“Arco”: The Rainbow Connection

Anime preteen boy in a pink hooded jumpsuit and rainbow vest being hugged from behind by a girl his age and height.

Cel-paint with all the colors of the wind!

Previously on Midlife Crisis Crossover: Oscars Quest ’26 continues! Once again we see how many among the latest wave of Academy Award nominees I can catch before the big ABC ceremony. Among other perks, sometimes it means movies I was thiiis close to watching last year get a second chance to slot into my free time.

Arco played at last year’s Heartland Film Festival and was on my viewing shortlist, but its lone showtime wound up among the several I missed due to schedule conflicts amid that great cinematic feast. One of two French nominees for Best Animated Feature this year, it played here in Indy for a single Oscar-season week before it flew off like a rainbow-streaking rocket toward the sunset.

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Yes, There’s a Scene After the “Zootopia 2” End Credits

Nick the fox and Judy the bunny sit in a therapy group, wearing nametags and looking askance at each other.

HE’s a wiseacre loner trying to walk the straight-and-narrow! SHE’s an irrepressible do-gooder crusading for justice! THEY FIGHT CRIME!

Previously on Zootopia: I was thrilled to see my favorite film of 2016 go on to win the Academy Award for Best Animated Feature. I was less thrilled when Disney announced it was next in line to be stuffed into their sequel-sausage grinder. I don’t need every great film to keep filing for brand extensions. Zootopia 2‘s unhelpful first teaser trailer invoked one of my personal theorems: if a given film’s teaser is just a clip of dancing main characters who won’t dance in the actual film, said film is bound to suck. (Exhibit A: Chicken Little, Disney’s weak attempt at making their own Nickelodeon flick.)

Two months after release, the sequel is still riding high in theaters and now likewise Oscar-nominated. It’s therefore on my annual Oscars Quest scorecard, which obligated me to see it per my self-imposed rules. I doubted it would hit Disney+ before the March 15th telecast deadline, so I relented for the sake of the game.

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The MCC 2025 Oscar-Nominated Short Film Revue

2-D animated woman asleep on a floor mat in light shadows with sunlight pouring in through a narrow rectangular window. Next to her on a table are components of an elderly relative's daily medicinal regimen.

Don’t sleep your life away! There’re always cool new things to see!

Previously on Midlife Crisis Crossover: my annual Oscar Quest continues! I’m still trying to catch all the Academy Award nominees I can before the big ceremony regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family will care in the least bit.

Each year since 2009 (except for 2021’s pandemic lockdown marathon) I’ve ventured out to the few Indianapolis theaters carrying the big-screen releases of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but I appreciate the opportunities to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether I agree with their collective opinions or not. My wife and adult son usually accompany me on the journey and we make a family outing of it, even though Oscar Quest is not their problem. Since 2019 I’ve also given myself extra credit for catching as many nominees for Best Documentary Short Film as possible, depending on their availability online, for the most complete shorts experience possible.

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My 2024 at the Movies, Part 2 of 2: The Top 10

Tiny blond witch holds large ugly witch's hat.

Everyone don your sorting hats!

Previously on Midlife Crisis Crossover:

It’s listing time again! In today’s entertainment consumption sphere, all experiences must be pitted against each other and assigned numeric values that are ultimately arbitrary to anyone except the writer themselves. It’s just this fun thing some of us love doing even though the rules are made up and the points don’t matter. I saw 29 films in theaters in 2024 that were actually released in 2024. Seven were screenings at the 33nd annual Heartland Film Festival, some of whose makers are still seeking an American distributor. In young-adulthood I used to scoff at critics who’d fill their year-end Top 10s with films they saw at festivals that none of their readers would be able to watch for another few months, if ever. Now that I’ve participated in a festival these past two years, those seven totally count and I’m not cheating by including them. This is, like, just different.

Here’s the annual rundown of what I didn’t miss in theaters in 2024. Links to past excessively wordy reviews and sometimes bizarrely construed thoughts are provided for historical reference…

On with the better end of the countdown!

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Yes, There’s a Scene During the “Moana 2” End Credits

Moana holding an oar, Maui holding his giant hook, both standing on a boat and looking upward.

They’re back! And they brought their favorite tools!

