Oscars Quest ’26: The Best Documentary Feature Nominees

Inmates dressed in white join hands in a circle in a grassy prison courtyard.

A prison community comes together and tries to be better men in The Alabama Solution, when they’re not festering in filth and the guards aren’t beating them to death.

Previously on Midlife Crisis Crossover: Oscars Quest ’26 continues! Once again we see how many among the latest wave of Academy Award nominees I can catch before the big ABC ceremony on March 15th, including entire genres that I’m terrible about sidestepping during the other 10½ months of the year.

Documentaries can be keen, but much like reality TV, they aren’t part of my routine intake. Guided by the recommendations and/or questionable motives of the voting body of the Academy of Motion Picture Arts & Sciences, I’m compelled to watch at least five of them every year. In that spirit this wordy bumpkin presents a rundown of this year’s nominees for Best Documentary Feature in all their instructive, immersive, saddening, maddening, hilarious, harrowing, bewildering natures. I streamed all five online, though one of them had a narrow window of opportunity. These are recapped alphabetically, not ranked — I’d recommend any of them, though you might not want to watch them back-to-back unless sudden-onset depression is your idea of a good time. Just like the Documentary Short Subject category, apparently everyone forgot to document any excellent inspirational triumphs last year.

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2025 at the Movies at My House

Michelle Yeoh in a black dress, smirking in a space nightclub.

Like it or not, a universe of infinite possibilities means some Everything Everywhere All at Once timelines are gonna suck.

Previously on Midlife Crisis Crossover: in 2025 I made 34 trips to the theater to see films released or screened in festivals that same year. Meanwhile at home, I made a point of checking out 27 new releases that were conveniently available through our family’s streaming subscriptions — what sounded most watchable and/or what felt like potential future Oscar nominees that should be gotten over with in advance to ease my annual Oscar Quest time crunch. I did what I could within the limited free time allotted.

The sixth annual installment of this MCC tradition is a rundown of all those films I saw on comfy, convenient home video in their year of release, ranked from awfullest to awesomest. I’ve also listed each service that carried them at the time I saw them, though a few may have migrated to different apps since then. On with our countdown!

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Del Toro’s “Frankenstein”: 9 Reasons Why You’ll Need a Bigger Screen

Frankenstein Movie Poster 2025 displayed outside a theater at night. The monster is a gangly tatterdemalion behind the logo and the logline "Only Monsters Play God".

Now showing at a theater near few!

Midlife Crisis Crossover Calls Guillermo del Toro’s Frankenstein One of the Year’s Best Films™!

Once again the Academy Award Winner has collaborated with Netflix after the previous successes of his animated version of Pinocchio, his Cabinet of Curiosities anthology miniseries, and the Trollhunters stuff I never looked into. Frankenstein was clearly one of the highest ranking dream projects on his wish list, fulfilled at last with a noticeably enormous budget, a stellar cast, his most lavish production design ever, and a too-brief theatrical exhibition before the November 7th relegation to its forever-home in the app’s small-screen back-catalog cellar.

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2024 at the Movies at My House

Robot in darkness wearing headgear made of antlers, talking to someone in the shadows.

The Wild Robot 2099.

Previously on Midlife Crisis Crossover: in 2024 I made 29 trips to the theater to see films released or screened in festivals that same year. Meanwhile at home, I kept up with select new releases depending on what was conveniently available through our family’s streaming subscriptions, what sounded most watchable, and/or what felt like potential future Oscar nominees that should be gotten over with in advance to ease my annual Oscar Quest time crunch. For value-added fun, as an anniversary gift from my lovely wife Anne we now have Max, which expanded our options without expanding my available TV free time. I did what I could within the time slots allotted.

Hence the fifth annual installment of the MCC tradition borne of the pandemic: a ranking of all the brand new films I saw on comfy, convenient home video in their year of release. Sure, they could’ve been 20 separate entries written in real time as I consumed them, but that’s not how I roll. The Academy Award nominations announcement is coming up January 17th, assuming the L.A. wildfires are quelled and no further raging of them continues endangering lives or homes. As a teenager Anne survived the ordeal of her family’s home burning to the ground, so we’ve been following those tragic headlines and testimonies as they’ve kept on coming. Our prayers are with all those whose lives have been deeply affected.

