Yes, There Are Scenes During AND After the “Captain Marvel” End Credits

Captain Marvel!

My son had to remind me Brie Larson used to be on Community. I thought he was confusing her with Alison Brie, but no, he remembered Brie Larson was Abed’s girlfriend Rachel, and I’m like WHOOOOOOA.

Years from now we’ll all look back on the historical debacle that was the Not-Great Captain Marvel Flame War of 2019 and we’ll laugh about it if only to keep from breaking down in tears at how deeply the fandom-at-large had reached yet another embarrassing nadir. Until then, here’s a shout-out to those millions of kids out there finding delight and inspiration in the sight of a wondrous super-woman punching her way through an evil spaceship armada at hyperspeed, like a young Princess Diana plowing through German soldiers.

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Comics Update 2018, Part 3 of 5: My Year in DC

Darkseid Eats!

DARKSEID EATS. From Mister Miracle #11; art by Mitch Gerads.

Previously on Midlife Crisis Crossover:

Comics collecting has been my primary geek interest since age 6, but I have a tough time writing about it with any regularity. Over the course of the next four entries…I’ll be sharing what I’m currently buying every Wednesday at my local comic shop — series and miniseries alike, budget permitting, broken down by publisher as of the very end of February 2019, including lists of 2018 works that are either done or dead to me.

Years after the New 52 soured my status as a full-time DC Comics fan, I’m still creeping my way back into their universe, inch by inch. I’m in no hurry, particularly with my aforementioned rules against team books and crossovers in effect. With the help of “Rebirth” and a few bright spots from the Vertigo and Young Animal imprints, DC got my attention a bit more this year than the past few years. We’re getting there.

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Comics Update 2018, Part 2 of 5: My Year in Marvel

Spider-Ham & Lockjaw!

Don’t mind me, just pandering to fellow Spider-Verse fans out there.

Previously on Midlife Crisis Crossover:

Comics collecting has been my primary geek interest since age 6, but I have a tough time writing about it with any regularity. Over the course of the next four entries…I’ll be sharing what I’m currently buying every Wednesday at my local comic shop — series and miniseries alike, budget permitting, broken down by publisher as of the very end of February 2019, including lists of 2018 works that are either done or dead to me.

In tallying the figures, I was a little surprised to discover I’d tried more projects from merry Marvel than from any other company. That doesn’t mean I loved them all unconditionally, merely that so far they’ve held my attention even though I loathe crossovers and avoid team books, which tend to be their bestsellers and constitute some 80% of their lineup nowadays. With the size advantage and with Captain Marvel hitting theaters this Friday, why not let them go first.

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Comics Update 2018, Part 1 of 5: A Prologue Pondering Prodigious Piles of Printed Pulp

Comics 2018!

Nearly all the single issues I bought in 2018, sorted into alphabetical piles for better boxing, from Action Comics #1000 to X-Men: Grand Design – Second Genesis #2.

Comics collecting has been my primary geek interest since age 6, but I have a tough time writing about it with any regularity. My comics-judging criteria can seem weird and unfair to other fans who don’t share them. I like discussing them if asked, which is rare, but I loathe debating them. It doesn’t help that I skip most crossovers and tend to gravitate toward titles with smaller audiences. Whenever the larger companies need to save a buck, my favorites are usually first on the chopping block. I doubt many comics readers follow MCC anyway, so it’s really the best possible place for me to talk about comics unharmed, albeit all to myself. Whee.

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Sorting Out the “Glass” Menagerie

Glass!

Nick Fury, Professor X, and John McClane walk into a hospital…, or, if you prefer, John Shaft, Mr. Tumnus, and David Addison…

Sometimes I’m too persuadable for my own good.

I saw M. Night Shyamalan’s Unbreakable in theaters way back in 2000, thought it had intriguing concepts and believable use of a comics-fandom backdrop, but I lost patience with its plodding, lugubrious tone (years before The Walking Dead and Marvel’s Netflix shows made snail-speed pretentiousness an acceptable norm) as well as the Dragnet-esque text-only ending that cheated the viewer out of any earned closure. Cutting a story short after the final twist worked well for Rod Serling, but not so much for other writers.

I saw Shyamalan’s Split in 2017 when word-of-mouth suggested we could call it a comeback, but it lost me with its To Be Continued ending that recast the otherwise taut thriller as the second chapter in Shyamalan’s very own superhero universe.

That brings us to the final act of the trilogy, Glass. I’ve skipped several Shyamalan films, but curiosity got the best of me. Was there a remote chance it would tie together the threads of the first two films with some sense of thematic satisfaction and retroactively redeem them, or at least provide a better sense of closure? Dare I hope?