Previously on Midlife Crisis Crossover: in Walt Disney Pictures’ century-long quest to devote at least one major animated feature to every human community or geographic region ever, they turned their attention to the Pacific Islands for Moana, a rousing high-seas mythical adventure that featured the lyrical stylings of Lin-Manuel Miranda during his post-Broadway movie-musical phase and a strong duo at its core — Auli’i Cravalho as the titular heroine whose connection to her environment brought an end to her home island’s cursed isolation; and Dwayne Johnson (on break from like twelve other acting jobs) as the vain demigod Maui who helped save the day with his magic tattoos, animal shapeshifting, and enchanted Saw-hook.

Moana and Maui are back with Moana 2, which was conceived as a Disney+ series before execs remembered movies can make way more money than TV, especially if the movie doesn’t suck. The reworking of that proposed material may explain why we have three credited directors and only two writers (the latter of which include Jared Bush, who was one of eight on the first one), but it works well enough for anyone who simply wants more Moana and Maui and isn’t finicky about the rest. The tremendously upgraded budget helps, one befitting a Disney theatrical release rather than simply stapling together whatever rough animatics were already in the can. It isn’t perfect and the first one’s better, but it’s better than the dregs of, say, The Fox and the Hound 2.

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Yes, There’s a Scene After “The Wild Robot” End Credits

The Wild Robot nuzzling a gosling in its palm.

Concept art for my upcoming fanfic, “Atomic Robo Meets Henery Hawk”.

Today all animated films are guaranteed a release on popular streaming services pretty quickly after completion, whether the studios think they’re worth the effort of a few weeks’ theatrical run first or they’re quitters who send them direct-to-video, which isn’t quite as stigmatizing as it was in the Blockbuster Video era. In happier times my year-end movie-going lists used to be filled with animation, often ranking near or at the top. Nowadays, not so much — trailers and pro reviews aren’t dissuading my middle-ager’s skeptical inertia even when those films do become available for my streaming convenience. I haven’t bothered to add Strange World or Wish to my Disney+ queue, let alone watched them. Whether it’s rampant sequelitis or the innate mediocrity of jukebox musicals or a studio satisfied with selling half-hearted results, don’t hold your breath waiting for my opinions on Kung Fu Panda 4, the Trolls series, or anything containing a Minion after their debut.

Last time I paid full price for a DreamWorks Animated joint, it was in 2019 when the third How to Train Your Dragon proved the weakest of the trilogy. I largely ignored their subsequent, determinedly populist fare till I “had to” watch 2022’s Puss in Boots: The Last Wish as part of my annual Oscar Quest and was astonished at the results. I was therefore a little more receptive when DreamWorks announced their big 2024 release, The Wild Robot, would be directed by Chris Sanders, whose past works include Lilo & Stitch and the first How to Train Your Dragon — two all-ages spectacles he co-directed that I went into with low expectations only for my heart to grow three sizes too big by the end. With The Wild Robot, Sanders has now gone three-for-three with said enlarged heart.

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Yes, There Are Scenes During and After the “Transformers One” End Credits

Young Optimus Prime and Megatron sitting on a couch and smiling.

Just hanging out after work, two buddies who have each other’s backs and will never, ever, ever lead separate sides in a planetary civil war. Friendship!

Previously on Midlife Crisis Crossover:

Seeing every Transformers film in theaters, no matter how much we’ve come to dread them, is among our few enduring father/son traditions. He grew up as they grew bigger and dumber. Nevertheless, the boy and I would suffer each canned serving of Cinema In Name Only and always spend the car ride home dissecting them together…

After Michael Bay ruined toy robots for several generations of kids to come, damage control efforts have varied. Some gave it a nice try; some made things worse. We nearly excused ourselves from seeing Transformers One because the first trailer’s so-so kiddie-comedy vibe felt aimed at complete newbies with no Transformers experience because their parents shielded them from such harmful matter. Then came the showier, more dramatic second trailer, along with the surprisingly positive buzz from early screenings. Those factors convinced us to give the Robots in Disguise yet another chance. To our shock, T1 may in fact be one of the best Transformers feature films of all time, if partly by forfeit.

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Yes, There’s a Scene After the “Inside Out 2” End Credits

Joy stands excitedly at the control panel with Anxiety, who looks sheepish and very orange. The room is all purple with rows of yellow light bulbs.

Manic Pixie Dream Joy welcomes Frazzled Rock!