So. On with our countdown, ranked from awfullest to awesomest, name-checking which service had them at the time. Some have migrated to different services since then…

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Indianapolis Man Watches All 53 Academy Award Nominees, Receives Pat on Head from His Oscar Widow

Jon Batiste on stage at Carnegie Hall, viewed from behind as he raises his arms toward an impressed audience.

Jon Batiste playing Carnegie Hall between awards ceremonies.

I am so, so tired. It’s been a loooong six weeks.

Previously on Midlife Crisis Crossover: Oscar Quest ’24 has dominated my head space and made me neglect numerous other overdue blogging projects. I’m pleased to report I’m at long last finished: I’ve seen all 38 nominated features and all 15 shorts, marking my first-ever 100% achievement of completing my OQ24 scorecard before the big ABC ceremony. I don’t watch sports, so the Oscars are my Super Bowl, which makes me look weird to most folks in my circles. Nevertheless, once again my traditional hobby-journey was spellbinding, enlightening, maddening, exhausting fun.

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My Oscar Quest 2024 Quick-Start Scorecard

Cillian Murphy as J. Robert Oppenheimer in one of the black-and-white flashbacks. He's seated at a table, incredulous during testimony and reaching for his coffee mug.

“Now I am become Oscar, the booster of careers.”

Previously on Midlife Crisis Crossover: every winter is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture winner from Wings to Everything Everywhere All at Once, and every Best Picture nominee from 1987 to the present, many of which were worth the hunt. You take the good, you take the bad, and so on.

Starting in 2020 I upgraded to the Oscars Quest Expanded Challenge, in which I see how many nominees I can watch in all categories before the big ceremony. Thanks to the expansion of streaming services I’ve seen every Oscar-nominated feature and short for the years 2021 and 2022, even in minor categories like Best Original Song. I enjoyed surprises and suffered regrets. Sometimes I have to wait for smaller nominees to arrive at the art-house theaters here in Indianapolis. Sometimes I luck out and they’re on our subscribed streaming services of choice. Sometimes I go for a streaming rental. In extreme cases a Redbox disc rental might be warranted. I go wherever the Quest takes me.

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2023 at the Movies at My House

Jessie Buckley and Riz Ahmed sit expectantly on the floor in front of a wall-mounted microwave. Two of her fingers are bandaged.

Time once more to gather the family ’round the appliance of your choice!

Previously on Midlife Crisis Crossover: : in 2023 I made 24 trips to the theater to see films made that same year. Meanwhile at home, I kept up with select new releases depending on what was conveniently available through our family’s streaming subscriptions, what sounded most watchable, and/or what felt like potential future Oscar nominees that should be gotten over with in advance to ease my annual Oscar Quest time crunch. For value-added fun, as an anniversary gift from my lovely wife Anne we now have Amazon Prime, which expanded our options without expanding my available TV free time. I did what I could within the time slots allotted.

Hence the fourth annual installment of the MCC tradition borne of the pandemic: a ranking of all the brand new films I saw on comfy, convenient home video in their year of release. Sure, they could’ve been 24 separate entries written in real time as I consumed them, but that’s not how I roll. The Academy Award nominations announcement is coming up January 23rd, which I’ve been keeping in the back of my mind as the deadline for this listicle, so that incentive to get these done clearly worked. On with the countdown!

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“The Crown” Season 6: All Ten Episodes Ranked According to a Guy Who Learned UK History Along the Way

Imelda Staunton as Queen Elizabeth II dressed in white, standing in Westminster Abbey and contemplating the future. Hanging back on either side of her are Olivia Colman and Claire Foy, each in black as their respective Elizabeths from previous seasons.

Lilibet 1, Lilibet 2, and Lilibet 3 ponder the final fate of the Queen-Verse.

