paul Hildebrandt needs your help. For over two years the director and his crew have been conducting dozens of interviews, sifting through countless hours of archival footage, knocking at closed D.C. backrooms, stumping for truth, analyzing the facts, looking for root causes, and working hard to bring you Fight for Space, an ambitious documentary about the sorry state of America’s position in the international space race, where things went wrong, why they’re still off track today, and what barriers still stand between humanity and our return to the stars.

I previously wrote about Hildebrandt’s project in July 2012 when I signed on as a backer to his official Kickstarter campaign. His quest succeeded and exceeded his formidable funding goal of $65,000.00, with pledges totaling over $105,000.00. For the next year-plus, Hildebrandt pursued more interviews, hit roadblocks in several areas (including any and all inquiries into Elon Musk’s SpaceX program, which availed him naught), wrapped filming, began post-production, and updated us once every few months when properly badgered.

Then the money ran out. Hildebrandt was taken aback and humbled by the process, but he means to finish what he started. To that end, he’s just launched a second Kickstarter campaign to raise more funds so he can afford to complete his work as he envisions it.

Hildebrandt needs your help, and so do I. You can make a difference and help this important project finish happening, in hopes that it could shed new light on a touchy subject and change minds nationwide. Also, if there aren’t enough backers in this second round of donations, I’m guessing the whole thing collapses and I’ll never see the rewards I’m still owed from his first Kickstarter campaign. I was kind of hoping to have those in hand before I die.

Hi. My name is Randy. It’s been 25 months since I last gave a single dime to a Kickstarter project…

My 2014 at the Movies, Part 2 of 2: the Year’s Least Worst

Interstellar!

“…so then I said to the bull, ‘Take the long way, huh? Thank you, Cyrus.’ So I turned my Mercury around and just kept going and going and…next thing you know, here I am.”

Previously on Midlife Crisis Crossover:

Once again January is National List Month, that left-brained time of year when everyone’s last twelve months of existence must be removed from their mental filing cabinets, reexamined, and refiled in specific pecking order from Greatest to Most Grating. The final tabulations reveal I saw 19 films in theaters in 2014 and four via On Demand while they were still in limited release…

And now, on with the countdown:

Right this way for the Year’s Best Films according to some guy!

My 2014 at the Movies, Part 1 of 2: the Year’s Least Best

Horns!

Harry was pretty sure he’d gone terribly wrong somewhere on his Defense Against the Dark Arts homework.

Once again January is National List Month, that left-brained time of year when everyone’s last twelve months of existence must be removed from their mental filing cabinets, reexamined, and refiled in specific pecking order from Greatest to Most Grating. Here on Midlife Crisis Crossover, we enjoy our annual tradition of spending at least two posts looking back at our year in movies, trying to remember what we thought about them at the time and ultimately deciding which films can beat up which other films. When I reach that realization that my opinions sometimes change over time upon further reflection or second viewings, that’s when the process turns messy and I end up hating my own list. But internet bylaws insist it must be done. And I like lists more than I like internet bylaws.

The final tabulations reveal I saw 19 films in theaters in 2014 (tying with 2007 and 2010 as worst moviegoing years ever) and four via On Demand while they were still in limited release. This count doesn’t include seven 2013 films I attended in 2014 for Oscar-chasing purposes, or any films I watched on home video long after their theatrical run. As one sad example, this harsh rule of mine disqualifies Boyhood from the list since I just watched it via Redbox rental two nights ago. If I’d gotten out of the house for a three-hour theater visit just one more time last summer, it would’ve made my Top 3. Consider this paragraph my version of a Very Honorable Mention.

Links to past reviews and thoughts are provided for historical reference. On with the reverse countdown, then:

Right this way for the weakest of the herd!

“Boyhood”: a Living, Breathing, Three-Dimensional Scrapbook

Boyhood!

“Dad, the magical all-seeing crystal says to watch out for something called ‘the Purge’. Does that mean anything to you?”

The Oscars are coming! As longtime MCC followers should know, I’m one of those guys who makes a habit of seeing all the Best Picture nominees every year for fun and entertainment and amateur prognostication purposes. It’s been my thing since 1997 and there hasn’t been a nominee repugnant enough to ruin the ritual for me yet. I had a couple of close calls full of regret, to be sure, but so far I’ve not backed down.

