Heartland International Film Festival 2026 #6: “The Debut”

Angry theater director glowers at a meek redhead actress.

Paul Giamatti! Julianne Moore! You’ll be surprised which one is the scariest!

Previously on Midlife Crisis Crossover:

Since 1992 my hometown of Indianapolis has presented the Heartland International Film Festival, a multi-day, multi-theater celebration of cinema held every October. Local moviegoers have the opportunity to see over a hundred new works in the realms of documentaries, narrative features, shorts, and animation made across multiple continents from myriad points of the human experience. Heartland’s 35th edition runs October 7-18 and will be my fourth time diving in. I’ve made plans to catch at least six films in all, maybe more if time permits…

Last but not least: the festival’s Closing Night selection The Debut, which premiered at the Telluride Film Festival last month. It’s the third film from actor-turned-writer/director Jesse Eisenberg, whose Poland group-tour dramedy A Real Pain played at HIFF 2024 and won an Academy Award for costar Kieran Culkin. Not ready to slow down, Eisenberg nimbly switched gears for this comedy-about-musicals — wrote several all-new songs for its play-within-the-film and prerecorded a short, Heartland-exclusive thank-you that ran in front of our screening.

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“A Real Pain”: Roman Roy’s European Vacation

Two thirtysomething Jewish men staring at offscreen WWII remembrance statues in solemnity.

Every pro review site that’s written about the film has used this same pic, so here’s me trying to be mistaken for one of them.

Previously on Midlife Crisis Crossover: this year’s Heartland Film Festival was a cinematic cornucopia that overwhelmed me with FOMO and forced some hard choices. I was largely pleased with the eight films I caught, but quite a few big ones got away. Among the most high-profile entries I missed was their opening-night feature A Real Pain, a buddy-trip dramedy from writer/director Jesse Eisenberg (yep, the ex-Lex Luthor, the Now You See Me guy, the Zombieland rules-lister, The Social Network‘s Mark Zuckerberg, and so on and on) about family tensions, unpredictable grief, awkward group tours, and letting Kieran Culkin run amuck as an unbridled man-child who’s fascinating to watch onscreen at a remove but whom, if you were stuck next to him in real life, might have you searching desperately for an exit or at least a different seat to escape his orbit.

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“Now You See Me”: When Magic Loses Its Magic

Dave Franco, Jesse Eisenberg, Isla Fisher, Woody Harrelson, Now You See MeThe trailers for Now You See Me telegraph up front that you should expect a twist along the way. You’re teased and beguiled by the possibility of having the wool pulled over your eyes, and taunted for daring to look too closely. Sooner or later, this movie swears it will fool you.

It’s no spoiler, then, to reveal that yes, the movie does eventually have a twist. Despite the fancy stage-magician trappings, its base template is the heist-film genre, in which the viewer’s homework assignment is trying to guess which character will be revealed as a mole or a double-crosser by the end. In that sense, the genre expectations are fulfilled here, including the part where that big revelation turns several previous scenes into utter nonsense if you retrace your steps and rethink them too deeply.

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