Previously on Midlife Crisis Crossover: Pixar made an entire movie about feels feeling feels! As someone who responds well to films that probe deeper emotions than “wheeeee”, I named Pete Doctor’s Inside Out my favorite film of 2015 – against the heavyweight competition of Creed, Spotlight, and Fury Road — after its in-depth examination of baseline emotions via cutesy anthropomorphization, as well as its complicated theses about the importance of sadness and the beginning of the end of childhood, wrecked me in the theater twice, back in that bygone era when I’d go see a film in theaters more than once if I thought it was that awesome.

Nine years later, Pixar has the blemished scorecard of any ordinary animation studio. I’ve had such mixed reactions that I only saw one of their last five films in theaters (and regretted giving in to the cash-grab). Nevertheless, I agreeably let them redeem Inside Out‘s stack of goodwill chips and left the house to catch the new Inside Out 2 while my inner voices of Skepticism and Hope squabbled with each other like Siskel and Ebert. Each of them scored points off the other, leaving me wrecked and nitpicky.

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“Robot Dreams”: You’ve Got a Friend in Me (for Now)

A cartoon dog and a robot on a skyscraper's observation deck playing around on coin-op binoculars. Other cartoon animal tourists are scattered around the deck, including a yak.

If you love pointing at ’80s stuff or iconic NYC places, have we got a film for you!

Previously on Midlife Crisis Crossover: Oscar Quest ’24 continues! We do our best to see how many freshly nominated works we can catch before ABC’s big, indulgent Academy Awards ceremony ends the viewing season.

Each year there’s at least one nominee for Best Animated Feature that’s completely unknown to mainstream audiences because they don’t come with a massive corporate brand stamped on the front. This year is no exception: Pablo Berger’s li’l Spanish dramedy Robot Dreams kept me waiting for any kind of release, whether streaming or in theaters. My patience finally paid off: Indianapolis’ own Kan-Kan Cinema was among the few theaters holding exclusive, one-night-only screenings the Wednesday before the Oscars. I showed up alongside three or four dozen other folks at various stages of their own Oscar Quests. Oscar Quest is often such a solitary activity for me that it was nice not to be alone for a little while.

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Disney World! Part 7: Our 50th Anniversary Gold Statue Scorecard

Gold statues of kid mariachi hero and happy ghost dog, in the middle of a garden. A lagoon is in the background.

It’s Miguel and Dante from Pixar’s Coco! And they’re golden!

Previously on Midlife Crisis Crossover:

Each year Anne and I take one (1) road trip to a different part of the United States and see attractions, wonders, and events we didn’t have back home. One thing we rarely do is fly. We’d much rather drive than be flown unless we absolutely have to…or are given some pretty sweet incentives to do so. Fast-forward to December 2022 and a most unexpected opportunity: The Powers That Be at Anne’s rather large place of employment recognized her and several other employees nationwide for outstanding achievements in the field of excellence. Their grand prize was a Disney World vacation! We could at last announce to friends and family, “THE GOLDENS ARE GOING TO DISNEY WORLD!”

For Anne it was officially, legally a business trip. Much of the time, she’d have to work. Not ME, baby…

As glimpsed in previous chapters, in 2023 Disney World celebrated its fifty years in business, one year younger than me. Among the myriad commemorations was the “Disney Fab 50 Character Collection”, dedicated September 15, 2021. 36 gilded statues starring 50 characters from the biggest brands in the Disney IP portfolio were scattered throughout all four parks. The “Disney Fab 50 Quest” encouraged fans to see how many familiar gold faces they could spot throughout their vacation(s). Any superfan who splurged on a Disney MagicBand+, an electronic bracelet designed to unlock special features throughout the Disney World lands, could wave it at each statue for interactive responses.

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“The Boy and the Heron”: No Sanctuary for Old Birds

Anime characters march down a path through a grassy yard. One young woman wearing a kimono and carrying a bow leads six shorter, elderly women all carrying brooms and itching to swat someone.

Miyazaki hive represent!

The Final Film from Visionary Animator Hayao Myazaki is a phrase that’s been pushed before in marketing, but maybe this time Studio Ghibli totally means it for sure, no take-backs, not a hoax, The Boy and the Heron is absolutely the animation master’s swan song from his beloved medium and then they’re unplugging all his screens and no longer accepting his notes on their future productions, which will merely have to do the best they can without his sage guidance and relentless perfectionism. Hopefully Ghibli’s next phase goes far better than that time Disney ushered in a new artistic era for themselves and the result was Chicken Little.

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Dragon Con 2023 Photos #9: Cosplay Parade Animation and Gaming

refer to caption

A Vault Dweller from Fallout 76 and an Assultron from Fallout 4.

