My Oscars Quest 2023 Quick-Start Scorecard

Michelle Yeoh looking peaceful, eyes closed, with an explosion behind her.

Michelle Yeoh descends from the heavens to accept her honors.

It’s that time again! Longtime MCC readers know this time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture winner from Wings to CODA, and every Best Picture nominee from 1987 to the present, many of which were worth the hunt. You take the good, you take the bad, and so on.

In addition, this will be my third annual Oscars Quest Expanded Challenge, which was inspired by that darn pandemic — to see not just all the Best Picture nominees, but as many nominees as possible in all the other categories as well. When new releases were going quickly or directly to home video while theaters were shuttered, the Expanded Challenge was easier for me. I saw all but two of last year’s nominees, and am still missing eight nominees from the year before that. Someday maybe I’ll complete those sets. In the meantime, I have concerns about this year’s logistics now that theaters are back in business. I’m probably looking at far more trips away from home to reach my pointless personal goal, mood and local cinema schedules permitting.

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96 Tears and One Punch: The Oscars 2022 Season Finale

Oscars 2022!

Purple, the color of bruises.

If you count the one-hour unaired portion of the 94th Academy Awards that began at 7 p.m. EDT, this year’s return to the Dolby Theatre technically came in at a staggering 272 minutes when the usual legal disclaimers rolled at 11:42 p.m., beating the year A Beautiful Mind won by nine minutes. We already knew going into this evening that it couldn’t possibly beat the Shortest Oscars Ever record of 100 minutes, achieved in 1959 when an angry Jerry Lewis gave all the Oscars to The Geisha Boy, read his 90-minute doctoral thesis about muscular dystrophy, and called it a night. Just the same, these Oscars were a lot, even before the cruel insult and the on-stage assault.

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The Oscar Quest ’22 Grand Finale: All the Other Nominees I Could Catch

tick tick BOOM!

Vanessa Hudgens and Andrew Garfield in Lin-Manuel Miranda’s tick, tick…BOOM! on Netflix. To those who swear Garfield’s best performance of 2021 was in No Way Home, I am BEGGING you to watch a second movie.

It’s that time again! Longtime MCC readers know this time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve watched every Best Picture winner ever (some more closely than others) and as of this writing I’ve seen every Best Picture nominee released since 1987 (some in better-quality formats than others). Nobody I know cares, but it’s been my thing for years.

Thanks to pandemic restlessness and our current streaming media bonanza, starting last year I expanded the boundaries of Oscar Quest to see how many nominees I could watch in any category whatsoever, period. This is equally unimpressive to everyone I know, but now it’s like a game for me, and a far livelier one than solitaire.

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The MCC 2022 Oscar-Nominated Short Film Revue

Robin Robin!

“One of these things is not like the other” describes both the robin in this group hug and its status as the only family-friendly Animated Short Film nominee.

Each year since 2009 (except for 2021’s pandemic lockdown marathon) I’ve paid visits to Keystone Art Cinema, the oldest surviving art-film theater in Indianapolis, to view the big-screen releases of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but I appreciate the opportunities to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether I agree with their collective opinions or not. Since 2019 I’ve also assigned myself the extra-credit activity of catching as many nominees for Best Documentary Short Film as possible, depending on their availability online. The good folks at Shorts.TV, who package the theatrical releases each year, are supposed to be releasing them for home rental sometime soon, which will be a nice way to save yourself some gas money.

First up: my rankings of this year’s five Best Animated Short Film nominees, which were the most mixed of mixed bags that I’ve seen in years, not to mention the edgiest and incontrovertibly NSFW-iest. Four are available online; one was exclusive to the Shorts.tv program.

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“Parallel Mothers” and Fraught Intersections

Parallel Mothers!

When you’re up for Best International Feature but critics won’t shut up about Drive My Car.

Indulging in the Academy Awards season is easier than ever if you have the free time and all the accesses. The proliferation of streaming services has opened new doorways for any wannabe cineaste to create their own little film festival at home, with a panoply of options from across every category. However, some nominees still stubbornly observed the time-honored tradition of refusing a wide release until after their nominations were secured, and have therefore been exclusive to theaters this past month. Thankfully this year has been easier than ever for me to catch up to Real Critics — as of today Indianapolis has expanded from one tiny theater to four whole theaters willing to show films of all sizes, not just blockbusters, as we did ten years ago. It’s almost like we’re this close to becoming a real Big City.