Previously on Midlife Crisis Crossover: at the start of the pandemic my wife Anne and I binged the first three seasons of Netflix’s The Crown, soon caught up with the rest of fandom, and kept up ever after. One slight hitch: while Anne is a major history aficionado, that was never my forte, especially not the story of Queen Elizabeth II and her subjects, some of whom were her own trod-upon relatives:

Compared to my blissfully ignorant self, Anne is far more knowledgeable of history in general and British royalty in particular. My interest in their reigning family went dormant for decades beginning on the morning of July 29, 1981, when my family woke up at 5 a.m. — over summer vacation, mind you — to watch Prince Charles marry Princess Diana, two strangers I knew only as frequent costars of my mom’s favorite tabloids. Their wedding lasted approximately six days and was performed in slow motion with British golf commentators prattling through the lengthy silences in between the happenstances of nothingness. For the next 15-20 years I retained nothing of British history apart from their role as the Big Bad in the American Revolution. Frankly, I’ve learned more about their country’s storied past from my wife and from Oscar-nominated movies than I ever did from school. Sad, unadorned truth.

So far I’ve enjoyed “The Crown” anyway, and understood most of what’s gone on…

We watched along as new episodes were released. I tracked our viewing with listicle rankings of season 4 and season 5. Not only were we enjoying the show enough for me to want to write about it, but all three entries also generated unexpectedly massive traffic, sometimes even dwarfing our comic-con cosplay galleries. (As I’m writing this, the Season 5 entry is still one of last week’s Top 3 posts.) I grumbled when Netflix made the very AMC-esque decision to split the sixth and final season into two parts, leading off with a four-episode miniseries-within-a-series covering The Death of Di. I understood the reasons (i.e., they were a self-contained story and Everyone Loves Princess Diana), but I felt the quartet didn’t justify a minuscule listicle. So I broke from the format and stretched my thoughts into a different sort of list. No one cared.

Looks like it’s listicle time again!

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“The Crown” Season 6, Part 1: Who Killed Princess Diana the Most?

Princess Diana seated at a black piano with a hesitant expression. The open lid is shiny enough to contain her reflection, tilted 90 degrees widdershins. At upper right is the Netflix logo.

“It seems to Elton I lived my life like a candle in the wind…”

Previously on Midlife Crisis Crossover:

At the start of the pandemic my wife Anne and I binged the first three seasons of Netflix’s The Crown and soon caught up with the rest of fandom. One slight hitch: while Anne is a major history aficionado, that was never my forte. Compared to my blissfully ignorant self, Anne is far more knowledgeable of history in general and British royalty in particular. Frankly, I’ve learned more about their country’s storied past from my wife and from Oscar-nominated movies than I ever did from school. So far I’ve enjoyed anyway, and understood most of what’s gone on…

After catching up on the first three seasons in one mid-quarantine lump sum, followed by focused listicles for Season Four and Season Five respectively as they debuted…here we go again! Creator Peter Morgan and returning directors Christian Schwochow and Alex Gabassi bring us the first three-fifths of season 6, a four-part arc devoted to the biggest elephant among Buckingham Palace’s numerous elephant-filled rooms: the Death of Di. (Spoilers ahead. You probably know the ins and outs of her tragedy better than I do, but a few show-specific artifices will come into play.)

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All Five “Black Mirror” Season 6 Episodes Ranked

A pale young filmmaker and his cooler girlfriend boggle at an open laptop.

Down in the dales of “Loch Henry” everyone gathers ’round the ol’ viewing device for another round of tales of terror.

Previously on Midlife Crisis Crossover: four years ago I finally took the plunge into Charlie Brooker’s Black Mirror dystopunk series well after the rest of the world had already finished it and moved on. I wrote an untimely listicle seven episodes into my binge, more of a writing exercise than a useful post, but never circled back around once I’d finished everything available, up to and including the gamified “Bandersnatch”, which to this day remains the only feature-length I’ve ever watched entirely on my phone. (A clever experiment, granted, but our TV is large and current-gen enough that I hate watching anything longer than a .gif on a screen the size of a deck of cards.)

In their vast selfishness, Netflix released Season 6 a week before Anne and I went on vacation. I had time for only one episode before takeoff, made time for one more while we were out of town and supposed to be relaxing together (edgy bleakness is not her thing), and sped through the rest after we returned home. Now I’m caught up with the BM fandom that’s only two weeks ahead of me this time.

