A Day (or so) in My Life: a Moment of Thankfulness at Easter

First things first, above all else: Happy, glorious, wondrous Easter to one and all!

My laundry list of thank-yous and expressions of gratitude relevant to this celebratory occasion would go on for pages and surprise no one who knows me. Even something as simple as an ordinary day in my life is cause for joy, though I’m just as likely to take too much of each one for granted.

Behold the city of Indianapolis, where my ordinary average day begins. It’s above-average in size, but still treated as one of the runts in the major-American-city clique, though the positive reviews of our Super Bowl LXVI hosting experience went a long way toward convincing other cities to stop calling us names. Many of the fruits produced in my life wouldn’t have been possible if Indy were the nonstop battleground that local news would sometimes have us think it is.

Indianapolis skyline

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A Few of My Favorite Bible Excerpts

Midlife Crisis Crossover pulpit

This 2008 file photo taken at Historic Jamestowne, Virginia, captures a very rare moment of the author in a pulpit.

Easter week continues on MCC! Let it not be said (today) that the mention of “faith” in the blog subtitle is total false advertising.

Confession time: when I launched MCC eleven months ago, I didn’t expect that aspect of my life to receive such short shrift here compared to the other parts of my life. Truth is, writing about my faith is challenging because the majority of examples set before me from other writers, family, and friends (in writing or in simple conversation) are either memorized Bible verses, Christian song lyrics, or common quotes that sound so much like real verses that everyone assumes they are and keeps passing them around. For the purpose of self-expression, I have a hard time settling for that.

Years before my life took a conscious turn toward a new spiritual direction, I was once an English major who had one critical writing lesson drummed repeatedly into my head : “Put it in your own words.” While the Bible contains a wealth of advice more useful to me than Bartlett’s Quotations or Twitter, I’m not sure what I’m accomplishing — either for the Kingdom or for myself — if all my writing and speaking consists of recycling the exact phrases and paragraphs of everyone who came before me. Becoming a living, walking re-blogger holds no appeal to me. I’m hardly the most original guy in the world, but I’d at least like to try to form my own sentences into useful structures. Problem is, all the best wisdom and aphorisms are taken, leaving me to cobble together what I can from my own odd experiences and pale talents in hopes that it doesn’t reek of copy/paste plagiarism. More often than not, my frustrated approach is if I can’t say something different, I don’t say anything at all.

I don’t recommend that mindset to anyone else. I’ll concede that’s me being stubborn. Arguably, I’ve set the bar too high for myself. We’ll see how my thoughts on the subject progress as I age and hopefully keep growing. Until then, here I am, doing the best I can with what I have. That usually means I end up focusing on my other specializations here, those that predate my faith, originated in my childhood, and are sometimes at odds with it. Thus is the conflict that fuels some of the fight scenes in the Midlife Crisis Crossover.

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The Thrill of the Easter Egg Hunt, or Complete Lack Thereof

It's the Easter Beagle, Charlie Brown

Sally and Linus, humbly accepting food from a dog.

When I was a kid growing up in a household where God and church were never discussed, Easter meant next to nothing.

I was brought up to observe the standard annual rites. We bought a Paas egg-coloring kit at the grocery that came with all the paraphernalia you needed for starters: color-coded aspirin to toss in cups of water and turn it Crayola-colored and undrinkable; a wire hook to rescue submerged eggs from their watery prisons after a dozen tries; non-stick stickers, most of which would later be thrown away still attached to their original release paper; a wax crayon for drawing gunky, invisible shapes on the eggshell for no one to see and the dye to soak through anyway; decorative paper collars to use as Easter egg stands, as if the results would be museum-worthy; and the box that contained it all, designed with the punch-out holes to transform into an egg-drying rack that would collapse under the weight of three or more eggs.

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Brief Response to Another Day of Repetitive Social Media Chatter

Of all the possible ways to spend the week leading up to the three-day commemoration of the death and resurrection of Christ Our Savior, I’m pretty sure that one of the most counterproductive, least evangelistic options at our disposal is engaging in messy, protracted fight scenes (whether amongst ourselves or with others) for the purpose of defending the position that believers who follow the Lord’s tenets to the letter should be rewarded with government-approved perks for this accomplishment, and that those who don’t, shouldn’t.

I could be wrong. Maybe there are worse ways to count down to Easter. I’d prefer to eschew those, too.