One hope for my expanded Oscar Quest ’22 was fulfilled: fascinating new experiences I might not have otherwise prioritized. When the nominations were announced, our town’s new indie theater was still showing Parallel Mothers, the latest feature from the continually acclaimed Pedro Almodovar. I’ve read about many of his films for over half my life, but never actually watched one all the way through before. The first time I ran across him, I was a college-bound youngster who found Tie Me Up! Tie Me Down! one night while channel-flipping, but didn’t stick around for the whole thing. I also faintly remember frequent commercials on the same channel for Women on the Verge of a Nervous Breakdown, which likely fit well into their niche programming. Till now, that’s been it for me. Read about these fleeting moments and more in my forthcoming memoir I Was an Unsupervised Teen with Cinemax.

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Six Kind Things About “The Worst Person in the World”

The Worst Person in the World!

CAUTION: RATED NC-17 FOR SCENES OF SMOKING.

Indulging in the Academy Awards season is easier than ever if you have the free time and all the accesses. The proliferation of streaming services has opened new doorways for any wannabe cineaste to create their own little film festival at home, with a panoply of options from across every category. However, some nominees still stubbornly observed the time-honored tradition of refusing a wide release until after their nominations were secured, and have therefore been exclusive to theaters this past month. Thankfully this year has been easier than ever for me to catch up to Real Critics — as of today Indianapolis has expanded from one tiny theater to four whole theaters willing to show films of all sizes, not just blockbusters, as we did ten years ago. It’s almost like we’re this close to becoming a real Big City.

One drawback I fully expected from my expanded Oscar Quest ’22: not every film is for me. I don’t mean simply “some films bad.” I make no pretense to objectivity in these entries here on my li’l unpaid quasi-boutique hobby-job. No matter how many critics love a given work or how many awards it’s been put up for, I will not and cannot love everything, nor does everything have a fair shot with me. Some stuff is simply Not My Thing. There’re a few different ways a movie can lose me. Norway’s acclaimed dramedy The Worst Person in the World invokes a couple of them.

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Once Upon a Time in “Belfast”…

Belfast at the movies!

Wait’ll they find out tonight’s feature presentation is In the Name of the Father.

…there was a tiny child named Kenneth Branagh, but everyone called him Buddy. He was a smarter version of Ralphie from A Christmas Story and even had the same preoccupation with the toys and films of his age, plus he even got to unwrap his fair share of Christmas gifts. He didn’t need Ralphie’s narrator powers because he was perfectly happy talking aloud to anyone who’d listen. He never got in trouble for talking too much, even when he kept pointing out little differences between Catholicism and Protestantism like an ’80s standup comic who’s never heard other comics’ routines and feels like he’s blazing new trails in the field of Just Asking Questions.

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The Secret Life of “Flee”

Flee!

WE HAVE TITLE! Also, this is exactly what we fear would happen if we ever tried using a travel agent.

Have you ever looked at a list of Academy Awards nominations and thought to yourself that the competition might mean more if you’d seen at least one film in every category? You’re in luck: if you catch Flee, you’ll have an inroad to three categories at once, as multiple AMPAS branches served up three Oscar nominations for this Danish animated documentary, one for each word in that description.

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MCC Live-Tweeting: The Oscars 2021 Pandemic Dinner Theater

Oscars 2021 telecast title card.

At least not all the awards went to white folks this year, so there’s that.

At a cozy and snappy 217 minutes (two minutes longer than last year’s), the 93rd Academy Awards went hostless for its third straight year in its very special pandemic edition co-produced by director Steven Soderbergh. A maximum of 170 guests were allowed into an auditorium furnished like a company Christmas party inside L.A.’s Union Station, while all the European nominees who cared to participate holed up in a rented UK theater, and someone let Bryan Cranston have the Kodak Theater all to himself. In pre-show interviews Soderbergh insisted strict COVID-19 protocols were in place, same as they’re using for current Hollywood productions, and AMPAS president David Rubin swore from the red carpet that everyone was “100% safe”. Here’s hoping all the scaled-down glitz and glamour wasn’t for the sake of an awkward super-spreader event.