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The MCC 2023 Oscar-Nominated Short Film Revue

Two stop-motion puppets: a puzzled office worker looks weirdly at his calm, seated coworker who may not be real.

Just another day at the office…OR IS IT?

Each year since 2009 (except for 2021’s pandemic lockdown marathon) I’ve paid visits to Keystone Art Cinema, the oldest surviving art-film theater in Indianapolis, to view the big-screen releases of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but I appreciate the opportunities to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether I agree with their collective opinions or not. This year my wife and adult son also accompanied me on the journey even though my annual Oscar Quest is not their problem.

Since 2019 I’ve also assigned myself the extra-credit activity of catching as many nominees for Best Documentary Short Film as possible, depending on their availability online. But first up: my rankings of this year’s five Best Animated Short Film nominees, once again a mixed bag. For the second year in a row, the five nominees ran so long that no “Highly Commended” runners-up were packaged with the program. Links are provided where available in non-bootlegged form.

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2022 at the Movies at My House

Halle Berry and Patrick Wilson as astronauts just standing there looking pained.

Live footage of Halle Berry and Patrick Wilson exiled off-planet as punishment for costarring in Moonfall.

Previously on Midlife Crisis Crossover: in 2022 I made 18 trips to the theater to see films made that same year. Though I’ve tried to get back out there with my vaccines and my restlessness and whatnot, more often than not the motivation level still wasn’t quite where it used to be. As a sort of compromise, in the year’s back half I tried to overcompensate and catch up with 2022 through our various streaming subscriptions and a smattering of Redbox rentals. We don’t have HBO Max or Amazon Prime, but I nevertheless watched plenty by estimation, enough to present the third annual installment of the MCC tradition borne of the pandemic: a ranking of all the brand new films I saw on comfy, convenient home video in their year of release.

Whittling away any and every film with a pre-2022 release date, our living room hosted 28 films in 2022 that fit the specific parameters for this list. We’re not far away from the Oscars’ nominations announcement on January 24th, which for weeks I’ve been keeping in the back of my mind as the deadline for this listicle, so…on with the countdown!

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“The Crown” Season 5: All Ten Episodes Ranked According to a Guy Who Was Never All That Attached to Princess Diana

Elizabeth Debicki and Salim Daw at a horsing exhibition in episode 3 of The Crown season 5, "Mou-Mou".

Princess Diana (Elizabeth Debicki) and Mohamed Al-Fayed (Salim Daw) enjoy themselves a little too much in the Royal Penalty Box.

Previously on Midlife Crisis Crossover: at the start of the pandemic my wife Anne and I binged the first three seasons of Netflix’s The Crown and soon caught up with the rest of fandom. One slight hitch: while Anne is a major history aficionado, that was never my forte, especially not the story of Queen Elizabeth II and her subjects, some of whom were her own trod-upon relatives:

Compared to my blissfully ignorant self, Anne is far more knowledgeable of history in general and British royalty in particular. My interest in their reigning family went dormant for decades beginning on the morning of July 29, 1981, when my family woke up at 5 a.m. — over summer vacation, mind you — to watch Prince Charles marry Princess Diana, two strangers I knew only as frequent costars of my mom’s favorite tabloids. Their wedding lasted approximately six days and was performed entirely in slow motion with British golf commentators prattling through the lengthy silences in between the happenstances of nothingness. For the next 15-20 years I retained nothing of British history apart from their role as the Big Bad in the American Revolution. Frankly, I’ve learned more about their country’s storied past from my wife and from Oscar-nominated movies than I ever did from school. Sad, unadorned truth.

So far I’ve enjoyed The Crown anyway, and understood most of what’s gone on…

I found myself so entertained by Peter Morgan’s principally fictional creation that I was compelled to compile my ten favorite episodes of those first three seasons based on my own finicky and sometimes underschooled impressions. That listicle unexpectedly became this site’s most popular entry of 2020 for lack of competition during an unprecedentedly sedentary year. Naturally I was compelled to post follow-ups as they happened — a sequel listicle for season 4 and a recount of that time on Labor Day weekend 2021 when we attended a Dragon Con fan panel about the show but suppressed our responses and ripostes behind our sweaty pop-culture COVID masks in a rather Royal Family manner.

