“The LEGO Movie”: If You Build It…You’re Awesome!

Batman, The Lego Movie

Arguably the best Batman film since The Dark Knight.

Because sometimes you need a break from Oscar season.

I had sky-high expectations for The Lego Movie as a veteran player of their first several video games — both Lego Star Wars, both Lego Indiana Jones, both of Lego Harry Potter, the first Lego Batman, Lego Pirates of the Caribbean, and the most epic of them all, Lego Lord of the Rings. They’re inventive, unpredictable, witty beyond all expectations with a keen self-awareness that frequently lampoons the very intellectual properties they paid good money to license. And those were just the cutscenes.

Walk this way for a few more blocks…

“Philomena”: Penance, Piety, and Parenthood Postponed

Judi Dench, Steve Coogan, Philomena

The Academy Awards aren’t complete without at least one token high-caliber British nominee on the Best Picture shortlist. Leave it to director Stephen Frears (whose past nominees include The Queen and Dangerous Liaisons) to fit the bill this year with a transatlantic odd-couple quest for reconnection or closure, for truth or justice, and for fury or forgiveness.

Regarding the search for one middle-aged baby…

“Her”: the Trouble with Mixed-Sentience Couples

Joaquin Phoenix, Her

If an entire crowd is engaging their Bluetooths and ignoring their surroundings, are they still a crowd?

From Spike Jonze, the celebrated director who brought us Where the Wild Things Are, Being John Malkovich, and all the best Beastie Boys videos, comes Her, a sci-fi cautionary tale about the pitfalls of falling in love with a woman who has no body, no soul, no job, no family, no taste buds, and unlimited processing power. Can even Chuck Woolery make a love connection happen for this wacky couple?

We’ll be back in two-‘n’-two…

“Nebraska”: If I Had $1,000,000…

Bruce Dern, Will Forte, NebraskaAlexander Payne’s new film Nebraska perfectly replicates that forlorn Midwest sensation of being trapped in rooms with hordes of impressionable, elderly relatives all living on the same slow-motion wavelength, visiting and reminiscing and comparing their amnesia levels and enjoying life’s remaining minutes at the speed of molasses, except when they’re jumping to conclusions at hyperspeed. When that happens to me, I put on a brave front while suppressing the desperate urge to crawl out of my skin. With SNL’s Will Forte acting as my proxy and reenacting my childhood family vacations so vividly, I’m surprised I didn’t convulse in my seat with flashbacks.

Follow the old man’s quest…

Yes, There’s a Message After the “Dallas Buyers Club” End Credits

Matthew McConaughey, Dallas Buyers ClubOlder fans of Matthew McConaughey’s spate of ’90s romantic comedies may be in for a shock when they walk into Dallas Buyers Club and see him playing Christian Bale’s character from The Machinist. He and costar Jared Leto (both radically transformed and up for Oscars this year) underwent severe weight loss for their roles in this based-on-a-true-story underdog drama that’s one part can’t-we-all-just-get-along and four parts sticking-it-to-The-MAN.

About that Best Picture nominee…

Because Not Every Movie Should Be Turned into Joyless Homework

film reel canisters, Underground Vaults and Storage, Hutchinson, Kansas

Movies are fun to look at, even when they’re boxed up and stacked on shelves. I enjoy writing down my thoughts about them — whether inspired or incredulous, amazed or aggravated — before too much time passes and the details vanish (if not the entire movie, in some cases). But I’ve grown to despise my self-imposed assignments of constructing an English-class essay every time I come home from the theater.

When something that’s supposed to be fun isn’t, then something needs to be done differently to rediscover the fun in it.

This way for an announcement/experiment…

My 2013 at the Movies, Part 2 of 2: the Year’s Least Worst

Matt Damon, Elysium

The Bourne Upgrade. District 18. Green Zone 3000. Good Will Exploding. And so on, and so on.


Previously on Midlife Crisis Crossover:

Once again January is National List Month, that magical time of year when everyone’s last twelve months of existence must be dehydrated, crammed into enumerated little packets, and lined up on the shelf in subjective order for re-inspection. The final tabulations reveal I saw twenty-five films in theaters in 2013 and one via On Demand while it was still in limited art-house release…

And now, the countdown concludes:

13. Elysium. Some say the 99%-vs.-1% feud will end in negotiations; some say in explosions. Neill Blomkamp’s sophomore extrapolation of the effect of humanity’s self-hatred on its own future stops asking questions halfway through and solves nearly everything with chases and showdowns between Matt Damon’s everyman underdog imperfect sinner Average Joe antihero and Sharlto Copley’s cyborg Snidely Whiplash. In some respects this deserved to be ranked a lot lower, but something about Blomkamp’s vivid underclass aesthetic and leftover District 9 effects cachet boosted it a tad unfairly over the other popcorn-film competition.