(Occasionally a mask could be seen in the crowd. At one point the camera lingered on a seated, masked Frances McDormand glowering in repose. She was among the few celebs I spotted taking measures for the public to see. In that one moment, at least.)

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Oscars Quest 2021: All the Other Viewing I Could Fit In Before the Big Event

Promising Young Woman, Carey Mulligan

Do you…like to watch?

Previously on Midlife Crisis Crossover:

It’s that time again! Longtime MCC readers know this time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1988 to the present, many of which were worth the hunt. The eight nominees for Best Picture of the Pandemic Year may pose more of a viewing challenge…

Whenever I’ve been away from here over the past six weeks, I was either hiding out in Skyrim again, getting a good night’s sleep because I’m needing those more than ever, or seeing how many of this year’s Oscar nominees I could watch. Many were on streaming services to which I already subscribe. Two were released on Redbox for us old folks who like physical media. Some were available for rental on Vudu or YouTube, though those were lowest priority. Five nominees were sadly, annoyingly beyond my grasp on services not in our household (three were exclusive to Amazon Prime, two to Apple TV). Otherwise, I was willing to let myself get carried away. I arguably did.

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The MCC 2021 Oscar-Nominated Documentary Revue

Ann Cupolo Freeman from "Crip Camp".

Retired social worker and physical rehab specialist Ann Cupolo Freeman, among the many campers who grew up to become activists in Netflix’s Crip Camp.

Previously on Midlife Crisis Crossover:

It’s that time again! Longtime MCC readers know this time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1988 to the present, many of which were worth the hunt. The eight nominees for Best Picture of the Pandemic Year may pose more of a viewing challenge…

In my youth and young-adulthood, seeing any of the Oscar-nominated documentaries before the ceremonies was usually impossible. Or after the ceremonies, for that matter. Streaming media changed the game and broadened access and opportunities for ordinary viewers even before the pandemic turned the convenience into a lifesaver. I’ve yet to enjoy a year in which all the nominees for Best Documentary Short Film or Best Documentary Feature were universally clickable, but the percentages have been generously high. It’s been fun seeing how many I could chase down legally without overpaying for the privilege.

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The MCC 2021 Oscar-Nominated Live-Action Short Film Revue

"Two Distant Strangers" short film

Two strangers from “Two Distant Strangers”, but not the actual distant ones in the title. Points for dramatic irony.

Previously on Midlife Crisis Crossover

Each year since 2009 my wife Anne and I have paid a visit to our city’s singular, fully dedicated art-film theater to view the big-screen release of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but we appreciate this opportunity to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether we agree with their collective opinions or not.

This year’s environment threw a wrench into the works. On the bright side, by the end of the pandemic Indianapolis may have as many as three such theaters to its credit if our old standby and the two hopeful newcomers can stay solvent till then. On the downside…well, there’s that notorious pandemic. Unlike certain Best Picture producers we could denigrate here, the folks at Shorts.tv, which packages the nominees for theatrical release each year, realizes not everyone is ready for theaters yet, and won’t be for a good while to come, not even for Oscars season. In their benevolent cognizance they made special arrangements to let email followers of participating theaters rent streaming access to this year’s shorts for a limited time and a fair price, with the respective theaters receiving a cut of our proceeds. Those theaters get a little help living a little longer, and in exchange so do we…

Our annual shorts rundowns continue with the Live-Action Short Film nominees, ranked from Most Adrenalizing to Most Side-Eyed. Relevant links are included where applicable. As a value-added bonus, the following week after the Oscar Shorts were released in theaters, our first two nominees hit Netflix and increased their potential audience hundredfold.

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The MCC 2021 Oscar-Nominated Animated Short Film Revue

Mole and bunny from "Burrow".

In my mind the mole is lecturing the bunny about his code violations in the voice of John Ratzenberger from House II: The Second Story.

Previously on Midlife Crisis Crossover:

It’s that time again! Longtime MCC readers know this time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1988 to the present, many of which were worth the hunt. The eight nominees for Best Picture of the Pandemic Year may pose more of a viewing challenge…

Each year since 2009 my wife Anne and I have paid a visit to our city’s singular, fully dedicated art-film theater to view the big-screen release of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but we appreciate this opportunity to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether we agree with their collective opinions or not.