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“White House Down” Trailer: Starring the Jean Grey of American Landmarks

Roland Emmerich, "White House Down"We saw the White House blow up in Independence Day. We saw it blow up again in 2012. As I type this it’s being blown up yet again in theaters in Olympus Has Fallen. Add your own memories here of the White House’s repetitive history of exploding again and again and again at the movies, whether at the hands of terrorists, invaders, or bad weather.

Now add one more death scene to the list, as director Roland Emmerich, the White House’s arch-nemesis, has directed yet another film in which the poor, beleaguered establishment takes a discouraging beating for entertainment’s sake. In the trailer for Emmerich’s new film White House Down, the President’s workspace is targeted neither by aliens nor by Mother Nature. This time the bombs are coming from inside the country:

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“Revolution” 3/25/2013 (spoilers): Charlie vs. the Whirlybirds of War

NBC, Revolution, "The Stand"Tonight on Revolution: EXPLOSIONS! GUNFIRE! MAJOR DEATH! BAZOOKAS! PUNCHING! Behold the end results of a three-month retooling hiatus.

We rejoin Our Heroes for the new episode, “The Stand” (I don’t have to explain the reference, right?), quickly resolving last winter’s cliffhanger that saw them facing the world’s first working helicopter in fifteen years, its cannons fully loaded, its pendant-powered generator in working order, its pilot ordered to kill. Fortunately everyone outruns the flying death machine, scampers into the abandoned (fictional) restaurant pictured above, and escapes death by hiding in the freezer until the chopper stops firing missiles into the joint. If a refrigerator can save Indiana Jones from atomic warfare, it stands to reason than an entire walk-in freezer would be just as impervious a bunker.

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Yes, There’s a Scene After “The Croods” End Credits

Dreamworks, The CroodsAs unimpressed as I was with the trailer, The Croods turned out to be an unexpected delight, with a sincere message for parents who want to protect their children from the world, but struggle with the knowledge that someday that job won’t be theirs anymore. (Says the nervous guy counting down the days until his son begins college.)

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My Former Life as a Kickstarter Junkie

Kickstarter sampler

Top to bottom: Ashes (art by Richard Pace); Jamal Igle’s Molly Danger; Neil DeGrasse Tyson, interviewee from Fight for Space; and Great Pacific (art by Martin Morazzo).

When Kickstarter was relatively new and not yet a household name, it took a while before I warmed up to the concept. Once I dipped my toe into the pool, I had a hard time convincing myself to come up for air.

I loved the idea of artists, writer, musicians, inventors, designers, and other makers of stuff bypassing the corporate processes that normally rule their respective fields and obtaining the necessary funding to self-publish, self-release, or otherwise bring their works to life through the magic of crowdfunding, which in most cases works a lot like pre-ordering an item except you’re also adding a generous tip.

At the end of 2012 I drew a line because I realized I’d gone overboard. I have disposable income set aside each month for doing fun things such as comics and movies, but Kickstarter was devouring more than its fair share and compromising my hobbies. With my son preparing to start college this coming fall, the time has come to batten down the hatches, tighten the belts, and find ways to slash our budget, unless some wealthy benefactor wants to start donating enormous sums in care of this humble blog.

Consequently, one of the first extravagances on the chopping block was my Kickstarter patronage. I like philanthropy. I like helping creators create. I like watching success stories in action. But other priorities have come a-callin’. My last pledge was in December 2012 (a Bob Mould tribute concert film); I can’t swear it’ll be my final use of the site, but any future contributions will have to be severely limited, judiciously selected, frugally committed, and wildly recompensed with endless freebies.

Thus I bid farewell-for-now to my active Kickstarter status with a look back at our history together thus far. The following are past campaigns about which I’ve posted here previously, with updates about their subsequent progress:

* Rich Burlew’s phenomenal Order of the Stick reprint drive. A year after the fact, Burlew is still working hard to fulfill the remaining supporter perks that were delayed due to a severe hand injury. I’ve already received everything I was expecting and then some. (The OotS notepad used for a previous MCC entry was made possible by Kickstarter.)

* The Fight for Space documentary, about mankind’s retreat from the stars. Project mastermind Paul Hildebrandt wisely set a distant but realistic delivery date of December 2013; as of January 2013 his team was still conducting interviews with relevant parties in Washington D.C., making the most of their surplus funding.

* Jamal Igle’s Molly Danger graphic novel. Counting down to the release date later this year, Igle has provided backers with frequent updates and exclusive preview materials, including a heads-up that an eleven-page preview that will appear in Action Lab’s Free Comic Book Day 2013 sampler.