Previously on Midlife Crisis Crossover:

In 2019 my wife Anne and I attended our very first Dragon Con in Atlanta, Georgia. As one of the longest-running science fiction conventions in America, Dragon Con had received rave reviews from our internet friends over the past two decades, some of whom recommended it to us more than once and, according to my notes, would never shut up about it. We had so much of a blast that we returned in 2021. Third time was the charm this Labor Day weekend as we repeated the eight-hour drive from Indianapolis to that amazing colossal southern spectacle…

Hey-HEY! It’s our fifth gallery from D*C’s annual Saturday morning cosplay parade, always one of our favorite events. The starter exhortations in Part 5 still apply here: if you recognize any characters we didn’t, by all means please let us know! We like welcoming new shows, increasing our awareness, correcting errors, and bridging the gaps in our aging memories where those character names used to be. Between us we took over 600 photos and couldn’t possibly have known everyone. Related note: if you or someone you know was in the parade and you’re hoping for shots of them, pretty-please let us know! We’re taking requests! We’ll be happy to search our files and post ’em if we got ’em. You might come away disappointed, or you might not!

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My Ten Favorite Spider-People in “Spider-Man: Across the Spider-Verse”

Miles Morales and Spider-Gwen sitting upside-down on the underside of a ledge, looking out on New York City.

Two Spider-friends chatting about their tangled webs.

It isn’t writer’s block exactly, but jovially verbose movie entries that amount to “WOWIE WOW WOW WOW 11/10 no complaints!!!!1!!” take far longer to coalesce in my head than irritated MST3K-ish nitpickery of a more disappointing flick. Hence why Transformers: Rise of the Beasts got an entry before Spider-Man: Across the Spider-Verse did, even though I saw the latter first on opening weekend. Obviously I can’t simply not write about it, but it took days to turn “WOWIE WOW WOW WOW 11/10 no complaints!!!!1!!” into any kind of fun writing exercise. Hence: pointless listicle time! I haven’t churned out one of those in months.

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2022 at the Movies at My House

Halle Berry and Patrick Wilson as astronauts just standing there looking pained.

Live footage of Halle Berry and Patrick Wilson exiled off-planet as punishment for costarring in Moonfall.

Previously on Midlife Crisis Crossover: in 2022 I made 18 trips to the theater to see films made that same year. Though I’ve tried to get back out there with my vaccines and my restlessness and whatnot, more often than not the motivation level still wasn’t quite where it used to be. As a sort of compromise, in the year’s back half I tried to overcompensate and catch up with 2022 through our various streaming subscriptions and a smattering of Redbox rentals. We don’t have HBO Max or Amazon Prime, but I nevertheless watched plenty by estimation, enough to present the third annual installment of the MCC tradition borne of the pandemic: a ranking of all the brand new films I saw on comfy, convenient home video in their year of release.

Whittling away any and every film with a pre-2022 release date, our living room hosted 28 films in 2022 that fit the specific parameters for this list. We’re not far away from the Oscars’ nominations announcement on January 24th, which for weeks I’ve been keeping in the back of my mind as the deadline for this listicle, so…on with the countdown!

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Yes, There Are Scenes During and After the “Lightyear” End Credits

Lightyear!

To finity and no farther!

“In 1995 Andy got a new toy for his birthday. It was from his favorite movie. This is that movie.”

That’s paraphrasing (i.e., possibly misquoting from fading memory) the first lines from Lightyear — its high-concept, low-bar mission statement and its disclaimer to deflect any viewers who might’ve refused to relax without some form of canonical context, no matter how tenuous or superfluous. Critics’ memories of the exact verbiage differed from one site to the next. The erstwhile animation trailblazers at Pixar were hoping those same fuzzy memories might forgive/forget the shamelessly unnecessary Toy Story 4 and embrace this, their latest merchandise revival to be contrived from the greatest animated film trilogy ever.

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The MCC 2022 Oscar-Nominated Short Film Revue

Robin Robin!

“One of these things is not like the other” describes both the robin in this group hug and its status as the only family-friendly Animated Short Film nominee.

Each year since 2009 (except for 2021’s pandemic lockdown marathon) I’ve paid visits to Keystone Art Cinema, the oldest surviving art-film theater in Indianapolis, to view the big-screen releases of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but I appreciate the opportunities to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether I agree with their collective opinions or not. Since 2019 I’ve also assigned myself the extra-credit activity of catching as many nominees for Best Documentary Short Film as possible, depending on their availability online. The good folks at Shorts.TV, who package the theatrical releases each year, are supposed to be releasing them for home rental sometime soon, which will be a nice way to save yourself some gas money.