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A Dream Journal, As It Were: Too Many Thoughts on “The Sandman” Season 1

Tom Sturridge IS the Sandman!

Remember, kids: don’t dream angry!

I was in high school when The Sandman #1 hit comic shop shelves in the fall of 1988. Springing forth from the mind of Neil Gaiman, whom I chiefly knew from Miracleman and Black Orchid, it was unlike anything I’d read before in comics or other media, and was a must-buy over the next seven years — through its transition to DC Comics’ subsequently inaugurated Vertigo line, in its rise to alt-culture superstardom, and even during some of the least favorite parts of my life. The Sandman lasted longer in my life than I lasted in college. I still have all 75 issues, the special with Orpheus’ story, the two Death miniseries, the lovely hardcover edition of my favorite arc (Season of Mists), and some (not all) of the other ensuing spinoffs. (Of most recent vintage, I loved the Gaiman-approved two-issue crossover with Locke and Key, which may have meant more to fans of the latter but contained key prequel scenes to the world of Dream, including front row seats to the fall of Lucifer.)

I rarely allow myself high expectations for anything anymore, but The Sandman left a deep enough mark on my psyche that I insisted the all-new Netflix adaptation — closely supervised by Gaiman — simply had to be The Greatest Netflix Show of All Time. Nothing less would do. The jury’s out on that for now, but after having watched all ten episodes within a 21-hour span (with wasteful intermissions for sleep and life, not necessarily in that order), I can enthusiastically say for now it’ll do. It’ll very much do.

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2021 at the Movies at My House

Jamie Curtis in Halloween Kills!

Who among us hasn’t felt as stressed out as Laurie Strode lately?

Previously on Midlife Crisis Crossover: in 2021 I made 22 trips to the theater to see films made that same year. The year before, the pandemic thoroughly quashed the moviegoing experience and shrank my annual year-in-review entry to a mere four entrants, which barely counted as a “list” and convinced me to start a new, separate annual MCC tradition: a ranking of all the brand new films I saw on comfy, convenient home video in their year of release.

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Oscars Quest 2021: All the Other Viewing I Could Fit In Before the Big Event

Promising Young Woman, Carey Mulligan

Do you…like to watch?

Previously on Midlife Crisis Crossover:

It’s that time again! Longtime MCC readers know this time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1988 to the present, many of which were worth the hunt. The eight nominees for Best Picture of the Pandemic Year may pose more of a viewing challenge…

Whenever I’ve been away from here over the past six weeks, I was either hiding out in Skyrim again, getting a good night’s sleep because I’m needing those more than ever, or seeing how many of this year’s Oscar nominees I could watch. Many were on streaming services to which I already subscribe. Two were released on Redbox for us old folks who like physical media. Some were available for rental on Vudu or YouTube, though those were lowest priority. Five nominees were sadly, annoyingly beyond my grasp on services not in our household (three were exclusive to Amazon Prime, two to Apple TV). Otherwise, I was willing to let myself get carried away. I arguably did.

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The MCC 2021 Oscar-Nominated Documentary Revue

Ann Cupolo Freeman from "Crip Camp".

Retired social worker and physical rehab specialist Ann Cupolo Freeman, among the many campers who grew up to become activists in Netflix’s Crip Camp.

Previously on Midlife Crisis Crossover:

It’s that time again! Longtime MCC readers know this time of year is my annual Oscar Quest, during which I venture out to see all Academy Award nominees for Best Picture, regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family have ever heard of them. I’ve seen every Best Picture nominee from 1988 to the present, many of which were worth the hunt. The eight nominees for Best Picture of the Pandemic Year may pose more of a viewing challenge…

In my youth and young-adulthood, seeing any of the Oscar-nominated documentaries before the ceremonies was usually impossible. Or after the ceremonies, for that matter. Streaming media changed the game and broadened access and opportunities for ordinary viewers even before the pandemic turned the convenience into a lifesaver. I’ve yet to enjoy a year in which all the nominees for Best Documentary Short Film or Best Documentary Feature were universally clickable, but the percentages have been generously high. It’s been fun seeing how many I could chase down legally without overpaying for the privilege.