With the official nominations announcement coming next Thursday morning, January 15th, I decided getting a head start on my marathon might not be a bad idea, especially if we end up with nine or ten films on the docket. By a stroke of luck and/or shrewd marketing calculations, this week saw the home-video release of one of the likeliest nominees, Richard Linklater’s Boyhood. Even if it somehow misses the shortlist because of a crowded field or ballet-box stuffing or whatever, no harm done here — I’d been wanting to see this one anyway. If I bothered with an arbitrary rating system, I’d give Boyhood seven out of five stars, an A-super-plus, a two-minute standing ovation, and the loveliest fruit basket I can afford.

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“Sleepy Hollow” 1/5/2015: Reaping Angels

The Angel Orion!

Our Heroes should’ve known something was wrong as soon as they saw the angel holding a halo over his own head. Truly good angels buy the pricey, floaty kind of halo.

Previously on Sleepy Hollow: One hero fought valiantly but died; one villain died harder when another villain turned betrayer at the last minute; still another villain found himself in chains; and our man Ichabod Crane rode his first motorcycle, possibly not his last.

In tonight’s new episode, “Paradise Lost”: new villains succeed the old; a new outcast offers his services for a price; one old villain seeks redemption; and Katrina Crane gives everyone new reasons to gnash their teeth and rend their garments every time she talks.

For those who missed out, my attempt to hash out the basic events follows after this courtesy spoiler alert for the sake of time-shifted viewers…

…

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My 2014 in Books and Graphic Novels

Hollow City!

Ransom Riggs’ Hollow City, one of a precious few 2014 books I actually read in 2014.

Time again for the annual entry in which I protest to the world that, yes, I do indeed read books and stuff. Despite the lack of MCC entries about my reading matter, I’m never not in progress on reading something, but what I read is rarely timely, and those few timely items frequently don’t inspire a several-hundred word response from me. I can go on and on about movies and TV shows (albeit with mixed results); books, not so handily. It’s a personality defect that merits further analysis at some point.

Presented below is my full list of books, graphic novels, and trade collections that I finished reading in 2014, in order of completion. Three were part of a 3-in-1 Sci-Fi Book Club edition and made sense to read back-to-back, but consequently took up more reading weeks than I expected. A few other items were pure catch-up of books that had been sitting on the unread shelf for far too long and were technically irrelevant by the time I got around to them. As I whittle down the never-ending stack that’s bothered me for decades, my long-term hope before I turn 60 is to get to the point where my reading list is more than, say, 40% new releases every year. That’s a lofty goal, but I can dream

That list, then…

“The Battle of the Five Armies” Plus Martin Freeman as THE Hobbit

Azog the Defiler!

“Let’s take this once more from the top! Real actors to the south, CG replicants to the north, and…ACTION! STAB STAB STABBY-STAB STAB!”

The end of the beginning is here! The epilogue of the prologue has arrived! The grand finale that goes in the middle of the story, even though it was hardly there originally, is finally out! And now it’s time for Part 3 of 6: the Final Chapter!

In An Unexpected Journey we watched a disgruntled Tim from The Office saunter through dangerous territories and endure slovenly dwarven hijinks. In The Desolation of Smaug we watched a resourceful Dr. John Watson brave wild carnival rides and face the growly wrath of a super-sized, serpentine Sherlock Holmes. And now, in The Battle of the Five Armies, director Peter Jackson takes us on one last guided tour of Middle-Earth filled with racial politics, emotional turmoil, treasure addiction, star-crossed lovers, all-out war, Revenge of the Sith continuity knot-tying, video game magic, the world’s funniest riding animals, and a few special appearances by frazzled hitchhiker Arthur Dent. Closure is truly ours for the taking.

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Why I Hate Comic Book Crossovers

DC Comics Presents 85!

When I was 13, DC Comics Presents #85 was one of many issues I bought that crossed over with DC’s epic event Crisis on Infinite Earths, back when buying tie-in issues was a new concept and I was easily persuaded to spend extra money on comics. For longtime MCC followers who don’t know comics, now you know the origin of the phrase “Crisis Crossover”, which was a thing for a long time.

