2024 at the Movies at My House

January 18, 2025 By in Movies/Films/Flicks, TV/DVD Tags: , , , , , , , , 3 Comments
Robot in darkness wearing headgear made of antlers, talking to someone in the shadows.

The Wild Robot 2099.

Previously on Midlife Crisis Crossover: in 2024 I made 29 trips to the theater to see films released or screened in festivals that same year. Meanwhile at home, I kept up with select new releases depending on what was conveniently available through our family’s streaming subscriptions, what sounded most watchable, and/or what felt like potential future Oscar nominees that should be gotten over with in advance to ease my annual Oscar Quest time crunch. For value-added fun, as an anniversary gift from my lovely wife Anne we now have Max, which expanded our options without expanding my available TV free time. I did what I could within the time slots allotted.

Hence the fifth annual installment of the MCC tradition borne of the pandemic: a ranking of all the brand new films I saw on comfy, convenient home video in their year of release. Sure, they could’ve been 20 separate entries written in real time as I consumed them, but that’s not how I roll. The Academy Award nominations announcement is coming up January 17th, assuming the L.A. wildfires are quelled and no further raging of them continues endangering lives or homes. As a teenager Anne survived the ordeal of her family’s home burning to the ground, so we’ve been following those tragic headlines and testimonies as they’ve kept on coming. Our prayers are with all those whose lives have been deeply affected.

So. On with our countdown, ranked from awfullest to awesomest, name-checking which service had them at the time. Some have migrated to different services since then…

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My 2024 at the Movies, Part 2 of 2: The Top 10

January 11, 2025 By in Movies/Films/Flicks Tags: , , , , , , , Leave a comment
Tiny blond witch holds large ugly witch's hat.

Everyone don your sorting hats!

Previously on Midlife Crisis Crossover:

It’s listing time again! In today’s entertainment consumption sphere, all experiences must be pitted against each other and assigned numeric values that are ultimately arbitrary to anyone except the writer themselves. It’s just this fun thing some of us love doing even though the rules are made up and the points don’t matter. I saw 29 films in theaters in 2024 that were actually released in 2024. Seven were screenings at the 33nd annual Heartland Film Festival, some of whose makers are still seeking an American distributor. In young-adulthood I used to scoff at critics who’d fill their year-end Top 10s with films they saw at festivals that none of their readers would be able to watch for another few months, if ever. Now that I’ve participated in a festival these past two years, those seven totally count and I’m not cheating by including them. This is, like, just different.

Here’s the annual rundown of what I didn’t miss in theaters in 2024. Links to past excessively wordy reviews and sometimes bizarrely construed thoughts are provided for historical reference…

On with the better end of the countdown!

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My 2024 at the Movies, Part 1 of 2: Starting at the Bottom

January 5, 2025 By in Movies/Films/Flicks Tags: , , , , , , , , , , 2 Comments
IMAX poster for Madame Web in a theater hallway. Visual elements include five eyes in separate circles surrounding a falling body. In the middle there's a tiny spider. There are concentric circles and some cluttered webbing.

NEVER FORGET.

It’s listing time again! In today’s entertainment consumption sphere, all experiences must be pitted against each other and assigned numeric values that are ultimately arbitrary to anyone except the writer themselves. It’s just this fun thing some of us love doing even though the rules are made up and the points don’t matter.

I saw 29 films in theaters in 2024 that were actually released in 2024, a 20.8% increase over 2023, steadily climbing post-COVID. That number doesn’t include ten Academy Award nominees I caught in theaters in 2024 that were officially 2023 releases, but which I saw later outside the house as part of my annual Oscar Quest. It also doesn’t include the 2024 films I watched on streaming services, which will receive their own listicle.

Of those 29 releases, 16 were sequels, prequels, or chapters in an ongoing universe or venerated popcorn-flick IP. Only five were superhero films because Marvel sent themselves to the penalty box. Two were animated. Five had scenes during or after the end credits (again, blame the low tally on the MCU hiatus). Seven were screenings at the 33nd annual Heartland Film Festival, some of whose makers are still seeking an American distributor. In young-adulthood I used to scoff at critics who’d fill their year-end Top 10s with films they saw at festivals that none of their readers would be able to watch for another few months, if ever. Now that I’ve participated in a festival these past two years, those seven totally count and I’m not cheating by including them. This is, like, just different.

Here’s the annual rundown of what I didn’t miss in theaters in 2024, for better or worse, starting as always at the bottom. Links to past excessively wordy reviews and sometimes bizarrely construed thoughts are provided for historical reference. On with the countdown!

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Midlife Crisis Crossover 2024 in Review: Guaranteed 100% A.I.-Free

January 3, 2025 By in Meta Tags: , , , , , , , , Leave a comment
Anne in our kitchen wearing eclipse glasses and an Indiana Total Solar Eclipse T-shirt, doing jazz hands.