Yep, I dared.

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My 2018 at the Movies, Part 2 of 2: The Year’s Least Worst

mary poppins returns!

Off we go!

Previously on Midlife Crisis Crossover: In 2018 I made 24 trips to the theater to see films made that same year. In Part 1 we ranked the bottom twelve. And now, the countdown concludes with the twelve most relatively awesome:

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My 2018 at the Movies, Part 1 of 2: The Year’s Least Best

pacific rim uprising!

We live in topsy-turvy times when Transformers don’t star in the worst robot film of the year.

It’s listing time again! In today’s entertainment consumption sphere, all experiences must be pitted against each other and assigned numeric values that are ultimately arbitrary to anyone except the writer themselves. It’s just this fun thing some of us love doing even though the rules are made up and the points don’t matter.

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Yes, There’s a Scene During the “Aquaman” End Credits

Aquaman!

I’m sure this same image was used on hundreds of reviews. I can’t help staring at it because I can’t believe movie magic somehow made this decades-old relic of a costume work.

Midlife Crisis Crossover calls Aquaman “The Most Entertaining DC Comics Film Since Wonder Woman!” Also, “The Best Screen version of Aquaman Ever!” Also also, “The Greatest Film with Patrick Wilson in it of All Time!” although my son insists I really need to see Hard Candy at some point. Until I do, Aquaman beats Hard Candy.

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Yes, There’s a Scene after the “Spider-Man: Into the Spider-Verse” End Credits

Spider-Verse!

Introducing: Spider Squad Six!

Midlife Crisis Crossover calls Spider-Man: Into the Spider-Verse one of The Year’s Best Films!

So…there’s that. But I can’t simply post a screen shot of Ralphie’s teacher from A Christmas Story writing “A++++++++++” on her chalkboard and be done with it, because we know that’s not how I roll.

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Yes, There Are Scenes During AND After the “Venom” End Credits

Venom!

For attending on opening weekend, our local theater gave us a free comic! It’s an adaptation of several random scenes, at least two of which differ from the finished film. Spoilers for anyone who peeks inside before the movie starts.

The character of Venom may not mean quite so much to you if you haven’t been a Marvel Comics collector within the past thirty years, or if you saw Spider-Man 3 and hold a grudge against Topher Grace and Sam Raimi to this day. When first introduced on the printed page, Venom was a team-up of two of Spider-Man’s enemies: Eddie Brock, a bitter workplace rival of Peter Parker’s who got fired and blamed him for it; and Spidey’s former black costume, which was actually an immoral liquid alien parasite that Mr. Fantastic had to help him escape. Venom was the perfect anti-Spider-Man — he all the same powers, the spiffy black design, all of Peter’s memories which the alien had absorbed, and the ability to sneak-attack Spidey without setting off his Spider-Sense. I was 16 at the time and thought Venom was a great idea for a nemesis…one among many nemeses, mind you.

Unfortunately in the ’90s, whenever fans liked any one character a lot, Marvel editors and/or executives would then decree that character must appear in as many comics as possible. Characters such as Wolverine, the Punisher, and Ghost Rider were each given two or three series to their name and/or dropped into other heroes’ titles as special guest stars, constantly and gratuitously. Sometimes it worked and sales spiked with every appearance, until the mid-’90s when their sins finally caught up with them and they knocked off the guest-star oversaturation for a while.

Among those Fan Favorites du Jour in the ’90s was Venom. One problem: he was a most heinous villain with a body count. Homicidal maniacs can be protagonists, but that’s a tough premise to weave into four to six comics per month. Marvel therefore tried reinventing him as an antihero and hoping the other Marvel heroes would forgive and forget, and not try to arrest or kill him four to six time per month. I never loved Venom that much, especially after he began spawning imitative spin-offs like Carnage, Riot, Toxin, Hybrid, Scream, and several more my son could name but I can’t because I never cared. Unless that was all of them. I wouldn’t know. I quit reading the various Spider-titles shortly before all those Venomettes hit the stage and spread the Venom plague.

I’ve run across Venom at random times since then (loved Rick Remender’s version starring Flash Thompson; had no strong feelings about Ultimate Venom) but don’t go out of my way for him. So why did I bother giving a Venom movie any attention? Because I was curious to see if Tom Hardy could sift gold from dross, because I really liked director Ruben Fleischer’s horror-comedy Zombieland, and because my son has been a Venom fan since he was a kid. The occasional father/son outing is a good thing, and we had fun trying to sort out this mess together afterward.

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