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Lamentation for an Odd Ball Out

dead ballThis poor ball was abandoned on our lawn at the beginning of the week. On day one, I left it alone, certain that its young, anonymous owner would come fetch it once its absence was discovered. Even partly deflated, surely it’s known its share of good times. At the very least, it’s good to know we have at least one school-age neighbor who’s not allergic to physical activity or the outdoors.

Days two and three were made of distractions that obscured it from my notice. During those exhausting weeks that consist of a dense work-write-sleep-repeat hamster-wheel cycle, an unconscious tunnel vision sometimes kicks in and limits my sensory input for the sake of simplifying my thought processes, streamlining my day, and conserving personal energy in general. Overlooking becomes a defense mechanism of sorts.

I realized on day four it was still loitering out front and decided to offer it shelter from our erratic March weather. My family gave me the strangest looks. My son thinks it’s contaminating our environs. Our dog attacked it on first sight, then let it be because he prefers his prey stuffed and fuzzy. It doesn’t need to be cluttering my lawn, but I decided to hold on to it for a few more days in hopes that someone would come claim it as their own.

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The Scooby-Doo/Captain Caveman Crossover That Changed My Life

Scooby-Doo 9, February 1978One of the commonest ice-breaker questions between comic book fans getting to know each other or merely shooting the breeze between major-event discussions is, “What was your first comic book?” I have faint memories of having a handful of comics before first grade, but none of them survived the innocent ravages that come with being owned by a child, even one who learned to read at preschool age.

My official answer to that question, barring those ancient entrants disqualified due to loss of existence, is the oldest surviving comic from that era remaining in my collection to this day. Pictured at left is my personal copy of Scooby-Doo #9, dated February 1979, purchased for me when I was six years old. I found a mint-condition copy posted online, CGC-rated 9.6, if you want to view the original cover in all its undamaged glory for art appreciation purposes, but the image posted here (click to enlarge!) has one unbeatable advantage: this one is mine.

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“Star Wars: the Clone Wars”: a Few Kind Words at the Funeral

Star Wars: the Clone Wars Clonetrooper Gatling laser

What do you call a Clonetrooper with a Gatling laser? The winner.

While Star Wars fans worldwide have been agog ever since the Walt Disney Company commenced production of the still-untitled Episode VII, a large segment of the fan base has been in mourning this month over the news that the season-five finale of Star Wars: the Clone Wars, which aired March 2nd, would be the final episode of the Cartoon Network series. Though ratings didn’t seem to be an issue and production on a sixth season had already been underway, the message between the lines in the official Lucasfilm press release was that the company’s new long-term mission would be focusing on the ostensible Episode VII era, the future of the Star Wars galaxy after Return of the Jedi, rather than filling in gaps between the previous films. Anyone still in denial had their hopes crushed this week by new reports that Lucasfilm is actively reassigning some Clone Wars contributors to different projects and downsizing others.

Fans are hoping the completed season-six material is allowed to see the light of day in some fashion (as DVD extras? as exclusive online content? as a Disney XD miniseries? as convention bootlegs alongside The Star Wars Holiday Special?), but no promises have been made. The final episode, “The Wrong Jedi”, gave cold comfort and depressing closure to the Jedi training of the series’ central figure, young Ahsoka Tano, providing one last twist of fate that would allow her a gateway into potential further adventures, either in season six or in other media. Now that Episode VII has become Lucasfilm Job One, Ahsoka fans probably shouldn’t get their hopes up.

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“The Private Eye”: Digital Comics, Respected Creators, Optional Pricing

The Private Eye, Marcos Martin, Brian K. Vaughan

Vaughan. Martin. The Private Eye.

Remember that time a few years ago when Radiohead released their album In Rainbows online to fans on a pay-what-you-want model, allowing fans to download the digital version for a price of their choosing, anywhere from $0.00 to a trillion dollars? Remember how they didn’t go broke, split up, and have to apply for day jobs?

Two major names in the comic book business have teamed up for an experiment with this same shopping paradigm. North American writer Brian K. Vaughan (creator of Y: the Last Man, Ex Machina, and Saga) and South American artist Marcos Martin (whose exhilarant work graced the pages of Amazing Spider-Man and Daredevil) launched their new joint project today called The Private Eye. If all goes according to plan, the webcomic maxiseries will be released in ten monthly installments via their own new site, Panel Syndicate. If actual money is exchanged in sufficient quantities, the duo may see fit to launch other creator-owned ventures through the site, potentially other creators’ as well as their own. On the other hand, if everyone downloads it for free, I’m sure the work-for-hire galleys would welcome them back with open arms and diluted contract terms.