Today an online chum was curious why I turn vitriolic whenever a comic book discussion turns to the subject of crossover events. Thousands and thousands of readers love it when Marvel or DC Comics plan a major story that’s told partly through a miniseries whose storylines and subplots branch out to affect between ten and fifty other comic books during a three- to six-month publishing span. They’re such a proven sales-driving phenomenon that by the time you’re deep in the middle of occasions such as Marvel’s current Axis or DC’s upcoming Convergence, the executives and editorial staff are already looking forward to the next crossover after that one.

Reprinted below is an edited version of the 1200-word answer I cranked out earlier this evening in half an hour off the top of my head. My response didn’t require much research, soul-searching, or structural fussiness. It’s rare that anyone asks me a question that spurs such an immediate, entry-length response, so I’m archiving it here for future reference the next time someone asks.

(The full-length, more carefully crafted version would be three times as long and take more hours to fine-tune than I have at my disposal tonight. Another time, perhaps)

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Hollywood Concedes Free Speech Battle on World Stage

James Franco!

appleseed : apple tree :: The Interview : cyberwar

I had no plans to see The Interview because I lost my tolerance for most R-rated comedies years ago, and the last time I tried a Seth Rogen film, The Green Hornet turned me against it within its first fifteen minutes, and it wasn’t even R-rated. That was before the brouhaha of the past few weeks.

Today Sony Pictures announced it’s canceling the Rogen/Franco flick’s planned theatrical release after all the major chains refused to carry it in the wake of strongly worded orders from our new internet overlords overseas. Even before our normally unflappable cinemas exercised their right to back down, Sony had been suffering through the controversial widespread release of every byte of information ever stored on every computer they’ve ever bought. Movie plans, budgets, salaries, sensitive personal data, candid undiplomatic emails, and zillions of other choice insider tidbits were extracted from behind whatever Sony cutely referred to as a “security system” by the forces of [GLORIOUSLY REDACTED] and dumped on the virtual front lawns of every muckraking internet quote-unquote “journalist” with Wi-Fi access and a dumbstruck conscience. After a long couple of weeks, some anxious Sony elder probably felt the theater-owner dogpile was the last straw, that the lives and livelihoods of thousands of employees were ultimately unfair stakes to put up against a possible gigantic bluff without thousands of notarized authorization forms from said employees, and that The Interview wasn’t worth any more headaches.

Sony is a for-profit corporation, not a ragtag team of do-gooder movie underdogs sworn to uphold their idealistic Lawful Good alignment at all costs. Just the same, it would’ve been awesome and patriotic of them to act like it and release the movie anyway. If we accept George R. R. Martin’s outraged argument that behemoths like Sony could buy and sell tiny Asian countries at will if it suited their interests, and if we accept the old adage that there’s no such thing as bad publicity, there’s a school of thought that believes the movie, if released now after all of this, could probably rake in five or ten times its original box office projections and afford to hire elite counter-hackers and armed mercenaries to protect their interests and civilians, albeit probably in that order.

All I know is, all of a sudden I really want to see this crappy comedy on principle.

Follow the link for more thoughts and a few tweets…

Yes, There’s a Small Thing After the “Mockingjay Part 1” End Credits

Mockingjay Part 1!

From the Hollywood adaptation trend that brought you all the Part Ones of Harry Potter and the Deathly Hallows, The Hobbit, and Twilight, it’s split-sequel time once again with The Hunger Games: Mockingjay Part One. Its lean running time of 123 minutes, which includes roughly 15-60 minutes of visual-effects end credits, would suggest the complete finale to Suzanne Collins’ world-famous trilogy could’ve been translated into a single, epic-length film if dozens of pages’ worth of thinking, feeling moments had been deleted from the screenplay. Sure, why not whittle it all down to a more economical 154 minutes, the average run time of Michael Bay’s four Transformers movies? Less talk, more rock!

Meanwhile, the two-hour Fargo is adapted into a ten-episode TV season, and no one reacts with a facepalm. Critics find it in their heart to forgive and bestow glowing approval upon it.

