MCC Home Video Scorecard #19: The Oscars 2020 Best Picture Home Game

Marriage Story!

I was tempted to caption it myself, but…nah. Another time.

Previously on Midlife Crisis Crossover: the recurring feature that’s more like a newsletter in which I’ve jotted down capsule-sized notes about Stuff I Recently Watched at home.

It’s Oscars season once again, which I began preparing for weeks ago after seeing film critics online buzzing back and forth about Netflix stepping up their game in the awards field. I watched three Netflix Originals back in December mostly because I was genuinely interested in them and partly because I knew they each stood a good chance of garnering some nominations, particularly in the Best Picture category. As it happens, two of the three made the list with ease, while the third one picked up three nods in other categories. A fourth Netflix Original is included in this entry for the opposite reason.

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“Star Wars Episode IX: The Rise of Skywalker”: The Third Series Finale

Episode 9 wreckage!

Our cast ponders life after Episode VIII’s messy deconstruction.

Previously on Midlife Crisis Crossover: 91 previous entries on this site bear a “Star Wars” tag, signifying that George Lucas’ beloved universe has been a major part of our entire lives, from the films to the books to the music to the fanfic to the conventions, including our all-time greatest celebrity encounter, which in turn led to that time Star Wars got me interviewed on local TV. Star Wars has been kind of a big deal in our household.

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“The Dead Don’t Die” But They May Be the Last Ones Here to Turn Out the Lights

Sheriffs Don't Die!

Your local sheriffs scrambling to fathom the zombie menace in a film that could also be called The Living Don’t Live. Ooh, paradoxes.

I remember reading about the films of idiosyncratic director Jim Jarmusch in the Movies section of Entertainment Weekly throughout the course of my now-lapsed 28-year subscription, but I’ve never made an effort to watch one for myself till now. Inertia can be a pathetic anchor like that sometimes. And it’s far too easy to get distracted in a universe of nigh-unlimited cultural options, where the human mind can only hold so many directors’ names in its head at any one time, presuming one is making an effort to retain them.

When I saw Jarmusch’s name on the trailer for The Dead Don’t Die, I knew this could be no ordinary zombie film. After a long journey that involved me showing up at the wrong theater, driving halfway across the city to the correct one, nearly having a breakdown when I had to brake for a funeral procession, and arriving with plenty of minutes to spare thanks to a glut of trailers that stalled for time in my favor…then did I see my prophecy fulfilled.

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