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Fight Scenes Among Cultures of Pop, Geek, and Rape

Judge Thomas Lipps, Steubenville

This judge handed down the guilty verdict. Clearly this is all his fault. LET’S GET HIM.

Concentrating on humor and hobbies is difficult when the specter of the phrase “rape culture” haunts every social circle and claws at us from the headlines. Our choices are plentiful today:

We can read about the verdict in the now-infamous Steubenville trial, in which two high school football players have been convicted of rape in a juvenile court, much to the consternation of local football fans, bookies, rape advocates, and anyone who treats sports as their church of choice. Sidebar: the victim probably remains traumatized, possibly even sad. Local newshounds have been unable to confirm if she’s allowed the incident to affect her views on this year’s draft or on March Madness.

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“Following”: the Last Gap in Your Christopher Nolan Collection

Christopher Nolan, Following, Criterion CollectionAs of this weekend, I can now say I’ve seen every full-length motion picture directed to date by Christoper Nolan. In December 2012 his debut, Following, earned a Criterion Collection re-release. Shot in 1998 in 16mm black-and-white, it was minimally restored for this edition, with the original aspect ratio and much of the old-media grittiness retained for historical verisimilitude. Its seventy speedy minutes contain an amateur no-star cast (as well as crowds of unwitting “extras” captured on the fly) and were shot for just five thousand dollars, a bargain compared to other self-financed B&W debut films from the same decade (e.g., Kevin Smith’s Clerks, Robert Rodriguez’ El Mariachi). With such budgetary constraints and no established names involved in the creative process, a casual browser would expect Following to feel like a young-adult vanity project fit only for YouTube.

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I Guess Flowers are Pretty

Twice per year my wife and I escort her grandmother to one of two special events at the Indiana State Fairgrounds. Each November we visit the Indiana Christmas Gift and Hobby Show, as previously recounted. Each March the highlight of her month is the Indiana Flower & Patio Show, which features numerous displays of colorful flora, booths where gardeners and homeowners can peruse and pick out their new seeds, plants, implements, and accoutrements for tending and cultivating their yards in the forthcoming spring and summer. Assorted horticulturists and lawn care companies show off bouquets, sample gardens, and ostentatious flowers you’ll wish you owned.

open tulips, Indiana

It’s my understanding that the average adult is into that sort of thing. Retirees in particular seemingly transfer their forty weekly work-hours from their former rat-race grind to the soil beds surrounding their houses instead. With all that time on their hands, I imagine such handiwork is both fulfilling and possible.

My wife and struggle with this concept.

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“Veronica Mars: the Motion Picture”: My List of Demands

Kristen Bell, Veronica Mars, gamer

File Photos Guaranteed Not to be Used on Anyone Else’s Veronica Mars Article #49: the time she went undercover as a gamer.

Despite the grumpy tone of last night’s entry, I reiterate: I was a fan of Veronica Mars back in the day. I discovered it one day while flipping channels at random, catching the first-season episode “You Think You Know Somebody” (with guest star Aaron Ashmore!) and being shocked at the quality of what I’d written off as a standard WB teen drama, but what instead turned out to be a deceptively Californian detective drama with whip-smart dialogue — reminiscent of Buffy, but with a noir styling all its own.

I later caught up with the DVDs and stuck with the show to the bitter end, by which I mean I was bitter. Eventually I moved on, but I’m not opposed to revisiting Veronica’s world if the occasion warrants.

The March 22nd issue of Entertainment Weekly summarizes creator Rob Thomas’ planned premise:

Set a decade after the show’s third and final season, the plot has Veronica returning to her hometown of Neptune, Calif., after much schooling (a bachelor’s from Stanford; a Columbia Law School degree) when she gets a distress call from ex-boyfriend Logan: His pop-star girlfriend has been murdered, and he’s the prime suspect.

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“Veronica Mars” Kickstarter Success Raises Unreasonable Hopes in Fans of Every Canceled Series Ever

Kristen Bell, Veronica MarsJust as Star Wars fans spent weeks celebrating in the streets at the news that their beloved childhood franchise will return to theaters, so is another fan base breaking out the party hats this week…and, more importantly, their wallets.