Making extra movies doesn’t have to be a sin in and of itself. The question is, can they make the extra space worth our time and money? Or would you like to be the fussy producer who tells director Francis Lawrence, “I’m sorry, but we only want one film, so you’ll need to give us less Phillip Seymour Hoffman”?

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MCC Home Video Scorecard #4: Desert, Dessert, Cops and Flops

Last Action Hero!

Hey, remember when he was in movies? Good times, am I right? Oh, hey, there’s Schwarzenegger on the right, too.

Previously on Midlife Crisis Crossover: the recurring feature that’s me jotting down capsule-sized notes about Stuff I Recently Watched at home. In this batch: Aragorn, Ah-nuld, and two former teen stars — one all grown up, and one grown up only on the inside.

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Procrastination Bites (MCC 2014 Pilot Binge #23-26)

State of Affairs!

No need to fret, Ms. Heigl. Grey’s Anatomy can’t hurt you anymore.

Bloggers love writing prompts. Toss them a random topic, see what they can do with it, cross your fingers and wish them the best on their mental exercise. I don’t mind them myself, sometimes. If there’s a subject on which I have even the most tangential thought, in many cases I can find something creative and/or catchy to do with it, provided there’s no vital scheduling needs involved.

Writing prompts are an enjoyable challenge for me if everyone’s fine waiting anywhere from two days to three years for my results. It doesn’t matter if the idea came from the WordPress.com Daily Post. It doesn’t matter if it came from current events. And as I’ve discovered over the past four months, it makes no difference if the idea was mine.

Speaking of which: I have a commitment to fulfill and a project I said I’d finish.

Right this way for the grand finale!

My Super Awesome “Frosty the Snowman” Reboot Pitch

Frosty the Snowman!

Millions of viewers used to love watching Frosty the Snowman every year when it aired around Christmastime. The beloved 1969 animated special was one of several perennial favorites in my childhood household. We knew the song, we knew most of the lines, we recognized those familiar cartoon voices, and we knew every beat of the story, from the flop magician to the snowman’s parting promise. Frosty was common knowledge among us kids.

See that face up there, full of angst and pathos and magic? That classic hero just turned 45 years old. Isn’t it time for his 21st-century reboot?

I don’t mean as a feature film, because that declining box office is depressing. I also don’t mean another one-time TV Christmas special, because that’s thinking too small. See, I’m thinking live-action regular series. So many facets of this undervalued intellectual property yearn for a modern update with better fashions, extra pizzazz, hipper attitudes, and supernatural warfare. Frosty himself could stay CG, but there’s no reason Karen, her friends, the other townspeople, and most of the town scoundrels couldn’t be played by real actors so we can crank out episodes more quickly and minimize our animation needs. Unless we send this proposal to Fox, animating it will get us nowhere. I say it’s time for Frosty to start over, but this time keep it real.

I’ve taken the liberty of mapping out a hypothetical thirteen-episode first season that would rebuild the Frosty universe from the ground up and make it relevant and “sick” to a whole new generation of impressionable prime-time viewers. This, then, is what my preliminary episode guide looks like for…

SNOWMAN: THE SERIES!

Right this way for capsule summaries of all thirteen season-one episodes and a sneak preview of future storylines!

“Sleepy Hollow” 12/1/2014 (spoilers): The Savage Sword of Irving

Frank Irving, Man of Action!

“By the power of Methuselah, I HAVE THE POWER!”

Previously on Sleepy Hollow: Abbie and Crane find the legendary Sword of Methuselah, which can slay any being around, including Big Bads; an escaped Captain Irving goes into hiding; Henry Parish (f/k/a Jeremy Crane) sounds the first of three horn-blows that signal the Endtimes opening ceremonies; his demon boss Moloch blossoms into his final form; the Headless Horseman and the still-unnamed Blazing Sword Armor Golem both stand by, ready for evil action; and Katrina Crane, Undercover Spy Witch, turns out once again to be a useless liability.