4/8/2024: Anne dresses up for the Total Solar Eclipse extravaganza. Indianapolis was among the prime viewing spots.

Hey, there! Welcome, gracious readers and bots, to the thirteenth annual Midlife Crisis Crossover year-in-review! Once again we self-analyze the site’s pinnacles and nadirs among readers, skimmers, search engine gadabouts, and any other casual internet users who come within fifty light-years of this li’l boutique site. Over a twelve-month period those fleeting glances add up to concrete stats that may or may not be reliable indicators of trends, fads, and wins ‘n’ sins on my part.

This virtual hermit cabin opened its creaky wooden door on April 28, 2012, as a place where I could entertain myself by making essay-shaped things out of whatever words and pictures I had at hand, and placing them somewhere I personally owned rather than someplace a capricious third-party moderator or owner could delete on a whim. (Yes, I’ve had bad experiences.) Often it’s been a satisfying platform to share galleries, memories, hugs, screeds, and pop-culture opinions that might otherwise have dissolved unwritten in my head or collected rejection emails from every professional website ever. Sometimes it’s disappointing, maybe even depressing, but whenever the encouragement comes or an impetus spurs me, I’ll make an effort for my most labor-intensive hobby anyway. When my head is in the right space, I can enjoy the process and the results, with or without feedback.

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“Nosferatu” 102 Years Later

December 29, 2024 By in Movies/Films/Flicks Tags: , , , , , , , , , , Leave a comment
Young 19th-century woman's frightened face in darkness, with gnarly vampire hand around her neck.

PROTECT YA NECK, KID!

Previously on Midlife Crisis Crossover: with three films writer/director Robert Eggers claimed a neglected niche as an artisanal horror scenographer, creating unique environments with an obsessive fastidiousness that surely frightens and confuses any execs used to funding facsimiles of other films. At first The Witch disoriented the unsuspecting viewer with stylized Puritanical dialect before plunging them into a malevolent maelstrom of what Salem might’ve looked like if the witch-hunters hadn’t been making it all up. The Lighthouse was an intensely claustrophobic, black-and-white duel over Mellvillian obsession and 19th-century on-the-job training. As if those weren’t harrowing enough, The Northman retold the tale of the turn-of-the-ninth-century Jutland prince Amleth (you may recall Shakespeare’s watered-down adaptation called Hamlet) as a visceral, deafening Dolby Cinema experience in which its antihero, a doubt-free rage-monster, waged relentless revenge atop a sonic tsunami of pummeling war drums. Such are the hypperrealities that Eggers, diviner of realms unseen, has dared us to watch.

Whereas The Northman was less a do-over of existing material than a savage interpretation of the historical record, Eggers’ latest is his first total remake — a full-throated cover of the 1922 silent classic Nosferatu: A Symphony of Horror, F.W. Murnau’s unauthorized adaptation of Bram Stoker’s Dracula that took on a life of its own despite the ensuing lawsuit. Eggers’ Nosferatu has no subtitle and is twice the runtime, and follows in the footsteps of other movie-monster aficionados-turned-pros such as Guillermo del Toro and Leigh Whannell, but as one might expect, it’s no ordinary Dracula flick to throw on the ever-mounting pile.

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My 2024 Reading Stacks #1

December 23, 2024 By in Comics/Lit Tags: , , , , , , , , 4 Comments
My Favorite Thing is Monsters v.2 and Wonder Woman Historia: The Amazons.

Two of my favorite reads of the year: oversized-pages division.

Welcome once again to our recurring MCC feature in which I scribble capsule reviews of everything I’ve read lately that was published in a physical format over a certain page count with a squarebound spine on it — novels, original graphic novels, trade paperbacks, infrequent nonfiction dalliances, and so on. Due to the way I structure my media-consumption time blocks, the list will always feature more graphic novels than works of prose and pure text, though I do try to diversify my literary diet as time and acquisitions permit.

Occasionally I’ll sneak in a contemporary review if I’ve gone out of my way to buy and read something brand new. Every so often I’ll borrow from my wife or from our local library. But the majority of our spotlighted works are presented years after the rest of the world already finished and moved on from them because I’m drawing from my vast unread pile that presently occupies four oversize shelves comprising thirty-three years of uncontrolled book shopping. I’ve occasionally pruned the pile, but as you can imagine, cut out one unread book and three more take its place.

I’ve previously written why I don’t do eBooks. Perhaps someday I’ll also explain why these capsules are exclusive to MCC and not shared on Amazon, Goodreads, or other sites where their authors might prefer I’d share them. In the meantime, here’s me and my recent reading results.