This year’s environment threw a wrench into the works. On the bright side, by the end of the pandemic Indianapolis may have as many as three such theaters to its credit if our old standby and the two hopeful newcomers can stay solvent till then. On the downside…well, there’s that notorious pandemic. Unlike certain Best Picture producers we could denigrate here, the folks at Shorts.tv, which packages the nominees for theatrical release each year, realizes not everyone is ready for theaters yet, and won’t be for a good while to come, not even for Oscars season. In their benevolent cognizance they made special arrangements to let email followers of participating theaters rent streaming access to this year’s shorts for a limited time and a fair price, with the respective theaters receiving a cut of our proceeds. Those theaters get a little help living a little longer, and in exchange so do we.

Our annual shorts rundowns begin with the Animated Short Film nominees. I’d offer links to watch them if I could, but nominees in this category are traditionally removed from their previous posts until sometime after the awards are over. I also usually rank them, but this year’s lineup were so apples-and-oranges that I’m sticking with unhelpful alphabetical order because no one’s forcing me to rank things and in this case I don’t feel like it. Onward!

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“Sound of Metal” and the Beat of a Different Drum

Riz Ahmed in "Sound of Metal".

I honestly thought all the band T-shirts in this film were fake till they brought out one with Einstürzende Neubauten. Them I recognize.

Previously on Midlife Crisis Crossover:

It’s that time again! Longtime MCC readers know this time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1988 to the present, many of which were worth the hunt. The eight nominees for Best Picture of the Pandemic Year may pose more of a viewing challenge…

Of all the Best Picture nominees I hadn’t seen prior to nominations, Sound of Metal was among the 2020 films I’d been most eagerly anticipating even if AMPAS had snubbed it. I was denied the chance to see it in its exclusive Amazon Prime cage, as one of maybe six Americans who refuse to subscribe out of a sense of monopoly subsidy fatigue. (There’s also my personal rule that I never, ever pay monthly or annual fees for shopping perks, which is equally confounding to Amazon and Barnes & Noble.) As is the annual Oscars season tradition, post-nom Metal was re-released to exactly one (1) local theater, in case any non-subscribers wanted to catch up mid-pandemic. My son and I lucked into a Monday night showing entirely to ourselves without paying AMC a $100-$200 private screening fee. Chalk up another win to my non-patented four-step H.I.D.E. method for pandemic theater survival.

The ironies compounded as we went. I was anxious to immerse myself in a theatrical speaker setting to experience the unparalleled sound design of a simulated world of encroaching deafness. And just as we were alone in the theater, so did Our Hero grow increasingly alone in his own world — sometimes though not always through no fault of his own.

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“Judas and the Black Messiah” and the Madding Crowd

Daniel Kaluuya in "Judas and the Black Messiah".

Knock knock, America.

Previously on Midlife Crisis Crossover:

It’s that time again! Longtime MCC readers know this time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1988 to the present, many of which were worth the hunt. The eight nominees for Best Picture of the Pandemic Year may pose more of a viewing challenge…

I don’t subscribe to either HBO or HBO Max and try not to get attached to their programming announcements. That’s included everything from Jumbo Largo Justice League to Judas and the Black Messiah, despite the latter’s two awesome lead actors.  When it was announced as one of this year’s eight Best Picture nominees, I had a quandary on my hands: do I (a) wait for the eventual release on other home video platforms (as will be granted next week to Wonder Woman 1984), even if that means waiting till after the Oscars ceremony on April 25th; (b) sign up for a free HBO Max trial and pull the plug seconds before the first charge hits my credit card; or (c) see it in theaters and take every possible measure to avoid the COVID?

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Our Retroactive “Nomadland” Vacation Memories

Frances McDormand and friend in "Nomadland"/

“We’ll keep pushin’ till it’s understood / And these Badlands start treating us good…”

It’s that time again! Longtime MCC readers know this time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. One of my few accomplishments in 2020 was at long last filling a gap in my list by catching the elusive 1996 nominee Secrets and Lies, which had been out of print for ages but of course is just now scheduled for a Criterion physical release at the end of this very month. Regardless, having crossed that off, I can now say I’ve seen every Best Picture nominee from 1988 to the present, many of which were worth the hunt, Secrets and Lies enthusiastically included.