In tonight’s fall finale, “The Akeda”: the promo promised “SOMEONE MUST FALL”, and sure enough, Our Heroes come face to face with the Big Bad himself, and not everyone makes it out alive. And nearly everyone’s here: Crane! Abbie! Katrina! Jenny! Irving! Hawley! Moloch! Henry! Bram! The War armor! Alas, Captain Reyes is nowhere in sight, because only those who believe in magic are allowed inside this climactic, tragic episode.

For those who missed out, my attempt to hash out the basic events follows after this courtesy spoiler alert for the sake of time-shifted viewers…

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“Sleepy Hollow” 11/24/2014 (spoilers): Requiem for Methuselah

Sleepy Hollow Swords!

Abigail Mills and the Next Crusade after the Last Crusade, Which Turned Out to Be the Next-to-Last Crusade, Unless This One Isn’t the Last Crusade Either, In Which Case That One and This One Each Turned Out to Be Just *A* Crusade.

Previously on Sleepy Hollow: Abbie and Jenny’s dead mom finally earned release to the next life by saving them from the clutches of a raging Cynthia Stevenson, who used to be Bob Newhart’s merry daughter on Bob; Captain Irving escaped Tarrytown Psychiatric in hopes of avoiding Henry Parish’s evil clutches and somehow breaking his soul contract; and an ailing Ichabod Crane learned the common cold hasn’t changed much in 250 years.

In tonight’s new episode, “Magnum Opus”: a MacGuffin quest, a mythical monster, deep thoughts about the life decisions we let others make for us, and more fun with Crane’s phone, as he uses it to play Who Am I? with Abbie, Google “sunrise times”, and view creatures through the camera so their looks won’t kill him.

For those who missed out, my attempt to hash out the basic events follows after this courtesy spoiler alert for the sake of time-shifted viewers…

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Top 10 Best Scientific Inaccuracies in “Interstellar”

Interstellar!

The stars of Zero Dark Thirty and Gone Baby Gone spent months crafting an accurate portrayal of apocalyptic farm life.

[Courtesy Spoiler Warning. Plot points ahead.]

So you and your friends have turned Interstellar nitpicking into your new favorite spectator sport? You say you’re not content with forgiving the movie its flaws, or with engaging in the more challenging activity of brainstorming reasons why they’re maybe not flaws? Or you’re possibly dissatisfied because Christopher Nolan’s new movie barely passes the Bechdel test and only scores 1/3 on the Blackdel Test. (The latter is of course rarer and tougher, requiring a movie to contain (1) at least 2 black characters (2) who talk to each other (3) about anything except race. And a 1/3 is an amazing score compared to most other major-studio films.)

Internet users have had no shortage of axes to grind over the movie, and it’s telling that Interstellar has pulled in over $120 million at the U.S. box office without winning the #1 position in its first three weeks of release. It’s on track to become Nolan’s lowest-grossing film since The Prestige, possibly because everyone has been quick to dissect it and find faults since it doesn’t meet their narrow expectations of what a film about spaceflight should look like. Or everyone’s still bitter about The Dark Knight Rises. Hard to say.

Personally, I liked what Interstellar tried to do and appreciated what it accomplished, even if it may not become The Film That Saved NASA. I embraced it despite its problems, theorized why some viewers may have been overthinking it, and thought that some of its errors, omissions, and outrageous fallacies were actually pretty cool.

From the Home Office in Indianapolis, IN: Top 10 Best Scientific Inaccuracies in Interstellar:

10. Tom eating a giant dust burrito and exclaiming, “Mmmmm, farm-to-table dust!”
9. The tap-dance shoe-clicking in Anne Hathaway’s zero-G musical number
8. McConaughey insisting he needs to lose forty pounds
7. The ship slingshots around the black hole and reappears in the Enterprise‘s 1986 humpback-whale tank
6. Waterworld suspiciously free of the wreckage of Kevin Costner’s career
5. Reciting the same poem three times somehow does not summon the ghost of Dylan Thomas
4. Fifth Dimension ruled by a black gay female Mr. Mxyzptlk
3. Rocket fuel magically synthesized from used copies of Failure to Launch
2. Matt Damon in a movie without top billing

And the number one Scientific Inaccuracy in Interstellar:

1. God appears to the crew; reveals His true name is Oscar Consideration.