This way for #12 through #1…

My 2013 at the Movies, Part 1 of 2: the Year’s Least Best

The Rock, Bruce Willis, GI Joe Retaliation

John McClane and the Scorpion King: sequel survivors perpetuating the vicious circle of lame.

Once again January is National List Month, that magical time of year when everyone’s last twelve months of existence must be dehydrated, crammed into enumerated little packets, and lined up on the shelf in subjective order for re-inspection. MCC’s first full calendar year consequently allowed me to submit entries for everything I saw in theaters in 2013. Even if this site didn’t exist, since 2000 I’ve saved lists of every trip I’ve made to the cinema, year by year. The best part of this compulsion is rereading previous years’ lists and seeing names I no longer remember. (Disney’s Teacher’s Pet? Past Me swears my son and I saw it, but we’ve mutually wiped it from memory.)

The final tabulations reveal I saw twenty-five films in theaters in 2013 and one via On Demand while it was still in limited art-house release. This count doesn’t include five 2012 films I attended in 2013 for Oscar-chasing purposes, or any old films I watched on home video. Because lists such as this one must have rules.

Links to past reviews and musings are provided for historical reference. On with the reverse countdown, then:

26. GI Joe: Retaliation. Once again Hollywood forgets the lessons learned from Halloween 3 and Fast and the Furious: Tokyo Drift — i.e., if you dump too much of the original cast, why even bother with a theatrical release? While Ray Park is good for a few minutes of aerial man’s-man ballet, Bruce Willis and the Rock are called in as scabs from other macho action series to shoulder the rest of this silly, overlong commercial for military weaponry and boys’ toys, in that order.

This way for #25 through #14…

“The Hobbit: the Desolation of Smaug” as an Afternoon of Binge-Watching

Bilbo Baggins, Martin Freeman, The Hobbit, The Desolation of Smaug

Bilbo struggles with temptation. So. Many. CUPS.

Two advance caveats:

1. It’s been years since I read The Hobbit. I remember most of it, but to me it’s not a sacred idol to be treated as holy writ every time it’s adapted into another medium. My impressions of The Hobbit: An Unexpected Journey were previously documented to this effect.

2. Some of the following will assume you’re familiar with the book and/or already saw The Desolation of Smaug for yourself. As a latecomer to the party once again, I doubt I’ll be treading unfamiliar ground for too many readers.

That being said: I may be one of the few viewers who found The Desolation of Smaug a more satisfying experience than its predecessor, burdened as that one was with cumbersome exposition and morose musical numbers. Faced with a 161-minute running time, I entered the theater this time with despondent expectations, but realized partway through that the movements are so neatly segmented, it was like binge-viewing a TV miniseries at home. Granted, Desolation was the equivalent of a series’ middle and therefore guaranteed to disappoint no matter how it ended, but taken as Disc 2 of 3, its 3½ episodes zoomed along nicely and moved the story forward with only minimal irrelevant detours.

Onward toward Erebor, then…

Yes, There’s a Scene After the “Frozen” End Credits

Queen Elsa, Idina Menzel, Frozen

Disney Princesses beware: here comes Elsa, Disney Queen.

Last week animation writer Paul Dini gave a candid podcast interview in which he divulged numerous depressing details about his recent experiences with Cartoon Network executives who expressed in no ambiguous terms their current disinterest in courting a female audience for their action-adventure cartoons because boys buy more action figures.

I wish I were kidding. Part of this illuminating interview has been helpfully transcribed for the podcast-reluctant. Nothing short of jaw-dropping.

Such a shame, then, to see Walt Disney Pictures fly in the face of Cartoon Network programming logic and gamble on a theatrical release like the action-heavy Frozen, in which the humor isn’t locker-room crude, the animation sets new standards, and the main characters are two sisters who pass the Bechdel Test cum laude. Sure, it’s quality entertainment, but if the girl power in a cartoon overwhelms the manpower, why even bother? This cartoon chick flick will be lucky to make more than twenty bucks at the box office. And you can forget about merchandising sales.

…oh, wait. As of its fourth weekend, the movie’s cleared $160 million domestic so far, and it’s still in the #2 box office spot and barely slowing down. How’d that happen? Conspiracy, maybe?

Nope – it’s genuinely impressive…

“Catching Fire”: And They All Lived Fearfully Ever After

Jennifer Lawrence, Josh Hutcherson, Hunger Games: Catching Fire

Katniss and Peeta practice their strained banter for their next gig hosting the PanEm Oscars.

