The Resources After the “Spotlight” End Credits

Spotlight.

“If it takes a village to raise a child, then it takes a village to abuse one.”

As an embittered attorney who represented dozens of Catholic Church rape and sex-abuse victims over the years, Stanley Tucci lays bare the core of Spotlight, a passionate journalism drama based on the true story of the Boston Globe team that uncovered the vast web of lies, cover-ups, bully-pulpit negotiations, and geographic sleight-of-hand that gave dozens of hypocritical monsters the power and implicit permission to use hundreds of their most vulnerable followers as their playthings for decades, with virtually no accountability or consequences.

Innocents and their parents, obedient parishioners all, looked up to them and shouted, “Won’t someone think of the children?” These collared but uncontrolled sinners looked down and whispered “No.”

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“Now You See Me”: When Magic Loses Its Magic

Dave Franco, Jesse Eisenberg, Isla Fisher, Woody Harrelson, Now You See MeThe trailers for Now You See Me telegraph up front that you should expect a twist along the way. You’re teased and beguiled by the possibility of having the wool pulled over your eyes, and taunted for daring to look too closely. Sooner or later, this movie swears it will fool you.

It’s no spoiler, then, to reveal that yes, the movie does eventually have a twist. Despite the fancy stage-magician trappings, its base template is the heist-film genre, in which the viewer’s homework assignment is trying to guess which character will be revealed as a mole or a double-crosser by the end. In that sense, the genre expectations are fulfilled here, including the part where that big revelation turns several previous scenes into utter nonsense if you retrace your steps and rethink them too deeply.

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