Emerald and Ivory, sing together in perfect harmony…

Previously on Midlife Crisis Crossover: our family has traveled to New York City twice and caught a genuine Broadway show each time. In 2011 a Minskoff Theatre matinee of The Lion King overwhelmed us with the big, big, BIG differences between plays performed at your rather capable local theater versus the big-budget pageantry of Actual Broadway™. In 2016 we bypassed Disney’s ongoing Broadway domination in favor of the equally tourist-magnetic Wicked at the Gershwin Theatre. We went in with no preconceptions or spoilers, knowing the basic premise but having never heard a single note of it. Years after the original cast’s departure, songs such as “The Wizard and I”, “Popular”, and “Defying Gravity” were a powerful revelation to hear for the first time. After it ended, I kinda didn’t wanna leave and I was the only male waiting in the long line at the merchandise stand.

One drawback to the latter experience: our seats were not up close. When Anne bought our advance tickets, she was pretty certain we’d be somewhere in the middle. In reality, the Gershwin had a tremendous middle. The wall-to-wall sound system ensured every note would carry to one and all, and we were wowed by the sets, the visual effects, the sweeping gestures and the broader emotions. From our vantage, though, faces and expressions were inscrutable dots — even the Wizard himself, played at the time by TV’s Peter Scolari, the only cast member we knew. We were so far from the stage that I had absolutely no idea Elphaba was wearing glasses until another character mentioned them. That afternoon remains an unforgettable milestone for us, but we weren’t affluent enough to afford the perfect experience.

For anyone who won’t be traveling to Manhattan anytime soon, or for anyone who’d love an encore with off-Broadway perks, Universal Pictures has just the prerecorded roadshow version for me and you! From Jon M. Chu — the director of such musicals as the stage-to-screen adaptation of In the Heights as well as the last G.I. Joe movie that’ll probably ever be made in my lifetime — comes the latest rendition of Gregory Maguire’s alt-timeline branch of L. Frank Baum’s public-domain Oz Expanded Universe, the novel-to-stage-to-screen partial adaptation Wicked: Part I. At 160 minutes long it’s only five minutes shorter than the entire Broadway production and its 15-minute intermission, but it only covers Act One and the intermission will be at least a year long. Thankfully attendees are permitted to leave the cinema and continue leading our lives while we’re waiting for Act Two to commence, though it’s a total ripoff that we’ll have to buy whole new tickets before we can return to our seats.

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