In the more engrossing and less shaky-looking sequel, The Hunger Games: Catching Fire, we’re told “The Games mean nothing.” In fact they’re not even the central plot; they’re the extended climax appended to a more interesting, feature-length coda in which the quote-unquote “victors” of PanEm’s 74th Hunger Games receive their “rewards”, learn about their new responsibilities, and figure out for themselves that sometimes victory is only as meaningful as your handlers allow.

Continue here as The MAN tries to extinguish the Girl on Fire…

My 2013 Staycation Movie Marathon Report

Casey Affleck, Gone Baby Gone

Before Casey Affleck’s upcoming turn in Out of the Furnace, there was Gone Baby Gone, among the best in this week’s movie marathon.

This week was that time of year again! Long story short, as explained last year with copious superfluous details: thanks to my generous employers, I have enough vacation days every year to take time off for our family road trip and to take another separate week later just for myself. My usual staycation activity of choice is a DVD marathon.

This week’s marathon was hobbled a bit by a sick day, wasted on long bouts of napping and angst. We’re currently taking steps to correct the condition responsible in ways that won’t require immediate medical bills. Hopefully nothing further occurs on this front that becomes interesting enough to inspire follow-up entries. Let’s all assume I get better and live happily ever after. THE END.

Otherwise the week was relaxing and fruitful in a stress-relief sort of way, and a sizable chunk was carved out of the viewing pile. This week’s staycation feature presentations were, in order of viewing:

And the nominees are:

Yes, There Are Scenes During AND After the “Thor: the Dark World” End Credits

Loki, Tom Hiddleston

Thor? Thor who? Oh, you mean my sidekick?

As in the comics, so in the movies has Thor struggled to stand out as a sympathetic character, a hero for us to cheer on through the quiet scenes as well as the action sequences. Whereas Thor: the Mighty Avenger aimed to give him humanity by trapping him in a podunk, no-FX town and making him literally human, the boisterous sequel Thor: the Dark World tries a different approach: it gives up on making him work as a solo hero in his own right, and treats him as a senior but equal member of an ensemble instead. Call them Avengers: Asgard Coast.

More about America’s favorite Asgardian and his brother Thor…

“Agents of S.H.I.E.L.D.”: Exploring the Possibilities of 0.00001% of the Marvel Universe

Marvel's Agents of SHIELD

Drama! Excitement! Danger! Peaceful forest walks!

Six episodes into Marvel’s Agents of S.H.I.E.L.D. (not to be confused with, say, Law & Order: Agents of S.H.I.E.L.D.), we’re seeing little improvements here and there as the writers make up their minds how the camaraderie and rivalries should work between the characters. The series began as an awkward hodgepodge of our man Phil Coulson, Ming-Na Wen (Mulan, ER‘s early seasons), and some extras on loan from the CW, who together felt not nearly scruffy enough to headline a Joss Whedon TV project.

I’m warming a little more to the show as the weeks progress. I’m no longer wishing for Skye the fake-hobo hacker to be dismissed and dropped off at her van down by the river. I’m no longer letting the mystery of Coulson’s alleged clinical death undermine my attention. I’ve stopped nitpicking at how Agent Ward looks 25 but we’re expected to believe he has the acumen and respectability of a 50-year-old war veteran. And I can’t remember the last time I was distracted by an underbudgeted special effect.

One major disappointment still looms: while it’s nice to see them playing with elements of the Marvel movie universe — what’s stopping them from exploring more deeply into the actual Marvel Universe?

(Fair warning: one bit later in this article is a mild spoiler for tonight’s new episode.)

So, about that Marvel Universe…

“Ender’s Game”: Kids Kill the Darndest Things

Asa Butterfield, Ender Wiggin, Ender's GameIf the stakes were catastrophic enough, the training techniques were sufficiently intensive, and the world were just that unforgiving, who’s to say preteens couldn’t be accelerated to maturity and transmogrified into hardened soldiers like today’s eighteen-year-old American military volunteers?

Thus is the foundation laid for Ender’s Game: in a future where millions have perished at the hands of insectoid aliens (the predominant taxonomic class of Hollywood aliens), Earth’s last hope — and who knows how many hopes were wasted before the story begins — lie in an interstellar military system built on targeting the most gifted junior high students for recruitment, instead of the older kids least likely to go to college.

So, about that big-budget sci-fi thingie…

“Sleepy Hollow” 10/14/2013 (spoilers): the Chaucer Whisperer

Sleepy Hollow, Fox

BIG ICHABOD IS WATCHING YOU. Even though he has no idea how it works.

