
Threepio jacked in Matrix-style, trying to be among the first 300 to see the new trailer and get misty-eyed.
Previously on Midlife Crisis Crossover: last spring my wife and I had the sincere pleasure of watching the first full-length trailer Star Wars Episode IX: The Rise of Skywalker in its premiere airing at Star Wars Celebration Chicago, surrounded by thousands of fellow fans:
The crowd watched as one. We cheered as one. We whooped and hollered as one. Together we held our breath in the seconds before the subtitle was revealed to the entire world at that very moment after years of speculation. Together we got it. Tens of thousands of voices cried out in Chicago with the interjections and expletives of their choosing. To say nothing of the reactions of the Viewers at Home.
Whether the setting is a state-of-the-art theater or an extra-large flea market, there’s something about a geek harmonic convergence that convention showrunner fiat and any number of internet trolls can’t blast away.
There was no convention to attend for the new trailer’s premiere tonight during Monday Night Football halftime, unless you count the game itself. I doubt they showed the trailer live at the stadium, but who knows. No, for this event I was at home at the same time as millions of other viewers, online and waiting and waiting and waiting and waiting. It wasn’t nearly the same kind of experience as the previous trailer, especially since I was trying to watch Black Lightning when it finally premiered around 9:50 pm EDT, give or take a few minutes, right in the middle of a key development with the Pierce family.










The last time my family went to the theater, the ads that ran from the film’s scheduled showtime until the moment the feature presentation began spanned over twenty minutes. Many of the ads were movie trailers, but not all of them. Ads for new cars, smartphones, TV shows, and soft drinks are routine pre-show entertainment while you’re settling into your seat, mentally preparing yourself for temporary phone deprivation, swapping notes with your companions, and consuming your snack too early. Even when it’s ostensibly showtime, the commercial parade isn’t over yet, because a lot of manufacturers want a moment of your time, in exchange for keeping your theater in business.
You’ve seen the newest trailer for Man of Steel that was just released Tuesday evening, right? The one labeled as “Trailer #3”, with lots more Jor-El in it? At least once?
We saw the White House blow up in Independence Day. We saw it blow up again in 2012. As I type this it’s being blown up yet again in theaters in Olympus Has Fallen. Add your own memories here of the White House’s repetitive history of exploding again and again and again at the movies, whether at the hands of terrorists, invaders, or bad weather.
Most of you have already seen the new “announcement trailer” for Star Trek: Into Darkness, apparently heralding the real teaser trailer scheduled for release on December 17th. Internet fans continue debating the exact identity of the villain played by TV’s Sherlock, the inimitable Benedict Cumberbatch. The early rumor-mongers assumed he was Khan, but the more recent consensus is the superhuman Gary Mitchell from the original series’ second pilot, “Where No Man Has Gone Before”. 1966 special effects limited Mitchell’s displays of power, but if that’s SuperCumberbatch’s true identity, then today’s cinematic tools have upgraded him to the same weight class as General Zod, Hancock, and the Chronicle teens. I look forward to seeing him punch the Enterprise out of orbit, and to watching the new Captain Kirk devise something besides an instant avalanche to end their rebooted confrontation.