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2020 at the Movies at My House

Tom Hardy as Al Capone.

If Tom Hardy is determined to play only inaudible characters from now on, might I suggest he grab a corncob pipe and reboot Popeye?

Previously on Midlife Crisis Crossover: I saw four (4) whole movies in theaters in 2020, the Purgatory That Only Pretended to Be a Year on the Calendar. For those of us who didn’t live cocky, selfish lives, home video was our best possible escape hatch into other worlds, a lifeline out of this farcical fiasco of a reality, and our safest way to take a scenic cross-country walk in other shoes. And walk I did.

I don’t usually rank my home video viewing. I’d stopped keeping track of all that years ago because my posts about home video arrive with stats DOA. In 2020 I felt moved to devote full entries to a few key works, but by and large I watched them, I processed my feelings, I shut up, and I saved it for later. At long last, later is now.

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“The Crown” Season 4: All Ten Episodes Ranked According to a Guy Who Barely Knows Royal Family Stuff

Olivia Colman as Queen Elizabeth!

Queen Olivia Colman looks upon Margaret Thatcher and just doesn’t know what to make of her.

Previously on Midlife Crisis Crossover: last spring my wife Anne and I binged the first three seasons of Netflix’s The Crown and soon caught up with the rest of fandom. One slight hitch: while Anne is a major history aficionado, that was never my forte, especially not the story of Queen Elizabeth II and her ruled subjects, some of whom are incidentally also her family:

Compared to my blissfully ignorant self, Anne is far more knowledgeable of history in general and British royalty in particular. My interest in their reigning family went dormant for decades beginning on the morning of July 29, 1981, when my family woke up at 5 a.m. — over summer vacation, mind you — to watch Prince Charles marry Princess Diana, two strangers I knew only as frequent costars of my mom’s favorite tabloids. Their wedding lasted approximately six days and was performed entirely in slow motion with British golf commentators prattling through the lengthy silences in between the happenstances of nothingness. For the next 15-20 years I retained nothing of British history apart from their role as the Big Bad in the American Revolution. Frankly, I’ve learned more about their country’s storied past from my wife and from Oscar-nominated movies than I ever did from school. Sad, unadorned truth.

So far I’ve enjoyed The Crown anyway, and understood most of what’s gone on…

Season four may be its best yet. Olivia Colman gets comfy enough to have fun on the throne, Tobias Menzies bemuses and is bemused from the sidelines (for a while, anyway), Helena Bonham Carter selectively empathizes with other outsiders in their own skewed orbits, and Josh O’Connor triples his screen time as Prince Charles, the put-upon whiner who thinks he’s aged into a thwarted hero, doesn’t see himself becoming the villain. They’ve managed to survive into those lovable ’80s, when two new names emerged to take places for themselves in the British pantheon. Gillian Anderson transforms into Margaret Thatcher, the uncompromising Prime Minister who inspired thousands of destitute punk bands and numerous low-budget films about the political rage and hopelessness she instilled; and Emma Corrin (Pennyworth) as young Diana Spencer, who inspired thousands of tabloid reporters, paparazzi, impressionable little girls, and fabulous fashion mavens.

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Just watched all 103 episodes of “Person of Interest” in 30 days, AMA

Person of Interest!

“You are being watched,” said I to Our Heroes.

Once upon a time in 2011 I was in the mood to follow a TV show on CBS, of all channels — Person of Interest, the latest project from Jonathan Nolan, best known for writing or co-writing many of his brother Christopher’s films. The first seven episodes were one part above-average hard-boiled CBS procedural, one part very-near-future SF drama. Then the show began skipping weeks, returned without notice, and skipped more weeks. When I realized new episodes were airing, catching up was impossible because some miserly executive forbade it from being available On Demand, on CBS.com, or anywhere else for streaming after the fact. I gave up on following along as it aired, but vowed I’d catch up one day when the time was right.

At the end of 2013 our household joined the Netflix achievers. I added PoI to my queue as soon as I saw it was available, and looked forward to catching up at long last.

Then, because I’m old and forgetful and surround myself with far too many hobbies and to-do lists and internet distractions, seven years blinked by.

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