The fifth episode of Fox’s Sleepy Hollow, “John Doe”, tosses a few new elements in with some things missing from recent escapades. Ichabod reunites with Katrina; a new Horseman steps onto the game board; another early American legend is revealed as more than it seemed in your history classes; and, as with such movies as Outbreak, we confirm that diseases can be a really dull antagonist.

For those who missed out, my attempt to streamline the basic events follows after this courtesy spoiler alert for the sake of time-shifted viewers.

Continue reading

“Sleepy Hollow” 10/7/2013 (spoilers): That Distracting Tea Party

Item 37, Sleepy Hollow, Fox

What lies within…Item 37? (Hint: it’s bigger than a breadbox, smaller than the Ark of the Covenant.)

As with last week, the fourth episode of Fox’s Sleepy Hollow contains no Horseman, no witches, no Katrina or her time loop, and no Clancy Brown flashbacks (except in one telling photo). This week was jam-packed with movement nonetheless, including a key piece of info we’ve been dying to know since episode one. The focus of tonight’s “The Lesser Key of Solomon” is squarely on the broken relationship between Abbie and her sister Jenny, who escaped from the asylum last week with an agenda of her own.

For those who missed out, my attempt to streamline the basic events follows after this courtesy spoiler alert for the sake of time-shifted viewers.

So…who wants to learn the Big Bad’s true name? Show of hands?

“Gravity”: Connect or Perish

Sandra Bullock, Gravity

Zero-g leaves zero margin for error.

If movie theaters were allowed to set individual rules before watching certain films, the first rule of a Gravity showing would be no snacking during the first ten minutes. After the title and text intro (“Life in space is impossible”), the movie doesn’t begin so much as it emerges from the darkness and silence of space. As a distant pinpoint expands and metamorphoses into a Space Shuttle bearing Academy Award Winners Sandra Bullock and George Clooney, the noiseless vacuum slowly parts for a trickle of radio chatter that steadily builds from volume 0 as its source nears our position.

While we eavesdropped on the cast’s interplay during their distant grand entrance, the ambiance of their stage-setting was slightly disrupted by the sounds of the peckish viewers seated around me, rustling plastic wrappers and scarfing whatever snacks they couldn’t be bothered to finish during the preceding 25-minute trailer marathon. This sort of aural dissonance isn’t an issue when you’re watching the average summer action blockbuster that kicks off with a twenty-minute 200-decibel set piece that eradicates all sound and vibration in its path.

More about this weekend’s #1 film, which presently sits at 98% on the Tomatometer…

“Sleepy Hollow” 9/30/2013 (spoilers): Dreams Along the Mohawk

Sandman, Ro'henkrontyes, Sleepy Hollow

The other six Endless cannot save you now!

The third episode of Fox’s runaway Monday night sensation, Sleepy Hollow, contains no Horseman, no witches, no Katrina or her Phantom Zone, no Clancy Brown flashbacks, and very little mysterious demon except in flashback. Thankfully it’s not exactly sixty minutes of dead air. “For the Triumph of Evil” is the first time Our Heroes must face a mythical creature who’s not overtly taking orders from the Big Bad. And yet…this otherworldly stalker nicknamed “the Sandman” holds connections to both Ichabod and Abbie, while appearing visually indebted to Pan’s Labyrinth and half the characters Doug Jones has ever played.

For those who missed out, my attempt to streamline the basic events follows after this courtesy spoiler alert for the sake of time-shifted viewers.

About that pale white man…

Siskel & Ricky Jay and Movie Magic

Gene Siskel Film Center, Chicago, Illinois

The Siskel Film Center: sincere, comfy, willing to showcase material beyond the major studios’ low-budget farm teams. Two thumbs up.

Indianapolis has exactly (1) one art-film theater, which leavens its offerings with a mixture of big studio fare presumably for the sake of ticket sales, thus minimizing the number of small films they can truly show during any given week. It doesn’t help that this theater and our house are on opposite ends of town. It’s my understanding other, larger cities have more options for moviegoers who yearn for something besides sequels, explosions, and big budgets. The advent of Video on Demand has charitably broadened our access to new limited-release fare, but there’s something I like about seeing films in their natural habitat.

This weekend my wife and I journeyed once again to Chicago via reasonably priced group tour. While our fellow passengers availed themselves of the Magnificent Mile’s upscale merchandise or gallivanted around Lake Michigan on water taxis, she and I paid our first visit to the Gene Siskel Film Center to view the kind of real, live documentary that rarely plays within fifty miles of our house.

Click here for more about the theater and the documentary “Deceptive Practice”…