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Merry Christmas from MCC!

December 22, 2024 By in Mundane Tags: , , , , , , Leave a comment
A small and a large Christmas cookie tin stacked in a tiny ziggurat on a festive table. On top is a Peanuts snow globe. On each level stand ornaments of the cast from Rankin-Bass' "Rudolph the Red-Nosed Reindeer".

The pinnacle of our home’s 2024 Christmas diorama, which is something Anne does every year with our various pop culture Christmas ornaments and figurines.

Hey, kids! It’s that beloved holiday tradition where we just post a few recent Christmas-themed photos with some short yet sincere seasons’ greetings, and we give readers a break from my usual self-indulgent verbosity. It’s the most wonderful time of the MCC year! Click, scroll, ooh, ahh, and keep on frolicking down the internet superhighway!

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Our Day at the Eiteljorg Museum (Beyond Jingle Rails 2024)

December 20, 2024 By in Indiana Tags: , , , , , , , , , Leave a comment
Dialogue with a Deer!

Harry Fonseca, Dialogue with a Deer, 1995. (I’m reminded of the Deer Lady from Reservation Dogs.)

Previously on Midlife Crisis Crossover: last weekend my wife Anne and I visited the Eiteljorg Museum of American Indians and Western Art in our hometown of Indianapolis and checked out their annual, widely advertised Jingle Rails exhibit — a festive collection of elaborate toy train dioramas that recreate a variety of well-known settings using myriad natural materials to exacting specifications and festooned with Christmas trimmings. Walking laps around the hall in childlike, wide-eyed wonder was a neat feeling.

Obviously the Eiteljorg has more to offer beyond the one special happy-holiday attraction. I’ve worked a few blocks away from the Eiteljorg for years, but the last time we went there was waaay back in early 2007 to view a special exhibit of Roy Lichtenstein’s rarely mentioned Old West-themed works from his pre-Pop Art days. The two of us were online regulars back in that pre-MCC, pre-social-media era, but I don’t think we ever posted about it anywhere. I aimed to rectify that oversight for this special occasion and the rest of the museum.

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Nobody Cares If There’s a Scene After the “Kraven the Hunter” End Credits

December 19, 2024 By in Movies/Films/Flicks Tags: , , , , , , , , , , Leave a comment
Leather-clad long-haired hunting guy stands on an African plain, slack-jawed. Behind him, an overturned truck burns.

Tonight on Wild Kingdom, an apex predator faces extinction! Or worse, irrelevance!

When Kraven the Hunter introduces our protagonist Sergei Kravinoff, he’s aboard a Russian prison bus on its way to a Siberian gulag, stopping at an abandoned gas station so the convicts on board can go take bathroom breaks all around it. The metaphor works pretty well for Sony’s “Spider-Man Minus Spider-Man” cinematic pocket dimension: the gas station is the hollow shell of a system still making these films, and the prisoners are the cast and crew who signed on and contractually had to see them through to the end, but nobody said they had to give their best. Or maybe theaters are the gas station and studio execs are those turning everything around them into a makeshift bathroom.

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Toy Trains and Xmas Xings: Jingle Rails 2024 at the Eiteljorg Museum

December 17, 2024 By in Indiana Tags: , , , , , , , , , , Leave a comment
Intricate wood models of downtown Indianapolis buildings including the OneAmerica Tower, Salesforce Tower, and Monument Circle featuring the lit-up Soldiers and Sailors Monument.

A cross-section of tiny downtown Indianapolis, not to scale and with some buildings rearranged or missing.

Previously on Midlife Crisis Crossover: sometimes we leave the house for Christmas activities here in Indianapolis! Last year my wife and I attended the Indiana Repertory Theatre’s annual take on A Christmas Carol and had primo seats in the front-row fake-snow splash zone. My coworkers and I have made the Indiana Historical Society’s Festival of Trees a team-building tradition. Anne and I also used to escort her Mamaw to the Christmas Gift and Hobby Show at the Indiana State Fairgrounds until her passing in 2018. We’re Christmas fans in search of more Christmas ’round town, even though our place is loaded with enough Christmas decor for three households. (I’m not complaining.)

Once again we were blessed with an opportunity for another local cultural experience whose advertising we’ve noted and dismissed till now — free tickets courtesy of my employer (one of their organization’s corporate partners) to the Eiteljorg Museum of American Indians and Western Art on the occasion of their annual Jingle Rails exhibit. Whatever’s normally in their Allen Whitehill Clowes Sculpture Court is carted off elsewhere and replaced with enormous dioramas that are festooned with Christmas decorations and toy train tracks. Li’l locomotives run laps nonstop around the hall while visitors gape in childlike wonder. I guess that’s the ritual? As I said, this was our first time.

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