First up: my rankings of this year’s five Best Animated Short Film nominees, which were the most mixed of mixed bags that I’ve seen in years, not to mention the edgiest and incontrovertibly NSFW-iest. Four are available online; one was exclusive to the Shorts.tv program.

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The Secret Life of “Flee”

Flee!

WE HAVE TITLE! Also, this is exactly what we fear would happen if we ever tried using a travel agent.

Have you ever looked at a list of Academy Awards nominations and thought to yourself that the competition might mean more if you’d seen at least one film in every category? You’re in luck: if you catch Flee, you’ll have an inroad to three categories at once, as multiple AMPAS branches served up three Oscar nominations for this Danish animated documentary, one for each word in that description.

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2021 at the Movies at My House

Jamie Curtis in Halloween Kills!

Who among us hasn’t felt as stressed out as Laurie Strode lately?

Previously on Midlife Crisis Crossover: in 2021 I made 22 trips to the theater to see films made that same year. The year before, the pandemic thoroughly quashed the moviegoing experience and shrank my annual year-in-review entry to a mere four entrants, which barely counted as a “list” and convinced me to start a new, separate annual MCC tradition: a ranking of all the brand new films I saw on comfy, convenient home video in their year of release.

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Yes, There’s a Capybara After the “Encanto” End Credits

Disney's Encanto!

Not many family photos could double as a cover for their own superhero comic.

Once upon a time, new Disney and Pixar animated films were an automatic “see in theaters” category for our family. (Well, generally speaking. Maybe someday I’ll get around to The Good Dinosaur.) Works from other animation studios were not so guaranteed and were judged on a case-by-case basis. Our last animated theatrical experience was Pixar’s Onward, which was back in March 2020 and just-okay. For non-Disney fare (not counting shorts) I’d have to go clear back to the third How to Train Your Dragon in 2019, which was likewise just-okay.

Then along came a pandemic that interrupted our traditions and our rhythms. Some studios kept releasing new cartoons anyway, albeit on a protracted schedule. We ignored all of them, even after getting our shots, because of inertia. I recently caught up with a few 2021 releases on streaming services, but they haven’t been a top priority. (Maybe someday I’ll get around to Raya and the Last Dragon.) Amidst this current holiday season my son and I noticed the oversight and revived our tradition at last with an outing for Disney’s Encanto — apropos of the occasion, a film about family, tradition, and ruination that we think comes from without when in fact the disruption is coming from inside the house.

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The MCC 2021 Oscar-Nominated Animated Short Film Revue

Mole and bunny from "Burrow".

In my mind the mole is lecturing the bunny about his code violations in the voice of John Ratzenberger from House II: The Second Story.

Previously on Midlife Crisis Crossover:

It’s that time again! Longtime MCC readers know this time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1988 to the present, many of which were worth the hunt. The eight nominees for Best Picture of the Pandemic Year may pose more of a viewing challenge…

Each year since 2009 my wife Anne and I have paid a visit to our city’s singular, fully dedicated art-film theater to view the big-screen release of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but we appreciate this opportunity to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether we agree with their collective opinions or not.

This year’s environment threw a wrench into the works. On the bright side, by the end of the pandemic Indianapolis may have as many as three such theaters to its credit if our old standby and the two hopeful newcomers can stay solvent till then. On the downside…well, there’s that notorious pandemic. Unlike certain Best Picture producers we could denigrate here, the folks at Shorts.tv, which packages the nominees for theatrical release each year, realizes not everyone is ready for theaters yet, and won’t be for a good while to come, not even for Oscars season. In their benevolent cognizance they made special arrangements to let email followers of participating theaters rent streaming access to this year’s shorts for a limited time and a fair price, with the respective theaters receiving a cut of our proceeds. Those theaters get a little help living a little longer, and in exchange so do we.

Our annual shorts rundowns begin with the Animated Short Film nominees. I’d offer links to watch them if I could, but nominees in this category are traditionally removed from their previous posts until sometime after the awards are over. I also usually rank them, but this year’s lineup were so apples-and-oranges that I’m sticking with unhelpful alphabetical order because no one’s forcing me to rank things and in this case I don’t feel like it. Onward!

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