The eight nominees for Best Picture of the Pandemic Year may pose more of a viewing challenge. In a standard Oscar season, the Best Picture nominees would be re-released to theaters for a limited time, I’d run out and see each one, and that would be that, a bit costly but easy-peasy. Since March 2020 I’ve walked into theaters exactly twice (which each left me frustrated and disappointed) and haven’t been eager to test those revolutionary new air filtration systems or the other patrons’ pandemic manners. Using my four-step listicled viewing method helped calm my fears and, I think, helped not to get myself or my family killed, so it wasn’t all for naught. I’m not sure how many more times I feel like tempting fate. Getting fully vaccinated would allay all remaining concerns, but as my schedule happens to be working out, I won’t reach peak immunization (i.e., 14 days after my second Pfizer shot) until literally the day before the Oscars.

By the end of 2020 I’d seen Mank and The Trial of the Chicago 7 of my own accord. Two weeks prior to the nomination announcement on March 15th I caught a third nominee in advance, certain that it was a lock for a nomination based on its universal critical acclaim — Nomadland, the one with Two-Time Academy Award Winner Frances McDormand, from the director of Marvel’s eventually forthcoming Eternals. The Powers That Be were kind enough to release it on Hulu as well as in theaters. I appreciated the humane gesture, and was surprised to see several scenes were filmed in locations familiar to me and to longtime MCC readers who’ve followed along on our road trip experiences.

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MCC Live-Tweeting: Oscars 2020

Oscars!

Them statuettes.

At a not-too draggy 215 minutes (give or take three), the 92nd Academy Awards once again sped down the same host-free track as last year, but allowed slightly more room for filler. After an intricate, audacious opening number by Janelle Monae and that Billy Porter guy who tends to wear the loudest outfits at any given awards ceremony, the audience was allowed one (1) segment for stand-up comedy, tag-teamed by former hosts Steve Martin and Chris Rock in a joint achievement in short-term blame-shifting, before the rest of the night barreled onward through the 24 aired categories and an offhand shout-out to the four winners whose lesser Oscars were deemed not fit for telecast. Considering those names included Geena Davis and David Lynch, that was one heck of an inconsiderate yadda-yadda.

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Video Scorecard #22: Oscar Quest 2020 Animated Extra Credit

Klaus!

Neither snow nor rain nor heat nor gloom of night nor facing off against Disney and DreamWorks films for an Academy Award…

Previously on Midlife Crisis Crossover: the recurring feature that’s more like a newsletter in which I’ve jotted down capsule-sized notes about Stuff I Recently Watched at home. As usual I’ve been preoccupied with my annual bout of Oscar-mania to the consternation of MCC readers who show up here for any other reasons.(I promise we have a road trip miniseries coming soon, with some light travel, history, and a tribute to one astronaut. Honest!

Before tonight’s big Academy Awards ceremony on ABC, there’s one last category in which I managed to catch all the entrants thanks to the wonder of today’s sometimes generous streaming services. Thus we present in brief the three nominees for Best Animated Feature that I didn’t see in theaters:

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The MCC 2020 Oscar-Nominated Animated Short Film Revue

Hair Love!

This white guy and his retreating hairline kinda wish we had this young lady’s tonsorial problems.

Each year since 2009 my wife Anne and I have paid a visit to Keystone Art Cinema, the only fully dedicated art-film theater in Indianapolis (for now), to view the big-screen release of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but we appreciate this opportunity to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether we agree with their collective opinions or not.

We’ve already covered the Live-Action half. Next we present the Animated Short Film nominees, ranked from absolute keenest to mostly keen:

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The MCC 2020 Oscar-Nominated Live-Action Short Film Revue

Nefta Football Club!

From Nefta Football Club, following in the footsteps of Francis the Talking Mule and Disney’s Gus.

Each year since 2009* my wife Anne and I have paid a visit to Keystone Art Cinema, the only fully dedicated art-film theater in Indianapolis (for now), to view the big-screen release of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but we appreciate this opportunity to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether we agree with their collective opinions or not.

(* Sadly, Anne missed last year’s appointment, but she returned this year and didn’t seem to regret it.)

As it happens, this year’s live-action lineup is the strongest I’ve seen in years, with nary a clunker or a repulsive moment of graphic sadism among them. (Some years have been better than others in that respect.) And now, we present our ranking of this year’s five nominees from cutest to most heart-rending:

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