In a first for a major-studio intellectual property, Warner Bros. has allowed producer/creator Rob Thomas to use the power of crowdfunding to extract Veronica Mars from mothballs and feature her in a major motion picture. Thomas launched a Kickstarter campaign less than 48 hours ago with a lofty goal of $2,000,000.00. As Thomas describes the conditional deal with Warner Bros.:

Of course, Warner Bros. still owns Veronica Mars and we would need their blessing and cooperation to pull this off. Kristen and I met with the Warner Bros. brass, and they agreed to allow us to take this shot. They were extremely cool about it, as a matter of fact. Their reaction was, if you can show there’s enough fan interest to warrant a movie, we’re on board. So this is it. This is our shot. I believe it’s the only one we’ve got. It’s nerve-wracking. I suppose we could fail in spectacular fashion, but there’s also the chance that we completely revolutionize how projects like ours can get made. No Kickstarter project ever has set a goal this high. It’s up to you, the fans, now. If the project is successful, our plan is to go into production this summer and the movie will be released in early 2014.

Thomas worried for naught. Pledges from tens of thousands of fans reached that formidable goal in a record-setting, jaw-dropping twelve hours, leaving 29½ days for slower fans and curious bandwagon-jumpers to keep adding to the budget in hopes of upgrading the film from niche project to wide-release underdog, maybe even with action scenes and trained stuntmen. At the rate the pledges are accumulating, they’ll have enough money to set it in 2030 and equip Veronica and her dad with robot sidekicks.

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DVD Shelving Systems: Where All Collectors Agree to Disagree

DVDs

Alphabetization is my friend, but it doesn’t rule everything I own. Honest.

I understand why people would own multiple DVDs and organize none of them. Their ways are not mine. Not everyone cares to expend the effort required to achieve that level of control. They have better things to do with their free time. Meanwhile on my end, when I want to pull a specific movie from the shelf, I never have to spend several minutes sifting through randomized stacks, staring at rack after rack in vain, or checking under the furniture in desperation.

In a brief side discussion after a previous entry, I mentioned in passing how my DVD organizational system suits me but not necessarily my family. If they watched DVDs more often, this might be a more pressing issue. They’re well aware I’m happy to help them locate specific titles, just as any helpful librarian, curator, or clerk might. Besides, if I allow them too much input into the process, they’ll do as they please, sticking any given DVD in any open slot, turning it all into a pell-mell pit of chaos. Everything would be ruined and I’d cry.

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Is There Ever a Good Day for “A Good Day to Die Hard”?

Bruce Willis, John McClane, A Good  Day to Die HardAs much as I contemplated bowing out in a previous entry, I just couldn’t quit John McClane. Besides, I had a relative desperate to get away from home for a while, which is one of the commonest rationalizations for doing something you know won’t end well.

Fortunately for impatient viewers, the “plot” portion of A Good Day to Die Hard occupies only the first ten minutes. Legendary neo-cowboy John McClane travels to Russia, where his son, a mere toddler without lines in the original Die Hard, stands trial for murder alongside another political prisoner named Komarov (Sebastian Koch, whom I last saw as the playwright under surveillance in the Oscar-winning The Lives of Others). Little does Dad know that Jack (Jai Courtney, suppressing his Australian accent just fine) is a CIA agent with a plan. Little does Jack know that he’s not the only one gunning for Komarov and the MacGuffin he holds. Little do Komarov’s pursuers know that he’s not as helpless as they think. And everyone but everyone knows sooner or later there’ll be explosions, bullets, and death-defying feats that would kill the average super-hero.

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“Revolution” Relaunch Refresher: Main Character Guide and Episode Recaps

Billy Burke, Miles Matheson, Revolution, NBC

If this doesn’t work, Miles is gonna look really silly.

The long hiatus is nearly over, even if the worldwide blackout isn’t. On March 25th Revolution returns to NBC with the second half of its twenty-episode debut season. The fall finale, aired November 26th, ended with a cliffhanger in which the bad guys acquired one of the twelve precious pendants that create a localized field permitting electrical power, enabling them to fire up a helicopter whose ignition hadn’t turned over in fifteen years, piloted by a guy who in that same time span has flown exactly zero hours but luckily remembers just enough to avoid running the copter into a brick wall.

If you’re like me and not too fond of extended hiatuses and the effect they have on TV recall, you’ve probably forgotten everything about the show except the few reminders that the “Revolution Returns” preview may have jump-started. You may also have forgotten that the first ten episodes were recapped right here on MCC, as quickly as I could cobble them together after each airing. Rest assured I plan to continue with the show, not only because I insist it has potential (despite the frequent shortcomings), but also because I want to see what sort of changes will be wrought by the “retooling” rumored to have been ordered by NBC execs. A recent TV Guide cover article confirmed that a major character won’t survive the show’s return, so you’ll need to be fully up to speed in order to place your bets.

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